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Does phenomenal force, the distinctive phenomenology attributed to perceptual experience, really form an integral part of the latter? If not, what implications does it have for perceptual justification? In this paper, I first argue for a metacognitive account, according to which phenomenal force constitutes a separate, metacognitive state. This account opens up a previously unexplored path for challenging phenomenal conservatism or dogmatism, which has been a prominent theory of perceptual justification over the past two decades. Moreover, I investigate several alternative (...) |
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According to one prominent account of perceptual justification, “dogmatism,” whenever you have perceptual experience as if p, and lack defeaters, you thereby have immediate, prima facie justification for believing that p. The most important challenge is to show how experience can, on its own, provide justification for the belief in its content. Dogmatists often try to meet this challenge by highlighting the phenomenal character of perceptual experience and the mode of presentation of its content and defending their justifying roles by (...) |
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Dogmatism holds that an experience or seeming that p can provide prima facie immediate justification for believing p in virtue of its phenomenology. Dogmatism about perceptual justification has appealed primarily to proponents of representational theories of perceptual experience. Call dogmatism that takes perceptual experience to be representational "representational phenomenal dogmatism." As we show, phenomenal seemings play a crucial role in dogmatism of this kind. Despite its conventional appeal to representational theorists, dogmatism is not by definition committed to any particular view (...) |
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The main aims in this article are to discuss and criticize the core thesis of a position that has become known as phenomenal conservatism. According to this thesis, its seeming to one that p provides enough justification for a belief in p to be prima facie justified. This thesis captures the special kind of epistemic import that seemings are claimed to have. To get clearer on this thesis, the article embeds it, first, in a probabilistic framework in which updating on (...) |
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Many philosophers take experience to be an essential aspect of perceptual justification. I argue against a specific variety of such an experientialist view, namely, the Looks View of perceptual justification, according to which our visual beliefs are mediately justified by beliefs about the way things look. I describe three types of cases that put pressure on the idea that perceptual justification is always related to looks-related reasons: unsophisticated cognizers, multimodal identification, and amodal completion. I then provide a tentative diagnosis of (...) |
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I begin with by discussing cases that seem to show that a range of norms – norms like Choose the best!, Believe the truth!, and even Keep your promises! – fail to map out an important part of normative space. At the core of the problem is the observation that in some cases we can only conform to these norms by luck, in a way that is not creditable to us. I outline a prevalent diagnosis of the problem of luck, (...) |
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Recently, Lisa Feldman Barrett and colleagues have introduced the Theory of Constructed Emotions (TCE), in which emotions are constituted by a process of categorizing the self as being in an emotional state. The view, however, has several counterintuitive implications: for instance, a person can have multiple distinct emotions at once. Further, the TCE concludes that emotions are constitutively social phenomena. In this article, I explicate the TCE*, which, while substantially similar to the TCE, makes several distinct claims aimed at avoiding (...) |
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The on-going debate over the ‘admissible contents of perceptual experience’ concerns the range of properties that human beings are directly acquainted with in perceptual experience. Regarding vision, it is relatively uncontroversial that the following properties can figure in the contents of visual experience: colour, shape, illumination, spatial relations, motion, and texture. The controversy begins when we ask whether any properties besides these figure in visual experience. We argue that ‘ensemble properties’ should be added to the list of visually admissible properties. (...) |
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