In this paper, I would like to show how the movements of never stable meanings that link biography and religion are figured and interwoven throughout a kind of ineffable literary and philosophical notion of religion. Religion is a notion that can be understood through a cluster of topics such as origin, promise, dissociation, the unconditional, forgiveness, the undeconstructable and the possibility of the impossible—terms and expressions that Derrida suggests describe God.

Only ten years since Derrida’s death, with critical detachment, is it possible to be in touch with him again, to start from the beginning of his philosophizing in company with Plato, and from this vantage point to re-read Dissemination? What really stands between Plato and Derrida? In the first page of Pharmacia Derrida writes: “We will take off here from the Phaedrus ... Only a blind or grossly insensitive reading, could indeed spread the rumour that Plato was simply condemning the (...) writer’s activity”.1 Hence the question: Is the nexus writing/pharmakon profitable for thinking of something ambivalent and irreducible, present and absent, something bearer of indefinitely deferred presence in the play of infinite real or imaginary substitutions? The main enterprise of this essay orbits about the problematic of writing, understood as τέχνη, but also as a key locus of relation Plato/ Derrida. Here technology - and thinking of its function and value- I would like to argue, regards the technical and non-technical, the practical and theoretical, seeing that thinking of their function remains always a “parasitical contamination”, seeing that writing is another speech, and, according this statement, we may regard Plato as he who paves the way for Derrida. In what follows, through textual analysis I will focus on some interesting unrolling, connected and disconnected threads by discussing the readings of different scholars and philosophers such as the disputed classicist E. A. Havelock, the historians of ancient philosophy G. Reale and C. H. Kahn. In particular I will explore, first, the nexus speech/writing, and argue that historically Plato was a bi-medial philosopher and writer, an aspect taken for granted, but not sufficiently attended by scholarship. In the second part of the essay I hold that the Derridean reading of ‘Plato’s Pharmacy’ discovers a special deconstruction at work within Plato’s dialogues. In the light of the manifold τέχνη, and of the hybrid Khora, at the end the apparent ambiguity in Plato’s stance and Derrida’s φάρμακον invites us to identify Plato as the Father of deconstruction. (shrink)

Letters exchanged by scientists are a crucial source by which to trace the process that accompanies their scientific evolution. In this paper -accomplished through a historical approach- I aim to throw new light on Leibniz's continuing interest in classical geometry and to stress the significance of his correspondence with the Italian mathematician Vitale Giordano.

After a discussion of the fundamental tropes of Rorty’s philosophy, in and beyond Philosophy and the Mirror of Nature, and after describing an imaginary conversation between Rorty, Heidegger, Derrida, and Dewey, the paper- a sort of monography in a nutshell- aims to shed new light on the strategic figure of the ironist as developed by Rorty in Contingency, Irony, and Solidarity. Who really is the Rortyan ironist? A comparison between the ironist and the Platonic character of Callicles clearly shows that (...) Rorty’s irony does not correspond to Socratic or Platonic irony. From a close reading of relevant texts three ideas emerge: first, one can take an ironic stance despite its ability to support divergent metaphysical premises –Callicles is ironic in tone but foundationalist in metaphysics- while Rorty’s pragmatist appears ironic in tone and anti-foundationalist in metaphysics. Second, Callicles is a sort of public ironist; he feels pathos for the demos and the Athenian popular assembly, while the Rorty’s ironist appears as a private ironist looking for a hypothetical and detached conversation. And third, from the theatrical and literary point of view, Rorty’s ironist lacks the Greek character, the Greek mask, and Greek comicality. (shrink)

At a distance of more ten years from publication (2000 French/2005 English translation), with this essay I will re-read, comment and discuss, in different way and in form of anthological sketch, the Derridean volume ‘On Touching-Jean Luc Nancy’, focusing in particular on its ‘tangents and its metonymies’, its manifold entanglements with the metaphysics of touch and bodily connections. Making use of the geometrical figure of the tangent, Derrida affirms that "[if] philosophy has touched the limit [my emphasis-J. D. ]. of (...) the ontology of subjectivity, this is because philosophy has been led to this limit”. To touch is to touch a limit, a limit without depth or surface. How have we regarded touching in the past? The body? My thesis is that if Derridean reflection remains mostly anchored to Jean-Luc Nancy’s Corpus, it is inspired nevertheless by a different deconstructive gesture/s similar to different geometric tangents (the deconstructive practice is similar to the tracing of many tangents). Discussing in particular Nancy’s Dis-Enclosure: The Deconstruction of Christianity, Derrida’essay ‘Deconstruction of Christianity’ and devoting an entire section of the book to the sense of touch in the Gospels, Derrida gives us numerous and special considerations on deconstruction and the deconstruction of touch in Christianity, admitting as well the enormity of this task. A reflection on the Kas Saghafi, “Safe, Intact”: Derrida, Nancy, and the “Deconstruction of Christianity” will follow in an exemplary way. Following a discussion of touch and the body in both animal and human spheres, in the closing section of the essay, I will comment on the Patrick Llored’s essay A Philosophy of Touching Between the Human and the Animal: The Animal Ethics of Jacques Derrida, recently published in A Companion to Derrida (2014). This study addresses highly topical questions such as: ‘What does it teach us about touch, but also about the body and the life of the animal? To what extent is it capable of renewing our knowledge [connaissance] of non-human life and of generating an animal ethics reconceived from top to bottom? If touching is coextensive with the living body, that implies not only that we place the haptical question at the centre of reflection on the animal, but also that we take into account the consequence that is most disruptive for us today (A Companion, p. 512). And conclude along with Patrick Llored that the question of touch promises to transform everything we have understood until now about animality. (shrink)

In the 20th century among the greatest philosophers and literates there was an ample, ideal, wide ranging forum on the question of Europe to which, following a run already started by F. Nietzsche, M. Heidegger, E. Husserl, P. Valéry, Ortega y Gasset, Nikolaj Berdjaev, and after the second world war G. Gadamer, J. Habermas, J. Derrida and others offered meaningful contributions. The questions were: What will be of the spirit of Europe? What will be of Europe? Europe: quo vadis? The (...) aim of this paper is to articulate the meaningful stages of this historical forum through some essays of mentioned philosophers and literates. The first essay is the conference "Europa und die deutsche Philosophie”, delivered by Heidegger in Rome 1936 at the Kaiser-Wilhelm-Institut, the same year of the publication of Husserl’s Krisis. Thereafter, with the purpose of marking a clear discontinuity between the debate of the first half of the century and the second, I comment on Gadamer’s essay “Europa und die oikoumene”, published half a century after the conference of Heidegger, then the Gadamer’s essay "Das Erbe Europas”, 1989, in which Gadamer deduces on the existential condition of Europeans, today. At the end, I analyze Derrida’s pamphlet "L'autre cap suivi de la démocratie ajournie", English version “The Other Heading: Reflection on Today’s Europe”, that opens with the provocative and heretical Derridean gesture: To which concept, to what real individual, to what entity can we confer today the name of Europe? (shrink)

In Politics of Friendship, the aporias of friendship transposed to democracy indicate that if democracy is a promise of the universal inclusiveness of each singular one counting equally, and if its fraternal or national limitation naturalizes the ineluctable decision of inclusion and exclusion, then true friendship requires dis-proportion. It demands a certain rupture in reciprocity and equality, as well as the interruption of all fusion between the you and the me. In this way democracy remains an un-fulfillable promise. In what (...) follows, an imaginary voyage to Europe inspired by the so-called Syracuse-paradigm, by means of a close reading of Derrida‘s The Other Heading: Reflections on Today's Europe, a sort of ’untimely meditation’ a la Nietzsche, I critically argue that Derrida’s idea of European identity, begotten by the irruption of the other, involves the radical other as a force that shows the limits of identity and of the self. Re-viewed, revisited and re-thought in the optic of the deconstructive standpoint, The Other Heading acquires a new light focusing on the possible/impossible relation between the political and the ethical (the Other Heading, i.e. democracy to come, Europe to come). The deconstructive standpoint I use here falls within the well known Derrida’s binary conception that undergird his way of thinking: presence/absence, speech/writing, and so forth. (shrink)

Scopo di questo agile ma denso volume è approfondire “The part played by the mathematical construction in the context of a full investigation of Kant’s theory of sensibility, that to say the Transcendental Aesthetic”. Si tratta della ripresentazione della tesi di dottorato della Shabel, da cui la stessa ha riportato ampi squarci per un articolo award-winning 1998 dal titolo ”Kant on the Symbolic Construction of Mathematical Concepts” (Studies in the History and the Philosophy of Science). Non si tratta di un (...) saggio di circostanza, bensì del risultato di un'attenta e approfondita ricerca sul ruolo della costruzione di concetti, come praticata e intesa in matematica al tempo di Kant e che sicuramente influenzò la stesura dell’Estetica Trascendentale. (shrink)