This article inquiries into the concept of res in the Cartesian metaphsyics. It argues, on the one hand, that res should not be interpreted in line with the traditional scholastic concept of substratum, and on the other hand, that it is nevertheless a technical notion. In particular, the determination of the ego as res cogitans in Descartes' Second Meditation (AT VII 27) must be interpreted in the light of the ontology of the verœ naturœ of the Fifth Meditation. The subsistence (...) of the ego is indeed grounded on the criterion of identification of the true natures, that is on the inseparability of concepts. The ontology of the verœ naturœ is therefore already at work both in the Second and in the Third Meditation before becoming explicit in the Fifth Meditation. (shrink)

Collection of papers presented at the First Budapest Seminar in Early Modern Philosophy.

The distinction between the mental operations of abstraction and exclusion is recognized as playing an important role in many of Descartes’ metaphysical arguments, at least after 1640. In this paper I first show that Descartes describes the distinction between abstraction and exclusion in the early Rules for the Direction of the Mind, in substantially the same way he does in the 1640s. Second, I show that Descartes makes the test for exclusion a major component of the method proposed in the (...) Rules. Third, I argue that in Rule 14 the exclusion-abstraction distinction is connected to a theory of distinctions, which includes a notion of real distinction as essentially tied to the imagination. This sheds light on Descartes’ development in and after the Rules. (shrink)

This paper deals with the ontological foundations of the Soviet interpretation of dialectical materialism as exemplified by one of its “founding fathers,” Abram Deborin, in his works of the late 1920s. It has been claimed that the “ontologizing” tendency in Soviet philosophy is due to the influence of Friedrich Engels and his ideas pertaining to the dialectics of nature. However, a more plausible interpretation is that the ontologism of Soviet philosophy is connected with the rejection of the Kantian Copernican turn (...) in philosophy and the idea of the primacy of gnoseology it implies. In this article, I argue in favor of the latter thesis. Ontologism, i.e., the tendency to give priority in philosophy to questions concerning Being, and anti-Kantianism are but two sides of the same coin. (shrink)

The article manifests and analyzes the process of decentration of the Author, which corresponds to a number of trends, such as: decentration of the subject, dividualization, decentralization of information systems, etc., which determine contemporary transformations of the Lifeworld of a human, who appears precisely as a decentralized, multilayered, split, multiple being. It is noted that the model of authorship, which was constituted according to the concept of a centered/holistic subject/individual, which, in particular, is embodied in copyright, needs to be reconsidered. (...) The meaning of such a model, which is conceptualized in the figure of "authenticity of an authoritative author", is reduced to the creation of Surplus Value with behalf of the author of the product/work/goods. The article presents the stages of decentration of the Author, authority and authenticity, which are personified by the figures of S. Kierkegaard, M. Duchamp, and R. Stallman. For Kierkegaard, it is fundamental to separate the function of the author from authority and the formation of existence/singularity, which, in particular, is embodied in his use of pseudonyms. Duchamp problematizes the author as a producer of a product, contrasting him with the practice of using ready-made objects, and contrasts the tradition of the author's signature with the multiplication of names/signatures. Duchamp exposes the exploitative essence of work even in relation to artistic creativity, manifesting as an alternative to laziness/"lazy activity", which allows shifting the emphasis from the production of things to the process of becoming subjectivity. In the end, the author as integrity and unity loses its meaning in the context of the development of contemporary technologies and network communication. Stallman presents a strategy of friendly exchange of free software instead of selling it based on copyright (intellectual property). This is what should increase productive activity and free up time, and in the long run, creativity should hardly be distinguished from laziness. These three examples testify to the possibility and necessity of overcoming the repressive component of authorship and copyright as a way of controlling/restricting human life, which is not a totality, does not have substantial authenticity, does not require authority, and does not focus on authorship. (shrink)

In his groundbreaking work of 1969, Spinoza's Metaphysics: An Essay in Interpretation, Edwin Curley attacked the traditional understanding of the substance-mode relation in Spinoza, according to which modes inhere in substance. Curley argued that such an interpretation generates insurmountable problems, as had already been claimed by Pierre Bayle in his famous Dictionary entry on Spinoza. Instead of having modes inhere in substance Curley suggested that the modes’ dependence upon substance should be interpreted in terms of (efficient) causation, i.e., as committing (...) Spinoza to nothing over and above the claim that substance is the (efficient) cause of the modes. These bold and fascinating claims generated one of the most important scholarly controversies in Spinoza scholarship of the past thirty-five years. In this paper I argue against Curley’s interpretation and attempt to reestablish the traditional understanding of Spinozistic modes as inhering in God and as predicated of God. I also criticize Curley’s philosophical motivation for suggesting this interpretation. In order to show that, for Spinoza, modes are predicated of - and inhere in - substance, I will proceed in the following manner. First, I will summarize Curley’s arguments against substance-mode inherence and present his alternative interpretation of the substance-mode relation. I will then present what I consider to be the most compelling arguments against Curley’s interpretation. Some of these arguments have already been suggested in the literature of the past thirty years (and by Bayle); however, as far as I know, most of the arguments I will be making are new. In the subsequent section I will respond to objections that Curley and Bayle advance against Spinoza’s view of God as the substratum in which all things inhere. Finally, I will address whether Spinozistic modes are predicated of (and not only inhere in) substance, and whether Spinoza considered modes to be particular properties (or “tropes,” in the jargon of contemporary metaphysics). Since Bayle’s claims will be used both in support of and against Curley’s interpretation, it would be appropriate to say a few introductory words on Bayle’s stance. In his Spinoza entry, Bayle criticizes Spinoza’s claim that all things are modes of God, claiming that it “is the most monstrous hypothesis that could be imagined, the most absurd, and the most diametrically opposed to the most evident notions of our mind.” Bayle, however, has no doubt that when Spinoza claims that all things are modes of God, Spinoza means that all things inhere in God. Curley embraces Bayle’s arguments against Spinoza, but uses them in order to claim that we should not ascribe to Spinoza a view which is allegedly shown by Bayle to be absurd. What we should do, Curley argues, is to reinterpret the substance-mode relation as a relation of causal dependence, which would set Spinoza free from Bayle’s hook. Interestingly, as we shall soon see, Bayle himself discusses and rejects a very similar revisionary interpretation of the substance-mode relation. (shrink)

The aim of this paper is to confirm that it was Hamann's translation of Hume's "Treatise" (I.4.7) which triggered Kant's critical turn in 1768/69. If this is indeed so, then Kant's inaugural dissertation must be reassessed, in particular the doctrine, to be found there, that we have cognitive access to the intelligible world. This doctrine is part of a strategy for tackling the problem highlighted by Hume; that there may be conflicting principles at work in the human mind, i.e., an (...) antinomy. The dissertation's strategy failed and so raised the question of how categories can refer to objects. (shrink)

In this paper, I join the so-called voluntarism debate on Descartes’s theory of will and judgment, arguing for an indirect doxastic voluntarism reading of Descartes, as opposed to a classic, or direct doxastic voluntarism. More specifically, I examine the question whether Descartes thinks the will can have a direct and full control over one’s suspension of judgment. Descartes was a doxastic voluntarist, maintaining that the will has some kind of control over one’s doxastic states, such as belief and doubt. According (...) to a long-held reading, the control that the will has over doxastic states in Descartes’s theory is direct; the doxastic states are affected by the mere act of will. This reading is called direct doxastic voluntarism (DDV), or direct voluntarism (DV) for short, and it states that we are capable of assenting, rejecting and suspending a judgment based only on our will to do so. Thus, these actions would be utterly and merely volitional. DV can be divided into two further positions, direct positive voluntarism (+DV) and direct negative voluntarism (-DV). Direct positive voluntarism deals with the act of forming judgments, maintaining that one can accept or deny a proposition wilfully and either merely believe or not believe something voluntarily. Direct negative voluntarism deals with the suspension of judgment, maintaining that it can likewise be accomplished by a simple act of will. However, I support an alternate account of Descartes’s voluntarism, which is called indirect doxastic voluntarism (IDV), or indirect voluntarism (IV) for short. By this account, the will is capable of affecting a doxastic state indirectly by making one concentrate on essential tasks for forming that state, such as gathering up and paying attention to strong reasons and evidence. IV is also possible to divide into indirect positive voluntarism (+IV) and indirect negative voluntarism (-IV). Per indirect positive voluntarism the will needs to pay attention to reasons for accepting or denying some proposition. Likewise, by indirect negative voluntarism, in order to suspend judgment the will needs to direct this attention to the reasons for doubt. By attending to these reasons, the will also comes face-to-face with its own freedom. This feeling of freedom can be described as affectivity of the reasons for belief (assent) and doubt (suspension). (shrink)

Spinoza rarely refers to art. However, there are extensive resources for a Spinozist aesthetics in his discussion of health in the Ethics and of social affects in his political works. There have been recently been a few essays linking Spinoza and art, but this essay additionally fuses Spinoza’s politics to an affective aesthetics. Spinoza’s statements that art makes us healthier (Ethics 4p54Sch; Emendation section 17) form the foundation of an aesthetics. In Spinoza’s definition, “health” is caused by external objects that (...) maintain our power to act in a variety of ways. Humans need such objects because our complex bodies constantly lose or consume many parts necessary to our overall functioning. Notably, Spinoza defines humans’ bodies through this complexity (2p13Sch), so health as maintenance of complexity is a distinctly human endeavor. Further, while art is not the only healthy activity, I argue that art is a particularly potent cure, which explains Spinoza’s otherwise opaque comment that music can cure melancholy (by which he meant a near-total inability to act, akin to death). Rather than only causing frivolous pleasures, art may be as essential to human flourishing as are other human beings in general; other people are “most useful” because of the variety of actions they make possible (4p35Cor & Sch1). Art’s production of a dizzying variety of affects is likewise most useful for health. -/- Having established how art in general affects the individual, I then explain the role of artists in shaping social groups. Artists use vivid and highly charged affective techniques, as do political sovereigns and religious prophets (TTP chapters 1-2 & 15-16). However, sovereigns and prophets are concerned exclusively with “morality,” defined by Spinoza as the use of affects (primarily based on fear and hope) to produce “obedience” in the generic multitude or people at large. An artist, however, rarely causes affects in the whole nation, affecting instead only a smaller niche or “sub-genre” of people. The affects produced in this group are also not identical to those used by sovereigns, since artists do not primarily deploy sad affects of hope and fear but instead use a wide variety of joyful affects. Further, in Spinoza’s analysis of ceremonies (TTP chapter 5), we see how small groups exposed to repeated ceremonies or social practices eventually develop new strengths which they lacked before. Repeated exposure to shared aesthetic “ceremonies” (e.g., live music performances) of the same sub-genre will over time create the capacity of new powers in the sub-genre of people, which distinguishes them from the masses. Spinoza says sovereigns forge a “second nature” for the generic people through affects; we can then affirm that smaller groups exposed to a distinct sub-genre of art can acquire a new “third nature” which will contain unique powers extending beyond healthy maintenance of their existing bodies. That is, art in general is necessary to flourish and remain whole (maintaining health), but it can also occasionally expand what one is to unforeseen heights (through specific artistic sub-genres). (shrink)