Reflections

The dictionary tells you that a shadow is a dark area or volume caused by an opaque object blocking some light. The definition is correct, but we need to clarify a couple of its elements: darkness and blocking. The clarification leads to the view that to see a shadow is a degree of failing to see a surface. I will also argue that seeing a silhouette (i.e. a backlit object) is a particular way of failing to see an object. Thus (...) visual discriminability is not sufficient for seeing. Finally, I argue that comparative empirical research on shadows' contribution to amodal completion in apes and humans supports the view that humans, unlike apes, perceive shadows as shadows rather than as black objects, thus lending indirect support for my view that to see a shadow is a way and degree of failing to see a surface. (shrink)

Due to the reflective character of phenomenological approach (because consciousness inquires for itself as an object) the question related to the most basic self-experience that precedes any reflection and makes it possible acquires main importance to the phenomenology. The search of this experience throws us to a terrain to transit and with visible importance to Husserl: The passive dimension of consciousness. In that encounter, appears the phenomenon of self-affection as a sphere of experience worthy of been explored and described. This (...) research highlights the temporal character of consciousness, in specific, the self-awareness of the absolute flux of experiences due to his retentional aspect. This, however, brings a path to deepen in key concepts to Husserl’s phenomenology like hylé, affectivity, body, sensing [empfindniss], kinesthesia, and also to problematize the possibility and accuracy of this kind of search at a genetic level, the necessity to bring a prominent place to the living body in this transcendental investigation and at least to remember the interest in describe the experience of the living organism. The current thesis intends to defend, in general, the idea according to which any description of these original experience of itself must recognize, since the beginning, the basic principle of animation: Only understanding that the frame of self-affection is the animality can come to light aspects like his dynamic character and his instinctive origin.. (shrink)

Autoethnographic accounts of mental illness (MI) are sparse in academic scholarship, despite generating valuable insights into how MI can be experienced and coped with in real-life contexts. First-person accounts from men are especially lacking, possibly linked to historic trend for masculine stoicism stifling male MI discussions. Some scholarships explore video-gaming as a positive, escapist aid benefiting individuals experiencing major depressive disorder (MDD). However, no research exists presenting in-depth perspectives on possible positive effects, self-identified and articulated by actors engaging with gaming (...) to cope with MDD. This research adopts a novel qualitative perspective, representing an in-depth autoethnographic examination of my experiences playing the personal computer game DeusEx, during a period of my life where I was under treatment for MDD. My positions as both a psychologist specializing in research prioritizing feminist theory as applied to understand men, masculinities, and mental health, and someone themselves recurrently treated for MDD over longer than 22 years, construct a unique dual-positionality perspective. Explicit discussions of my MDD experiences and my experiences concerning the value of video-gaming as a positive, escapist aid during MDD are presented, alongside personal deconstructions of the lasting influences of hegemonic masculinity upon men speaking up about MI. Arguments are presented for future scholars utilizing autoethnographic methods to generate realist perspectives, normalizing mental health discussions, particularly the sharing of underrepresented male experiences. Implications for future scholarship, building upon learnings generated by this research, are developed and put forward. (shrink)

This reflective narrative piece examines the formative influence of Codemasters’ early 90s video game Magicland Dizzy on a childhood gaming experience initially characterised by disappointment. Framed within the context of a snowy Christmas morning in 1992, set in the rural northeast of Scotland, the narrative recounts anticipation and excitement, explores themes of nostalgia, the cultural significance of early gaming, and the enduring impact of technological encounters on personal and familial creativity during childhood. The following was published in GameTripper in June (...) 2021. (shrink)

The paper deals with Gerold Prauss’s critique of cognition taken as reflection of the surrounding reality in the consciousness of the agent. The results of his critique are similar to the standpoint presented earlier by Neo-Kantians. Prauss’s original contribution to the debate on theory of reflection consists in distinction between materialistic and non-materialistic theories of reflection, as well as in his argumentation basing on the notion of clarity.

Relocating the figure of Jikaku (Self-Consciousness) in Nishida’s Intuition and Reflection in Self-consciousness.

The consensus in contemporary philosophy of mind is that how a perceptual experience represents the world to be is built into its sensory phenomenology. I defend an opposing view which I call ‘moderate separatism’, that an experience's sensory phenomenology does not determine how it represents the world to be. I argue for moderate separatism by pointing to two ordinary experiences which instantiate the same sensory phenomenology but differ with regard to their intentional content. Two experiences of an object reflected in (...) a mirror can possess the same spatial phenomenology while representing that object to occupy different spatial locations. So, contrary to the current consensus, the representation of spatial location is not fixed by an experience's sensory phenomenology. (shrink)

The aim of the paper is to discuss primarily the epistemological theory of reflection as seen by Heinrich Rickert, the main representative of Neo-Kantianism Baden School. The most important arguments put forward by Rickert against taking the cognition as a reflection of the reality are being analysed. Rickert’s standpoint turns out to be moderate. He argues against the transcendental theory of reflection, but does not reject the idea of reflection as a model of cognition and takes the immanent theory of (...) reflection as relatively justified. The paper contains also a discussion of the standpoint of another representative of Baden School, Emil Lask, who has rejected the theory of reflection in favour of the after-image theory. (shrink)