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    1. Cervantes’s “Republic”: On Representation, Imitation, and Unreason.Rolando Perez - 2021 - eHumanista 47:89-111.
      ABSTRACT This essay deals with the relation between representation, imitation, and the affects in Don Quixote. In so doing, it focuses on Cervantes’s Platonist poetics and his own views of imitation and the books of knighthood. Although most readers, translators, and critics have until now deemed Cervantes’s use of the word “republic” in Don Quixote unimportant, the word “república” or republic is in fact the entry point to Cervantes’ Platonist critique of the novels of knighthood, and his notions of writing, (...)
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    2. CARÁTER, AÇÃO E DISCURSO NA POÉTICA DE ARISTÓTELES.Marco Valério Classe Colonnelli - 2020 - João Pessoa, Brazil: Editora UFPB.
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    3. Tapping the Wellsprings of Action: Aristotle's Birth of Tragedy as a Mimesis of Poetic Praxis.Katherine Kretler - 2018 - In Bruce M. King & Doherty Lillian (eds.), Thinking the Greeks: A Volume in Honour of James M. Redfield. London and New York: pp. 70-90.
      This essay offers an interpretation of Aristotle’s account of the birth of tragedy (Poetics 1448b18–1449a15) as a mimesis of poetic praxis. The workings of this passage emerge when read in connection with ring composition in Homeric speeches, and further unfold through a comparison with the Shield of Achilles and with an ode from Euripides’ Heracles. Aristotle appears to draw upon a traditional pattern enacting cyclical rebirth or revitalization. It is suggested that his puzzling insistence on “one complete action” in plot (...)
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    4. El método em Poética 1-6 de Aristóteles.Manuel Berrón - 2017 - Dissertatio 45:209-233.
      La premisa que guía nuestra investigación es que Poética es un tratado científico, i. e., que la investigación desarrollada en dicha obra se corresponde con el examen de una téchne. Defendemos que el método utilizado se corresponde con el método general de investigación denominado “salvar las apariencias”. Tal método es expuesto con más detalle en otras obras del corpus pero lo presuponemos utilizado en Poética. Si bien el método presupone la recolección de datos, no se limita a eso puesto que (...)
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    5. A percepção do mito em Aristóteles: um estudo sobre o aprendizado proporcionado ao espectador/ ouvinte da mimesis poética.Vivian Val Monteiro - 2016 - Dissertation, UFBA, Brazil
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    6. Routledge Philosophy Guidebook to Aristotle and the Poetics.Angela Curran - 2015 - Routledge.
      Aristotle’s Poetics is the first philosophical account of an art form and is the foundational text in the history of aesthetics. The Routledge Philosophy Guidebook to Aristotle and the Poetics is an accessible guide to this often dense and cryptic work. Angela Curran introduces and assesses: Aristotle’s life and the background to the Poetics the ideas and text of the Poetics , including mimēsis ; poetic technē; the definition of tragedy; the elements of poetic composition; the Poetics’ recommendations for tragic (...)
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    7. A Cognitive Interpretation of Aristotle’s Concepts of Catharsis and Tragic Pleasure.Mahesh Ananth - 2014 - International Journal of Art and Art History 2 (2).
      Jonathan Lear argues that the established purgation, purification, and cognitive stimulation interpretations of Aristotle’s concepts of catharsis and tragic pleasure are off the mark. In response, Lear defends an anti-cognitivist account, arguing that it is the pleasure associated with imaginatively “living life to the full” and yet hazarding nothing of importance that captures Aristotle’s understanding of catharsis and tragic pleasure. This analysis reveals that Aristotle’s account of imagination in conjunction with his understanding of both specific intellectual virtues and rational emotions (...)
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    8. O Prazer das Mímeses Poéticas em Aristóteles.Vívian Val Monteiro - 2012 - Dissertation, UFBA, Brazil
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    9. Myths of Complexity.Claudia Westermann - 2011 - Design Ecologies 1 (2):267-284.
      The following article takes up a dialogue that was initiated in the first issue of Design Ecologies, evolving in relation to questions of design within a context of concepts of complexity. As the first part of the article shows, this process of taking up a dialogue – through reading and writing – can be considered a question of design. This is elaborated alongside de Certeau’s concepts of ‘tactics’ and ‘strategies’. Further, in relation to questions emerging from the previous issue of (...)
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    10. Wonder, Nature, and the Ends of Tragedy.Ryan Drake - 2010 - International Philosophical Quarterly 50 (1):77-91.
      A survey of commentaries on Aristotle’s Poetics over the past century reflects a long-standing assumption that pleasure, rather than understanding, is to be seen as the real aim of tragedy, despite weak textual evidence to this end. This paper seeks to rehabilitatethe role of understanding in tragedy’s effect, as Aristotle sees it, to an equal status with that of its affective counterpart. Through an analysis of the essential inducement of wonder on the part of the viewer and its connection with (...)
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    11. Eudoro de Souza e a poética aristotélica.Claudia Pellegrini Drucker - 2010 - Peri 2 (1):81-97.
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    12. CATARSE, EMOÇÃO E PRAZER NA POÉTICA DE ARISTÓTELES.Christiani Margareth de Menezes Silva - 2010 - Dissertation, Pontíficia Universidade Católica Do Rio de Janeiro
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    13. A Poética de Aristóteles: tradução e comentários.Fernando Maciel Gazoni - 2006 - Dissertation, USP, Brazil
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    14. O Princípio Metafísico da Poética de Aristóteles.Aurélia Sotero Angelo - 2005 - Dissertation, UFRN, Brazil
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    15. Mímesis e Tragédia na Poética de Aristóteles.Alexandre Mauro Toledo - 2005 - Dissertation, UFMG, Brazil
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    16. The Others In/Of Aristotle’s Poetics.Gene Fendt - 1997 - Journal of Philosophical Research 22:245-260.
      This paper aims at interpreting the first six chapters of Aristotle’s Poetics in a way that dissolves many of the scholarly arguments conceming them. It shows that Aristotle frequently identifies the object of his inquiry by opposing it to what is other than it. As a result aporiai arise where there is only supposed to be illuminating exclusion of one sort or another. Two exemplary cases of this in chapters 1-6 are Aristotle’s account of mimesis as other than enunciative speech (...)
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