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  1. added 2018-11-29
    Mechanical Neuroscience: Emil du Bois-Reymond’s Innovations in Theory and Practice.Gabriel Finkelstein - 2015 - Frontiers 9 (130):1-4.
    Summary of the major innovations of Emil du Bois-Reymond (1818-1896).
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  2. added 2017-08-14
    La democracia tocquevilliana: entre el dualismo y la dialéctica de la libertad.Andrés Stark Azócar - 2016 - Estudios Filosóficos:311-322.
    For Alexis de Tocqueville, a faithful son of the Enlightenment, the priority given to the individual in the pursuit of truth represents the starting point of an inexorable march of equality towards individual autonomy. In other words, in agreement with the historicist movements of the 19th Century, Tocqueville interprets history as a dialectical progress: History understood as progress in the Hegelian sense, whose becoming unfolds in virtue of a steady and unalterable progress towards a better society-civilization as a creation of (...)
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  3. added 2016-02-01
    A Chronicle of Pragmatism in France Before 1907: William James in Renouvier’s Critique Philosophique.Mathias Girel - 2007 - In Sergio Franzese (ed.), Fringes of Religious Experience, Cross-Perspectives on James’s The Varieties of Religious Experience. Ontos Verlag. pp. 169-200.
    In this paper, I'm giving an account of William James's reception in the columns of Charles Renouvier's journal, La Critique philosophique. The papers explores the discussions between James and Renouvier on Free Will, Philosophical systems, Consciousness and Pluralism.
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  4. added 2014-01-24
    La temporalidad como estructura de L'Action (1893) de Maurice Blondel.Patricio Agustín Perkins - 2010 - Tópicos 19:65-81.
    El trabajo analiza la estructura de L'Action (1893) del filósofo francés Maurice Blondel en tres niveles diferentes según el modelo de la configuración triádica de la temporalidad. El primer nivel está implícito en la analítica de la acción llevada a cabo en la Introduction a la obra; el segundo nivel se identifica con el análisis de la pasividad del primer momento de la cuarta parte; el tercer nivel abarca la obra considerada en su globalidad, extendiéndose a la problemática del fenómeno (...)
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