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Adriano Kurle
Universidade Federal de Mato Grosso
  1.  42
    The Concept of 'I' in Kant's First Critique.Adriano Kurle - 2023 - In Agemir Bavaresco, Evandro Pontel & Jair Tauchen (eds.), Setenário. Porto Alegre, RS, Brazil: Editora Fundação Fênix. pp. 41-56.
    I seek to show in this paper how, in addressing the concept of “I” and the question of self-knowledge in the Critique of Pure Reason, one encounters a paradox, which is essentially a consequence of the doctrine of transcendental idealism. I point to Kant's concept of “I” and its three co-constitutive perspectives. The importance of the concept of subject and its intertwining with the concept of reason is pointed out, as also how these two concepts appear in the text of (...)
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  2. The anachronism of myth in Hegel and Bolsonarist Brazil.Adriano Kurle - 2020 - Problemata 11 (4):176-192.
    In this paper, I present some concepts of Hegel’s philosophy of art, aiming to interpret a cultural-political situation, namely, Bolsonarism in contemporary Brazil. I present the ideas in the following order: (a) the modes of comprehension, mainly through the distinction between the poetic and the prosaicmodes; (b) the conception of “Action [Handlung]” as a category of art, by means of its three levels: State of the World [Weltzustand], Situation [Situation], and Action itself [Handlung als solche]; (c) an evaluation of the (...)
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  3.  88
    The intersubjective community of feelings: Hegel on music.Adriano Kurle - 2017 - Hegel y El Proyecto de Una Enciclopedia Filosófica: Comunicaciones Del II Congreso Germano-Latinoamericano Sobre la Filosofía de Hegel.
    The purpose of this article is to examine the objective side of subjectivity formation through music. I attempt to show how music is a way to configure subjectivity in its interiority, but in a way that it can be shared between other individual subjectivities. Music has an objective structure, but this structure is the temporal and sonorous interiority of subjectivity. It has as its objective manifestation and consequence the feelings and emotions. These feelings are subjective, and in the level of (...)
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