In der Vorlesung des Sommersemesters 1927 unter dem Titel Die Grundprobleme der Phanomenologie nimmt Martin Heidegger eine Neue Ausarbeitung des 3. Abschnitts des I. Teiles von 'Sein und Zeit' in Angriff. Der Gesamtbestand der Grundprobleme der Phanomenologie in ihrer Systematik und Begrundung besteht in der Diskussion der Grundfrage nach dem Sinn von Sein uberhaupt und der aus ihr entspringenden Probleme. Die so gekennzeichnete Thematik von Zeit und Sein wird auf dem Umweg einer phanomenologischen Erorterung von vier geschichtlichen Thesen uber das (...) Sein behandelt. Die phanomenologisch-kritische Diskussion dieser Thesen fuhrt zu der Einsicht, dass allem zuvor die Grundfrage nach dem Sinn von Sein uberhaupt beantwortet sein muss, um die aus den vier geschichtlichen Thesen herausgeschalten vier Grundprobleme in zureichender Weise systematisch ausarbeiten zu konnen. Wer Sein und Zeit als einen Weg zur Ausarbeitung der Seinsfrage uberhaupt als dem Ziel studiert, bleibt auf Die Grundprobleme der Phanomenologie verwiesen. (shrink)

This work, the text of Martin Heidegger's lecture course of 1929/30, is crucial for an understanding of Heidegger's transition from the major work of his early years, Being and Time, to his later preoccupations with language, truth, and ...

Martin Heidegger’s 1942 lecture course interprets Friedrich Hölderlin’s hymn "The Ister" within the context of Hölderlin’s poetic and philosophical work, with particular emphasis on Hölderlin’s dialogue with Greek tragedy.

This is the first time that a seminal collection of fourteen essays by Martin Heidegger (originally published in German under the title Wegmarken) has appeared in English in its complete form. It includes new or first-time translations of seven essays, and thoroughly revised, updated versions of the other seven. Amongst the new translations are such key essays as 'On the Essence of Ground', 'Hegel and the Greeks' and 'On the Question of Being'. Spanning a period from 1919-1961, these essays have (...) become established points of reference for all those with a serious interest in Heidegger. Now collected for the first time in translations by an experienced Heidegger translator and scholar, they will prove an essential resource for all students of Heidegger. (shrink)

There are moments when things suddenly seem strange - objects in the world lose their meaning, we feel like strangers to ourselves, or human existence itself strikes us as bizarre and unintelligible. Through a detailed philosophical investigation of Heidegger's concept of uncanniness (Unheimlichkeit), Katherine Withy explores what such experiences reveal about us. She argues that while others (such as Freud, in his seminal psychoanalytic essay, 'The Uncanny') take uncanniness to be an affective quality of strangeness or eeriness, Heidegger uses the (...) concept to go beyond feeling uncanny to reach the ground of this feeling in our being uncanny. -/- "Heidegger on Being Uncanny" answers those who wonder whether human existence is fundamentally strange to itself by showing that we can be what we are only if we do not fully understand what it is to be us. This fundamental finitude in our self-understanding is our uncanniness. In this first dedicated interpretation of Heidegger's uncanniness, Withy tracks this concept from his early analyses of angst through his later interpretations of the choral ode from Sophocles's Antigone. Her interpretation uncovers a novel and robust continuity in Heidegger's thought and in his vision of the human being as uncanny, and it points the way toward what it is to live well as an uncanny human being. (shrink)

Introduction : facets of the alien -- The human as a liminal being -- Between pathos and response -- Response to the alien -- Corporeal experience between selfhood and otherness -- Thresholds of attention -- Between cultures.

Thomas Sheehan and Richard E. Palmer The materials translated in the body of this volume date from 1927 through 1931. The Encyclopaedia Britannica Article and the Amsterdam Lectures were written by Edmund Hussed (with a short contribution by Martin Heideg ger) between September 1927 and April 1928, and Hussed's marginal notes to Sein und Zeit and Kant und das Problem der Metaphysik were made between 1927 and 1929. The appendices to this volume contain texts from both Hussed and Heidegger, and (...) date from 1929 through 1931. As a whole these materials not only document Hussed's thinking as he approached retirement and emeri tus status (March 31, 1928) but also shed light on the philosophical chasm that was widening at that time between Hussed and his then colleague and protege, Martin Heidegger. 1. The Encyclopaedia Britannica Article Between September and early December 1927, Hussed, under contract, composed an introduction to phenomenology that was to be published in the fourteenth edition ofthe Encyclopaedia Britannica (1929). Hussed's text went through four versions (which we call Drafts A, B, C, and D) and two editorial condensations by other hands (which we call Drafts E and F). Throughout this volume those five texts as a whole are referred to as "the EB Article" or simply "the Article. " Hussed's own final version of the Article, Draft D, was never published of it appeared only in 1962. (shrink)

»Selten hat in den neueren Jahrhunderten ein philosophischer Erstling so durchgeschlagen und einen so unverrückbaren Platz unter den >großenHans Georg Gadamer in DIE ZEIT Nr. 47 vom 19.11.1982.

'... diese 'Einführung in die Metaphysik' [ist] echte Einführung in Heidegger... keines der Werke Heideggers [ist] so lebendig zu lesen und so unmittelbar aufzufassen...' Universitas 4 (1954) 'Unter dem Titel dieser Vorlesung aus dem Jahre 1935 verbirgt sich in Wirklichkeit eine große Auseinandersetzung mit den Grundlagen unserer planetarischen Situation.' Süddeutsche Zeitung vom 7./8.11.1953.

There are two phrases in Heidegger's Sein und Zeit that provide a clue to what is going on in that book: Dasein ist geworfener Entwurf and Dasein existiert faktisch (Dasein is thrown projection and Dasein exists factically). I begin by trying to show how an interpretation of these phrases can help clarify Heidegger's philosophical claim about what it means to be human. I then try and explain why it is that, in a couple of important passages in Sein und Zeit, (...) Heidegger describes thrown projection as an enigma (ein Rätsel). After considering the meaning and etymology of the word ‘enigma’, I trace its usage in Sein und Zeit, and try and show how and why the relations between Heidegger's central conceptual pairings – state‐of‐mind (Befindlichkeit) and understanding (Verstehen), thrownness and projection, facticity and existentiality – are described by Heidegger as enigmatic. My thesis is that at the heart of Sein und Zeit, that is, at the heart of the central claim of the Dasein‐analytic as to the temporal character of thrown‐projective being‐in‐the‐world, there lies an enigmatic apriori. That is to say, there is something resiliently opaque at the basis of the constitution of Dasein's being‐in‐the‐world which both resists phenomenological description and which, I shall claim, is that in virtue of which the phenomenologist describes. In the more critical part of the paper, I try and show precisely how this notion of the enigmatic apriori changes the basic experience of understanding Sein und Zeit. I explore this in relation to three examples from Division II: death, conscience and temporality. I try and read Heidegger's analyses of each of these concepts against the grain in order to bring into view much more resilient notions of facticity and thrownness that place in doubt the move to existentiality, projection and authenticity. The perspective I develop can be described as originary inauthenticity. As should become evident, such an interpretation of Sein und Zeit is not without political consequences. (shrink)