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  1. Rewriting the Constitution: A Critique of ‘Postphenomenology’.Dominic Smith - 2015 - Philosophy and Technology 28 (4):533-551.
    This paper builds a three-part argument in favour of a more transcendentally focused form of ‘postphenomenology’ than is currently practised in philosophy of technology. It does so by problematising two key terms, ‘constitution’ and ‘postphenomenology’, then by arguing in favour of a ‘transcendental empiricist’ approach that draws on the work of Foucault, Derrida, and, in particular, Deleuze. Part one examines ‘constitution’, as it moves from the context of Husserl’s phenomenology to Ihde and Verbeek’s ‘postphenomenology’. I argue that the term tends (...)
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  • Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales.Steven Shaviro - 2010 - Film-Philosophy 14 (1):1-102.
    This essay explores the 'structure of feeling' that is emerging today in tandem with new digital technologies, together with economic globalisation and the financialisation of more and more human activities. The 20th century was the age of film and television; these dominant media shaped and reflected our cultural sensibilities. In the 21st century, new digital media help to shape and reflect new forms of sensibility. Movies (moving image and sound works) continue to be made, but they have adopted new formal (...)
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  • The Deleuzian Revolution: Ten Innovations in Difference and Repetition.Daniel W. Smith - 2020 - Deleuze and Guatarri Studies 14 (1):34-49.
    Difference and Repetition might be said to have brought about a Deleuzian Revolution in philosophy comparable to Kant’s Copernican Revolution. Kant had denounced the three great terminal points of traditional metaphysics – self, world and God – as transcendent illusions, and Deleuze pushes Kant’s revolution to its limit by positing a transcendental field that excludes the coherence of the self, world and God in favour of an immanent and differential plane of impersonal individuations and pre-individual singularities. In the process, he (...)
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  • Jc Beall’s current and potential impact on the continental philosophy of non-classical logics.Corry Shores - 2023 - Asian Journal of Philosophy 2 (1):1-12.
    The continental philosophy of non-classical logics is a relatively new field that seeks to determine whether any aspects of certain continental philosophers’ thinking can be characterized in terms of non-classical logics. Some of the main figures that have been examined so far are Martin Heidegger, Jacques Derrida, Gilles Deleuze, and François Laruelle. Although many of these studies are grounded in the writings of Graham Priest, who wrote some of the seminal texts in the field, Jc Beall’s work also features prominently (...)
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  • Deleuze's Use of Kant's Argument from Incongruent Counterparts.Henry Somers-Hall - 2013 - Southern Journal of Philosophy 51 (3):345-366.
    The aim of this paper is to explore Deleuze's use of Kant's argument from incongruent counterparts, which Kant uses to show the existence of what he calls an “internal difference” within things. I want to explore how Deleuze draws out an important distinction between the concept and the Idea, and provides an incisive account of his relationship to both the Kantian and Leibnizian projects. First, I look at Kant's use of the argument to provide a refutation of the Leibnizian account (...)
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  • Genealogy and the Body: Foucault/Deleuze/Nietzsche.Scott Lash - 1984 - Theory, Culture and Society 2 (2):1-17.
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  • Aesthetic movements of embodied minds: between Merleau-Ponty and Deleuze.Kasper Levin - 2016 - Continental Philosophy Review 49 (2):181-202.
    Animating Maurice Merleau-Ponty’s phenomenological idea of the body as a pre-reflective organizing principle in perception, consciousness and language has become a productive and popular endeavor within philosophy of mind during the last two decades. In this context Merleau-Ponty’s descriptions of an embodied mind has played a central role in the attempts to naturalize phenomenological insights in relation to cognitive science and neuropsychological research. In this dialogue the central role of art and aesthetics in phenomenology has been neglected or at best (...)
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  • Toward a Social Ontology for Science Education: Introducing Deleuze and Guattari’s assemblages.Shakhnoza Kayumova & Jesse Bazzul - 2016 - Educational Philosophy and Theory 48 (3):284-299.
    This essay’s main objective is to develop a theoretical, ontological basis for critical, social justice-oriented science education. Using Deleuze and Guattari’s notion of assemblages, rhizomes, and arborescent structures, this article challenges authoritarian institutional practices, as well as the subject of these practices, and offers a way for critical-social justice-oriented science educators and students to connect with sociopolitical contexts. Through diagramming institutional and community relationships using DG’s theory of assemblages, we envision new ontological spaces that bridge social and material entities. A (...)
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  • Deforming the Figure: Topology and the Social Imaginary.Scott Lash - 2012 - Theory, Culture and Society 29 (4-5):261-287.
    Topology is integral to a shift in socio-cultural theory from a linguistic to a mathematical paradigm. This has enabled in Badiou and Žižek a critique of the symbolic register, understood in terms of pure conceptual abstraction. Drawing on topology, this article understands it instead in terms of the figure. The break with the symbolic and language necessitates a break with form, but topologically still preserves a logic of the figure. This becomes a process of figuration, indeed a process of `deformation'. (...)
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  • The Other in Deleuze and Husserl.Hamed Movahedi - 2021 - Dialogue 60 (1):93-120.
    There is no consensus regarding whether Gilles Deleuze offers a cogent theory of the Other. Deleuze develops the notion of the Other-structure, but given his scarce remarks on this concept, his treatment of this issue is debated. This article argues that to elucidate Deleuze's philosophy of the Other, his notion of the Other-structure must be analyzed in parallel to Edmund Husserl's intersubjective theory. This comparison, made possible by Natalie Depraz's reading of the Husserlian alterity, reveals nuanced phenomenological traces in Deleuze's (...)
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  • Lures, Slimes, Time: Viscosity and the Nearness of Distance.Brian McNely - 2019 - Philosophy and Rhetoric 52 (3):203-226.
    [Erratum] At evening, with the sun no longer overhead, the air developed a kind of viscosity in which time seemed to stand very still and the labyrinth of the city, no longer bisected by light and shade and unstirred by the afternoon breezes, appeared suspended in a kind of dream, paused in an atmosphere of extraordinary pallor and thickness.Contemporary rhetorical theory is in the midst of a new materialist turn. Things, sensations, affects, and ambience are seen as collectively forming the (...)
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  • Metaplasticity rendered visible in paint: How matter ‘matters’ in the lifeworld of Human action.Martyn Woodward - 2019 - Phenomenology and the Cognitive Sciences 18 (1):113-132.
    Recent theoretical and philosophical movements within the study of material culture are more carefully attending to the variety of ways in which human artefacts, institutions, and cultural developments extend, shape and alter human cognition over time. Material Engagement Theory in particular has set out to map, explore and understand the relational nature of mind and material world as can be read through cultural artefacts. Within the context of MET, the neurological concept of metaplasticity has been expanded to include the affective (...)
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  • The Triple Transformation: The Emergence of Philosophy in Deleuze and Guattari.Mathias Schönher - 2019 - Journal of Speculative Philosophy 33 (4):610-627.
    Philosophy emerged for the first time in ancient Greece and, according to Gilles Deleuze and Félix Guattari, it arose decisively with Plato through a triple transformation. Even today, the thought and creation of philosophy still require a triple transformation, despite the fact that the historical preconditions under which a philosopher pursues his or her task have changed since Greek antiquity. In this article, I introduce the concept of the triple transformation, which ensues from my examination of What is Philosophy?, the (...)
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  • Discourse or Figure? Postmodernism as a `Regime of Signification'.Scott Lash - 1988 - Theory, Culture and Society 5 (2-3):311-336.
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  • Rebelling against suffering in capitalism.Claudia Leeb - 2018 - Contemporary Political Theory 17 (3):263-282.
    In this article, I bring Marx and Adorno into conversation with affect theory to establish three points: First, an affective reading of the concepts of alienation and exploitation via Marx’s metaphor of the “vampire capital” explains how capitalism depletes raced, gendered, and sexed working class of their bodily and mental powers. Second, discussing these thinkers’ ideas in the context of the larger mind and body opposition revives attention to the body in contemporary political theory and exposes how the mind and (...)
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  • I—The Presidential Address: Being, Univocity, and Logical Syntax.A. W. Moore - 2015 - Proceedings of the Aristotelian Society 115 (1pt1):1-23.
    In this essay I focus on the idea of the univocity of being, championed by Duns Scotus and given prominence more recently by Deleuze. Although I am interested in how this idea can be established, my primary concern is with something more basic: how the idea can even be properly thought. In the course of exploring this issue, which I do partly by borrowing some ideas about logical syntax from Wittgenstein's Tractatus, I try to show how there can be dialogue (...)
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  • Abstract Time and Affective Perception in the Sonic Work of Art.Eleni Ikoniadou - 2014 - Body and Society 20 (3-4):140-161.
    The purpose of this article is to explore the concept of rhythm as enabling relations and thus as an appropriate mode of analysis for digital sound art installation. In particular, the article argues for a rhythmanalysis of the sonic event as a ‘vibrating sensation’ (Deleuze and Guattari) that incorporates the virtual without necessarily actualizing it. Picking up on notions such as rhythm, time, affect, and event, particularly through their discussion in relation to Susanne Langer’s work, I argue for the consideration (...)
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  • Responsibility before the World: Cinema, Perspectivism and a Nonhuman Ethics of Individuation.Andrew Lapworth - 2021 - Deleuze and Guattari Studies 15 (3):386-410.
    The recent ‘nonhuman turn’ in the theoretical humanities and social sciences has highlighted the need to develop more ontological modes of theorising the ethical ‘responsibility’ of the human in its relational encounters with nonhuman bodies and materialities. However, there is a lingering sense in this literature that such an ethics remains centred on a transcendent subject that would pre-exist the encounters on which it is called to respond. In this essay, I explore how Gilles Deleuze's philosophy offers potential opening for (...)
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  • Law, Diagram, Film: Critique Exhausted.Anne Bottomley & Nathan Moore - 2012 - Law and Critique 23 (2):163-182.
    What potential can be found in the work of Deleuze and Guattari for critical legal scholarship? The authors argue that their work can be deployed to re-think ‘critique’ by directly addressing the place and role of the ‘critic’. It is argued that the continued commitment to a stance of ‘resistance’ in CLS is underpinned by never-ending dualisms which, if not confronted and replaced, can only make CLS ever more redundant. The authors ask: ‘what is critique beyond the dualism of power (...)
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  • A travessia como gesto: o contacto com o ritmo vital e a experiência estética.Salomé Lopes Coelho - forthcoming - Rhuthmos.
    Este texto já apareceu em 2018 na Revista Dobra N° 2. Resumo : Manuel António Pina chamava-lhe isto porque não sabia o nome d'isto. Já eu venho escolhendo a precária, transitória e possivelmente redundante designação de “ritmo vital”. Escolher este nome não resulta de uma tentativa de definição, é antes uma decisão operatória que permite avançar e descolar a atenção do isto, para o gesto de contacto com esse isto – ritmo vital –, e a sua relação com a experiência (...)
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  • Bataille and Deleuze's Peculiar Askesis: Techniques of Transgression, Meditation and Dramatisation.Janae Sholtz - 2020 - Deleuze and Guattari Studies 14 (2):198-228.
    This article explores the ethical imperative to dramatise in the work of Georges Bataille and Gilles Deleuze, two of the most radical thinkers in twentieth-century philosophy, as a peculiar kind of askesis. Whereas askesis is often associated with asceticism or self-denial, in the sense of self-regulation and abstention, Bataille and Deleuze advocate training the self towards intensification of the liminal and extreme, which can rather be understood as a denial of self – its dissolution or laceration. Few attempts have been (...)
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  • Representation and Sensation—A Defence of Deleuze’s Philosophy of Painting.Henry Somers-Hall - 2016 - Journal of Aesthetics and Phenomenology 3 (1):55-65.
    Deleuze’s philosophy of painting can be seen to pose certain challenges to a phenomenological approach to philosophy. While a phenomenological response to Deleuze’s philosophy is clearly needed, I show in this article how an approach taken in a recent paper by Christian Lotz proves inadequate. Lotz argues that through Deleuze’s refusal to accept the place of representation in art, he is unable to distinguish art from decoration, or to give a coherent account of how the content of art can be (...)
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  • Body and world: The correlation between the virtual and the actual through phenomenological reflections via Merleau-Ponty and Deleuze.Irene Breuer - 2020 - Indo-Pacific Journal of Phenomenology 20 (1):e1863564.
    ABSTRACT The current article deals with the correlation between virtual and physical reality as they concern the body. The thesis of this article is that the lived body transposed into virtual reality becomes a body without organs in Deleuze’s terms, i.e. the lived body, a sensitive field of sensorial events immersed in a lived space, becomes a virtual body made up of intensities, of pure forces or magnitudes within a vector space, thereby losing its affective qualities. Furthermore, lived and virtual (...)
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  • Mapping Teacher-Faces.Greg Thompson & Ian Cook - 2012 - Studies in Philosophy and Education 32 (4):379-395.
    This paper uses Deleuze and Guattari’s concept of faciality to analyse the teacher’s face. According to Deleuze and Guattari, the teacher-face is a special type of face because it is an ’overcoded’ face produced in specific landscapes. This paper suggests four limit-faces for teacher faciality that actualise different mixes of signifiance and subjectification in a classroom in which individualisation and massifications are affected. Understanding these limit-faces suggests new ways to conceive the affects actualised in the classroom that are subjected to (...)
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  • Ontologically Interactive Painting: On Susan Rothenberg’s Three Heads.Caleb Faul - 2024 - Journal of the British Society for Phenomenology 55 (2):184-197.
    In this article, I argue that paintings are transformations of the perceptual world, transformations that the world itself elicits but does not determine, thus undercutting the subjective-objective divide in art. First, I describe Maurice Merleau-Ponty’s notion of institution, according to which sense develops only by changing, that is, by being taken up and coherently deformed. Next, I use this notion to argue that paintings develop the perceptual sense of the world by coherently deforming it. In other words, paintings are transformations (...)
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  • Stirb und Werde: The Creation of Thinking in Gilles Deleuze’s Philosophy.Torbjørn Eftestøl - 2016 - Cosmos and History 12 (1):67-86.
    What does it mean to think? In the following article I will show Gilles Deleuze’s answer to this question. According to him ’to think is to create — there is no other creation — but to create is first of all to engender ' thinking ' in thought ’. To understand what this means, to grasp the radical nature of such an event, we need to see how for Deleuze to engender thinking in thought means a repetition of that genetic (...)
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  • The Role of Art Practice in Elementary School Science.Cecilia Caiman & Britt Jakobson - 2019 - Science & Education 28 (1-2):153-175.
    The aim of this study was to examine the role of aesthetic practice in elementary school and the consequences for children’s meaning-making in science. More specifically, we intended to scrutinise what science learning emerges within the process, to target the consequences of adopting art practice in science class and to explore these two dimensions as a whole in order to better understand how children make meaning when exploring animals’ ecology. The data, comprising audio recordings, photographs of children’s drawings and field (...)
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  • A cut in relationality.Claire Colebrook - 2019 - Angelaki 24 (3):175-195.
    One of the ways in which one might chart the force of various forms of posthuman thought is to mark a reversal in the ways we think about relationality. Rather than distinct Cartesian subje...
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  • Tonality and Ethos.Matthew M. Heard - 2013 - Philosophy and Rhetoric 46 (1):44-64.
    In her essay examining how rhetoric attends to an “explicitly nonhermeneutic, ethical dimension” of the relationship between self and other, Diane Davis argues that the act of attunement is vital to the rhetorical challenge of “keep[ing] hermeneutic interpretation from absorbing the strictly rhetorical gesture of the [other’s] approach, which interrupts the movement of appropriation and busts any illusion of having understood” (2005, 208, original hers). This comment is part of a larger conversation about ethical action in the face of radical (...)
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  • The Multiplicity of (Un-)Thought: Badiou, Deleuze, Event.Robert Luzar - 2019 - Comparative and Continental Philosophy 11 (3):251-264.
    This essay investigates thought as an event of “multiplicity.” French philosophers Gilles Deleuze and Alain Badiou pose this as a concept of change (political and otherwise). Both philosophers propose that multiplicity means thinking happens as an event by engaging a theoretical impasse, or “un-thought.” Un-thought opens up and changes ideas into complex varieties or multiplicities. This dynamic is examined through the example of May ‘68, an actual event that gives context to how multiplicity expresses “radical change.” The aim of this (...)
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  • Beyond the ‘Last Phenomenology’: Rhythmic Modulations in Gilles Deleuze’s The Logic of Sensation.Iain Campbell - 2023 - Deleuze and Guattari Studies 17 (3):301-325.
    This article reconstructs Gilles Deleuze’s engagement with phenomenology, and with the phenomenological problematic of sensation, in his Francis Bacon: The Logic of Sensation. Considering Deleuze’s adoption, from the phenomenology of art, of notions of sensation and rhythm, it examines how Deleuze complexifies these phenomenological notions by aligning them with his profoundly non-phenomenological notion of the body without organs, as well as with the concepts of modulation and the diagram. In mapping Deleuze’s complexification of rhythm and his development of a logic (...)
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  • The Inhuman Overhang: On Differential Heterogenesis and Multi-Scalar Modeling.Ekin Erkan - 2020 - la Deleuziana 11:202-235.
    As a philosophical paradigm, differential heterogenesis offers us a novel descriptive vantage with which to inscribe Deleuze’s virtuality within the terrain of “differential becoming,” conjugating “pure saliences” so as to parse economies, microhistories, insurgencies, and epistemological evolutionary processes that can be conceived of independently from their representational form. Unlike Gestalt theory’s oppositional constructions, the advantage of this aperture is that it posits a dynamic context to both media and its analysis, rendering them functionally tractable and set in relation to other (...)
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  • Time, human being and mental health care: an introduction to Gilles Deleuze.Marc Roberts - 2005 - Nursing Philosophy 6 (3):161-173.
    The French philosopher, Gilles Deleuze, is emerging as one of the most important and influential philosophers of the 20th century, having published widely on philosophy, literature, language, psychoanalysis, art, politics, and cinema. However, because of the ‘experimental’ nature of certain works, combined with the manner in which he draws upon a variety of sources from various disciplines, his work can seem difficult, obscure, and even ‘willfully obstructive’. In an attempt to resist such impressions, this paper will seek to provide an (...)
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  • (1 other version)Deleuze and Guattari’s Semiorhythmology: A Sketch for a Rhythmic Theory of Signs.Iain Campbell - 2019 - la Deleuziana 10:351-370.
    I propose in this text a rhythmic theory of signs drawn from the thought of Gilles Deleuze and Félix Guattari. I name this theory a semiorhythmology. I suggest that the theory of rhythm developed in A Thousand Plateaus (1980) can be understood, in part, as the culmination of the diverse set of inquiries into signs that both Deleuze and Guattari undertook, individually and together, beginning in the 1960s. I first outline Deleuze’s theory of signs as a theory of encounter as (...)
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  • Deleuze, Phenomenology and the Ethics of the Event.Petr Prášek - 2024 - Deleuze and Guattari Studies 18 (3):408-429.
    As is well known, Deleuze reproaches Husserl, Heidegger, Merleau-Ponty and other classical phenomenologists for having burdened their descriptions of experience with structures derived from the empirical (in which the world is differentiated into objects of consciousness). His transcendental empiricism, by contrast, investigates the very genesis of the empirical within the immediate flow of an asubjective transcendental field. However, both Deleuze in his texts and Deleuzian literature dealing with his relationship with phenomenology almost completely ignore contemporary French phenomenology focusing, similarly to (...)
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  • Deviant Gestures: Deleuze’s Communicative Disruption.Corry Shores - 2024 - Deleuze and Guattari Studies 18 (1):10-35.
    For Deleuze, the creation and conveyance of meaning requires not a strict fidelity to an original idea, message or image but rather its deformation. The forces causing such disfigurations operate in gesture, vocalisation and text, with one level sometimes disrupting the others. Among them, gesture plays an especially important role, given Deleuze’s attention to bodily experience. He locates it in theatre, painting and cinema, particularly in the works of Carmelo Bene, Francis Bacon and Jerry Lewis. In these cases, instead of (...)
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  • The Triple Synthesis of Rhythm.Felipe Kong Aránguiz - 2024 - Deleuze and Guattari Studies 18 (1):36-59.
    Stemming from a general study of rhythm in the work of Gilles Deleuze, we propose a distribution of this concept throughout three levels: a topic level, in which we place rhythm between chaos and measure; a dynamic level, in which we analyse the formation of rhythm towards its stabilisation as a spatio-temporal dynamism; and an unfolding, in which these dynamisms take on the form of rhythmic machines applied in music (refrain), in painting (sensation) and in cinema (montage and time crystals). (...)
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  • From Constellations to Assemblages: Benjamin, Deleuze and the Question of Materialism.Tanja Prokić - 2021 - Deleuze and Guattari Studies 15 (4):543-570.
    This essay investigates the differences and points of contact between Walter Benjamin's concept of ‘constellation’ and the notion of ‘assemblage’ as theorised by Gilles Deleuze and Félix Guattari. Both concepts address the entanglement of discourse and matter, bodies and devices, and raise questions regarding the historicity and temporality of different kinds of multiplicity. Presently, the term ‘assemblage’ figures prominently in the context of the new materialism, a theoretical movement which calls for a renewal of materialist ideas, proposing a break with (...)
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  • The politics of time: Deleuze, duration and alter-globalisation.Adrian Konik - 2015 - South African Journal of Philosophy 34 (1):107-127.
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  • Rendering Visible: Painting and sexuate subjectivity.Linda Daley - 2015 - Educational Philosophy and Theory 47 (6):608-621.
    In this essay, I examine Luce Irigaray’s aesthetic of sexual difference, which she develops by extrapolating from Paul Klee’s idea that the role of painting is to render the non-visible rather than represent the visible. This idea is the premise of her analyses of phenomenology and psychoanalysis and their respective contributions to understanding art and sexual identity. I claim that Irigaray assembles an aesthetic of sexual difference that exceeds these familiar intellectual traditions, one that articulates the encounter of non-visible, material (...)
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  • The Development of Philosophical Thinking: An Imperative of Modern Education.Елена Михайловна Сергейчик - 2024 - Russian Journal of Philosophical Sciences 66 (4):82-101.
    The core objective of this article is to advocate for the cultivation of philosophical thinking, a pivotal element that fosters a profound understanding of the evolutionary trajectory of the information society and the human role within this paradigm. An examination of the unique attributes of the information-communicative educational space, coupled with the tenets of post-classical knowledge, underscores the imperative for nurturing human capabilities and personality traits essential for efficacious self-identification within the information society. The anthropological nature of philosophy focuses on (...)
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  • An unthinkable cinema: Deleuze’s mutant politics of film.Timothy Deane-Freeman - 2023 - Philosophy and Social Criticism 49 (8):930-949.
    In this paper, I defend a conception of Deleuze’s two volumes dedicated to film – Cinema I: The Movement-Image, and Cinema II: The Time-Image – as protracted expressions of his political philosophy. In this context, I will elaborate the difficult and entwined political claims Deleuze makes on behalf of cinema: that it is capable of engendering a tentative ‘belief in the world’, such as is the necessary correlate of political action; that it captures the contemporary political fact that ‘the people (...)
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  • Becoming bamboo: Reassessing Su Shi's painting theory from Deleuze's angle.Kanghun Ahn - 2023 - Philosophical Forum 54 (3):161-184.
    This article aims to elucidate the Chinese literatus Su Shi's painting theory using French philosopher Gilles Deleuze's concepts of “capturing forces” and “becoming.” In the relevant scholarship, Su Shi's esthetic thought has been illustrated as going beyond the truthful representation of forms, thereby capturing the underlying vitality of the targeted objects, which paved the way for what came to be known as “literati painting.” This artistic approach has been thought to express the artist's lofty and virtuous personality through the liveliness (...)
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  • The Mental State of Noise.Catherine Malabou - 2023 - Angelaki 28 (3):95-99.
    What is the influence of music on the brain? And in what cases can this influence cause dysfunctioning? Among the different examples analyzed by Oliver Sacks, one is particularly significant: the phenomenon of synesthesia. Synesthesia is connected to having an extra one that associates different kinds of sensory information, music, and color. It can sometimes transform hearing music as a painful experience, transforming it into a pure literal meaning – to feel together – the secret condition for all sensations? This (...)
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  • Resonance in Dhvani Aesthetics and the Deleuzian Logic of Sensation.Srajana Kaikini - 2018 - Deleuze and Guatarri Studies 12 (1):29-44.
    This paper undertakes an intersectional reading of visual art through theories of literary interpretation in Sanskrit poetics in close reading with Deleuze's notions of sensation. The concept of Dhvani – the Indian theory of suggestion which can be translated as resonance, as explored in the Rasa – Dhvani aesthetics offers key insights into understanding the mode in which sensation as discussed by Deleuze operates throughout his reflections on Francis Bacon's and Cézanne's works. The paper constructs a comparative framework to review (...)
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  • Rethinking Public Opinion in the Digital Era: Towards a Post-representational Theory.Matheus Lock - 2023 - Deleuze and Guattari Studies 17 (3):350-375.
    The quasi-ubiquity of ICT is transforming contemporary politics and seems to deteriorate democracy, for the technologies undermine debates, contest the grounds of reason and truth, and influence people’s votes. Donald Trump’s election and Brexit are good examples of their effects on public opinion. More fundamentally, these technologies cause theoretical problems to the way we traditionally conceive public opinion. Thus, I seek to rethink public opinion beyond conventional approaches. Departing from Deleuze and Guattari’s work, I develop the first steps of a (...)
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  • Affective Aesthetics beneath Art and Architecture: Deleuze, Francis Bacon and Vogelkop Bowerbirds.Gökhan Kodalak - 2018 - Deleuze and Guattari Studies 12 (3):402-427.
    There is an aesthetic undercurrent traversing Deleuze's philosophy along confluent trajectories of Baruch Spinoza and Friedrich Nietzsche, which harbours untapped potentials and far-reaching consequences for contemporary discussions of art and architecture. According to this subterranean stream, aesthetic experience is generated, neither in ready-made mental faculties of a subject, nor in essential qualities of an object, but through affective interactions of a relational field. A cartographic inquiry of affective aesthetics constitutes the subject matter of this paper, beginning with a philosophical elaboration (...)
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  • Affective Assemblages of Material Culture: Qi Pao, Mahjong and Performance in Ang Lee’s Lust, Caution.Jiaying Sim - 2023 - Film-Philosophy 27 (1):29-49.
    Using Ang Lee’s Lust, Caution (2007), this article illustrates how an affective mode of address is encouraged when one attends to the ways in which on-screen cinematic audio-visual spectacles are produced through the interaction of different bodies on-screen. Affective cinematic encounters open up other ways of understanding the female body as productive assemblages of everyday affective interactions and relationalities with other bodies within material culture. Particularly, I demonstrate an affective mode of address that attends to the interaction of cinematic objects (...)
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  • Rhythm as a Logic of the Sensible World.John Montani - 2024 - Journal of Aesthetics and Phenomenology 11 (1):11-27.
    One of the aims of phenomenology was to uncover a logic of the sensible world. This essay shows how rhythm can be understood as a logic of the sensible world and how rhythm is not only a profoundly aesthetic experience but one integral to phenomenological reflection. The essay highlights how aesthetic experiences accomplish phenomenological reductions and how phenomenological reflection demands a continued inquiry into the ways intelligibility first opens from within the sensible world. Rhythm is shown to be a preverbal (...)
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  • “El artesano cósmico: una bomba atómica casera”. La estética sublime de Deleuze y Guattari.Stephen Zepke - 2024 - Tábano 25:e6.
    Para Deleuze y Guattari, el arte es una bomba, y el artista es un revolucionario que crea dispositivos incendiarios que explotan más allá de nuestras expectativas, nuestras regulaciones y nuestras normas representativas. Pero, ¿qué es esta explosión del arte? Es la fuerza bruta de la sensación, una sensación que va más allá de los límites de nuestra capacidad para representarla, algo que siempre es nuevo e indeterminado por nuestras condiciones físicas, conscientes o históricas. Esta sensación abrumadora surge de la fascinación (...)
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