19th Century French Philosophy, Misc

In "De l’Allemagne", Mme de Staël develops a sophisticated philosophical psychology that centers not on reason, but imagination. She does this by bringing French Enlightenment philosophy, particularly Rousseau and Diderot, into dialogue with German thinkers, including Kant and Herder. For Mme de Staël, imagination transcends the epistemic limits of sensibility and reason by incorporating sentiment.

En la segunda mitad del siglo XIX la filosofía positiva se consolidó como la corriente de pensamiento dominante en México, muchos pensadores la utilizaron como marco teórico para interpretar los acontecimientos pasados y proyectar elfuturo de la nación. Por su análisis, explicación e interpretación de la historia nacional México: su evolución social es la obra culminante del positivismo mexicano, pero para sorpresa nuestra ha sido poco estudiada por los especialistas, de ahí que sea necesario recuperarla. En este artículo nos damos (...) a esa tarea y para ello nos enfocaremos en analizar el método de investigación que emplea la obra así como el papel que cumple la historia dentro de la misma. Con ello se busca contribuir a los estudios sobre el positivismo mexicano al abordar, en una obra crucial, algunos de sus aspectos metodológicos, históricos y filosóficos. -/- In the second half of the nineteenth century the positive philosophy was consolidated as the dominant current of thought in Mexico, many thinkers used it as the theoretical framework to interpret past events and project the future of the nation. Because of its analysis, explanation and interpretation of the national Mexican history México: su evolución social is the culminating work of Mexican positivism. To our surprise, the work has been little studied by scholars hence it is necessary to recover it. In this article we want to do that task and for that we will focus on analyzing the research method used in the work as well as the role played by history within it. The aim then is to contribute to studies on Mexican positivism by approaching, in a crucial work, some of its methodological, historical and philosophical aspects. (shrink)

The present essay argues that Bergson’s account of the comic can only be fully appreciated when read in conjunction with his later metaphysical exposition of the élan vital in Creative Evolution and then by the account of fabulation that Bergson only elaborates fully three decades later in The Two Sources of Morality and Religion. The more substantive account of the élan vital ultimately shows that, in Laughter, Bergson misses his own point: laughter does not simply serve as a means for (...) correcting human behavior but is rather the élan vital’s vital summons, the demand of life itself, that human beings challenge their obligations, question their societal forms, and thereby create new and, for Bergson, more ideal forms of life and community. (shrink)

Pour traiter de la question singulière de la relation entre James et Renouvier à la lumière de cette préoccupation plus générale, nous choisirons ici une période un peu plus limitée que la carrière de James dans son ensemble : depuis ses premiers écrits jusqu’à la série d’articles de 1884-1885, qui allaient être si importants à la fois pour la psychologie et pour l’oeuvre philosophique, c’est-à-dire précisément jusqu’au point où les itinéraires philosophiques de James et de Renouvier commencent à diverger. Il (...) s’agit de voir en quoi la Critique philosophique est un cadre hospitalier pour le jeune James, mais aussi en quoi, dès la fin de cette période, des différends importants se font jour, sur la conscience notamment, ce qui donne lieu à une situation paradoxale où l’organe même qui a contribué à faire connaître James se retrouve à rebours de plusieurs de ses thèses importantes, avant la publication des Principles of Psychology (1890) et encore plus avant le Pragmatisme (1907). (shrink)

This thesis aims to explain why art is the ideal agent for overcoming the absurdity and the meaninglessness of existence. The focus is Camus’ Rebellion in conjunction with Sartre’s notion of Authenticity. Together they provide an adequate answer to the fundamental questions of human existence. Together Camus’ rebellion and Sartre’s authenticity provide the necessary foundations for the overall authenticity of art, facilitating the emergence of purpose from the abyss of absurdity.

For Alexis de Tocqueville, a faithful son of the Enlightenment, the priority given to the individual in the pursuit of truth represents the starting point of an inexorable march of equality towards individual autonomy. In other words, in agreement with the historicist movements of the 19th Century, Tocqueville interprets history as a dialectical progress: History understood as progress in the Hegelian sense, whose becoming unfolds in virtue of a steady and unalterable progress towards a better society-civilization as a creation of (...) the illustrated man. However, while for Hegel progress obeys a reason understood as self-knowledge, Tocqueville understands it as a balance between antagonisms: liberty-individual-democracy. In other words, the Tocquevillian dualism, expressed in the permanent tension between antagonisms equality vs. freedom, the individual vs the citizen–, leads towards a new class of dialectics of liberty. In this sense, the aforementioned triad represents, precisely, the tension that reveals itself as problematic, given that, ultimately, the elements that compose it arise antithetically. (shrink)

Summary of the major innovations of Emil du Bois-Reymond (1818-1896).

El trabajo analiza la estructura de L'Action (1893) del filósofo francés Maurice Blondel en tres niveles diferentes según el modelo de la configuración triádica de la temporalidad. El primer nivel está implícito en la analítica de la acción llevada a cabo en la Introduction a la obra; el segundo nivel se identifica con el análisis de la pasividad del primer momento de la cuarta parte; el tercer nivel abarca la obra considerada en su globalidad, extendiéndose a la problemática del fenómeno (...) de la acción, de la demostración del único ser necesario y de la alternativa de la acción. El análisis pretende demostrar que las dimensiones antecedente, presente y adveniente de la temporalidad están a la base de la comprensión de esta obra blondeliana. (shrink)

In this paper, I'm giving an account of William James's reception in the columns of Charles Renouvier's journal, La Critique philosophique. The papers explores the discussions between James and Renouvier on Free Will, Philosophical systems, Consciousness and Pluralism.