Results for 'Kaidi Lõo'

6 found
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  1. Presentism, Passage, Phenomenology and Physicalism.Kristie Miller & Jane Weiling Loo - 2016 - Manuscrito 39 (4):183-201.
    ABSTRACT Temporal dynamists argue that we should believe that there exists temporal passage because there being passage is the best explanation for the presence of our temporal phenomenology. Presentists argue that presentism is the best version of temporal dynamism. Therefore, conditional on us accepting temporal dynamism, we should accept presentism. In this paper it is argued that if we understand temporal passage as the presentist does, such an argument can succeed only if dualism is true. Thus, we conclude, either presentists (...)
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  2. Roboethics: Ethics Applied to Robotics.Gianmarco Veruggio, Jorje Solis & Machiel Van der Loos - 2011 - IEEE Robotics and Automation Magazine 1 (March):21-22.
    This special issue deals with the emerging debate on robo- ethics, the human ethics ap- plied to robotics. Is a specific ethic applied to robotics truly neces- sary? Or, conversely, are not the gen- eral principles of ethics adequate to answer many of the issues raised by our field’s applications? In our opin- ion, and according to many roboticists and human scientists, many novel issues that emerge and many more that will show up in the immediate future, arising from the (...)
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  3. Wittgenstein, Loos, and the Critique of Ornament.Andreas Vrahimis - 2021 - Estetika: The Central European Journal of Aestetics 58 (2):144–159.
    Adolf Loos is one of the few figures that Wittgenstein explicitly named as an influence on his thought. Loos’s influence has been debated in the context of determining Wittgenstein’s relation to modernism, as well as in attempts to come to terms with his work as an architect. This paper looks in a different direction, examining a remark in which Wittgenstein responded to Heidegger’s notorious pronouncement that ‘the Nothing noths’ by reference to Loos’s critique of ornamentation. Wittgenstein draws a parallel between (...)
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  4. Meaning and Modernity: Social Theory in the Pragmatic Attitude.Eugene Rochberg-Halton - 1986 - Chicago, IL, USA: University of Chicago Press.
    The twentieth-century obsession with meaning often fails to address the central questions: Why are we here? Where are we going? In this radical critique of modernity, Eugene (Rochberg-) Halton resurrects pragmatism, pushing it beyond its traditional formulations to meet these questions head on. Drawing on the works of the early pragmatists such as John Dewey, George Herbert Mead, and particularly C.S. Peirce, Meaning and Modernity is an ambitious attempt to reconstruct concepts from philosophical pragmatism for contemporary social theory. Through a (...)
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  5. Culture and Conceptualisation of Scientific Terms: An Analysis of the Concepts "Weight" and "Mass" in Arabic and French.Hicham Lahlou & Hajar Rahim - 2016 - Kemanusiaan 23 (Supp. 2):19-37.
    Studies on difficulties in understanding scientific terms have shown that the problem is more serious among non-Western learners. The main reasons for this are the learners' pre-existing knowledge of scientific terms, their native language incommensurability with Western languages, and the polysemy of the words used to denote scientific concepts. The current study is an analysis of the conceptualisation of scientific concepts in two culturally different languages, i.e. Arabic and French, which represent a non-Western language and a Western language respectively. Physics (...)
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  6. Review of Ferreiros and Gray's The Architecture of Modern Mathematics. [REVIEW]Andrew Arana - 2008 - Mathematical Intelligencer 30 (4).
    This collection of essays explores what makes modern mathematics ‘modern’, where ‘modern mathematics’ is understood as the mathematics done in the West from roughly 1800 to 1970. This is not the trivial matter of exploring what makes recent mathematics recent. The term ‘modern’ (or ‘modernism’) is used widely in the humanities to describe the era since about 1900, exemplified by Picasso or Kandinsky in the visual arts, Rilke or Pound in poetry, or Le Corbusier or Loos in architecture (a building (...)
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