Published in the American Journal of Bioethics.

Our behavior doesn't always match the beliefs attributed to us, and sometimes the mismatch raises questions about what our beliefs actually are. I compare two approaches to such cases, and argue in favor of the one which allows some belief-attributions to lack a determinate truth-value. That approach avoids an inappropriate assumption about cognitive activity: namely, that whenever we fail in performing one cognitive activity, there is a distinct cognitive activity at which we succeed. The indeterminacy-allowing approach also meshes well with (...) an attractive view of folk-psychology: that ascriptions can help shape the attitudes they report. (shrink)

The imperviousness of delusions to counter-evidence makes it tempting to classify them as imaginings. Bayne and Pacherie argue that adopting a dispositional account of belief can secure the doxastic status of delusions. But dispositionalism can only secure genuinely doxastic status for mental states by giving folk-psychological norms a significant role in the individuation of attitudes. When such norms individuate belief, deluded subjects will not count as believing their delusions. In general, dispositionalism won't confer genuinely doxastic status more often than do (...) competing accounts of belief. (shrink)

Bortolotti argues that the irrationality of many delusions is no different in kind from the irrationality that marks many non-pathological states typically treated as beliefs. She takes this to secure the doxastic status of those delusions. Bortolotti’s approach has many benefits. For example, it accounts for the fact that we can often make some sense of what deluded subjects are up to, and helps explain why some deluded subjects are helped by cognitive behavioral therapy. But there is an alternative approach (...) that secures the same benefits as Bortolotti’s account while bringing additional benefits. The alternative approach treats both many delusions and many of the non-pathological states to which Bortolotti compares them as in-between states. Subjects in in-between states don’t fully believe the beliefs which it is sometimes convenient to ascribe to them. This alternative approach to belief and belief-ascription fits well with an independently attractive account of the varied purposes of our ordinary attitude ascriptions. It also makes it easier to make fine-grained distinctions between intentional attitudes of different kinds. (shrink)

In recent years, online “involuntary celibate” or “incel” communities have been linked to various deadly attacks targeting women. Why do these men react to romantic rejection with not just disappointment, but murderous rage? Feminists have claimed this is because incels desire women as objects or, alternatively, because they feel entitled to women’s attention. I argue that both of these explanatory models are insufficient. They fail to account for incels’ distinctive ambivalence toward women—for their oscillation between obsessive desire and violent hatred. (...) I propose instead that what incels want is a Beauvoirian “Other.” For Beauvoir, when men conceive of women as Others, they represent them as simultaneously human subjects and embodiments of the natural world. Women function then as sui generis entities through which men can experience themselves as praiseworthy heroes, regardless of the quality of their actions. I go on to give an illustrative analysis of Elliot Rodger’s autobiographical manifesto, “My Twisted World.” I show how this Beauvoirian model sheds light on Rodger’s racist and classist attitudes and gives us a better understanding of his ambivalence toward women. It therefore constitutes a powerful and overlooked theoretical alternative to accounts centered on objectification and entitlement. (shrink)

Draft of forthcoming article in the Journal of Medical Ethics where I discuss ethical tension between LGBT testimony and testimonial trust of medical professionals.

In this paper I intend to identify the kind of Amoralism Nietzsche is arguing for in his writings of the middle period. In the first part of the paper, I focus on the presuppositions as well as on the motivation underlying this version of the amoralist position. Nietzsche diagnoses a normative conflict between intellectual integrity and the metaphysical presuppositions of our moral vocabulary and practices. This diagnosis leads him to the conclusion that we should reform a substantive part of our (...) moral intuitions. However, this first critique of morality, one that we could label an internal critique, is not all that Nietzsche has to say about normativity, even if we consider only the works of the middle period. According to my interpretation, Nietzsche is committed to a position that could be described as normative Minimalism. By developing this position, Nietzsche was clearly influenced by Montaigne´s reception of both Epicureanism and Pyrrhonism. The kind of human life Nietzsche associated with this position is identified by him with the life of the free spirits, conceived as both a genuine heir and an emulator of the ascetic types made possible by the Christian culture, paradigmatically exemplified by Pascal and the French Jansenists. In the second part of this paper, I contrast this kind of normative Minimalism with Nietzsche´s defence of Perfectionism in his later works. I conclude my paper by calling attention to some argumentative advantages of normative Minimalism and to some argumentative difficulties that Perfectionism cannot preclude (from a genuine Nietzschean perspective). (shrink)

Aesthetic hedonism is the view that to be aesthetically good is to please. For most aesthetic hedonists, aesthetic normativity is hedonic normativity. This paper argues that Kant’s third Critique contains resources for a nonhedonic account of aesthetic normativity as sourced in autonomy as self-legislation. A case is made that the account is also Kant’s because it ties his aesthetics into a key theme of his larger philosophy.

De uma perspectiva comportamentalista radical, o eu é um repertório verbal complexo, que, como tal, tem uma gênese social. O reconhecimento da origem social do “eu” abre caminho para uma análise política, incluindo uma discussão do pa- pel das relações de poder na constituição do eu. Entretanto, uma concepção radicalmente social do “eu”, como a proposta pelo comportamentalismo, suscita um problema político: se o eu é integralmente produto do ambiente social, de onde viria uma eventual “vontade” de romper com esse (...) sistema? Parece que para reconhecer a possibilidade de ação política transformadora seria preciso preservar uma noção descontextualizada de “eu”. Considerando essa dificuldade, o objetivo deste artigo é propor uma interpretação política da constituição do “eu” no âmbito do comportamentalismo radical, mantendo no horizonte a possibilidade de uma ação política transformadora. Para tanto, destacamos como “eus” oprimidos são tornados submissos, mas também como de certas contingências podem emergir “eus” subversivos, que se opõem a um sistema social opressivo. Esse “eu” subversivo é caracterizado por um repertório de autoconhecimento mais amplo, que inclui a discriminação do papel das relações de poder e do controle promovido por instituições. Concluímos, com isso, que um “eu” socialmente constituído pode ser politicamente ativo. (shrink)

Dorit Bar-On aims to account for the distinctive security of avowals by appealing to expression. She officially commits herself only to a negative characterization of expression, contending that expressive behavior is not epistemically based in self-judgments. I argue that her account of avowals, if it relies exclusively on this negative account of expression, can't achieve the explanatory depth she claims for it. Bar-On does explore the possibility that expression is a kind of perception-enabling showing. If she endorsed this positive account, (...) her argument would re-gain an explanatory advantage over its rivals. But extending this account to linguistic expressive behavior would bring Bar-On very close to constitutive accounts of first-person authority. (shrink)

The representations of deep convolutional neural networks (CNNs) are formed from generalizing similarities and abstracting from differences in the manner of the empiricist theory of abstraction (Buckner, Synthese 195:5339–5372, 2018). The empiricist theory of abstraction is well understood to entail infinite regress and circularity in content constitution (Husserl, Logical Investigations. Routledge, 2001). This paper argues these entailments hold a fortiori for deep CNNs. Two theses result: deep CNNs require supplementation by Quine’s “apparatus of identity and quantification” in order to (1) (...) achieve concepts, and (2) represent objects, as opposed to “half-entities” corresponding to similarity amalgams (Quine, Quintessence, Cambridge, 2004, p. 107). Similarity amalgams are also called “approximate meaning[s]” (Marcus & Davis, Rebooting AI, Pantheon, 2019, p. 132). Although Husserl inferred the “complete abandonment of the empiricist theory of abstraction” (a fortiori deep CNNs) due to the infinite regress and circularity arguments examined in this paper, I argue that the statistical learning of deep CNNs may be incorporated into a Fodorian hybrid account that supports Quine’s “sortal predicates, negation, plurals, identity, pronouns, and quantifiers” which are representationally necessary to overcome the regress/circularity in content constitution and achieve objective (as opposed to similarity-subjective) representation (Burge, Origins of Objectivity. Oxford, 2010, p. 238). I base myself initially on Yoshimi’s (New Frontiers in Psychology, 2011) attempt to explain Husserlian phenomenology with neural networks but depart from him due to the arguments and consequently propose a two-system view which converges with Weiskopf’s proposal (“Observational Concepts.” The Conceptual Mind. MIT, 2015. 223–248). (shrink)

In this chapter I argue that Alexis de Tocqueville describes the virtue of citizenship in a way that is relevant to contemporary virtue ethics. He explains how a group can possess a virtue that is distinct from the virtue of individual members of the group. (this is an unofficial draft).

In this paper, I aim to demonstrate that the consequences of the current United States health insurance scheme on both physician and patient autonomy is dire. So dire, in fact, that the only moral solution is something other than what we have now. The United States healthcare system faces much criticism at present. But my focus is particular: I am interested in the ways in which insurance interferes with physician and patient autonomy. I will argue in favor of an expansion (...) of the traditional conception of what I call “medical autonomy” or “healthcare autonomy” and the usual role it plays in bioethical discussions. More generally, I show that in morally designing or evaluating any healthcare system, serious attention should be paid to how this system helps foster what I call active autonomy. (shrink)

Berry, Daniels, and Ladin make a strong argument for discontinuing the use of, “lack of social support,” as an organ transplantation listing criterion. This argument, however, actually leads to conclusions much stronger than those that the authors’ propose: The argument works equally well against using, (1) any “psychosocial” factors at all as a listing criterion, and, (2) any criteria other than factors that directly relate to empirically established medical need, and/or empirically established survival rate. Moreover, while the authors rightly point (...) to a lack of empirical evidence connecting social support to survivability, they neglect mentioning that the empirical literature on social support provides grounds to favor listing persons who seem to, sadly, lack a social support system. (shrink)

At the end of 2017, Kristen Roupenian’s short story, Cat Person, went viral. Published at the height of the #MeToo movement, it depicted a ‘toxic date’ and a disturbing sexual encounter between Margot, a college student, and Robert, an older man she meets at work. The story was widely viewed as a relatable denunciation of women’s powerlessness and routine victimization. In this paper, I push against this common reading. I propose an alternative feminist interpretation through the lens of Simone de (...) Beauvoir’s notion of narcissism: a form of alienation that consists in making oneself both the subject and the ultimate project of one’s life. Framing Margot as a narcissist casts her as engaging, not in subtly coerced, undesired sex, but rather in sex that is desired in a tragically alienated way. I argue that Beauvoir’s notion of narcissism is an important tool for feminists today – well beyond the interpretation of Cat Person. It presses us to see systematic subordination not just as something done to women, but also as something women do to themselves. This in turn highlights the neglected role of self-transformation as a key aspect of feminist political resistance. (shrink)

Some theories of language, thought, and experience require their adherents to say unpalatable things about human individuals whose capacities for rational activity are seriously diminished. Donald Davidson, for example, takes the interdependence of the concepts of thought and language to entail that thoughts may only be attributed to an individual who is an interpreter of others’ speech. And John McDowell's account of human experience as the involuntary exercise of conceptual capacities can be applied easily only to individuals who make some (...) reasonable judgments, because conceptual capacities are paradigmatically exercised in judgments. In both cases, we seem forced towards an error theory about any ordinary understanding of impaired human individuals as minded, or as undergoing human experience. (shrink)

Populism has become a buzzword within the political arena of the twenty-first century. It is near omnipresent in our discourse, most of the time without being tied to any particularly defined conceptualization. This proliferation of populist and meta-populist discourse results in the meaning of the term populism becoming taken for granted without ever resulting in its user’s need to feel it necessary to expand on its actual meaning. The aim of this paper is to try to shed some light on (...) the definition of the word populism and its usage. I adopt and apply some tools proposed by Wittgenstein’s Philosophical Investigations, namely his idea of family resemblance and meaning as use. Firstly, I will consider populism as a family resemblance term. Instead of trying to entangled populism within a framework of fixed and essential features, populism should be seen as contingent and contextual intertwining of different characteristics which make us immediately recognize a phenomenon as populism. Secondly, I will propose three different uses of populism within academic literature – populism as a classifier, as an admonition and as a descriptor - in order to show how the meaning that we attributed to the term might change according to the usage we make of it. Consequently, each theory of populism advanced should be conceived in light of the scope of the analysis and the specific use we make of the word within political debate. This approach would allow us to maintain the word populism in spite of its lack of a central definition, while allowing a plurality of overlapping and conflictual meanings. (shrink)

Yoshimi has attempted to defuse my argument concerning the identification of network abstraction with empiricist abstraction - thus entailing psychologism - by claiming that the argument does not generalize from the example of simple feed-forward networks. I show that the particular details of networks are logically irrelevant to the nature of the abstractive process they employ. This is ultimately because deep artificial neural networks (ANNs) and dynamical systems theory applied to the mind (DST) are both associationisms - that is, empiricist (...) theories that derive the principles of thought from the causal history of the organism/system. On this basis, I put forward a new aspect of the old argument by noting that ANNs & DST are the causal bases of the phenomena of passive synthesis, whereas the language of thought hypothesis (LOT) and the symbolic computational theory of mind (CTM) are the causal bases of the phenomena of active synthesis. If the phenomena of active synthesis are not distinct in kind from and are thus reducible to those of passive synthesis, psychologism results. Yoshimi’s program, insofar as it denies this fundamental phenomenological distinction, is revealed to be the true anti-pluralist program, by essentially denying the causal efficacy of the mechanistic foundations of active synthesis by referring phenomenology exclusively to associationism for its causal foundation. (shrink)

We can increase our understanding of expression by considering an analogy to demonstrative reference. The connections between a demonstrative phrase and its referent, in a case of fully successful communication with that phrase, are analogous to the connections between an expressible state and the behavior that expresses it. The connections in each case serve to maintain a certain status for the connected elements: as actions of persons; or as objects, events, or states significant to persons. The analogy to demonstrative reference (...) helps show that a positive account of expression can make conceptual connections between expressed states and expressive behaviors without courting reductive behaviorism. A general account of expression as marked by these connections is compared to accounts of expression offered by Dorit Bar-On and Mitchell Green. Bar-On’s account turns out to be compatible with the account proposed here, once some of its consequences are fully appreciated. Green’s account rules out, as not expressive, some behaviors like crouching (in fear) that intuitively seem expressive. When Green’s account is altered to allow such behaviors back in, the resulting account also fits the one proposed. (shrink)

For a long time philosophers have struggled to reach a definition of knowledge that is fully satisfactory from an intuitive standard. However, what could be so fuzzy about the concept of knowledge that it makes our intuitions to not obviously support a single analysis? One particular approach from a naturalistic perspective treats this question from the point of view of the psychology of concepts. According to it, this failure is explained by the structure of our folk concept of knowledge, which (...) organizes its constitutive information in a much looser way than we assume when we rely on intuitive knowledge ascriptions. I will adopt the same starting point here, but argue against the proposed answer and defend the view that this difficulty is explained not by something related to the specific structure of our concept of knowledge but, on the contrary, by its lack of structure. I claim that our folk concept of knowledge should be understood as a primitive mental state concept. (shrink)

One of the key insights of Simone de Beauvoir’s The Second Sex is the idea that gender-based subordination is not just something done to women, but also something women do to themselves. This raises a question about ethical responsibility: if women are complicit, or actively implicated in their own oppression, are they at fault? Recent Beauvoir scholarship remains divided on this point. Here, I argue that Beauvoir did, in fact, ethically criticize many women for their complicity, as a sign of (...) what she called “bad faith”. I challenge recent accounts by Nancy Bauer and Manon Garcia, who both read Beauvoir as exonerating complicit women. According to this reading, women emerge as human “freedoms” within a social world where a “destiny” of inferiority is already prepared for them. Their self-subordination is then an inevitable product of acting in a patriarchal world. I argue, however, that this interpretation generates a crucial tension, leading Bauer and Garcia to call on women to stop being complicit, while also claiming they cannot avoid complicity. I propose instead a different interpretation, on which feminine complicity is often fueled by criticizable ethical attitudes that are far from inevitable. By revisiting Beauvoir’s notion of “bad faith”, I show that this account is compatible with recognizing the limitations imposed on women’s agency and I show that this feminist ethical criticism is itself an important part of a collective project of social transformation. (shrink)

Resumo: Este artigo é uma homenagem à trajetória de André Itaparica na pesquisa Nietzsche brasileira. Feita de um ponto de vista sobretudo pessoal, esta homenagem não poderia deixar de mencionar algumas das virtudes que se sobressaem em seu trabalho e que no meu entendimento conferem exemplaridade às suas contribuições para os estudos Nietzsche no Brasil. Entre essas virtudes destaco por fim a gentileza, que curiosamente não costuma figurar no catálogo das virtudes intelectuais. O trabalho de André Itaparica é um convite (...) para que essa negligência seja revista.: This paper pays tribute to André Itaparica’s career in the Brazilian Nietzsche research. Written mostly from a personal point of view, this homage couldn’t fail to mention the many virtues embodied by his scholarly work, which in my view place it in an outstanding position in the Brazilian Nietzsche studies. Among his many virtues I finally emphasize courtesy, which remains largely unnoticed as an intellectual virtue. Itaparica’s work invites us, I submit, to compensate this undeserved neglect. (shrink)

This essay examines the possibility that phenomenological laws might be implemented by a computational mechanism by carefully analyzing key passages from the Prolegomena to Pure Logic. Part I examines the famous Denkmaschine passage as evidence for the view that intuitions of evidence are causally produced by computational means. Part II connects the less famous criticism of Avenarius & Mach on thought-economy with Husserl's 1891 essay 'On the Logic of Signs (Semiotic).' Husserl is shown to reaffirm his earlier opposition to associationist (...) (Humean) and adaptationist (Darwinian) explanations of our thought-machine on the ground that they cannot reconstruct the notion of truth and its syntactic mental preservation in symbolic thought-trains. Part III reveals Husserl's interesting commitment to the idea that descriptive sciences necessarily transform into explanatory sciences on pain of contradicting the essence of science as a rational ideal. Since explanation in relation to phenomenology means causal explanation, and causal explanation in the form of the Denkmaschine accounts for phenomenological intuition, it is inferred that the rationally compelling ideal of explanatory science requires a computationalist reading of the subsequent logical investigations. (shrink)

Nota do tradutor: O escopo da psicologia é o primeiro capítulo do tratado The principles of psychology (Os princípios de psicologia) de William James (1842-1910), publicado originalmente em 1890. Nesse capítulo inaugural, James enfrenta uma questão central e perene na psicologia: a necessidade (e dificuldade) da demarcação do campo psicológico. Como representante de uma tradição que ainda falava da psicologia no singular, James vê na multiplicidade de assuntos, métodos e problemas da psicologia um desafio para uma disciplina que se pretendia (...) científica. De um lado, era necessário assumir o caráter plural dos assuntos que merecem ser agrupados pela palavra psicologia, negando um reducionismo grosseiro, que, em favor de uma integração teórica, alijasse a “vida mental” de sua riqueza imanente. De outro lado, havia ainda a esperança de uma sistematização que pudesse evitar a completa fragmentação do campo psicológico. A história parece ter mostrado que a preocupação de James era, de fato, legítima, pois o que se viu a partir do século XX foi o fracasso de diferentes sistemas de psicologia, levando a um círculo vicioso no qual a dificuldade de demarcação do campo psicológico fragmenta cada vez mais a psicologia, o que, por sua vez, torna ainda mais distante a possibilidade de se encontrar critérios que possam sistematizar toda essa diversidade. Nesse sentido, O escopo da psicologia não é apenas uma introdução ao livro Os princípios de psicologia, mas uma introdução à psicologia moderna. (shrink)

The idea that women qua women can be dehumanized has been dismissed by feminist philosophers, like Kate Manne, and by philosophers of dehumanization, like David Livingstone Smith. Against these skeptics, I argue that we can and should use dehumanization to explain an important strand of misogyny. When they are dehumanized, women are represented simultaneously as human and as inhuman embodiments of the natural world. They therefore appear as magical, contaminating, sexualized threats towards whom violence is acceptable or even necessary. Misogynistic (...) dehumanization is important to understanding atrocities like the early modern European witch-hunts, but also contemporary phenomena like incel violence. (shrink)

Cooperation among arts scholars is thought to be hampered by the division of research on the arts into two cultures, one scientific, one humanistic. This paper proposes an alternative model for research into the arts wherein multiple levels of explanation focussed on well-bounded phenomena integrate research across academic disciplines. Two case studies of research that fits the model are presented.

This is the first of a series of papers in which I present a defense of moderate objectivism about the evaluation of performances of musical works in the Western classical tradition.

Hume once argued the basic science to be not physics but “the science of man” and the foundation of this science to be the empiricist mechanism of association governed by the law of similarity in appearance—now more popular than ever in the form of artificial neural networks. I update Hume’s picture by showing phenomenology to be centrally concerned with providing a unifying basis for all the sciences (including physics) by going beyond the psychology of associationism (passive synthesis) to reveal phenomena (...) that are irreducibly syntactic (not associative) in structure. I therefore argue that the language of thought (LOT) is the necessary mechanism at the basis of these descriptive phenomena. I conclude by sketching a new picture of all the sciences unified by LOT based on Husserl’s opposition to Galilean “physicomathematical” science vis-à-vis the life-world (Lebenswelt). (shrink)

Os projetos de psicologia científica enfrentam pelo menos duas ameaças. A primeira delas surge quando uma proposta de psicologia tenta seguir os cânones da ciência moderna. Nesse caso, torna-se necessário "objetivar o fenômeno psicológico", o que, geralmente, é feito por meio da sua tradução em termos fisiológicos. Mas, nesse ponto, a especificidade da psicologia é ameaçada pelo reducionismo fisiológico. A segunda ameaça aparece quando um projeto de psicologia tenta evitar o reducionismo fisiológico defendendo a natureza subjetiva irredutível do fenômeno psicológico. (...) No entanto, isso coloca uma série de dificuldades metodológicas. Dessa maneira, a segunda ameaça às propostas de psicologia científica é o mentalismo, que impõe limitações ao emprego do método científico. O presente ensaio tem o objetivo de mostrar como o projeto de psicologia científica de Tolman pode ser visto como uma alternativa a essas duas ameaças. Em primeiro lugar, examinamos em que medida a concepção de comportamento como fenômeno molar afasta Tolman do reducionismo fisiológico. Em seguida, analisamos algumas dificuldades decorrentes dessa proposta, em especial, as limitações inerentes à epistemologia realista - adotada inicialmente por Tolman. Por fim, apresentamos a proposta tolmaniana de superação dessas dificuldades: trata-se da analogia entre teorias científicas e mapas, que revela a adoção de uma epistemologia instrumentalista por Tolman. (shrink)

The paper addresses the issue of ethical obligations in the performance of musical works in the Western classical tradition, arguing that there are indeed such obligations, although they are not categorical. -/- PT: Na tradição clássica ocidental, as obras de arte musicais, teatrais e, até certo ponto, as coreografias, são criadas por artistas-autores, mas necessitam de ser executadas por intérpretes (instrumentistas, cantores e maestros, actores e encenadores, bailarinos, etc.). Estes são assim chamados porque existe sempre uma dose de descricionariedade, não (...) só nas suas decisões sobre o que as instruções inscritas na notação por parte do autor querem "realmente" dizer, como ainda acerca dos muitos aspectos necessária ou voluntariamente deixados em aberto por ele. Limitando-nos aos casos em que é evidente ou relativamente claro que o autor favorece, directamente ou por via das convenções artísticas por si tacitamente aceites, uma forma de interpretação da sua obra entre outras, debruço-me sobre a questão de saber se, para além das considerações estéticas integrantes da decisão de respeitar total ou parcialmente essa forma, há também considerações especificamente morais que sejam relevantes para tal decisão. Os tratamentos filosóficos desta questão tiveram alguma expressão nos anos 80 e 90, sobretudo a propósito do movimento da interpretação musical historicamente correcta ou informada de obras de épocas com as quais se estava a recuperar o contacto perdido em termos de modos de execução e instrumentos específicos dessas épocas. Curiosamente, contrastando com o debate entre a crítica de arte, o debate filosófico é muito menos vivo numa actualidade marcada pelo ecletismo pós-moderno que, sobretudo no teatro e na ópera, trata mesmo os aspectos mais estruturantes das obras como completamente opcionais, ou as obras elas as próprias como materiais para fusão, reconstrução ou improvisação. Revisitando os argumentos em torno do tópico, defenderei a prevalência da posição segundo a qual há uma dimensão moral nas artes performativas, mas que as obrigações daí resultantes não são todas categóricas, tendo diferentes graus de força, e devem ser entendidas como uma variável que tem de ser, em cada caso, ponderada lado a lado com as considerações estéticas. (shrink)

This paper is divided into three sections. The purpose of the first section is to show how the search for an alternative conception of practical normativity by contemporary moral philosophers keeps affinities with Nietzsche's attempt to overcome morality in the nineteenth century. In the second section, I assess the merits and limitations of Brobjer's attempt to affiliate Nietzsche with the ancient Greek tradition of virtue ethics. In the third section, I present the different motivations behind Nietzsche's critique of the moral (...) conception of practical normativity. I claim that this diversity of motivations makes his position unstable and helps us to explain why he oscillates between the consequentialist and the non-consequentialist view of perfectionism. Although I do not discuss it exhaustively in this paper, I point out some reasons why Nietzsche should have advocated a non-consequentialist view of perfectionism. (shrink)

One question that leads us into aesthetics is: why does beauty matter? Or, what do aesthetic goods bring to my life, to make it a life that goes well? Or, how does beauty deserve the place we have evidently made for it in our lives? A theory of aesthetic value states what beauty is so as to equip us to answer this question. According to aesthetic hedonism, aesthetic values are properties of items that stand in constitutive relation to pleasure. Contemporary (...) versions of aesthetic hedonism don’t explain what makes aesthetic values aesthetic, but they do explain what makes them normative, stating what makes it the case that aesthetic value facts lend weight to what an agent should do, for the fact that acting yields pleasure is always a reason to act. This book introduces and defends an alternative to aesthetic hedonism. According to the network theory, aesthetic value facts lend weight to its being an achievement for an agent to act. Since agents achieve by acting in coordination with one another, the theory takes seriously the sociality of aesthetic activity. The main argument for the network theory is that it better explains six facts about aesthetic activity than does aesthetic hedonism. The book also discusses the relationship between aesthetic value and pleasure, the point and distinctive character of aesthetic discourse, and the metaphysics of aesthetic value. Two final chapters use the network theory to shed light on how aesthetic value matters to us as individuals and as members of collectives. (shrink)

Nietzsche on the Banishment of Supererogation by Luther and its Influence on Modern Ethical Life and Moral Theorizing. Much attention has been paid to Nietzsche’s refusal of obligation-centred moral theories (such as Kantian deontology and Utilitarian consequentialism), but little or no attention to the historical roots of such conceptions. The aim of this paper is to explore the ways Nietzsche connects the Kantian version of legal moral theory to the Lutheran Reformation, taking as its leitmotif the exclusion by Luther of (...) the so-called supererogation (the ideal of a Christian perfect life of sainthood being the most evident case) from the horizon of our ethical life (see D 88; GS 355; NL 1884, 25[271]). After establishing this historical connection, we are better positioned to understand the motivation behind his rejection of legal moral theories, particularly the Kantian version. This also allows us to shed new light on the contemporary attempts to characterize Nietzsche’s much-discussed perfectionist normative commitments. (shrink)

O presente texto tem por simples objectivo o comentário sistemático ao capítulo 2 do Livro V da Metafísica de Aristóteles, onde o autor apresenta uma sistematização sobre o chamado modelo das quatro causas. Teremos também no horizonte de análise o famoso capítulo 3 do Livro I do mesmo tratado, onde Aristóteles inicia a crítica à tradição precedente justamente à luz deste modelo de causalidade. O objectivo é apenas comentar e esclarecer o texto original, cujas hesitantes formulações podem levantar alguns obstáculos (...) de interpretação. (shrink)

This paper addresses the following problem: to what extent do ontological considerations about musical works affect our evaluation of performances of those works? I argue for the claim that at least some important grounds on which performances are evaluated are specific to them, in that these grounds are either independent from, or related but not fully determined by, the properties of the works they are of. In the first part of the paper, I explore the relations between good-making features of (...) works and of performances of them. The second and third parts develop two kinds of example in favour of the claim above. In the last part, I discuss the significance of those examples in relation to the ways in which performances are assessed, and explore some further ramifications of them. (shrink)

Images are double agents. They receive information from the world, while also projecting visual imagination onto the world. As a result, mind and world tug our thinking about images, or particular kinds of images, in contrary directions. On one common division, world traces itself mechanically in photographs, whereas mind expresses itself through painting.1 Scholars of photography disavow such crude distinctions: much recent writing attends in detail to the materials and processes of photography, the agency of photographic artists, and the social (...) determinants of the production and reception of photographs. As such writing makes plain, photographs cannot be reduced to mechanical traces.2 Yet background conceptions of photography as trace or index persist almost by default, as no framework of comparable explanatory power has yet emerged to replace them. A conception of photography adequate to developments in recent scholarship is long overdue. Rather than constructing such a conception top-down, as philosophers are wont to do, this paper articulates it by examining selected works by James Welling.3 There are several reasons for this: Welling’s practice persistently explores the resources and possibilities of photography, the effect of these explorations is to express a particular metaphysics of the mind’s relation to its world, and appreciating why this metaphysics is aptly expressed by exploring photography requires a revised conception of what photography is. In as much as it provides a framework for a richer interpretation of Welling, the new conception is also capable of underwriting a wide range of critical and historical approaches to photography. (shrink)

Nietzsche mobiliza recursos retóricos de natureza heterogênea em sua obra, que podem ser distribuídos em pelo menos quatro grandes rubricas: elementos que (1) incidem sobre a materialidade sonora e rítmica da linguagem (dimensão expressiva associada à prova ética); (2) orientam a adoção de um conjunto de estratégias argumentativas que variam conforme as necessidades filosóficas do momento (dimensão argumentativa ou dialética); (3) dizem respeito a escolhas relativas à forma de apresentação dos argumentos, ou à sua inserção no interior de diferentes gêneros (...) literários (aqui vale a tese do pluralismo defendida por Nehamas, pois Nietzsche explora as potencialidades de diferentes formas de apresentação para as suas ideias, sendo a principal delas um gênero híbrido que incorpora elementos do aforismo e do ensaio); finalmente, (4) retomam aspectos relativos à invenção (dimensão heurística do paradigma indiciário, com a valorização da inferência abdutiva). Neste artigo pretendo mostrar, através de uma caracterização sumária da prática discursiva de Nietzsche, assim como de uma rápida retomada de sua tematização da retórica, como essas diversas dimensões (expressiva, inventiva, argumentativa e expositiva) se integram em seu projeto filosófico, tornando-se uma parte constitutiva do mesmo. Essa leitura se contrapõe a uma tradição que nega relevância filosófica à dimensão retórica da obra de Nietzsche, relegando-a a uma suposta dimensão exotérica de seus escritos. Há formas implícitas e explícitas pelas quais um intérprete pode chegar a esse resultado. Dentre as formas implícitas de contornar o desafio retórico posto pela filosofia de Nietzsche, a mais célebre é a de Heidegger. Ela se funda em sua decisão filologicamente controversa, no limite indefensável, de conferir primazia aos póstumos em detrimento dos livros publicados pelo filósofo, que deveriam, segundo ele, ser tomados como fachada. Paul de Man representa a forma explícita dessa recusa, mas com resultados curiosamente próximos aos de Heidegger, ainda que movido por intenções filosóficas distintas. No presente ensaio recuso ambas as estratégias de evasão e procuro mostrar que os diversos aspectos retóricos presentes na obra de Nietzsche se integram de forma relativamente harmônica ao seu projeto filosófico de cunho perfeccionista. (shrink)

Este artigo aborda as principais teorias sobre a natureza metafísica das obras de arte, cobrindo as propostas eliminativistas, monistas e pluralistas. Entre estas últimas, é dado destaque ao trabalho sobre a ontologia das artes performativas, e em particular, da música. Termina-se com uma referência à recente viragem da discussão para o campo da meta-ontologia e a polémica sobre a plausibilidade do revisionismo ontológico no caso de artefactos ou objectos sociais.

O artigo parte do consenso sobre a facto de que a arte tem valor para a exploração dos vários problemas sobre esse valor cujas soluções dividem os filósofos da arte. O enfoque é especialmente sobre a dimensão mais actual do debate em torno do tema, que se debruça não tanto sobre questões como o realismo quanto aos valores estéticos e a objectividade e justificação dos juízos de valor estético, mas acima de tudo sobre a natureza do valor artístico – que (...) tipo de valor é e em que propriedades da arte (se nalguma) reside. (shrink)

Ziel meines Aufsatzes ist es, die Frage zu stellen, ob die Art und Weise, wie Nietzsche sich auf das Verhältnis zwischen Philosophie und Wissenschaft bezieht, mithilfe des zeitgenössischen methodologischen Naturalismus beschrieben werden kann. Leiter (2009) hat diese Frage mit einem entschiedenen Ja beantwortet, ohne jedoch die Spannungen, die eine solche Antwort mit sich bringen, ausführlich zu diskutieren. Zumindest aus zwei Gründen scheint die Philosophie Nietzsches sich mit der stärkeren Version des methodologischen Naturalismus nicht so leicht in Einklang bringen zu lassen: (...) Erstens aufgrund des Prinzips des Willens zur Macht, das die These impliziert, dass das Intentionalitätsvokabular primitiver bzw. gründlicher als das physikalistische Vokabular sei, als einer Konsequenz aus der Verwendung des pragmatischen Prinzips der Sparsamkeit auf die ontologische Debatte (JGB 36, KSA 5, 54 f.); zweitens aufgrund Nietzsches Auffassung der spezifischen Aufgabe der Philosophie als einer normativen Aufgabe (JGB 211, KSA 5, 144 f.; GM I Anmerkung, KSA 5, 289). Gegen die starke Interpretation Leiters werden hier die folgenden Thesen vertreten: Nietzsche kann nur insofern als ein Vertreter des methodologischen Naturalismus betrachtet werden, als er der Auffassung ist, dass der Philosoph epistemische Tugenden erst dann gewinnt, wenn er sich mit einer wissenschaftlichen Methode vertraut macht (MA I 256, KSA 2, 212). Das bedeutet, dass er sich zumindest vorläufig den Regeln unterwirft, die innerhalb einer bestimmten wissenschaftlichen Gemeinschaft gelten (MA I 635, KSA 2, 360 f.; JGB 188, KSA 5, 108 ff.). Der Philosoph soll dies tun, um die epistemischen Tugenden zu erlangen, die für die normative Aufgabe der Philosophie unentbehrlich sind. Diese epistemischen Tugenden sind wesentlich skeptischer Natur. Sie zu kultivieren, bedeutet sicherlich, epistemische Werte zu fördern, nicht aber unbedingt für sie (AC 54, KSA 6, 236 f.), geschweige denn für ein kausales, bzw. monokausales Erklärungsmodell Exklusivität beanspruchen zu müssen (JGB 21, KSA 5, 35 f.). (shrink)

Este artigo oferece alguns argumentos a favor da tese de que o método de reconstrução do contexto intelectual é mais adequado ao entendimento da obra de Nietzsche do que o método de leitura imanente. Independentemente dos méritos e limitações das respectivas metodologias, duas características gerais da obra de Nietzsche tornam a abordagem contextual mais promissora: a concepção nietzscheana da tarefa filosófica, na medida em que esta o leva a tratar de forma instrumental entidades abstratas ; e sua preferência pela forma (...) de exposição aforismática, na medida em que esta o obriga a ocultar parte importante de suas premissas. O limite para a instrumentalização de argumentos filosóficos será examinado na última seção do artigo. (shrink)

The aim of this paper is to show that the way in which Pascal reacts to Montaigne’s attempt of recovering the ancient conception of philosophy as a way of life by reworking certain elements he borrowed from the sceptical tradition will have a considerable impact on the similar philosophical project Nietzsche tries to develop in his so-called middle period works (section III of this paper). Nietzsche’s starting point is the diagnosis that the crisis of Christianity in Early Modern Europe did (...) not make room for the development of a contemplative life emancipated from religious illusions. Instead of that, it was followed by the degradation, not to say the complete suppression of contemplative life and the immersion in modern activism (see CS 359, BGE 58). The trilogy Nietzsche dedicated to the Free Spirits is an attempt to directly counteract this tendency and regain a non-religious sense of contemplative life in the most unlikely context of the bourgeois society of the second half of the Nineteenth Century. I intend to show that by the time of publishing Daybreak, Pascal becomes his most stimulating opponent. Before doing it, I reconstruct the way Montaigne receives and transforms the heritage of ancient scepticism (section I) and, thereafter, I proceed to investigate how Pascal reacts to the revival of ancient scepticism, putting special emphasis on the way he tries to undermine the ideal of a contemplative life freed from the tutelage of Christianity, a philosophical project which had in Montagne its most consequent representative (section II). (shrink)