The theory of justice is one of the most intensely debated areas of contemporary philosophy. Most theories of justice, however, have only attained their high level of justification at great cost. By focusing on purely normative, abstract principles, they become detached from the sphere that constitutes their “field of application” - namely, social reality. Axel Honneth proposes a different approach. He seeks to derive the currently definitive criteria of social justice directly from the normative claims that have developed within Western (...) liberal democratic societies. These criteria and these claims together make up what he terms “democratic ethical life”: a system of morally legitimate norms that are not only legally anchored, but also institutionally established. Honneth justifies this far-reaching endeavour by demonstrating that all essential spheres of action in Western societies share a single feature, as they all claim to realize a specific aspect of individual freedom. In the spirit of Hegel’s _Philosophy of Right_ and guided by the theory of recognition, Honneth shows how principles of individual freedom are generated which constitute the standard of justice in various concrete social spheres: personal relationships, economic activity in the market, and the political public sphere. Honneth seeks thereby to realize a very ambitious aim: to renew the theory of justice as an analysis of society. (shrink)

It is an ancient view, to be found even in Aristotle’s analysis of friendship, that the other is an alter ego, another myself. More recently, this conception has provoked spirited debate within and without the phenomenological tradition. It can be found in a wide variety of texts, from Husserl’s Cartesian Meditations to Thomas Nagel’s “What is it like to be a bat?” The basic position can be summarized as follows. Intentional experiences are subjective, first-person experiences, not objective, third-person experiences.

This is a book review of: Robert B. Brandom, Articulating Reasons: An Introduction to Inferentialism. Cambridge: Harvard University Press, 2000. Pp. 230.

In this paper I will examine one way of developing Kant's suggestion that one is free just insofar as he acts according to the dictates of norms or principles. and of his distinction between the Realm of Nature, governed by causes, and the Realm of Freedom, governed by norms and principles. Kant's transcendental machinery—the distinction between Understanding and Reason, the free noumenal self expressed somehow as a causally constrained phenomenal self, and so on—can no longer secure this distinction for us. (...) It is just too mysterious to serve as an explanation of freedom. Yet some distinction between the realm of facts and the realm of norms must be established if the notion of freedom as normative rather than causal constraint is to be redeemed. In this paper I will present a version of this distinction which was not envisioned by Kant, and show how a novel response to the dispute between naturalists and non-naturalists concerning the relation of fact to norm can be developed out of that rendering. I will then argue that the account of human freedom which results from this story needs to be supplemented in just the ways which Hegel claimed Kant's account needed to be supplemented, and will recommend an Hegelian self-expressive successor. (shrink)

Hanna Pitkin argues that Wittgenstein's later philosophy offers a revolutionary new conception of language, and hence a new and deeper understanding of ourselves and the world of human institutions and action.

Critics of a politics of difference have misidentified these social movements as asserting an identity politics of recognition. Most of these movements are better understood as resisting unjust structural inequalities. Inclusive democratic process involves paying specific attention to group differences in order to transform preferences and maximize social knowledge.

Applies and extends the conclusions of the preceding chapters by examining cases of self‐deception of a puzzling sort emerging from cases of fantasizing and imagining, found in Joyce's Portrait of the Artist as a Young Man and Flaubert's Madame Bovary. The author is particularly interested in what can be described as the ‘divided mind of self‐deception’, the mind that produces an imagination due to its realising the state of the world that motivates the fantasy construct and the possessor's eventual acquisition (...) of the belief that the fantasy construct represents reality accurately. In the process of deceiving oneself, he holds, no clear line can be drawn between imaginative activities that are not yet self‐deceptive and those that are. (shrink)