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History/traditions: Romanticism

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  1. Religion and Early German Romanticism.Jacqueline Mariña - forthcoming - In Elizabeth Millan (ed.), Palgrave Handbook of German Romantic Philosophy.
    This paper explores the reception of Kant's understanding of consciousness by both Romantics and Idealists from 1785 to 1799, and traces its impact on the theory of religion. I first look at Kant's understanding of consciousness as developed in the first Critique, and then looks at how figures such as Fichte, Jacobi, Hölderlin, Novalis, and Schleiermacher received this theory of consciousness and its implications for their understanding of religion.
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  2. Theodicy across Scales: Hemsterhuis's Alexis and the Dawn of Romantic Cosmism.Kirill Chepurin - 2022 - Symphilosophie: International Journal of Philosophical Romanticism 4:263-293.
    This essay re-reads François Hemsterhuis's philosophical dialogue Alexis (1787) as a post-Copernican cosmic theodicy that prefigures a central nexus of concerns in Early German Romanticism. This theodicy is cross-scalar, in that it functions across three disparate scales: the history of global humanity, the geo-cosmic history of the Earth, and the broader processuality of the universe. From the perspective of this cross-scalar entanglement, I reconstruct Hemsterhuis's vision of the ages of the world and his theodical narrative of the golden age, the (...)
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  3. The Paradigm Shift in the 19th-century Polish Philosophy of Mathematics.Paweł Polak - 2022 - Studia Historiae Scientiarum 21:217-235.
    The Polish philosophy of mathematics in the 19th century had its origins in the Romantic period under the influence of the then-predominant idealist philosophies. The decline of Romantic philosophy precipitated changes in general philosophy, but what is less well known is how it triggered changes in the philosophy of mathematics. In this paper, we discuss how the Polish philosophy of mathematics evolved from the metaphysical approach that had been formed during the Romantic era to the more modern positivistic paradigm. These (...)
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  4. Knot of the World: German Idealism between Annihilation and Construction.Kirill Chepurin - 2021 - In Kirill Chepurin & Alex Dubilet (eds.), Nothing Absolute: German Idealism and the Question of Political Theology. New York City, New York, USA: Fordham University Press. pp. 35-53.
    Through an analysis of the ultimate telos of the world and of the subject’s striving in Schelling, the late Fichte, and Friedrich Schlegel—as well as via such concepts as the absolute, bliss, nothingness, God, chaos, and irony—this essay reconfigures German Idealism and Romanticism as spanning the conceptual space between two poles, world-annihilation and world-construction, and traces the ways in which these thinkers attempted to resolve what this essay calls the "transcendental knot," or to think the way the world is without (...)
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  5. Romantic Bliss—or, Romanticism Is Not an Optimism.Kirill Chepurin - 2021 - European Romantic Review 32 (5-6):519-534.
    This essay proposes to rethink Romanticism through the concept of bliss. I suggest not only that bliss is a core Romantic concept but also, more speculatively, that Romanticism as both a project and tendency is generated out of an antagonistic entanglement between bliss and the world of Western modernity. As the state of immediate fulfillment, free of alienation or negativity, bliss is what modernity at once promises and endlessly defers—and so bliss erupts in Romanticism against the modern world. In bliss, (...)
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  6. Prometeo y Pandora. Edición, traducción y notas de Facundo Bey.Facundo Bey & Hans-Georg Gadamer - 2020 - Boletín de Estética 16 (53):79-112.
    El presente artículo está dedicado al trabajo de Hans-Georg Gadamer titulado “Prometeo y Pandora”, publicado originalmente en español en 1949 en el volumen Goethe. 1749 - 28 de agosto – 1949, editado por la Facultad de Filosofía y Letras de la Universidad de Cuyo, Argentina. En primer lugar, se ofrece una introducción en la que se presenta el contexto original histórico-intelectual de su edición, traducción y publicación, los antecedentes filosóficos del texto dentro de la obra de Gadamer (conferencias y artículos (...)
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  7. Review of On Psychological and Visionary Art: Notes from C G Jung’s Lecture Gérard de Nerval’s ‘Aurélia’. [REVIEW]Subhasis Chattopadhyay - 2020 - Prabuddha Bharata or Awakened India 125 (7):50-53.
    Susan Neiman pointed out to this reviewer the danger that Carl Jung studies pose to contemporary scholars. It is keeping in mind Neiman's cautionary advice that this review establishes Jung's contributions to Romanticism. "[Craig] Stephenson’s analysis of Aurélia has now superseded Arthur Lovejoy’s (1873–1962) and Mario Praz’s (1896–1982) contributions to the definitions of Romanticism.".
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  8. To Break All Finite Spheres: Bliss, the Absolute I, and the End of the World in Schelling's 1795 Metaphysics.Kirill Chepurin - 2020 - Kabiri: The Official Journal of the North American Schelling Society 2:39-66.
    "The ultimate end goal of the finite I and the not-I, i.e., the end goal of the world," writes Schelling in Of the I as the Principle of Philosophy (1795), "is its annihilation as a world, i.e., as the exemplification of finitude." In this paper, I explicate this statement and its theoretical stakes through a comprehensive re-reading of Schelling's 1795 writings: Of the I and Philosophical Letters on Dogmatism and Criticism, written later in the same year, in relation to what (...)
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  9. Suspending the World: Romantic Irony and Idealist System.Kirill Chepurin - 2020 - Philosophy and Rhetoric 53 (2):111-133.
    This paper revisits the rhetorics of system and irony in Fichte and Friedrich Schlegel in order to theorize the utopic operation and standpoint that, I argue, system and irony share. Both system and irony transport the speculative speaker to the impossible zero point preceding and suspending the construction of any binary terms or the world itself—an immanent nonplace (of the in-itself, nothingness, or chaos) that cannot be inscribed into the world's regime of comprehensibility and possibility. It is because the philosopher (...)
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  10. Romantic Religion: Dissolution and Transcendence in the Poetics of Hölderlin.Alexander J. B. Hampton - 2019 - Symphilosophie 1 (1):61-74.
    A central element of Hölderlin’s poetic project was to find a new language for transcendence in an age of immanence. To do so, he turned not to philosophy or theology, but to poetics. Its rhythmic nature, he argued, was capable of re-presenting the transcendent. This examination will begin with a brief historical consideration of the relation of transcendence and immanence, with particular attention to the influential philosophies of Spinoza and Fichte. It then proceeds to Hölderlin’s consideration of the loss of (...)
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  11. The Passions and Disinterest: From Kantian Free Play to Creative Determination by Power, via Schiller and Nietzsche.Eli I. Lichtenstein - 2019 - Ergo: An Open Access Journal of Philosophy 6:249-279.
    I argue that Nietzsche’s criticism of the Kantian theory of disinterested pleasure in beauty reflects his own commitment to claims that closely resemble certain Kantian aesthetic principles, specifically as reinterpreted by Schiller. I show that Schiller takes the experience of beauty to be disinterested both (1) insofar as it involves impassioned ‘play’ rather than desire-driven ‘work’, and (2) insofar as it involves rational-sensuous (‘aesthetic’) play rather than mere physical play. In figures like Nietzsche, Schiller’s generic notion of play—which is itself (...)
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  12. La primacía entre arte, religión y filosofía. Un debate abierto desde el Romanticismo.Raquel Cascales - 2017 - Naturaleza y Libertad 9:185-226.
    El Romanticismo miró la Ilustración como una época que, al apostar por la racionalidad de manera casi exclusiva, rompió la unidad entre distintos ámbitos del saber. La conciencia de esa falta de unidad impulsa la reflexión de muchos intelectuales sobre cómo volver a alcanzarla, tarea que al principio los románticos hacen recaer en el arte. En concreto, el grupo de los Nazarenos, muy ligado al Athenäum, apostó por recuperar esta unidad, que pronto adquirió tintes políticos, mediante la “religión del arte”. (...)
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  13. The epistemology of Schelling's philosophy of nature.Naomi Fisher - 2017 - History of Philosophy Quarterly 34 (3):271-290.
    The philosophy of nature operates as one complete and systematic aspect of Schelling’s philosophy in the years 1797-1801 and as complement to Schelling’s transcendental philosophy at this time. The philosophy of nature comes with its own, naturalistic epistemology, according to which human natural productivity provides the basis for human access to nature’s own productive laws. On the basis of one’s natural productivity, one can consciously formulate principles which match nature’s own lawful principles. One refines these principles through a process of (...)
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  14. Tyrannized Childhood of the Liberator-Philosopher: J. S. Mill and Poetry as Second Childhood.Joshua M. Hall - 2015 - In Brock Bahler & David Kennedy (eds.), Philosophy of Childhood Today: Exploring the Boundaries. Lanham, MD 20706, USA: pp. 117-132.
    In this chapter, I will explore the intersection of philosophy and childhood through the intriguing case study of J. S. Mill, who was almost completely denied a childhood—in the nineteenth-century sense of a qualitatively distinct period inclusive of greater play, imaginative freedom, flexibility, and education. For his part, Mill’s lack of such a childhood was the direct result of his father, James Mill (economic theorist and early proponent of Utilitarianism), who in a letter to Jeremy Bentham explicitly formulates a plan (...)
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  15. Just Do It: Schopenhauer and Peirce on the Immediacy of Agency.Marc Champagne - 2014 - Symposium 18 (2):209-232.
    In response to the claim that our sense of will is illusory, some philosophers have called for a better understanding of the phenomenology of agency. Although I am broadly sympathetic with the tenor of this response, I question whether the positive-theoretic blueprint it promotes truly heralds a tenable undertaking. Marshaling a Schopenhauerian insight, I examine the possibility that agency might not be amenable to phenomenological description. Framing this thesis in terms of Charles S. Peirce’s semiotic framework, I suggest a way (...)
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  16. Prevailing Winds: Marx as Romantic Poet.Joshua M. Hall - 2013 - Philosophy and Literature 37 (2):343-359.
    Inspired by Charles Taylor’s locating of Herder and Rousseau’s “expressivism” in Marx’s understanding of the human as artist, I begin this essay by examining expressivism in Taylor, followed by its counterpart in M. H. Abrams’s work, namely the wind as metaphor in British Romantic poetry. I then further explore this expressivism/wind connection in Percy Bysshe Shelley’s “Ode to the West Wind” and Marx’s The German Ideology. Ultimately I conclude that these expressive winds lead to poetic gesture per se, and thereby, (...)
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  17. Hyperion as Daoist Masterpiece: Keats and the Daodejing.Joshua M. Hall - 2012 - Asian Philosophy 22 (3):225-237.
    It should come as little surprise to anyone familiar with his concept of ‘negative capability’ and even a cursory understanding of Daoism that John Keats’ thought resonates strongly with that tradition. Given the pervasive, reductive understanding of Keats as a mere Romantic, however, this source of insight has been used to little advantage. His poem Hyperion, for example, has been roundly criticized as an untidy Romantic fragment. Here, by contrast, I will argue for a strategic understanding of Hyperion as a (...)
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  18. Enlightenment and Formal Romanticism - Carnap’s Account of Philosophy as Explication.Thomas Mormann - 2010 - Vienna Circle Institute Yearbook 14:263 - 329.
    Carnap and Twentieth-Century Thought: Explication as En lighten ment is the first book in the English language that seeks to place Carnap's philosophy in a broad cultural, political and intellectual context. According to the author, Carnap synthesized many different cur rents of thought and thereby arrived at a novel philosophical perspective that remains strik ing ly relevant today. Whether the reader agrees with Carus's bold theses on Carnap's place in the landscape of twentieth-century philosophy, and his even bolder claims concerning (...)
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  19. galvanism and excitability in Friedrich Schlegel's Theory of the Fragment.Jeffrey Reid - 2008 - Clio: A Journal of Literature, History, and the Philosophy of History 38 (1):1-15.
    Friedrich Schlegel's theory of irony is examined with reference to his theory of the literary fragment. Both are informed not only by Fichte's I = I but by Ritter's theory of galvanism as well as by John Brown's theory of medicine. In Ritter, electrical energy is created through the compression of opposite chemical elements in a closed (fragmentary) space. Brown's theory of excitability presents the compressive "other" as actually soliciting the energetic sparks that Schlegel associates with Witz. The literary fragment (...)
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  20. "Goethe's Plant Morphology: The Seeds of Evolution".Tanya Kelley - 2007 - Journal of Interdisciplinary Studies 1 (1):1-15.
    I argue that Goethe’s scientific writings carry in them the seeds of the theory of evolution. Goethe’s works on plant morphology reflects the conflicting ideas of his era on the discreteness and on the stability of species. Goethe’s theory of plant morphology provides a link between the discontinuous view of nature, as exemplified in works of the Swedish botanist Carl Linnaeus (1707-1778), and the continuous view of nature, as exemplified in the work of the English naturalist Charles Darwin (1809-1882).
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  21. Zwischen Naturphilosophie und Anthropologie. Konzeptionen des Alters zwischen Aufklärung und Romantik.Giovanna Pinna - 2007 - In Jörg Vögele, Johannes Siegrist, Hans-Georg Pott, Andrea von Hülsen-Esch, Christoph auf der Horst, Henriette Herwig, Monika Gomille & Heiner Fangerau (eds.), Alterskulturen Und Potentiale des Alters. Berlin, Germany: Akademie Verlag. pp. 141-152.
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  22. Charles Taylor, Radici dell'io.Sergio Volodia Marcello Cremaschi - 2000 - In Franco Volpi (ed.), Dizionario delle opere filosofiche. Milano, Italy: Bruno Mondadori. pp. 1043.
    A short discussion of Charles Taylor's masterwork.
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  23. "Where Ruin Greenly Dwells:" Sublimity and Romanticism in Kant's "Critique of Judgement".P. Winston Fettner - manuscript
    This paper examines the relationships between Romantic painting, poetry, and philosophy, historically tracing the circulation of images used to communicate sublimity (for example, images of ruins, storms, volcanoes, and so on). Kant's "Critique of Judgment" deployed the same vocabulary of images that appear in Coleridge and Shelly, in Church and in Turner. The discussion thereby places Kant's 3rd Critique within its cultural context. But it also reveals the massive shift from Enlightenment rationalism to 19th century historicism that Romanticism enacted, and (...)
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