Results for 'authorship'

139 found
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  1. Minimal authorship (of sorts).Christy Mag Uidhir - 2011 - Philosophical Studies 154 (3):373 - 387.
    I propose a minimal account of authorship that specifies the fundamental nature of the author-relation and its minimal domain composition in terms of a three-place causal-intentional relation holding between agents and sort-relative works. I contrast my account with the minimal account tacitly held by most authorship theories, which is a two-place relation holding between agents and works simpliciter. I claim that only my view can ground productive and informative principled distincitons between collective production and collective authorship.
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  2. Authorship and Responsibility in Health Sciences Research: A Review of Procedures for Fairly Allocating Authorship in Multi-Author Studies.Elise Smith & Bryn Williams-Jones - 2012 - Science and Engineering Ethics 18 (2):199-212.
    While there has been significant discussion in the health sciences and ethics literatures about problems associated with publication practices (e.g., ghost- and gift-authorship, conflicts of interest), there has been relatively little practical guidance developed to help researchers determine how they should fairly allocate credit for multi-authored publications. Fair allocation of credit requires that participating authors be acknowledged for their contribution and responsibilities, but it is not obvious what contributions should warrant authorship, nor who should be responsible for the (...)
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  3. Agency, authorship, and illusion.Eddy Nahmias - 2005 - Consciousness and Cognition 14 (4):771-785.
    Daniel Wegner argues that conscious will is an illusion. I examine the adequacy of his theory of apparent mental causation and whether, if accurate, it suggests that our experience of agency and authorship should be considered illusory. I examine various interpretations of this claim and raise problems for each interpretation. I also distinguish between the experiences of agency and authorship.
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  4. (1 other version)The authorship of the Principle of Inertia.Luca Nicotra - 2022 - Science and Philosophy 10 (1):81-110.
    According to some currents of modern historiography, Galilei's propensity for circular motion would have led him to consider this and not rectilinear motion as “natural motion”; therefore the principle of inertia could not be fully attributed to Galileo, which he would never have formulated. The question of the authorship of the principle of inertia certainly weighs on both nationalistic elements and returns of antigaleleism, while the question of its not explicit formulation as a principle is due to ignorance of (...)
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  5. Understanding of Authorship by the Post Graduate Medical Students at a Center in Bangladesh.Shamima Parvin Lasker - 2021 - Bangladesh Journal of Bioethics 12 (1):25-34.
    Education on authorship was delivered and evaluated by pre test and post test questionnairen on 30 post graduate medical students at the Department of Anestheology, Dhaka Medical College, Bangladesh between January and June 2019 to understand the knowledge, skill and attitude of post graduate medical students on authorship. Result: Before intervention, majority (60%) of the students felt that who perform the research work should be the author of the article. But 40% students were divided and felt that who (...)
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  6. The Norms of Authorship Credit: Challenging the Definition of Authorship in the European Code of Conduct for Research Integrity.Mohammad Hosseini & Jonathan Lewis - 2020 - Accountability in Research 27 (2):80-98.
    The practice of assigning authorship for a scientific publication tends to raise two normative questions: 1) ‘who should be credited as an author?’; 2) ‘who should not be credited as an author but should still be acknowledged?’. With the publication of the revised version of The European Code of Conduct for Research Integrity (ECCRI), standard answers to these questions have been called into question. This article examines the ways in which the ECCRI approaches these two questions and compares these (...)
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  7. (1 other version)Comics & Collective Authorship.Christy Mag Uidhir - 2011 - In Aaron Meskin, Roy T. Cook & Warren Ellis, The Art of Comics: A Philosophical Approach. Wiley-Blackwell. pp. 47-67.
    Most mass-art comics (e.g., “superhero” comics) are collectively produced, that is, different people are responsible for different production elements. As such, the more disparate comic production roles we begin to regard as significantly or uniquely contributory, the more difficult questions of comic authorship become, and the more we view various distinct production roles as potentially constitutive is the more we must view comic authorship as potentially collective authorship. Given the general unreliability of intuitions with respect to collective (...)
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  8. Appropriation and Authorship in Contemporary Art.Sherri Irvin - 2005 - British Journal of Aesthetics 45 (2):123-137.
    Appropriation art has often been thought to support the view that authorship in art is an outmoded or misguided notion. Through a thought experiment comparing appropriation art to a unique case of artistic forgery, I examine and reject a number of candidates for the distinction that makes artists the authors of their work while forgers are not. The crucial difference is seen to lie in the fact that artists bear ultimate responsibility for whatever objectives they choose to pursue through (...)
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  9. Authorship and Date of the Book of Proverbs.Lascelles G. B. James - manuscript
    It is evident from studies of Proverbs that the book has a number of authors and was compiled over an extended period of time. Bible scholars differ in their opinions concerning the authorship and date of compilation of the book. There are a number of critics who believe that references to the names of some authors of Proverbs are symbolic. There are others who believe that the final compilation date of the book was around the 2nd century B.C. On (...)
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  10. Interpreting AI-Generated Art: Arthur Danto’s Perspective on Intention, Authorship, and Creative Traditions in the Age of Artificial Intelligence.Raquel Cascales - 2023 - Polish Journal of Aesthetics 71 (4):17-29.
    Arthur C. Danto did not live to witness the proliferation of AI in artistic creation. However, his philosophy of art offers key ideas about art that can provide an interesting perspective on artwork generated by artificial intelligence (AI). In this article, I analyze how his ideas about contemporary art, intention, interpretation, and authorship could be applied to the ongoing debate about AI and artistic creation. At the same time, it is also interesting to consider whether the incorporation of AI (...)
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  11. A self-determination theory account of self-authorship: Implications for law and public policy.Alexios Arvanitis & Konstantinos Kalliris - 2017 - Philosophical Psychology 30 (6):763-783.
    Self-authorship has been established as the basis of an influential liberal principle of legislation and public policy. Being the author of one’s own life is a significant component of one’s own well-being, and therefore is better understood from the viewpoint of the person whose life it is. However, most philosophical accounts, including Raz’s conception of self-authorship, rely on general and abstract principles rather than specific, individual psychological properties of the person whose life it is. We elaborate on the (...)
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  12. Information Privacy and Social Self-Authorship.Daniel Susser - 2016 - Techné: Research in Philosophy and Technology 20 (3):216-239.
    The dominant approach in privacy theory defines information privacy as some form of control over personal information. In this essay, I argue that the control approach is mistaken, but for different reasons than those offered by its other critics. I claim that information privacy involves the drawing of epistemic boundaries—boundaries between what others should and shouldn’t know about us. While controlling what information others have about us is one strategy we use to draw such boundaries, it is not the only (...)
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  13. Can ChatGPT be an author? Generative AI creative writing assistance and perceptions of authorship, creatorship, responsibility, and disclosure.Paul Formosa, Sarah Bankins, Rita Matulionyte & Omid Ghasemi - forthcoming - AI and Society.
    The increasing use of Generative AI raises many ethical, philosophical, and legal issues. A key issue here is uncertainties about how different degrees of Generative AI assistance in the production of text impacts assessments of the human authorship of that text. To explore this issue, we developed an experimental mixed methods survey study (N = 602) asking participants to reflect on a scenario of a human author receiving assistance to write a short novel as part of a 3 (high, (...)
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  14. When Should Co-Authorship Be Given to AI?G. P. Transformer Jr, End X. Note, M. S. Spellchecker & Roman Yampolskiy - manuscript
    If an AI makes a significant contribution to a research paper, should it be listed as a co-author? The current guidelines in the field have been created to reduce duplication of credit between two different authors in scientific articles. A new computer program could be identified and credited for its impact in an AI research paper that discusses an early artificial intelligence system which is currently under development at Lawrence Berkeley National. One way to imagine the future of artificial intelligence (...)
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  15. Exploration of the creative processes in animals, robots, and AI: who holds the authorship?Jessica Lombard, Cédric Sueur, Marie Pelé, Olivier Capra & Benjamin Beltzung - 2024 - Humanities and Social Sciences Communications 11 (1).
    Picture a simple scenario: a worm, in its modest way, traces a trail of paint as it moves across a sheet of paper. Now shift your imagination to a more complex scene, where a chimpanzee paints on another sheet of paper. A simple question arises: Do you perceive an identical creative process in these two animals? Can both of these animals be designated as authors of their creation? If only one, which one? This paper delves into the complexities of (...), consciousness, and agency, unpacking the nuanced distinctions between such scenarios and exploring the underlying principles that define creative authorship across different forms of life. It becomes evident that attributing authorship to an animal hinges on its intention to create, an aspect intertwined with its agency and awareness of the creative act. These concepts are far from straightforward, as they traverse the complex landscapes of animal ethics and law. But our exploration does not stop there. Now imagine a robot, endowed with artificial intelligence, producing music. This prompts us to question how we should evaluate and perceive such creations. Is the creative process of a machine fundamentally different from that of an animal or a human? As we venture further into this realm of human-made intelligence, we confront an array of ethical, philosophical, and legal quandaries. This paper provides a platform for a reflective discussion: ethologists, neuroscientists, philosophers, and bioinformaticians converge in a multidisciplinary dialogue. Their insights provide valuable perspectives for establishing a foundation upon which to discuss the intricate concepts of authorship and appropriation concerning artistic works generated by non-human entities. (shrink)
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  16. Would Adopting Triple-Blind Review Increase Female Authorship in Interdisciplinary Journals? A Comment on Hassoun et al.Joona Räsänen & Julian Savulescu - 2025 - Ethics 135 (2):333-336.
    In the article “The Past 110 Years: Historical Data on the Underrepresentation of Women in Philosophy Journals,” Hassoun et al. claim that there is a connection between triple anonymous review and the proportion of women authors in interdisciplinary journals. However, the sample size of interdisciplinary journals using triple-blind review practice in the analysis is 1. In addition, the sole interdisciplinary journal claimed to be triple-blind, the Journal of Medical Ethics, is not and has not been triple-blind. The finding that interdisciplinary (...)
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  17. Ghost-Written Lives: Autonomy, Deference, and Self-Authorship.Michael Garnett - 2023 - Ethics 133 (2):189–215.
    Certain forms of practical deference seem to be incompatible with personal autonomy. I argue that such deference undermines autonomy not by compromising the governance of an authentic self, nor by constituting a failure to track objective reasons, but by constituting a particular social relation: one of interpersonal rule. I analyse this social relation and distinguish it from others, including ordinary relations of love and care. Finally, I argue that the particular form of interpersonal rule constituted by dispositions of practical deference (...)
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  18. In Search of Zär’a Ya‛ǝqob: On the History, Philosophy, and Authorship of the Ḥatäta Zär’a Ya‛ǝqob and the Ḥatäta Wäldä Ḥəywät.Lea Cantor, Jonathan Egid & Fasil Merawi (eds.) - 2024 - Berlin: De Gruyter.
    The Ḥatäta Zärʾa Yaʿǝqob and the Ḥatäta Wäldä Ḥəywät are enigmatic and controversial works. Respectively an autobiography and a companion treatise by a disciple, they are composed in the Gǝʿǝz language and set in the highlands of Ethiopia during the seventeenth century. Expressed in prose of great power and beauty, they bear witness to pivotal events in Ethiopian history and develop a philosophical system of considerable depth. However, they have also been condemned by some as a forgery, an elaborate mystification (...)
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  19. The real significance of Bayle's authorship of the Avis.Michael W. Hickson & Thomas M. Lennon - 2009 - British Journal for the History of Philosophy 17 (1):191 – 205.
    Did Bayle write the Avis aux réfugiés? Although the long debate over this question might not be over, we are convinced that strong probability supports Gianluca Mori's position that Bayle was indeed its sole author. We are also convinced, however, that the significance that Mori assigns to Bayle's authorship gets it exactly the wrong way around, for while Mori is right that the Avis is not only consistent but also representative of the views espoused by Bayle in his subsequent (...)
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  20. The Bibliothèque raisonnée Review of Volume 3 of the Treatise : Authorship, Text, and Translation.David Fate Norton & Dario Perinetti - 2006 - Hume Studies 32 (1):3-52.
    The review of volume 3 of Hume's Treatise, a review that appeared in the Bibliothèque raisonnée in the spring of 1741, was the first published response to Hume's ethical theory. This review is also of interest because of questions that have arisen about its authorship and that of the earlier review of volume 1 of the Treatise in the same journal. In Part 1 of this paper we attribute to Pierre Des Maizeaux the notice of vols. 1 and 2 (...)
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  21. Taking Relational Authenticity Seriously: Neurotechnologies, Narrative Identity, and Co-Authorship of the Self.Emilian Mihailov, Alexandra Zorila & Cristian Iftode - 2021 - American Journal of Bioethics Neuroscience 12 (1):35-37.
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  22. XIII—Self‐Knowledge, Transparency, and Self‐Authorship.Sacha Golob - 2015 - Proceedings of the Aristotelian Society 115 (3pt3):235-253.
    Proceedings of the Aristotelian Society, Volume 115, Issue 3pt3, Page 235-253, December 2015.
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  23. We Asked ChatGPT About the Co-Authorship of Artificial Intelligence in Scientific Papers.Ayşe Balat & İlhan Bahşi - 2023 - European Journal of Therapeutics 29 (3):e16-e19.
    Dear Colleagues, -/- A few weeks ago, we published an editorial discussion on whether artificial intelligence applications should be authors of academic articles [1]. We were delighted to receive more than one interesting reply letter to this editorial in a short time [2, 3]. We hope that opinions on this subject will continue to be submitted to our journal. -/- In this editorial, we wanted to publish the answers we received when we asked ChatGPT, one of the artificial intelligence applications, (...)
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  24. Rudbeckius, Hägglund’s Codex, and the Problem of Authorship Ascription.Tero Tulenheimo - 2024 - Svensk Teologisk Kvartalskrift 100:159–176.
    In 1992, Bengt Hägglund put forward a thesis according to which a codex in his possession is based on material Johannes Rudbeckius (1581–1646) authored in 1611, maintaining that the codex gives us information about Rudbeckius's lectures on _loci theologici_ in Uppsala during the years 1611–1613 and that it reveals to us characteristic features of Rudbeckius's thinking about dogmatics. Hägglund published the codex in 2001. I point out, first, weaknesses in Hägglund's argumentation. Second, I present indirect evidence against his thesis employing (...)
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  25.  51
    Artificial Intelligence and the Epistemic Frontier: Reconfiguring Authority, Authorship, and Inquiry in Academia.I. Feri - manuscript
    The rise of artificial intelligence (AI) as a tool for generating novel concepts and empowering non-experts challenges the foundational norms of academic inquiry. This paper examines the epistemological, ethical, and institutional implications of AI’s integration into scholarship, arguing that while it democratizes knowledge production and accelerates discovery, it also threatens epistemic justification, intellectual ownership, and human agency. Through a detailed case study and philosophical analysis, I propose “AI-Augmented Inquiry” as a disciplinary framework to legitimize revolutionary contributions from non-traditional scholars while (...)
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  26. Scientific elite revisited: Patterns of productivity, collaboration, authorship and impact.Jichao Li, Yian Yin, Santo Fortunato & Dashun Wang - 2020 - arXiv 2020 (3):1-54.
    Throughout history, a relatively small number of individuals have made a profound and lasting impact on science and society. Despite long-standing, multi-disciplinary interests in understanding careers of elite scientists, there have been limited attempts for a quantitative, career-level analysis. Here, we leverage a comprehensive dataset we assembled, allowing us to trace the entire career histories of nearly all Nobel laureates in physics, chemistry, and physiology or medicine over the past century. We find that, although Nobel laureates were energetic producers from (...)
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  27. What's the Point of Authors?Joshua Habgood-Coote & al et - 2024 - British Journal for the Philosophy of Science 75 (2):487-517.
    Who should be the author(s) of an academic paper? This question is becoming increasingly pressing, due to the increasing prevalence and scale of scientific collaboration, and the corresponding diversity of authorship practices in different disciplines and subdisciplines. This paper addresses the conceptual issues underlying authorship, with an eye to ameliorating authorship practices. The first part of the paper distinguishes five roles played by authorship attributions: allocating credit, constructing a speaker, enabling credibility judgements, supporting accountability, and creating (...)
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  28. The Author and other Avatars on digital Media Platforms: Mediatization reconfigured.Niels Finnemann - 2012 - Niels Ole Finnemann.
    The notion of authorship has been widely discussed since the proclamation of the Death of the Author in mid 20th century. Authors are still writing, but a variety of new forms of authorship and new kinds of relations between authors, texts and readers have emerged. Many new forms of authorship are enabled by the use of digital media, which provide a new layer of hypertextual and interactive software in between the ‘author’ as a representation of the human (...)
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  29. The Writ against Religious Drama: Frater Taciturnus v. Søren Kierkegaard.Gene Fendt - 1997 - In Niels Jørgen Cappelørn & Jon Bartley Stewart, Kierkegaard revisited: proceedings from the Conference "Kierkegaard and the Meaning of Meaning It", Copenhagen, May 5-9, 1996. New York: Walter de Gruyter. pp. 48-74.
    In a very literarily complicated setting, Frater Taciturnus sets a remark about Hamlet not being a Christian tragedy. After unpeeling that literary setting and noting that Taciturnus' remark aims more at Jacob Börne than at Shakespeare, the paper shows how Frater Taciturnus' remark calls into question the religious project of a certain danish author. For, Taciturnus' primary concern is to show that religious drama is not possible, or at least "ought not be." This general law applies to Hamlet as well, (...)
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  30. Discursos sobre o eu na composição autoral dos vlogs.Guilherme Adorno - 2015 - Dissertation, Unicamp
    Upon the relation between significant, subject and history, Materialistic Discourse Analysis –theoretical and methodological framework of the present research –confronts itself perennially with the analytical material in order to understand language in the movement of the social. The theory only takes place when it is in front of the analytical procedures of a specific object, which, in this investigation, it may be identified as: the discourses about the self in the authorial composition of vlogs, YouTube videos characterized as a language (...)
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  31. AI as artist: agency and the moral rights of creative works.David R. Charles - 2025 - AI and Ethics 2025.
    The question of who possesses the moral rights of creative works made using the assistance of artificial intelligence (AI) is not fully resolved. In particular, the relationship between moral rights and moral agency in the production of creative works has been under-investigated in the literature. I explore these topics and argue that moral agency, intentionality and values-based reasoning are crucial for the entitlement of moral rights and hence the assignment of authorship. I conclude that, despite their great power to (...)
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  32. AI-aesthetics and the artificial author.Emanuele Arielli - forthcoming - Proceedings of the European Society for Aesthetics.
    ABSTRACT. Consider this scenario: you discover that an artwork you greatly admire, or a captivating novel that deeply moved you, is in fact the product of artificial intelligence, not a human’s work. Would your aesthetic judgment shift? Would you perceive the work differently? If so, why? The advent of artificial intelligence (AI) in the realm of art has sparked numerous philosophical questions related to the authorship and artistic intent behind AI-generated works. This paper explores the debate between viewing AI (...)
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  33. Holding Large Language Models to Account.Ryan Miller - 2023 - In Berndt Müller, Proceedings of the AISB Convention. Society for the Study of Artificial Intelligence and the Simulation of Behaviour. pp. 7-14.
    If Large Language Models can make real scientific contributions, then they can genuinely use language, be systematically wrong, and be held responsible for their errors. AI models which can make scientific contributions thereby meet the criteria for scientific authorship.
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  34.  47
    Breaking Boundaries: How Generative AI is Redefining Art.Parvathy S. Prasad Jadhav, M. Haripriya, Aravind P. B., Arav V. Varghese - 2025 - International Journal of Multidisciplinary Research in Science, Engineering, Technology and Management 12 (3):861-863.
    Generative Artificial Intelligence (AI) is revolutionizing the world of art by offering unprecedented ways of creating, experiencing, and interpreting art. With the advent of powerful AI models such as Generative Adversarial Networks (GANs), neural networks, and deep learning techniques, machines can now generate stunning and original works of visual art, music, and even literature. This paper explores the transformative role of generative AI in the creative industries, examining how these technologies are not only enabling artists to push creative boundaries but (...)
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  35. Who is writing? The Development and Application of the AI-Integrated Writing Framework (AWAI).Chunyi Zhao - manuscript
    The rapid advancement of artificial intelligence (AI) has profoundly transformed academic writing practices, challenging traditional notions of authorship, originality, and learning strategies in academic writing. Despite the widespread adoption of AI-driven writing assistance tools, academic writing instruction remains largely rooted in traditional methods, failing to effectively integrate these technologies into the learning process. This paper proposes a conceptual framework for AI-integrated academic writing, termed the Academic Writing and AI Integration (AWAI) Framework. Drawing from an interdisciplinary perspective, this framework aims (...)
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  36. Abstraction in Archaeological Stratigraphy: a Pyrenean Lineage of Innovation (late 19th-early 21th century).Sébastien Plutniak - 2021 - In Sophie A. de Beaune, Alessandro Guidi, Oscar Moro Abadia & Massimo Tarantini, New Advances in the History of Archaeology. Archaeopress. pp. 78-92.
    Methodological innovations have a special status in disciplinary histories, because they can be widely adopted and anonymised. In the 1950s, this occurred to Georges Laplace’s innovative use of 3-dimensional metric Cartesian coordinate system to record the positions of archaeological objects. This paper proposes a conceptual and social history of this process, with a focus on its spatial context, the Pyrenean region (Spain, Basque Country, and France). Main results of this research based on archives, publications, and bibliometric data, include: 1) a (...)
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  37. 'Archytas: Author and Authenticator of Pythagoreanism'.Phillip Sidney Horky - 2021 - In Constantinos Macris, Luc Brisson & Tiziano Dorandi, Pythagoras Redivivus: Studies on the Texts Attributed to Pythagoras and the Pythagoreans. Academia – ein Verlag in der Nomos Verlagsgesellschaft. pp. 141-76.
    This paper critically examines the use of the name 'Pseudo-Archytas' to refer to two aspects of the reception of Archytas of Tarentum in antiquity: the 'author-inflection' and the 'authority-inflection'. In order to make progress on our understanding of authority and authorship within the Pythagorean tradition, it attempts to reconstruct Porphyry's views on the importance of Archytas as guarantor of Pythagorean authenticity in the former's lost work On the History of the Philosophers by considering a fragment preserved in Arabic by (...)
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  38. Wedge: A Cross-Disciplinary Collaboration by Janine Antoni and Jill Sigman.Sherri Irvin - 2016 - In Sondra Bacharach, Siv B. Fjærestad & Jeremy Neil Booth, Collaborative Art in the Twenty-First Century. Routledge. pp. 166-178.
    In 2012, choreographer and dancer Jill Sigman of jill sigman/thinkdance and visual artist Janine Antoni collaborated to produce Wedge, a live performance at the Albright-Knox Gallery. In this essay, I describe the collaboration and the resulting work and examine the benefits and challenges of the collaboration. The discussion touches on broader issues pertaining to collaboration, co-authorship, artists' intentions, and interpretation.
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  39. Aberration of the Citation.Khaled Moustafa - 2016 - Accountability in Research 23 (4):230.
    Multiple inherent biases related to different citation practices (for e.g., self-citations, negative citations, wrong citations, multi-authorship-biased citations, honorary citations, circumstantial citations, discriminatory citations, selective and arbitrary citations, etc.) make citation-based bibliometrics strongly flawed and defective measures. A paper can be highly cited for a while (for e.g., under circumstantial or transitional knowledge), but years later it may appear that its findings, paradigms, or theories were untrue or invalid anymore. By contrast, a paper may remain shelved or overlooked for years (...)
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  40. El paradigma de la Inteligencia Artificial: una aproximación filosófica, política y estética.Constanza Rivano Delzo - manuscript
    This article aims to generate an approach to the debate on the regulation of artificial intelligence. For this, an ontological analysis is made on the human need to legislate establishing a theoretical cross between Martin Heidegger and John Locke to then criticize the political and commercial insistence of understanding Artificial Intelligence only as a tool. Then, the text will try to reflect how through Art made by Artificial Intelligence it is possible to establish aesthetic value and authorship of the (...)
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  41. Dignity and Credibility in the Age of Information.Joshua Duclos - 2020 - The Principal Post.
    Self-authorship is fundamental to respecting the dignity of persons, and epistemic credibility depends upon impartial review. While these claims may seem obviously true, they arguments for them are rarely given. In a supposedly "post-truth" world in which respect for individual rights is under attack, the obvious must be argued for and reiterated. To that end, I mine sources from the European Enlightenment (Bacon, Hume, Kant, and Mill) to make the case for self-authorship and impartial review.
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  42. Giving Credit When Credit Is Due.Edward Song - 2011 - International Journal of Applied Philosophy 25 (1):1-13.
    Issues of academic authorship pose few problems for philosophers or those in the humanities, yet raise a host of issues for medical researchers, engineers and scientists, where multiple authors is the norm and journal articles sometimes list hundreds of authors. At issue here are abstract questions about desert, as well as practical problems regarding the distribution of goods attached to authorship—tenure, prestige, research grants, etc. This paper defends a version of the author/contributor model, where the specific contributions of (...)
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  43. The Epistemic Benefits of Reason Giving.Lisa Bortolotti - 2009 - Theory and Psychology 19 (5):1-22.
    There is an apparent tension in current accounts of the relationship between reason giving and self knowledge. On the one hand, philosophers like Richard Moran (2001) claim that deliberation and justification can give rise to first-person authority over the attitudes that subjects form or defend on the basis of what they take to be their best reasons. On the other hand, the psychological evidence on the introspection effects and the literature on elusive reasons suggest that engaging in explicit deliberation or (...)
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  44. Anonymous Arguments.Andrew Aberdein - forthcoming - Ethical Theory and Moral Practice:1-13.
    Anonymous argumentation has recently been the focus of public controversy: flash points include the outing of pseudonymous bloggers by newspapers and the launch of an academic journal that expressly permits pseudonymous authorship. However, the controversy is not just a recent one—similar debates took place in the nineteenth century over the then common practice of anonymous journalism. Amongst the arguments advanced by advocates of anonymous argumentation in either era is the contention that it is essential if the widest range of (...)
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  45. The Possibility of Democratic Autonomy.Adam Lovett & Jake Zuehl - 2022 - Philosophy and Public Affairs 50 (4):467-498.
    What makes democracy valuable? One traditional answer holds that participating in democratic self-government amounts to a kind of autonomy: it enables citizens to be the authors of their political affairs. Many contemporary philosophers, however, are skeptical. We are autonomous, they argue, when important features of our lives are up to us, but in a democracy we merely have a say in a process of collective choice. In this paper, we defend the possibility of democratic autonomy, by advancing a conception of (...)
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  46.  52
    Navigating knowledge in the age of generative AI.Minh-Hoang Nguyen - 2025 - Sm3D Portal.
    The rise of generative AI technologies such as OpenAI’s ChatGPT and Google’s Gemini has profoundly transformed how we access and interact with knowledge. These tools synthesize vast datasets to deliver instant, personalized responses to user queries, often mimicking human-like communication. Yet, this transformation invites critical reflection on the authorship, ownership, and reliability of AI-mediated knowledge.
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  47. Comparative views on research productivity differences between major social science fields in Vietnam: Structured data and Bayesian analysis, 2008-2018.Quan-Hoang Vuong, La Viet Phuong, Vuong Thu Trang, Ho Manh Tung, Nguyen Minh Hoang & Manh-Toan Ho - manuscript
    Since Circular 34 from the Ministry of Science and Technology of Vietnam required the head of the national project to have project results published in ISI/Scopus journals in 2014, the field of economics has been dominating the number of nationally-funded projects in social sciences and humanities. However, there has been no scientometric study that focuses on the difference in productivity among fields in Vietnam. Thus, harnessing the power of the SSHPA database, a comprehensive dataset of 1,564 Vietnamese authors (854 males, (...)
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  48.  60
    Fashion Futures: How Generative AI is Changing Design.Rohan Pratap Singh Aanya Rani Verma - 2025 - International Journal of Innovative Research in Computer and Communication Engineering 13 (2):1700-1704.
    The fashion industry is undergoing a profound transformation due to the integration of Generative Artificial Intelligence (Gen AI). From concept ideation to final garment design, Gen AI is revolutionizing how fashion is imagined, created, and consumed. This paper explores the growing role of Gen AI in fashion design, highlighting how it accelerates creativity, fosters sustainability, and enables personalized fashion experiences. Through a comprehensive literature review, case studies, and analysis of current methodologies, the study identifies the opportunities and challenges posed by (...)
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  49. Philosophy of games.C. Thi Nguyen - 2017 - Philosophy Compass 12 (8):e12426.
    What is a game? What are we doing when we play a game? What is the value of playing games? Several different philosophical subdisciplines have attempted to answer these questions using very distinctive frameworks. Some have approached games as something like a text, deploying theoretical frameworks from the study of narrative, fiction, and rhetoric to interrogate games for their representational content. Others have approached games as artworks and asked questions about the authorship of games, about the ontology of the (...)
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  50. Authority and Anonymity in Descartes' Discourse on Method.Christina Hendricks - manuscript
    Presented at the 2010 Annual Meeting of the Association for Core Texts and Courses, New Brunswick, New Jersey, USA, April 2010. -/- René Descartes’ Discourse on Method is paradoxical in several respects: it was published anonymously, yet is rich in autobiographical detail; further, Descartes insists that “the power of judging well and of distinguishing the true from the false…is naturally equal in all men,” and also that “the world consists almost exclusively of … minds for whom [his method of reasoning] (...)
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