Gilles Deleuze is perhaps best known for his influential works in philosophical interpretation, ; epistemology ; metaphysics ; and political economy. Because he never devoted an individual work to the subject of ethics, some scholars have assumed that Deleuze did not write about it, which explains in part why so few have directly addressed the ethical dimension of Deleuze's philosophy. Concepts such as ethics, values, and normativity however play a crucial - if subtle and easily overlooked - role in Deleuze's (...) overall philosophical project. The essays in this collection explore, uncover, and trace the ethical dimension of Deleuzian philosophy along diverse trajectories and, in so doing, endeavour to reclaim that philosophy as moral philosophy. (shrink)

In his writing, Gilles Deleuze drew on a vast array of source material, from philosophy and psychoanalysis to science and art. Yet scholars have largely neglected one of the intellectual currents underlying his work: Western esotericism, specifically the lineage of hermetic thought that extends from Late Antiquity into the Renaissance through the work of figures such as Iamblichus, Nicholas of Cusa, Pico della Mirandola, and Giordano Bruno. In this book, Joshua Ramey examines the extent to which Deleuze's ethics, metaphysics, and (...) politics were informed by, and can only be fully understood through, this hermetic tradition. Identifying key hermetic moments in Deleuze's thought, including his theories of art, subjectivity, and immanence, Ramey argues that the philosopher's work represents a kind of contemporary hermeticism, a consistent experiment in unifying thought and affect, percept and concept, and mind and nature in order to engender new relations between knowledge, power, and desire. By uncovering and clarifying the hermetic strand in Deleuze's work, Ramey offers both a new interpretation of Deleuze, particularly his insistence that the development of thought demands a spiritual ordeal, and a framework for retrieving the pre-Kantian paradigm of philosophy as spiritual practice. (shrink)

The concept of dramatization represents a rhetorical and conceptual tension in Deleuze's philosophy in that it refers both to autopoietic ontological processes and to a critical philosophical method. Commentators are wont to refer to either one or the other, saying little about how or if these two fundamentally distinct usages can be thought together; that is what we aim to do here. By unravelling the conceptual transformations of the term, we can gain an appreciation for the double characterisation of dramatization (...) and its centrifugal nature. We begin with the hypothesis that dramatization is linked to actualisation in the first sense and counteractualisation in the second. The fundamental question that we would like to address is: how are these two views to be reconciled? Addressing this question leads us to the conclusion that dramatization becomes an ethical imperative for philosophical subjects to perform certain philosophical exercises, that is, to become worthy of the event. The particular philosophical exercise that is emphasised is the dramatization of a paradoxical thought of death. Ultimately, we suggest that dramatization can be galvanised for both an emancipatory politics and an ethico-aesthetic life practice. (shrink)

Considered one of the most important works of one of France's foremost philosophers, and long-awaited in English, "The Logic Of Sense" is an essay in literary and psychoanalytic theory, and philosophy, and helps to illuminate such works as "Anti-Oedipus".

This volume is a wonderful introduction to Foucault and a testimony to the deep humanity of the man himself.

Suggests an open system of psychological exploration to cut through accepted norms of morality, language, and politics.

A searing personal record of spiritual and communal crisis, wherein the death of god announces the beginning of friendship.

A Philosophy to Live By highlights Murdoch's distinctive conception of philosophy as a spiritual or existential practice and enlists the resources of her thought to explore a wide range of thinkers and debates at the intersections of moral philosophy, religion, art, and politics.

As the price of oil climbs toward $100 a barrel, our impending post-fossil fuel future appears to offer two alternatives: a bleak existence defined by scarcity and sacrifice or one in which humanity places its faith in technological solutions with unforeseen consequences. Are there other ways to imagine life in an era that will be characterized by resource depletion? The French intellectual Georges Bataille saw energy as the basis of all human activity--the essence of the human--and he envisioned a society (...) that, instead of renouncing profligate spending, would embrace a more radical type of energy expenditure: la depense , or "spending without return." In Bataille's Peak , Allan Stoekl demonstrates how a close reading of Bataille--in the wake of Giordano Bruno and the Marquis de Sade-- can help us rethink not only energy and consumption, but also such related topics as the city, the body, eroticism, and religion. Through these cases, Stoekl identifies the differences between waste, which Bataille condemned, and expenditure, which he celebrated. The challenge of living in the twenty-first century, Stoekl argues, will be to comprehend--without recourse to austerity and self-denial--the inevitable and necessary shift from a civilization founded on waste to one based on Bataillean expenditure. Allan Stoekl is professor of French and comparative literature at Penn State University. He is the author of Agonies of the Intellectual: Commitment, Subjectivity, and the Performative in the Twentieth-Century French Tradition and translator of Bataille's Visions of Excess: Selected Writings, 1927-1939 (Minnesota, 1985). (shrink)

Long recognized in France as a central figure in French cultural thought, the range and significance of Batille's ideas are now being grasped in the English speaking world. His influence on Derrida, Foucault, Kristeva and Baudrillard is now more clearly understood and Bataille has emerged as a front-rank cultural theorist who posed questions and paradoxes that were extraordinarily prescient. This book offers a comprehensive and detailed presentation and analysis of the full range of his writings - political, philosophical, aesthetic, literary, (...) anthropological and cultural. And tackles his thoughts on waste, sacrifice, death, eroticism, surplus, ecstasy and drunkenness, offering the best available guide to this challenging and utterly unique thinker. (shrink)

This is a clear and concise guide to the life and work of the French intellectual Georges Bataille, best known as the author of the celebrated erotic novel, The Story of the Eye. Benjamin Noys introduces Bataille as a writer out of step with the dominant intellectual trends of his day - surrealism and existentialism - and shows that it was his very marginality that accounted in large part for his subsequent importance for the post-structuralists and the counterculture, in Europe (...) and in the United States. Treating Bataille’s work as a whole rather than focusing, as other studies have done, on aspects of his work, Noys’ study is intended to be sensitive to the needs of students new to Bataille’s work while at the same time drawing on the latest research on Bataille to offer new interpretations of Bataille’s oeuvre for more experienced readers. This is the first clear, introductory reading of Bataille in English - challenging current reductive readings, and stressing the range of disciplines affected by Bataille’s work, at a time when interest in Bataille is growing. (shrink)

“ S pace, K no w l edge and P o w e r ” , en tr ev i s t a r ea l i z a d a en 1982 y pub li cada en P aul R ab i no w , The Foucau l t R eade r , N ueva Y o r k, 1984. A quí se pub li ca de acue r do a l a ve r s i ón f r (...) ancesa, t r aduc i da por P ab l o Bli t s t e i n y Tadeo L im a. (shrink)