Satirical cartooning in Vietnam is subject to a complex dynamic: an increasingly liberalised and internationalised economy, and the rise of social media in a one-party state. This article examines what state-sanctioned satirical cartoons can reveal about the representation and management of political criticism in such a context. We find a growing trend of depicting corruption as a systemic problem, which is present in 45 per cent of the sample and in 70 per cent of the 20 most-viral cartoons (...) in one of Vietnam’s most popular magazines, Tuoi Tre Cuoi (Youth Humour). This trend can be interpreted as a change in the sensibility of audiences and a shift toward a more tolerant media landscape. The trend, however, may also be a worrying sign of the dual dangers of cynicism in Vietnamese politics: the development of apathy among audiences and the cynical use of art by authorities. Despite these concerns, we argue, political cartoons in Vietnam provide an important public avenue for collective political reflection and everyday social solidarity. (shrink)

An animated cartoon is a short, hand-drawn (or made with computers to look similar to something hand-drawn) moving picture for the cinema, TV or computer screen, featuring some kind of story or plot. -/- Animation is the optical illusion of motion created by the consecutive display of images of static elements. In film and video production, this refers to techniques by which each frame of a film or movie is produced individually. Computer animation is the art of creating moving images (...) via the use of computers. It is a subfield of computer graphics and animation. Anime is a medium of animation originating in Japan, with distinctive character and background aesthetics that visually set it apart from other forms of animation. An animated cartoon is a short, hand-drawn (or made with computers to look similar to something hand-drawn) moving picture for the cinema, TV or computer screen, featuring some kind of story or plot (even if it is a very short one). Manga is the Japanese word for comics and print cartoons. Outside of Japan, it usually refers specifically to Japanese comics. Special effects (abbreviated SPFX or SFX) are used in the film, television, and entertainment industry to visualize scenes that cannot be achieved by normal means, such as space travel. Stop motion is a generic gereral term for an animation technique which makes static objects appear to move. (shrink)

The controversy that accompanied the publication and reprinting of cartoons depicting the Prophet Muhammed as part of a 2005 editorial in the Danish newspaper Jyllands-Posten has been widely interpreted as yet another illustration of an ineliminable tension between multiculturalism and liberalism. Such an interpretation would have us believe that what is at issue in defending the cartoons is our commitment to civil liberties as a mainstay of liberal democracy. But is this really what is at issue? A closer (...) examination suggests that what is actually being defended in this case is not civil liberty but civil privilege. In particular, what is at issue is the privilege to exclude and define Muslims. (shrink)

Materialism, reductionism, behaviorism, functionalism, dynamic systems theory and computationalism are popular views, but they were shown by Wittgenstein to be incoherent. The study of behavior encompasses all of human life but behavior is largely automatic and unconscious and even the conscious part, mostly expressed in language (which Wittgenstein equates with the mind), is not perspicuous, so it is critical to have a framework which Searle calls the Logical Structure of Rationality (LSR) and I call the Descriptive Psychology of Higher Order (...) Thought (DPHOT). After summarizing the framework worked out by Wittgenstein and Searle, as extended by modern reasoning research, I show the inadequacies in Carruther’s views, which pervade most discussions of behavior including contemporary behavioral sciences. I maintain that his book is an amalgam of two books, one a summary of cognitive psychology and the other a summary of the standard philosophical confusions on the mind with some new jargon added. I suggest that the latter should be regarded as incoherent or as a cartoon view of life and that taking Wittgenstein at his word, we can practice successful self therapy by regarding the mind/body issue as a language/body issue. -/- Those wishing a comprehensive up to date framework for human behavior from the modern two systems view may consult my book ‘The Logical Structure of Philosophy, Psychology, Mind and Language in Ludwig Wittgenstein and John Searle’ 2nd ed (2019). Those interested in more of my writings may see ‘Talking Monkeys--Philosophy, Psychology, Science, Religion and Politics on a Doomed Planet--Articles and Reviews 2006-2019 3rd ed (2019), The Logical Structure of Human Behavior (2019), and Suicidal Utopian Delusions in the 21st Century 4th ed (2019). (shrink)

Cartoon is a journalistic genre that is presented in simple, sort and catchy formats, which appeal to human sense and consequently allows for quick reception of the messages being communicated. Adejuwon & Alimi in Bello (2022) argued that cartoons serve as medium through which people are informed, educated, and entertained by presenting societal happenings in a hilarious manner. According to Bello, editorial cartoons are designed to satirise current political issues, and offer subtle criticism cleverly coated with humour and (...) satire. Cartoons amuse, yet they are veritable means of exposing social ills and strategic way of conveying messages of deep meaning magnitude. (shrink)

This paper sets out to identify the qualities of a cartoonist as an artist in the business of political education. The paper observes that the true meaning of any man’s action could be understood when conscious efforts are made by the message recipients to read beyond the lines. However, the encoder requires certain skills, especially as an artist, to pass his message across to his audience.

The possible significance of compromised exposure to positive stimuli during an individual's early childhood could contribute to impoverished positive memory development and subsequently dysregulated emotional responses to such valence of stimuli in adulthood. This could potentially explain dampened positive emotional responses of depressed individuals as reported in imaging studies of the brain's mesolimbic reward pathways. This paper provides emphasis and suggestions for a preliminary exploration of positive cartoon stimuli as a new tool in therapeutic targets for depression treatment and research (...) that cater to a subgroup of depressive individuals who had experienced childhood trauma and stressful episodes as their primary causes of the disorder. Cartoon stimuli as a form of visual and interactive therapy may provide a compensatory and restorative component for the emotional losses and insults on an otherwise healthy childhood positivity required for normal and balanced neuropsychological development and growth. Unfortunately, such readily available resources for therapy have hardly been considered and utilized. The potential benefit of exposure to cartoon stimuli may extend beyond the method of positive mood induction and further addresses the need for both implicit and explicit comfort, understanding, emotional and situational relatedness that compensate for the lack of such stimulation during an early stressful life. Through evoking childlike positive associations, it is hypothesized that depression could reduce in severity and the threshold for activation of response to positive stimuli and themes lowered, thereby restoring negative and positive mood imbalances. (shrink)

I argue in this paper that the publication of cartoons caricaturing Islam by Jyllands- Posten is problematic for a number of reasons. First, within liberal political theory itself, there are reasonable arguments that the depictions (at least two) perpetuate prejudice and verge on hate speech. Second, such depictions weaken the social conditions that make possible a thriving democracy (i.e., participation) by marginalizing the already marginalized. Moreover, the caricatures perpetuate an Orientalist discourse about the nature of Islam and the non-West, (...) and hinder global intercultural dialogue and understanding between nations. (shrink)

唯物主义、还原主义、行为主义、功能主义、动态系统理论和计算主义是流行的观点,但维特根斯坦却认为它们不连贯。行为研究包括人类生活的所有内容,但行为在很大程度上是自动的和无意识的,甚至意识部分,大多用语言 表达(维特根斯坦与头脑等同),不是一种自在的,所以拥有西尔称为理性逻辑结构(LSR)的框架,我称之为高阶思想的描述性心理学(DPHOT)。在总结了维特根斯坦和西尔提出的框架后,现代推理研究扩展了这个框 架,我展示了Carruther观点中的不足之处,这些观点渗透到大多数关于行为的讨论,包括当代行为科学。我认为,他的书是两本书的混合体,一本是认知心理学的摘要,另一本是头脑中标准哲学混乱的总结,并添加了 一些新的行话。我建议,后者应该被视为不连贯或卡通的生活观点,以维特根斯坦的话,我们可以实践成功的自我治疗,把心灵/身体问题作为一个语言/身体问题。 那些希望从现代两个系统的观点来看为人类行为建立一个全面的最新框架的人,可以查阅我的书《路德维希的哲学、心理学、Min d和语言的逻辑结构》维特根斯坦和约翰·西尔的《第二部》(2019年)。那些对我更多的作品感兴趣的人可能会看到《会说话的猴子——一个末日星球上的哲学、心理学、科学、宗教和政治——文章和评论2006-20 19年第3次(2019年)和自杀乌托邦幻想21篇世纪4日 (2019) .

Materialismus, Reduktionismus, Verhaltenismus, Funktionalismus, Dynamische Systemtheorie und Computeralismus sind populäre Ansichten, aber sie wurden von Wittgenstein als inkohärent gezeigt. Das Studium des Verhaltens umfasst das gesamte menschlicheLeben, aber Verhalten ist weitgehend automatisch und unbewusst und selbst der bewusste Teil, der meist in Sprache ausgedrückt wird (was Wittgenstein mit dem Geist gleichsetzt), ist nicht auffällig, daher ist es entscheidend, einen Rahmen zu haben, den Searle die Logische Struktur der Rationalität (LSR) nennt und ich nenne die Deskriptive Psychologie des Höheren Ordnungsdenkens (DPHOT). (...) Nach der Zusammenfassung des von Wittgenstein und Searle ausgearbeiteten Rahmens, der durch moderne Argumentationsforschung erweitert wurde, zeige ich die Unzulänglichkeiten in Carruthers Ansichten, die die meisten Diskussionen über Verhalten durchdringen,, einschließlich zeitgenössischer Verhaltenswissenschaften. Ich behaupte, dass sein Buch ein Amalgam von zwei Büchern ist, eines eine Zusammenfassung der kognitiven Psychologie und das andere eine Zusammenfassung der Standard-philosophischen Verwirrungen auf dem Geist mit einigen neuen Jargon hinzugefügt. Ich schlage vor, dass letztere als inkohärent oder als eine Karikatur Sicht des Lebens betrachtet werden sollten und dass wir, wenn wir Wittgenstein beim Wort nehmen, eine erfolgreiche Selbsttherapie praktizieren können, indem wir die Körperfrage als Sprache/Körper-Frage betrachten. Wer aus der modernen zweisystems-Sichteinen umfassenden, aktuellen Rahmen für menschliches Verhalten wünscht, kann mein Buch "The Logical Structure of Philosophy, Psychology, Mindand Language in Ludwig Wittgenstein and John Searle' 2nd ed (2019) konsultieren. Diejenigen,die sich für mehr meiner Schriften interessieren, können 'Talking Monkeys--Philosophie, Psychologie, Wissenschaft, Religion und Politik auf einem verdammten Planeten --Artikel und Rezensionen 2006-2019 3rd ed (2019) und Suicidal Utopian Delusions in the 21st Century 4th ed (2019) und andere sehen. (shrink)

The original idea of this narrative comes from the above cartoon by Panos Maragos, a Greek cartoonist (according to S. Berger [1]), which I stumbled upon on the Internet some time ago. It was originally intended to be included in the book Meandering Sobriety [2] but was later left out due to its fictitious nature.

I claim that caricature is an epistemically defective depiction. More precisely, when employed in service to some epistemic uptake, I claim that caricature can have a non-negligible epistemic effect only for a less than ideally rational audience with certain cognitive biases. An ideally rational audience, however, would take all caricature to be what I refer to as fairground caricature, i.e., an interesting or entertaining form of depiction that is at best only trivially revelatory. I then argue that any medium (or (...) genre) substantially employing caricature (or standardly featuring or prescribing its employment) in service to some epistemic uptake is to that extent an epistemically defective medium (e.g., beliefs informed by works specific to that medium are to that extent unwarranted). I then show the editorial cartoon to be just such an epistemically defective medium. (shrink)

Any good ethical theory aspires to provide as comprehensive a guide to moral value and motivation as possible. Within modern moral philosophy, conceptions of moral value have been dominated largely by considerations of justice and concerns for the common good, and moral shortcomings have been accounted for primarily by appeal to ignorance, weakness, indifference or outright hostility to moral values. Yet the ways in which we fall short are far more complicated. By discussing one interesting example here, I hope to (...) provide some support for the claim that our conceptions of moral value and motivation need enrichment. In making my case, I utilize a character who is more like a caricature than a figure from ordinary life. This touch of hyperbole is deliberate. Reflect for a moment on the function of a good cartoon caricature. By exaggerating physical features, it draws our attention to characteristics that go unnoticed in their normal context. Whereas cartoon caricatures aim at amusement, my goal is to distil some of our perceptions of moral excellence. (shrink)

The South Park “Go God Go” saga raises some very important questions. In these episodes, the scientific worldview stamps out religion. But are science and religion really in such irreconcilable conflict? Would the supremacy of a scientific worldview really lead to atheism? And in the South Park future of 2546, a cartoon version of Richard Dawkins has pioneered efforts which culminate in religion’s demise and atheism becomes its own religion. But is atheism—and specifically “The New Atheism” that Dawkins champions—really just (...) a religion? The article tackles those questions. (shrink)

In Two Minds is a practical casebook of problem solving in psychiatric ethics. Written in a lively and accessible style, it builds on a series of detailed case histories to illustrate the central place of ethical reasoning as a key competency for clinical work and research in psychiatry. Topics include risk, dangerousness and confidentiality; judgements of responsibility; involuntary treatment and mental health legislation; consent to genetic screening; dual role issues in child and adolescent psychiatry; needs assessment; cross-cultural and gender issues; (...) rational and irrational suicide; shared decision making in multi-agency teams, and the growing role of the user's voice in psychiatry. Key ethical concepts are carefully introduced and explained. The text is richly supported by detailed guides for further reading. There are separate chapters on teaching psychiatric ethics, including a sample seminar, and on writing a research ethics application. Each case history and discussion is followed by a critical commentary from a practitioner with relevant experience. Jim Birley adds a comparative international perspective on psychiatric ethics. Cartoons by Johnny Cowee provide punchy counterpoint! In Two Minds is the sister volume to the third edition of Sidney, Paul Chodoff and Steven Green's highly successful Psychiatric Ethics. In providing a bridge between theory and practice, it will be essential reading for everyone concerned with improving standards in mental health care. (shrink)

Slightly modified PowerPoint slides in the PDF format presented at the first conference of the European Network of Japanese Philosophy, Barcelona, Spain. (December 4th, 2015).

Why would a philosopher choose to convey his ideas in the form of Manga? This discussion between Masahiro Morioka, author of Manga Introduction to Philosophy, and the translator of its French edition, Pierre Bonneels, shows how philosopher and artist Morioka became acquainted, through images, with fundamental abstract notions. After a short historical analysis of the aesthetic advantages of Manga, consideration is given to this unique way of provoking thought. On this basis, theoretical aspects of “time” and the “I” proposed by (...) Ōmori Shōzō are compared with Morioka’s Manga presentation. Although the questions raised are universal, the authors note that the use of Japanese metaphors enables these two thinkers to draw on a concrete understanding of notions like temporality and identity. (shrink)