"One of the major works in the development of contemporary criticism and philosophy." -- J. Hillis Miller, Yale University Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960s, forever changed the face of European and American criticism. The ideas in De la grammatologie sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years (...) later, the immense influence of Derrida's work is still igniting controversy, thanks in part to Gayatri Spivak's translation, which captures the richness and complexity of the original. This corrected edition adds a new index of the critics and philosophers cited in the text and makes one of contemporary criticism's most indispensable works even more accessible and usable. (shrink)

The Agricola of Tacitus differs from other surviving biographies of antiquity. It exhibits some features more characteristic of an oration, yet the preface and composition of the biography as a whole recall Sallust's Iugurtha and Catiline. Then, the central biographical section of the work is interrupted by an excursus on the geography and peoples of Britain, and an historical outline of the Roman occupation of the island. It has been argued that the style of these chapters would be more appropriate (...) to history than to biography, and this same historical style recurs in the pair of commanders' speeches which precede the account of the battle of Mons Graupius. (shrink)

The Agricola of Tacitus differs from other surviving biographies of antiquity. It exhibits some features more characteristic of an oration, yet the preface and composition of the biography as a whole recall Sallust's Iugurtha and Catiline. Then, the central biographical section of the work is interrupted by an excursus on the geography and peoples of Britain, and an historical outline of the Roman occupation of the island. It has been argued that the style of these chapters would be more appropriate (...) to history than to biography, and this same historical style recurs in the pair of commanders' speeches which precede the account of the battle of Mons Graupius. (shrink)

The decadence and depravity of the ancient Romans are a commonplace of serious history, popular novels and spectacular films. This book is concerned not with the question of how immoral the ancient Romans were but why the literature they produced is so preoccupied with immorality. The modern image of immoral Rome derives from ancient accounts which are largely critical rather than celebratory. Upper-class Romans habitually accused one another of the most lurid sexual and sumptuary improprieties. Historians and moralists lamented the (...) vices of their contemporaries and mourned for the virtues of a vanished age. Far from being empty commonplaces these assertions constituted a powerful discourse through which Romans negotiated conflicts and tensions in their social and political order. This study proceeds by a detailed examination of a wide range of ancient texts (all of which are translated) exploring the dynamics of their rhetoric, as well as the ends to which they were deployed. Roman moralising discourse, the author suggests, may be seen as especially concerned with the articulation of anxieties about gender, social status and political power. Individual chapters focus on adultery, effeminacy, the immorality of the Roman theatre, luxurious buildings and the dangers of pleasure. This book should appeal to students and scholars of classical literature and ancient history. It will also attract anthropologists and social and cultural historians. (shrink)