The volume contains 11 contributions of the best experts on the topics of fate, fortune and free will, in reference to Ancient Philosophy: Plato, Aristotle, Stoicism, Epicureanism, Plotinus.

To his pupil Nero and to Lucilius (friend and, as metonymy, representative of the entire mankind), Seneca testifies to his pedagogic vocation. With conviction he applies himself to demonstrate the perfect correspondence between the Stoic doctrine and the edu¬cational strategy that he proposes. Firstly, the reciprocity of the relationship between educator and pupil appears fundamental; both further their individual knowledge. Secondly, the limitations of an ethical precept that is not anchored in the intensity and concreteness of human life becomes clearly (...) apparent. Furthermore, it brings to question the weakness of a world vision not inspired by an innovative and original path. The starting point is therefore a rigorous examination of conscience to ultimately reach the revolutionary experience of risk in the moment of the last decision. In the name of truth the wise man must have the courage to embrace fate in order to really understand who he is (in a process of oikeiosis both as experience and as target), and he must instil in his pupils the courage to take risks along their own independent journey. In so doing, self-scrutiny and politics can become intertwined. It is herein that the educator’s risk and responsibilities lie. (shrink)

The book includes 13 contributions that deal with the first attempts of opposition to the of Aristotle's thought. From Theophrastus to Epicurus, and to Plotinus. The best specialists have collaborated (among others: M. Mignucci, E. Berti, K. Ierodiakonou, C. Natali, S. Maso, F. Ferrari, D. Taormina, A. Falcon, A. Schiaparelli).

Does the Stoic school really, accepting fate, reject free will? It would seem so, mainly if we read the evidences of Zeno or Chrysippus. The Stoic Senecais central to this particular theoretical inquiry, which hinges on the concepts of causality, of determinism and responsibility.

L’autore delle tragedie è da identificare con lo stesso autore delle Lettere a Lucilio e delle altre opere “filosofiche”. Seneca è convinto che anche l’arte drammatica debba essere capace di produrre effetti etici; al centro egli pone infatti la questione del perfezionamento morale. Ci si può chiedere se la posizione di Seneca si sia allontanata dalla prospettiva della dottrina stoica ortodossa e se si possa definirla come un originale approccio neo-stoico. La questione può esser posta (a) in relazione al modo (...) in cui Seneca interpreta l’intreccio di fatum e di responsabilità soggettiva nell’azione; (b) in relazione alla teoria delle passioni; (c) in relazione al modo in cui sono rappresentati l’ambiente e i vitia della società imperiale. (shrink)

The new edition of the papiri of the second book of 'Peri Phuseos' allows for a detailed reconstruction of the mechanisms of vision. Some of the characteristic features of images according to Epicurus are presented here for the first time. One of the problems is the congruence between the representation and the object from which it originates: i.e. the truth of the image.

Seneca sembra rileggere la dottrina stoica delle passioni alla luce dell’interpretazione aristotelica; procedendo nell’ottica del- l’alternativa secca che si deve al monismo della versione crisip- pea, Seneca fa delle passioni qualcosa di esterno e alternativo al soggetto agente. Tuttavia, seguendo poi una dinamica prospetti- va di tipo dualistico, evoca il ruolo decisionale e responsabiliz- zante del soggetto agente, il quale ha il compito di optare per la ragione o per l’opinione30 e quindi di mantenere o meno la propria enkrateia. Da (...) ciò dipende che questa si trasformi o meno in uno strumento nelle mani della passione. (shrink)

The volume contains 11 contributions of the best experts on the topics of fate, fortune and free will, in reference to Ancient Philosophy: Plato, Aristotle, Stoicism, Epicureanism, Plotinus.