My two principal aims in this essay are interconnected. One aim is to provide a new interpretation of the ‘infinite modes’ in Spinoza’s Ethics. I argue that for Spinoza, God, conceived as the one infinite and eternal substance, is not to be understood as causing two kinds of modes, some infinite and eternal and the rest finite and non-eternal. That there cannot be such a bifurcation of divine effects is what I take the ‘infinite mode’ propositions, E1p21–23, to establish; E1p21–23 (...) show that each and every one of the immanent effects of an infinite and eternal God is an infinite and eternal mode. The other aim is to show that these propositions can be understood as part of an extended critical response to Descartes’s infamous doctrine that God creates eternal truths and true and immutable natures. If we have the correct (Spinozan) conceptions of what God is and how God works, we see that an eternal and infinite God can only be understood to cause ‘eternal truths,’ and that these eternal truths are infinite and eternal modes of God. (shrink)

Spinoza rarely refers to art. However, there are extensive resources for a Spinozist aesthetics in his discussion of health in the Ethics and of social affects in his political works. There have been recently been a few essays linking Spinoza and art, but this essay additionally fuses Spinoza’s politics to an affective aesthetics. Spinoza’s statements that art makes us healthier (Ethics 4p54Sch; Emendation section 17) form the foundation of an aesthetics. In Spinoza’s definition, “health” is caused by external objects that (...) maintain our power to act in a variety of ways. Humans need such objects because our complex bodies constantly lose or consume many parts necessary to our overall functioning. Notably, Spinoza defines humans’ bodies through this complexity (2p13Sch), so health as maintenance of complexity is a distinctly human endeavor. Further, while art is not the only healthy activity, I argue that art is a particularly potent cure, which explains Spinoza’s otherwise opaque comment that music can cure melancholy (by which he meant a near-total inability to act, akin to death). Rather than only causing frivolous pleasures, art may be as essential to human flourishing as are other human beings in general; other people are “most useful” because of the variety of actions they make possible (4p35Cor & Sch1). Art’s production of a dizzying variety of affects is likewise most useful for health. -/- Having established how art in general affects the individual, I then explain the role of artists in shaping social groups. Artists use vivid and highly charged affective techniques, as do political sovereigns and religious prophets (TTP chapters 1-2 & 15-16). However, sovereigns and prophets are concerned exclusively with “morality,” defined by Spinoza as the use of affects (primarily based on fear and hope) to produce “obedience” in the generic multitude or people at large. An artist, however, rarely causes affects in the whole nation, affecting instead only a smaller niche or “sub-genre” of people. The affects produced in this group are also not identical to those used by sovereigns, since artists do not primarily deploy sad affects of hope and fear but instead use a wide variety of joyful affects. Further, in Spinoza’s analysis of ceremonies (TTP chapter 5), we see how small groups exposed to repeated ceremonies or social practices eventually develop new strengths which they lacked before. Repeated exposure to shared aesthetic “ceremonies” (e.g., live music performances) of the same sub-genre will over time create the capacity of new powers in the sub-genre of people, which distinguishes them from the masses. Spinoza says sovereigns forge a “second nature” for the generic people through affects; we can then affirm that smaller groups exposed to a distinct sub-genre of art can acquire a new “third nature” which will contain unique powers extending beyond healthy maintenance of their existing bodies. That is, art in general is necessary to flourish and remain whole (maintaining health), but it can also occasionally expand what one is to unforeseen heights (through specific artistic sub-genres). (shrink)

Collection of papers presented at the First Budapest Seminar in Early Modern Philosophy.

In this paper, I join the so-called voluntarism debate on Descartes’s theory of will and judgment, arguing for an indirect doxastic voluntarism reading of Descartes, as opposed to a classic, or direct doxastic voluntarism. More specifically, I examine the question whether Descartes thinks the will can have a direct and full control over one’s suspension of judgment. Descartes was a doxastic voluntarist, maintaining that the will has some kind of control over one’s doxastic states, such as belief and doubt. According (...) to a long-held reading, the control that the will has over doxastic states in Descartes’s theory is direct; the doxastic states are affected by the mere act of will. This reading is called direct doxastic voluntarism (DDV), or direct voluntarism (DV) for short, and it states that we are capable of assenting, rejecting and suspending a judgment based only on our will to do so. Thus, these actions would be utterly and merely volitional. DV can be divided into two further positions, direct positive voluntarism (+DV) and direct negative voluntarism (-DV). Direct positive voluntarism deals with the act of forming judgments, maintaining that one can accept or deny a proposition wilfully and either merely believe or not believe something voluntarily. Direct negative voluntarism deals with the suspension of judgment, maintaining that it can likewise be accomplished by a simple act of will. However, I support an alternate account of Descartes’s voluntarism, which is called indirect doxastic voluntarism (IDV), or indirect voluntarism (IV) for short. By this account, the will is capable of affecting a doxastic state indirectly by making one concentrate on essential tasks for forming that state, such as gathering up and paying attention to strong reasons and evidence. IV is also possible to divide into indirect positive voluntarism (+IV) and indirect negative voluntarism (-IV). Per indirect positive voluntarism the will needs to pay attention to reasons for accepting or denying some proposition. Likewise, by indirect negative voluntarism, in order to suspend judgment the will needs to direct this attention to the reasons for doubt. By attending to these reasons, the will also comes face-to-face with its own freedom. This feeling of freedom can be described as affectivity of the reasons for belief (assent) and doubt (suspension). (shrink)

(Shoshana Smith now goes by her married name, Shoshana Brassfield: http://philpapers.org/profile/37640) Descartes famously claims that everything we perceive clearly and distinctly is true. Although this rule is fundamental to Descartes’s theory of knowledge, readers from Gassendi and Leibniz onward have complained that unless Descartes can say explicitly what clear and distinct perception is, how we know when we have it, and why it cannot be wrong, then the rule is empty. I offer a detailed analysis of clear and distinct perception, (...) showing how Descartes answers these questions. Many doubts about the usefulness of the clarity and distinctness rule arise from the mistaken assumption that in clear and distinct perception, like sense perception, we must be able to establish a correspondence between perception and reality before we can have knowledge. I show that Descartes has a different metaphysical picture of clear and distinct perception. Clear and distinct perception is direct perception, typically of essences. On this view, by relying on the intellect instead of the senses, we can have direct perception not only of our own ideas, but also of a mind-independent reality. Because clear and distinct perception is direct perception, problems of correspondence do not arise. My account of clear and distinct perception also yields unique insight into other issues in Descartes, such as the Cartesian Circle and the doctrine of the free creation of the eternal truths. Completed at the University of California, 2005. Dissertation advisers: Janet Broughton, Hannah Ginsborg, Anthony A. Long. ProQuest UMI: 3187156. (shrink)

Conception and causation are fundamental notions in Spinoza's metaphysics. I argue against the orthodox view that, due to the causal axiom, if one thing is conceived through another thing, then the second thing causes the first thing. My conclusion forces us to rethink Spinoza's entitlement to some of his core commitments, including the principle of sufficient reason, the parallelism doctrine and the conatus doctrine.

Descartes famously endorsed the view that (CD) God freely created the eternal truths, such that He could have done otherwise than He did. This controversial doctrine is much discussed in recent secondary literature, yet Descartes’s actual arguments for CD have received very little attention. In this paper I focus on what many take to be a key Cartesian argument for CD: that divine simplicity entails the dependence of the eternal truths on the divine will. What makes this argument both important (...) and interesting is that Descartes’s scholastic predecessors share the premise of divine simplicity but reject the CD conclusion. To properly understand Descartes, then, we must determine precisely where he diverges from his predecessors on the path from simplicity to CD. And when we do so we obtain a very surprising result: that despite many dramatic prima facie differences, there is no substantive difference between the relevant doctrines of Descartes and the scholastics . Or so I argue. (shrink)

(2008). Fifth meditation TINs revisited: A reply to criticisms of the epistemic interpretation. British Journal for the History of Philosophy: Vol. 16, No. 1, pp. 215-227.

On 15 April 1630, in a letter to Mersenne, Descartes announced that on his view God creates the truths of mathematics. Descartes returned to the theme in subsequent letters and some of his Replies but nowhere is the view systematically developed and defended. It is not clear why Descartes came to espouse the creation doctrine, nor even what exactly it is. Some have argued that his motivation was theological, that God creates the eternal truths, including the truths of logic, because (...) and insofar as God is omnipotent andthe creator of all things. I develop and defend a different reading according to which Descartes was led to espouse the creation doctrine by a fundamental shift in his understanding of the correct mode of inquiry in metaphysics and mathematics: by 1630, the God-created truths came to play the role in inquiry that until then, in the Rules for the Direction of the Mind, had been played by images. (shrink)

Much ado has been made regarding Descartes's understanding of the creation of what he called the "eternal truths" because he described them, paradoxically, as both the free creations of God, and necessary. While there are many varying interpretations of Cartesian modality, the issue has heretofore been treated in a vacuum, as a niche issue having little import beyond being an interesting puzzle for Descartes Scholars. I argue that this treatment is misguided, and that in order to properly understand Cartesian philosophy (...) at all, one must properly understand Descartes's theory of modality. This, however, is no small feat; in order to understand Descartes's seemingly peculiar view on modality, one must first make sense of what Descartes understood the nature of God to be. One reason for this, I argue, is the systematic nature of Cartesian philosophy; indeed when dealing with a dense inter-connection of philosophical issues, one must move from what is more known in itself to what is more known to us, and not the other way around. I argue that in the literature on Cartesian modality, insufficient attention has been paid to the influence of the French School of Spirituality on the Cartesian notion of the divine. I argue that this influence pushed Descartes to criticize traditional attempts to split the horns of Plato's Euthyphro dilemma as violating a proper understanding of the doctrine of divine simplicity. Descartes's commitment to a radical form of the doctrine of divine simplicity leads him to a version of divine voluntarism wherein all `things' depend on God for their existence, and God cannot have had antecedent reason to prefer the creation of anything over anything else. There is little doubt that Descartes embraced the voluntarist horn of the Euthyphro dilemma, but just what that means for Cartesian modality and philosophy generally remains a contentious issue. I argue that Descartes is best read as what I call an `agnostic quietist' regarding God given textual, historical, and systematic considerations. One virtue of an agnostic quietist reading is that I am able to square the passages where Descartes discusses the inconceivability of God's power with the conclusions reached regarding God's non-deceiving nature in the Meditations and elsewhere. Further virtues that I explore are the effects that a quietist reading has on the Cartesian scientific programme, the infamous mind-body problem, Descartes's seemingly inconsistent view regarding human free-will and Descartes's refusal to engage in "theology." Traditionally, Cartesian epistemology has been understood to be a purely a priori undertaking, which succumbs to deep and insurmountable problems. One of the greatest problems facing the Cartesian was the move from the mind to the world. Simon Blackburn, for example, says of the Cartesian epistemological project in the Meditations that Descartes "has put himself on a desert island from which there is no escape." This view is echoed by, and even motivates some of the contemporary views concerning Cartesian modality. I argue, however, that a proper understanding of the Cartesian doctrine of clear and distinct ideas circumvents this famous problem. By highlighting the proper understanding and application of the doctrine of clear and distinct ideas, I show that such ideas not only guarantee the existence of an external truth-maker, but also that such ideas do not do much more than show that there is a truth-maker. I argue that in instances of clear and distinct perception, the truth of the idea is normatively certain, but what makes it true is yet to be established. In this way, clear and distinct ideas are both powerful, in terms of guaranteeing truth, and relatively unhelpful, in that further work is required in order to determine to what the ideas conform. I argue that this is the case not only for actual truths, but for some clearly intuited truths about possibility. As an illustration of my overall thesis, I address the Cartesian argument for the separability of mind and body, and entertain the various interpretations of Descartes's view of human freedom. I argue that in order to understand Cartesian views on either of these issues, one must first make sense of his modal commitments. In both of these cases Descartes claims that finite minds can know that something is possible, even though what makes it possible is well beyond what they can understand. (shrink)

Central to Descartes’ philosophy is a view about immutable essences and eternal truths. After mentioning a Platonist account of recollection in Meditation V, Descartes declares that the ideas we have of mathematical notions “are not my invention but have their own true and immutable natures” (AT VII, 64/CSM II, 44).Descartes claims that other important philosophical notions, such as God, mind, body, and human free will (AT VII, 68; AT VIII-2, 348; AT III, 383; AT VII, 433, respectively), also have immutable (...) natures or essences. Although Descartes says a good many things about this view, nowhere does he offer definitive doctrine on the matter, and in fact frequently confuses his reader with apparently inconsistent pronouncements about immutable natures and eternal truths. In this essay, I focus on the immutable natures and propose a solution to two of the main problems associated with Descartes’ position, the metaphysical status of immutable natures and the purported indivisibility of their existence as ideas in the mind. (shrink)

Descartes's claim that the eternal truths were freely created by God is fraught with interpretive difficulties. The main arguments in the literature are classified as concerning the ontological status or the modalities of possibility and necessity of the eternal truths. The views of the principal defenders of the Creation Doctrine – Robert Desgabets, Pierre Sylvain Régis, and Antoine Le Grand are contrasted with those of Nicolas Malebranche. In clarifying the theological, ontological, and logical terms of the debate we can see (...) that what was at stake was the objectivity and certainty of the truths of mathematics and physics. I conclude by suggesting that this issue might fruitfully be used to clarify the disparate discussions in the contemporary literature. (shrink)

The old and recent debates on Cartesian essences have focused on the question of whether Descartes is a Platonist or a conceptualist about essences. I argue that this is a false dichotomy. An adequate account of Cartesian essences must accommodate and reconcile two central doctrines and texts in Descartes' philosophy. I will argue that recent conceptualist and Platonist interpretations neither accommodate these doctrines nor reconcile these texts. Such failures are not accidental since Descartes' doctrines of divine creation and simplicity render (...) it impossible for Descartes to be either a conceptualist or a Platonist. Failure to notice this fact explains why there has been no progress on this exegetical issue. (shrink)

According to necessitarianism, all truths are logically necessary, and the modal doctrine of a necessitarian philosopher is in a sharp contrast with something that seems manifest—the view that there are contingent truths. At least on the face of it, then, necessitarianism is highly implausible. René Descartes is usually not regarded as a necessitarian philosopher, but some of his philosophical views raise the worry as to whether he is committed to the necessity of all truths. This paper is an appraisal of (...) this worry. (shrink)

In the _Fifth Meditation, Descartes introduces a being for which his system appears to leave no room. He clearly and distinctly perceives geometrical properties and concludes that, even though they may not actually exist, their _true and immutable natures exist nonetheless. Here I argue that the wedge that Descartes drives between an object and its true and immutable nature is only temporary and that, in the final analysis, a true and immutable nature of any X is just X itself. Given (...) the analytic method of the _Meditations, it is to be expected that the 'meditator' would not notice any of this in the _Fifth Meditation. He must wait until his epistemic position is more enhanced. (shrink)

This dissertation examines Rene Descartes' view of certainty and defends the view that Cartesian certainty is possible. The first half of the dissertation includes an interpretation of Descartes' epistemology as well as an examination of other interpreters' readings. The second half of the dissertation is a defense of the claim that Cartesian certainty of a particular kind is possible; it includes a variety of contemporary objections and replies in defense of the possibility of certainty.