El objetivo de este artículo es interrogar la obra ensayística, literaria y periodística del escritor inglés Gilbert Keith Chesterton desde una perspectiva teórico-política y poner en tensión aquellos elementos conceptuales que se encuentran enfrentados con algunos de los principales supuestos de la modernidad. La propuesta de este trabajo es organizar estos elementos dispersos y postular la posibilidad de estructurar una filosofía política a partir de una lectura que los integre. Se hará hincapié en su crítica a la idea moderna (...) de progreso, para luego explorar la posibilidad de derivar de las reflexiones del autor un cuerpo conceptual coherente que pueda ser considerado relevante para la teoría política. Para esta tarea, se toman como punto de partida conceptos centrales para la ciencia política presentes en sus obras que se encuentran alumbrados por doctrinas teológicas clave dentro del pensamiento cristiano, vector fundamental de sus escritos. Particularmente, se insiste en profundizar en las reflexiones del autor en torno a la democracia, estableciendo una relación específica con sus consideraciones teológicas y políticas. (shrink)

Many Christian thinkers have embraced the notion “art for art’s sake.” Chesterton did not. To the contrary, he saw such an idea as deeply problematic for a Christian aesthetic. In the following article, I will explore some philosophical aspects of the “art for art’s sake” movement and then explain why Chesterton parted company with it.

This book explores a key concept for human life: friendship. German and Spanish scholars approach friendship from different points of view, integrating philosophical and theological reflections as well as perspectives from other human sciences. In addition to researching biblical texts such as Ecclesiasticus and the Gospel of John, they present the ideas of Christian thinkers such as Alfred of Rieval, St. Thomas Aquinas, John H. Newman, Gilbert K. Chesterton, Edith Stein, Maritain and Benedict XVI. These contributions are read in (...) continuity with ancient philosophy, with particular reference to Aristotle's pages on friendship, which open up this human relationship to a wider context, even linking it to politics. (shrink)

In the capital vices tradition, acedia was fought through perseverance and manual labor. In this paper, I argue that we can also fight acedia through practicing wonder and gratitude. I show this through an account of moral formation developed out of the insight of the virtues and vices traditions that character traits affect how we see things. In the first section, I use Robert Roberts’s account of emotions to explain a mechanism by which virtues and vices affect vision and thus (...) moral formation. Then, by looking at the capital vices tradition, I argue that restless boredom is a primary construal of the vice of acedia. Third, I explain wonder and gratitude through the work of G.K. Chesterton and Roberts, respectively. In light of their accounts, I explain how the construals of wonder and gratitude are contrary to the construal of acedia. Finally, I offer some practices that encourage gratitude and wonder. (shrink)

In G.K. Chesterton’s The Man who was Thursday, six of the seven anarchists named after different days of the week turn out to be secret policemen. Chesterton’s hero Syme finds himself opposed to not just a disparate group of anarchists, but to the unified forces of authority. A similar thing seems to have happened in recent years to Jerry Fodor. When Fodor published The Language of Thought in 1975 his targets were, as he says, ‘a mixed bag’: reductionists, (...) behaviourists, empiricists, operationalists, holists and various followers of Wittgenstein. But today these disparate targets have become distilled into one movement, which Fodor calls ‘pragmatism’. Fodor sees pragmatism (‘perhaps the worst idea that philosophy ever had’) everywhere, and one aim of this sequel to The Language of Thought is to stamp it out. (shrink)

Diaristic, mixed notes on: John Ruskin's The Poetry of Architecture (1837) and Modern Painters (1885); Caravaggio, Victorian Aesthetes, G.K. Chesterton, and Tacita Dean; Jay Fellows' Ruskin’s Maze: Mastery and Madness in His Art (1981); Slavoj Žižek at Jack Tilton Gallery, New York, New York, USA, April 23, 2009, “Architectural Parallax: Spandrels and Other Phenomena of Class Struggle”; “Titian, Tintoretto, Veronese: Rivals in Renaissance Venice”, Museum of Fine Arts, Boston, Massachusetts, USA, March 15-August 16, 2009; Janet Harbord, Chris Marker: La (...) Jetée (2009); The Politics of the Envelope, Princeton Envelope Group (PEG), ARC504, Princeton School of Architecture, Princeton, New Jersey, USA, Friday, May 8, 2009; Rhode Island School of Design, Degree Project Reviews, Division of Architecture & Design, Providence, Rhode Island, USA, May 16, 2009; etc. (shrink)

In his late lectures, Foucault developed the ancient Greek concept of parrhesia, a courage to speak the truth in the face of danger. While not entirely uncritical of the notion, Foucault seemed to find something of an ideal in the political and aesthetic ideal of franc-parler, of speaking freely and courageously. Simultaneously, the post-1968 political valorized the ideal of parrhesia, or “speaking truth to power”: parrhesia seemed inherently progressive, the sole preserve of the left. But a cursory inspection of the (...) annals of Nazism and fascism shows that these movements also aligned themselves with parrhesiastical modes of expression. The fragmented, disparate strands of today’s neo-fascist revival, too, are closely imbricated with the notion of speaking valiantly in the face of supposed orthodoxies: in many ways, the preeminent parrhesiasts today are found on the neo-fascist side. This points to an essential weakness in the concept of parrhesia, particularly in terms of its value and valence as a strategy for the political left. Perhaps it matters less how we speak—being caught up in language games—than what policies and programs we enact. Žižek’s plea for a renewed dogmatic orthodoxy and Chesterton’s criticism of heresy offer ways out of the parrhesiastical trap. (shrink)

An Address delivered to the Seattle G. K. Chesterton Society at the University of Washington Newman Center, May 2, 2013.