Collection of papers presented at the First Budapest Seminar in Early Modern Philosophy.

What surfaces first when one examines the philosophy of mind of Sartre and Spinoza are the differences between them. For Spinoza a human mind is a mode of the divine mind. That view is a far cry from Sartre’s view of human consciousness as a desire never achieved: the desire to be god, to be the foundation of one’s own existence. How could two philosophers, one a determinist and the other who grounds human freedom in the nature of consciousness itself, (...) be seen as having any commonalities worth exploring? How could the noted user of the deductive method and one of the most important phenomenologists of the twentieth century share any philosophical ground at all? I will argue in this paper that despite the very real differences between their two philosophies, there are striking similarities between Sartre’s view of consciousness and Spinoza’s view of the mind. They become apparent when one examines each one’s analysis of the nature of mind and its relationship to itself, the body, and the world. Both are heir to a kind of Aristotelian naturalism. This commonality between them derives from their mutual rejection of Descartes’ substance dualism. I first explore the consequences of that rejection on how each one conceives of the relationship between the mind and its objects. Next I examine their view of the mind’s relation to itself and finally I look at how each one understood the mind’s relationship to the body and the world. The examination of their two views reveals how much they anticipate and support theories of mind defended by contemporary analytic philosophers of mind. (shrink)

In the Ethics, Spinoza advances two apparently irreconcilable construals of will [voluntas]. Initially, he presents will as a shorthand way of referring to the volitions that all ideas involve, namely affirmations and negations. But just a few propositions later, he defines it as striving when it is “related only to the mind” (3p9s). It is difficult to see how these two construals can be reconciled, since to affirm or assent to some content is to adopt an attitude with a cognitive (...) (mind-to-world) direction of fit, while to strive to persevere in one’s being would seem to be to adopt an attitude with a conative (world-to-mind) direction of fit. Attempting to achieve consistency by taking striving under the attribute of thought to consist in affirming only pushes the equivocation problem onto the concept of affirmation (Lin 2019). It would seem, then, that Spinoza equivocates on the concepts of will, affirmation, or perhaps both. I defend the univocity of Spinoza’s accounts of will and affirmation, showing that it comports with established accounts of affirmation in early modern philosophy and yields a clear, uniform account of what it means to strive under the attribute of thought, preserving the systematicity of Spinoza’s account of mind in ways that other interpretations do not. (shrink)

RÉSUMÉDans cet article, j'examine si la description spinozienne de la béatitude peut être identifiée à un idéal contemplatif dans la tradition aristotélicienne. Je présente d'abord les caractéristiques principales de la vie contemplative telle que définie par Aristote ainsi que sa différence avec la vie des vertus orientées vers la pratique — une différence fondée sur la distinction d'Aristote entrepraxisettheoria. En mettant en évidence les points communs entre les deux types de connaissance adéquate de Spinoza — c'est-à-dire la connaissance intuitive et (...) la raison —, je montre qu'il n'y a pas de place pour une distinction similaire chez Spinoza, ce qui permettra d'identifier la connaissance intuitive et la béatitude qui l'accompagne exclusivement avec l'activité théorique. (shrink)

According to Steven Nadler's novel interpretation of Spinoza's much discussed ‘free man’, the free man is not an unattainable ideal. On this reading, the free man represents an ideal condition not because he is passionless, as has often been claimed, but because even though he experiences passions, he ‘never lets those passions determine his actions’. In this paper, I argue that Nadler's interpretation is incorrect in taking the model of the free man to be an attainable ideal within our reach. (...) Furthermore, I show that Spinoza's moral philosophy has room for another ideal yet attainable condition, which is represented by the wise man. On my reading, becoming a wise man consists not in surmounting human bondage, but in understanding ourselves as finite expressions of God's power and, thereby, coming to terms with the ineliminability of bondage for us due to our very human or modal condition in the Spinozistic universe. (shrink)

Adequate ideas are the fundamental element of Spinoza’s epistemological program. However, a recurrent worry among scholars is that Spinoza’s account of adequate ideas is inconsistent with any finite being ever having one. As I frame it, the problem is that for Spinoza an idea is adequate in a mind only if all its causal antecedents lie within the mind as well. However, it seems there can be no finite mind for which this is true; finite minds come to be and (...) exist within a deterministic causal nexus, and the causal antecedents of every idea in a mind will ultimately stretch far beyond it. I call this the External Cause Objection. I argue that Spinoza appreciated and explicitly answered this concern. According to this reply, adequate ideas do not have causes external to the mind because they do not fall into the category of what Spinoza calls “singular things.” In addition to showing that this coheres with his more specific claims about adequate ideas and his firm belief that finite minds are parts of nature, I argue that the resolution to this problem sheds light on Spinoza’s understanding of what I call absolute agency. Published on 2022-03-23 11:07:32. (shrink)

The example of the Spanish poet’s amnesia, mentioned by Spinoza in the scholium of proposition 39 of part IV of the Ethics in order to elucidate his conception of death, has given rise to many controversies in the scholarly interpretations, which in most cases maintain that the poet dies and that Spinoza himself thought this way. However, the matter is more complex than it at first appears and in this article I take a different path by reconstructing this scholium anew (...) and providing an alternative interpretation. The comparison with selected passages of part V highlights the presence of a bi-conditional between the ratio of motion and rest that a body possesses, and its aptitude to be affected and affect in many more ways. In particular, the latter allows us to acknowledge the continuity of the poet’s individuality, expressed in his mind–body union grounded by the parallelism theory. As a result, the poet case has a crucial explanatory role for Spinoza’s theory of the eternity of the human mind and if one misunderstands the former, the latter is also misconceived. (shrink)

In the following article, I aim to elucidate the meaning and scope of Spinoza’s vocabulary related to ‘consciousness’. I argue that Spinoza, at least in his Ethics, uses this notion consistently, although rarely. He introduces it to account for the knowledge we may have of the mind considered alone, as conceptually distinct from the body. This serves two purposes in Spinoza’s Ethics: to explain our illusion of a free will, on the one hand, and to refer to the knowledge we (...) have of our mind as something eternal, on the other. I contend, therefore, that we should not confuse Spinoza’s technical use of the notion of ‘consciousness’ with the ‘degrees of animation’ that he also evokes in the Ethics. Consciousness, for Spinoza, is neither a faculty, nor a property specific to certain minds or ideas. Furthermore, consciousness does not come in degrees. Indeed, Spinoza’s account of consciousness is not intended to differentiate kinds of minds in terms of awareness of their respective ideas. (shrink)

In his Political Treatise, Spinoza repeatedly compares states to human beings. In this interpretation of the comparisons, I present a progressively more restrictive account of Spinoza’s views about the nature of human beings in the Ethics and show at each step how those views inform the account of states in the Political Treatise. Because, like human beings, states are individuals, they strive to persevere in existence. Because, like human beings, states are composed of parts that are individuals, states' parts also (...) strive to persevere in being. Finally, because in states, as in human beings, a change to the power of striving of a part can be at the same time a change to the whole that differs in kind, strong states can be bad for their citizens and states that serve their citizens well may nevertheless be weak. Spinoza’s principal project in the Political Treatise is to design states that are stable and good for their citizens. This account of the comparisons shows why that project is so difficult: one cannot design a good state simply by designing a stable state. (shrink)

In the Ethics, Spinoza famously wrote, “we do not seek or desire anything, because we judge it to be good; on the contrary, we judge a thing to be good because we endeavor it, will it, seek it and desire it.” This passage is widely recognized as asserting some of Spinoza's most important claims about the good, but the precise meaning of the passage is unclear, as interpreters have offered a wide variety of interpretations, often without noting (or even noticing) (...) their disagreements. The central interpretive question is what the key passage has to say about the relationship between desires and judgments of the good. At stake in this question is not just how we understand Spinoza's theory of the good—and by extension, much of his ethical theory – but also how we understand the reception of the scholastic Aristotelian notion that desiring something involves perceiving or thinking it to be good, the “guise of the good thesis”. This paper offers an interpretation of the passage that emphasizes differences between Spinoza and a Hobbesian view of judging the good. Rather, I show – perhaps surprisingly – that Spinoza is closer to the scholastic-Aristotelian tradition. (shrink)

In this paper, through a close reading of Spinoza's use of common notions I argue for the role of experiential and experimental knowledge in Spinoza's epistemology.

In this paper, I join the so-called voluntarism debate on Descartes’s theory of will and judgment, arguing for an indirect doxastic voluntarism reading of Descartes, as opposed to a classic, or direct doxastic voluntarism. More specifically, I examine the question whether Descartes thinks the will can have a direct and full control over one’s suspension of judgment. Descartes was a doxastic voluntarist, maintaining that the will has some kind of control over one’s doxastic states, such as belief and doubt. According (...) to a long-held reading, the control that the will has over doxastic states in Descartes’s theory is direct; the doxastic states are affected by the mere act of will. This reading is called direct doxastic voluntarism (DDV), or direct voluntarism (DV) for short, and it states that we are capable of assenting, rejecting and suspending a judgment based only on our will to do so. Thus, these actions would be utterly and merely volitional. DV can be divided into two further positions, direct positive voluntarism (+DV) and direct negative voluntarism (-DV). Direct positive voluntarism deals with the act of forming judgments, maintaining that one can accept or deny a proposition wilfully and either merely believe or not believe something voluntarily. Direct negative voluntarism deals with the suspension of judgment, maintaining that it can likewise be accomplished by a simple act of will. However, I support an alternate account of Descartes’s voluntarism, which is called indirect doxastic voluntarism (IDV), or indirect voluntarism (IV) for short. By this account, the will is capable of affecting a doxastic state indirectly by making one concentrate on essential tasks for forming that state, such as gathering up and paying attention to strong reasons and evidence. IV is also possible to divide into indirect positive voluntarism (+IV) and indirect negative voluntarism (-IV). Per indirect positive voluntarism the will needs to pay attention to reasons for accepting or denying some proposition. Likewise, by indirect negative voluntarism, in order to suspend judgment the will needs to direct this attention to the reasons for doubt. By attending to these reasons, the will also comes face-to-face with its own freedom. This feeling of freedom can be described as affectivity of the reasons for belief (assent) and doubt (suspension). (shrink)

Spinoza rarely refers to art. However, there are extensive resources for a Spinozist aesthetics in his discussion of health in the Ethics and of social affects in his political works. There have been recently been a few essays linking Spinoza and art, but this essay additionally fuses Spinoza’s politics to an affective aesthetics. Spinoza’s statements that art makes us healthier (Ethics 4p54Sch; Emendation section 17) form the foundation of an aesthetics. In Spinoza’s definition, “health” is caused by external objects that (...) maintain our power to act in a variety of ways. Humans need such objects because our complex bodies constantly lose or consume many parts necessary to our overall functioning. Notably, Spinoza defines humans’ bodies through this complexity (2p13Sch), so health as maintenance of complexity is a distinctly human endeavor. Further, while art is not the only healthy activity, I argue that art is a particularly potent cure, which explains Spinoza’s otherwise opaque comment that music can cure melancholy (by which he meant a near-total inability to act, akin to death). Rather than only causing frivolous pleasures, art may be as essential to human flourishing as are other human beings in general; other people are “most useful” because of the variety of actions they make possible (4p35Cor & Sch1). Art’s production of a dizzying variety of affects is likewise most useful for health. -/- Having established how art in general affects the individual, I then explain the role of artists in shaping social groups. Artists use vivid and highly charged affective techniques, as do political sovereigns and religious prophets (TTP chapters 1-2 & 15-16). However, sovereigns and prophets are concerned exclusively with “morality,” defined by Spinoza as the use of affects (primarily based on fear and hope) to produce “obedience” in the generic multitude or people at large. An artist, however, rarely causes affects in the whole nation, affecting instead only a smaller niche or “sub-genre” of people. The affects produced in this group are also not identical to those used by sovereigns, since artists do not primarily deploy sad affects of hope and fear but instead use a wide variety of joyful affects. Further, in Spinoza’s analysis of ceremonies (TTP chapter 5), we see how small groups exposed to repeated ceremonies or social practices eventually develop new strengths which they lacked before. Repeated exposure to shared aesthetic “ceremonies” (e.g., live music performances) of the same sub-genre will over time create the capacity of new powers in the sub-genre of people, which distinguishes them from the masses. Spinoza says sovereigns forge a “second nature” for the generic people through affects; we can then affirm that smaller groups exposed to a distinct sub-genre of art can acquire a new “third nature” which will contain unique powers extending beyond healthy maintenance of their existing bodies. That is, art in general is necessary to flourish and remain whole (maintaining health), but it can also occasionally expand what one is to unforeseen heights (through specific artistic sub-genres). (shrink)