The phasalist solution to the classic puzzle of the statue and the piece of clay only works for some coincidence puzzles and not others. To address this limitation of phasalism, I develop a novel approach to coincidence puzzles that permits different kinds of coincidence puzzles to be solved in different ways, provided that each solution satisfies certain constraints inspired by the phasalist solution to the statue puzzle. I apply my approach to four different kinds of coincidence puzzles, and I argue (...) that it is no less plausible than rival approaches in the literature. (shrink)

The story of the Ship of Theseus is one of the most venerable conundrums in philosophy. Some philosophers consider it a genuine puzzle. Others deny that it is so. It is, therefore, an open question whether there is or there is not a puzzle in the Ship of Theseus story. So, arguably, it makes sense to test empirically whether people perceive the case as a puzzle. Recently, David Rose, Edouard Machery, Stephen Stich and forty-two other researchers from different countries have (...) undertaken that task. We argue that their tests do not provide any evidence that bears on the question as to whether the Ship of Theseus case is a genuine puzzle. In our discussion we address also what should be taken into account if one wishes to test the puzzling, or not puzzling, status of the Ship of Theseus story. (shrink)

Does the Ship of Theseus present a genuine puzzle about persistence due to conflicting intuitions based on “continuity of form” and “continuity of matter” pulling in opposite directions? Philosophers are divided. Some claim that it presents a genuine puzzle but disagree over whether there is a solution. Others claim that there is no puzzle at all since the case has an obvious solution. To assess these proposals, we conducted a cross-cultural study involving nearly 3,000 people across twenty-two countries, speaking eighteen (...) different languages. Our results speak against the proposal that there is no puzzle at all and against the proposal that there is a puzzle but one that has no solution. Our results suggest that there are two criteria—“continuity of form” and “continuity of matter”— that constitute our concept of persistence and these two criteria receive different weightings in settling matters concerning persistence. (shrink)

Recent experimental studies indicate that epistemically irrelevant factors can skew our intuitions, and that some degree of scepticism about appealing to intuition in philosophy is warranted. In response, some have claimed that philosophers are experts in such a way as to vindicate their reliance on intuitions—this has become known as the ‘expertise defence’. This paper explores the viability of the expertise defence, and suggests that it can be partially vindicated. Arguing that extant discussion is problematically imprecise, we will finesse the (...) notion of ‘philosophical expertise’ in order to better reflect the complex reality of the different practices involved in philosophical inquiry. On this basis, we offer a new version of the expertise defence that allows for distinct types of philosophical expertise. The upshot of our approach is that wholesale vindications or rejections of the expertise defence are shown to be unwarranted; we must instead turn to local, piecemeal investigations of philosophical expertise. Lastly, in the spirit of taking our own advice, we exemplify how recent developments from experimental philosophy lend themselves to this approach, and can empirically support one instance of a successful expertise defence. (shrink)

Composition as Identity is the view that an object is identical to its parts taken collectively. I elaborate and defend a theory based on this idea: composition is a kind of identity. Since this claim is best presented within a plural logic, I develop a formal system of plural logic. The principles of this system differ from the standard views on plural logic because one of my central claims is that identity is a relation which comes in a variety of (...) forms and only one of them obeys substitution unrestrictedly. I justify this departure from orthodoxy by showing some problems which result from attempts to avoid inconsistencies within plural logic by means of postulating other non-singular terms besides plural terms. Thereby, some of the main criticisms raised against Composition as Identity can be addressed. Further, I argue that the way objects are arranged is relevant with respect to the question which object they compose, i.e. to which object they are identical to. This helps to meet a second group of arguments against Composition as Identity. These arguments aim to show that identifying composite objects on the basis of the identity of their parts entails, contrary to our common sense view, that rearranging the parts of a composite object does not leave us with a different object. Moreover, it allows us to carve out the intensional aspects of Composition as Identity and to defend mereological universalism, the claim that any objects compose some object. Much of the pressure put on the latter view can be avoided by distinguishing the question whether some objects compose an object from the question what object they compose. Eventually, I conclude that Composition as Identity is a coherent and plausible position, as long as we take identity to be a more complex relation than commonly assumed. (shrink)

Authenticity was neither an exclusive criterion nor even a keyword in the rise of the historic preservation movement before the heated controversies over `Heritage' beginning in the late 1960s. Both advocates and critics have tended to ignore or oversimplify an actual history of non-dogmatic but not at all unprincipled reflection, analysis and professional practice. From the writings of Alois Riegl and Camillo Boito around 1900 through ongoing debates over the ideal of authenticity put forth by the Venice Charter of 1964, (...) this history represents a major and an authentic contribution to understanding the values, possibilities and complications of preserving the past. (shrink)

Los filósofos han construido la filosofía a partir de la reflexión sobre el hombre y su realidad circundante más inmediata. Al menos en la época presente, la filosofía en cuanto reflexión sobre el ser, debe partir —en mi opinión— de la consideración atenta de los artefactos que constituyen casi en su totalidad —con excepción de los seres humanos y de algunos pocos animales y plantas que hay en nuestro ámbito habitual— el mundo efectivo en el que nos encontramos: la pluma (...) con la que escribo, el papel, la mesa, la silla, los libros, los cigarrillos, la habitación y todo el edificio en el que estoy, incluso las palabras que estoy garabateando, la lámpara que me ilumina, quizás también la luz eléctrica que despide la bombilla: ¿no son todas esas cosas artefactos? Me permito aventurar de antemano que esas cosas, los artefactos, son los elementos relevantes para el filósofo de nuestros días: la noción de artefacto —que tiene una vetusta tradición— puede proporcionar un modelo racional explicativo válido para afrontar viejas y nuevas cuestiones de la metafísica y del lenguaje. -/- . (shrink)

This essay begins with an outline of the early Heidegger's distinction between beings and the Being1 of those beings, followed by a discussion of Heideggerian teleology. It then turns to contemporary analytic metaphysics to suggest that analytic metaphysics concerns itself wholly with beings and does not recognize distinct forms of questioning concerning what Heidegger calls Being . This difference having been clarified, studies of identity and individuation in the analytic tradition are examined and it is demonstrated that such inquiries have (...) far more in common with Heidegger than one might initially suspect. Indeed, it turns out that much of what the early Heidegger says about Being is tacitly presupposed by the workings of certain being-centric metaphysical projects in the analytic tradition. The discussion concludes with the suggestion that the central difference between the two projects should be understood as one of emphasis and that Heidegger's discussion of Being and a realist metaphysics in the analytic tradition can complement each other as aspects of a broader, more unified philosophical inquiry. (shrink)

The celebrity effect is the well-documented phenomenon in which people ascribe an enhanced worth to artefacts owned by famous individuals. This effect has been attributed to a belief in psychological contagion, the transmission of a person’s essence to an object via contact. We examined people’s judgments of the persisting worth of celebrity-owned artefacts following transformations of their parts/material and found that the celebrity effect was evident only for post-transformation artefacts that were composed of parts/material that had direct physical contact with (...) the celebrity. Insofar as the celebrity effect arises from psychological contagion, the findings suggest that the essence imparted to a celebrity-owned artefact is conceived as akin to a residue deposited in/on the object rather than a germ capable of spreading in an indirect manner to new parts/material added to the object. The results illuminate the nature of psychological contagion and offer insight into how best to preserve the value of historically important artefacts. (shrink)