The linguistic turn is a central aspect of Richard Rorty’s philosophy, informing his early critiques of foundationalism in Philosophy and the Mirror of Nature and subsequent critiques of authoritarianism in Contingency, Irony, and Solidarity. It is argued that we should interpret the linguistic turn as a methodological suggestion for how philosophy can take a non-foundational perspective on normativity. It is then argued that although Rorty did not succeed in explicating normativity without foundations (or authority without authoritarianism), we should take seriously (...) the ambition motivating his project. But taking that ambition seriously may require reconsidering the linguistic turn. (shrink)

Hegel was ambivalent about Dutch genre painting’s uncanny ability to find beauty in daily life. The philosopher regarded the Dutch painterly aesthetic as Romanticism avant la lettre, and classifies it as such in his Lectures on Aesthetics, under the section entitled “Die romantischen Künste [The Romantic arts].”1 Dutch art, in Hegel’s reading, is marred by many shortcomings. The most prominent among these are the “subjective stubbornness [subjective Beschlossenheit]” that prevents this art from attaining to the “free and ideal forms of (...) expression” that marked the productions of Italian artists such as Raphael. In contradistinction to their Italian counterparts, Dutch artists in Hegel’s view are apt to. (shrink)

It has become all too common in discussing Rorty’s work, to distinguish the reasonable and constructive Rorty from the outrageous, destructive and irresponsible enfant terrible of twentieth century American philosophy. According to this familiar reading, one can unproblematically distinguish those rhetoric flourishes that have enraged so many of his philosophical colleagues from the substantive, and one might even say constructive, insights that are hidden in his work. However, as I will argue in this paper, this distillation process is not only (...) hermeneutically suspicious, but actually hinders our ability to make sense of what Rorty was trying to say. Rorty’s call was to “break the crust of convention”; not for destruction’s sake but to warn us against the dangers of all forms of fundamentalism and dogmatism and more importantly, open up the possibilities of a post-foundationalist, post-representationalist culture where solidarity and imagination at the service of human dignity replace the old obsession with objectivity and the quest for certainty. (shrink)

In A Philosophical Defense of Culture, Shuchen Xiang draws on the Confucian philosophy of "culture" and Ernst Cassirer's philosophy of symbolic forms to argue for the importance of "culture" as a philosophic paradigm. A defining ideal of Confucian-Chinese civilization, culture (wen) spans everything from natural patterns and the individual units that make up Chinese writing to literature and other refining vocations of the human being. Wen is thus the soul of Confucian-Chinese philosophy. Similarly, as a philosopher who bridged the classical (...) age of German humanism and postwar modernity, Cassirer implored his and future generations to think of humankind in terms of their culture and to think of the human being as a "symbolic animal." The philosophies of culture of these two traditions, very much compatible, are of urgent relevance to our contemporary epoch. Xiang describes the similarity of their projects by way of their conception of the human being, her relationship to nature, the relationship of human culture to nature, the importance of cultural pluralism, and the role of the arts in human life, as well as the metaphysical frameworks that gave rise to such conceptions. Combining textual exegesis in classical Chinese texts and an exposition of Cassirer's most important insights against the backdrop of post-Kantian philosophy, this book is philosophy written in a cosmopolitan mode, arguing for the contemporary philosophical relevance of "culture" by drawing on and bringing together two different but strikingly similar streams in our world tradition. (shrink)

The question “What is philosophy?” is difficult to answer because it seems to presuppose answers to long‐standing and controversial philosophical questions. As answers to these questions affect one’s metaphilosophy, apparently irresolvable philosophical disagreements are then converted into deadlock concerning the nature of the discipline. As this problem is unique to philosophy, however, this difficulty itself reveals something of philosophy’s essential nature. As, under analysis, it turns out to arise from a definite way of posing problems, philosophy can initially be defined (...) by a particular mode of problematisation. This essay establishes this argument and proposes a method for developing this insight into a fully realised, socio‐historical metaphilosophy. This involves stages of (a) hermeneutical analysis and (b) historical contextualisation, both of which increase the account’s empirical adequacy. A conclusion discusses the extent to which philosophy is on trial here and argues that questioning the future of philosophy is not inherently philistine. (shrink)

Is Richard Rorty a philosophical quietist? We consider different stances Rorty has assumed toward philosophy, arguing that on the face of it there is no conflict between them. However, Rorty's extensive writing on the topic of truth suggests a tension between Rorty's own recommendation of “benign neglect” of metaphysics and his actual philosophical practice. The topic of truth actually serves Rorty's philosophical purposes well, allowing him to change the direction of conversation from a concern with the nature of concepts to (...) a direct concern with human practice. The switch Rorty envisions is captured in the emblematic figure of the ironist, and we consider the ironist variety of quietism accordingly. For Rorty, we conclude, quietism is a contingent, conditional, strategic stance. Rorty's aim is to change the direction of a strand of philosophical conversation, not to free us from philosophical illusion or to bring philosophy to an end. (shrink)

In Richard Rorty: Outgrowing Modern Nihilism, Tracy Llanera places Richard Rorty in conversation with philosophers confronting nihilism as a “malaise of modernity.” She shows how Rortyan thought offers a horizontal and relational approach to “redemption,” as opposed to religious or philosophical paths to be saved by higher beings or ideas. This essay focuses on Llanera's redescription of Rorty and whether amplifying Rorty's use of “redemption” and “transcendence” is wise. Leaving behind this laden vocabulary might better serve Llanera's purpose of illuminating (...) a path to outgrow, rather than overcome, the anxiety of nihilism. After exploring Llanera's redescription of Rorty, the essay suggests that a different vocabulary—composed of words such as ease, hope, and comfort, and potentially as capable of supporting Llanera's overarching aim—is available in Rorty's writings. Turning to this other vocabulary might strengthen Llanera's significant contribution to the nihilism debate and to Rortyan and pragmatist philosophy more generally. (shrink)

Philosophy confronts two existential crises: the threats to its existence from scientists like Stephen Hawking who claim that philosophy is dead; and the threat to life itself from catastrophic climate change. The essay’s first theoretical part critiques Nietzsche’s claim that philosophy’s primary function is to guarantee the future of life. The essay’s second practical part claims that philosophy must meet the challenge of life’s extinction through a revised model for ethics in education. Taking its start from recent conceptualizations of philosophy (...) as a ‘field discipline,’ this part considers African American models for delivering ethics in education to under-resourced communities. The third part shows how these theoretical models may be actualized in the practice of an African field philosopher. (shrink)

Richard Rorty sacrifices high art on the altar of freedom, tolerance, and equality, although novelists like Dickens awaken his hope for the greatest possible improvement in our cultural well-being. Essentialist artists and philosophers of misery strike him as loathing ordinary humans and their foibles. His populist aesthetics owes to his belief in pragmatism as redemptive “knowledge about how things really are.” Still, he rejects some progressive works as artistic failures while embracing other art forms that ignore culture altogether. Rorty’s advocacy (...) of art for the common good situates him in an ethical aesthetic tradition imbued with many of the ironies presented by Plato, although in the final analysis his progressive neo-pragmatism safeguards all forms of art. (shrink)

When considered in relation to remarks in Contingency, Irony, and Solidarity, Rortian irony becomes a target of criticisms that see it as marred by the conflict between skeptical distance and commitment. But such critique ignores the fact that Rortian irony belongs to a broader literary intuition. In this article I trace Rorty’s concept of irony to the structural properties of a specific group of literary texts. These texts bring together diverse materials the affinity between which is precisely what is at (...) stake in the interpretive game these texts put in motion: the formal, cognitive, and aesthetic coherence of these texts is a potentiality to be realized by readers. I treat the interpretive activity these texts depend on as equivalent to the practices by which inhabitants of democracies reexamine and recompose the materials of their networks of beliefs. Since such practices require a combination of ironic distance to the examined materials with a commitment to the interpretive process itself, they validate a Rortian model of irony. (shrink)

After tracing the rise in interest in the phenomenon of interpretation to events in the early post-Kantian period, I argue that this development is highly relevant to understanding contemporary philosophy's methodological status and its relation to fields such as science and literature. I argue that much of recent philosophy is best understood in terms of an "interpretive turn" that has now provided philosophy with a modest but valuable and distinctive role. I illustrate the procedure of philosophy in this key by (...) critically appropriating ideas about interpretation advanced by Harold Bloom and Richard Rorty, and by using hints about the role of history that arise from discussions of Kant's notion of genius. (shrink)

This paper addresses recent examples of militant atheism. It considers the theistic reply that describes atheism as deriving from a “God-shaped hole” in the human soul. The paper will argue that American pragmatism offers a middle path that avoids militant atheism without suffering from this problem. The paper describes this middle path and considers the problem that is seen in Rorty’s recent work: how the pragmatist can remain critical of religious fundamentalism without succumbing to a militant version of atheism. The (...) solution proposed is tolerant acceptance of religion along with melioristic criticism developed within shared norms of inquiry. (shrink)

Resumen: Este texto consiste básicamente en una presentación general de la corriente filosófica del nuevo realismo surgida en 2007 y en la que participan autores europeos y norteamericanos. Un punto en común de las diversas posiciones dentro de esta corriente es el deslinde crítico frente a la filosofía posmoderna y a la filosofía moderna en general. Explico esta crítica y sus implicaciones para la posibilidad de un restablecimiento en la filosofía contemporánea del pensamiento metafísico.: This text is basically an overview (...) of philosophical new realism which emerged in 2007 and involves European and American authors. A common point to the various positions within this current is a critical detachment from postmodern philosophy and modern philosophy in general. i explain this criticism and its implications for the possibility of a restoration in contemporary philosophy of metaphysical thought. (shrink)

In this article, I try to defend the thesis that imagination against reason, moral progress through imagination not the reason, the emergence of literary culture after philosophical culture from Hegel onwards, contingency of language, the usefulness of literature (poetry, novels and stories, etc.) in enhancing empathy with one another and ultimately reducing philosophy to poetry in Richard Rorty's writings point to one thing: the priority of literature to philosophy. The literary or post-physical culture that Rorty defends is opposed to the (...) Enlightenment and the philosophical and religious culture. Rorty prefers literary culture among the religious culture and philosophical culture. The literary culture Rorty envisages is a radically historicist and nominalist one. Rorty’s romanticised version of pragmatism aims precisely at dealing with this literary or post-physical culture or, in generally, the literature. (shrink)

“From the Bazaar to the Family: A Critical Approach to Rortyan Political ‘Idealizations’”. Richard Rorty’s political work has united, in a unique narrative, the social hopes of liberal egalitariasm with the philosophical anti-essentialism of postmodernism. As a consequence, when Rorty’s political philosophy “justifies” the institutions of liberal democracy it does not appeal to metaphysical or transcendent fundamentals firmly established; however, it does appeal to idealizations, to narrative constructions that allow emphasizing those components of our political practices that we think are (...) worthy and minimize those that we think are secondary. This article analyzes two of the idealizations used by Rorty to summarize the purposes of his liberal democracy: Kuwaiti bazaar -images of the separation between public and private sphere- and of the family -archetype of the relations that should be promoted in liberal societies. These narratives resources not only express the nature of his political project but also show the limitations at the moment of realizing his main objective: the expansion of solidarity. (shrink)

Richard Rorty's moral writings offer a cogent summary of the moral content of contemporary liberal democratic culture. Rorty insists on a divide between our public and private lives, yet he claims that moral progress is primarily driven by the imagination of great poetry and philosophy . A pressing tension thus emerges between private imagination and public moral justification, which is also very real in contemporary liberal democratic culture itself. I sketch a way out of this problem, which fits well with (...) the pragmatism he shares with William James and John Dewey. (shrink)

Clayton Chin provides a helpful reconstruction of Rorty’s philosophy that aims to show its usefulness for political thought, while also shedding light on its relationships with Continental philosophy and on Rorty’s reading strategy employed in relation to some Continental thinkers. In relation to the first aim, Chin argues convincingly that Rorty’s primary contribution to political thought is located at the meta-theoretical level, by which he means the level at which questions may be asked about the nature and purpose of political (...) theorizing. I agree with much of Chin’s account of the nature and value of Rorty’s meta-theoretical approach. I am less convinced by Chin’s account of Rorty’s relations with Continental philosophy and the reading strategies employed in his discussions of those with whom he engaged. There are a number of reasons for this. First, he confines his discussion to a handful of figures that he groups under the heading of ontological approaches to politics and political theory: primarily Martin Heidegger and William Connolly, but also Foucault and Jürgen Habermas. Second, This is the asymmetry in the way in which Rorty is treated compared to the discussion of these interlocutors. (shrink)

Rorty uses the private–public distinction as a conceptual tool to uphold the ideal of self–creation (Romanticism) simultaneously to the ideal of solidarity (Enlightenment liberalism). The difficulty of accommodating these two apparently opposing ideals has led Rorty to make inconsistent and contradictory claims about the private–public distinction. This article suggests a way of easing the tension that exists around Rorty’s formulations of the distinction. It does so by turning to the thematic of “self–enlargement” to be found in Rorty’s later writings. By (...) presenting self–enlargement as a common feature of self–creation and solidarity, this reading opens up a way of reconciling these two ideals and mitigating some of the difficulties in Rorty’s private–public distinction. (shrink)

In the twenty-first century, Stephen Hawking proclaimed the death of philosophy. Only science can address philosophy’s perennial questions about human values. The essay first examines Nietzsche’s nineteenth century view to the contrary that philosophy alone can create values. A critique of Nietzsche’s contention that philosophy rather than science is competent to judge values follows. The essay then analyzes Edward O. Wilson’s claim that his scientific research provides empirically-based answers to philosophy’s questions about human values. Wilson’s bold new hypothesis about the (...) ‘social conquest of the earth’ challenges Nietzsche’s vision of philosophy’s mission. Confronting both Nietzsche and Wilson, the essay then considers three theoretical proposals for a consilience of philosophy, science, engineering and technology. The conclusion presents a working African model of consilience that addresses the existential problem of poverty in the Global South. (shrink)

Both Richard Rorty and Siegfried Kracauer considered the question of self-redemption in an ideologically shelterless age; both thinkers realized that the spontaneous state of daily life is beguilin...