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  1. Dynamic attending and responses to time.Mari Riess Jones & Marilyn Boltz - 1989 - Psychological Review 96 (3):459-491.
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  • The development of rhythmic attending in auditory sequences: theory and research.Carolyn Drake, Mari Riess Jones & Clarisse Baruch - 2000 - Cognition 77 (3):251-288.
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  • Macaque monkeys discriminate pitch relationships.Michael Brosch, Elena Selezneva, Cornelia Bucks & Henning Scheich - 2004 - Cognition 91 (3):259-272.
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  • The development of rhythmic attending in auditory sequences: attunement, referent period, focal attending.Carolyn Drake, Mari Riess Jones & Clarisse Baruch - 2000 - Cognition 77 (3):251-288.
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  • Infant memory for musical experiences.Jenny R. Saffran, Michelle M. Loman & Rachel R. W. Robertson - 2000 - Cognition 77 (1):B15-B23.
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  • Memory for melody: infants use a relative pitch code.Judy Plantinga & Laurel J. Trainor - 2005 - Cognition 98 (1):1-11.
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  • Correlates of linguistic rhythm in the speech signal.Franck Ramus, Marina Nespor & Jacques Mehler - 1999 - Cognition 73 (3):265-292.
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  • Auditory discrimination of chord-based spectral structures by European starlings (< em> Sturnus vulgaris).Stewart H. Hulse, Daniel J. Bernard & Richard F. Braaten - 1995 - Journal of Experimental Psychology: General 124 (4):409.
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  • Statistical learning of tone sequences by human infants and adults.Jenny R. Saffran, Elizabeth K. Johnson, Richard N. Aslin & Elissa L. Newport - 1999 - Cognition 70 (1):27-52.
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  • Specific language impairment: a deficit in grammar or processing?Marc F. Joanisse & Mark S. Seidenberg - 1998 - Trends in Cognitive Sciences 2 (7):240-247.
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  • Development itself is the key to understanding developmental disorders.Annette Karmiloff-Smith - 1998 - Trends in Cognitive Sciences 2 (10):389-398.
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  • Implicit learning of tonality: A self-organizing approach.Barbara Tillmann, Jamshed J. Bharucha & Emmanuel Bigand - 2000 - Psychological Review 107 (4):885-913.
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  • Probing the cognitive representation of musical time: Structural constraints on the perception of timing perturbations.Bruno H. Repp - 1992 - Cognition 44 (3):241-281.
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  • An empirical comparison of rhythm in language and music.Aniruddh D. Patel & Joseph R. Daniele - 2003 - Cognition 87 (1):B35-B45.
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  • Incremental planning in sequence production.Caroline Palmer & Peter Q. Pfordresher - 2003 - Psychological Review 110 (4):683-712.
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  • Are consonant intervals music to their ears? Spontaneous acoustic preferences in a nonhuman primate.J. Mcdermott & M. Hauser - 2004 - Cognition 94 (2):B11-B21.
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  • Phonetic details in perception and production allow various patterns in phonological change.Jessica Maye, Janet F. Werker & LouAnn Gerken - 2002 - Cognition 82 (3):B101-B111.
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  • Infant sensitivity to distributional information can affect phonetic discrimination.Jessica Maye, Janet F. Werker & LouAnn Gerken - 2002 - Cognition 82 (3):B101-B111.
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  • Perception of the speech code.A. M. Liberman, F. S. Cooper, D. P. Shankweiler & M. Studdert-Kennedy - 1967 - Psychological Review 74 (6):431-461.
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  • What child is this? What interval was that? Familiar tunes and music perception in novice listeners.J. David Smith, Deborah G. Kemler Nelson, Lisa A. Grohskopf & Terry Appleton - 1994 - Cognition 52 (1):23-54.
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