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  1. Twofileness. A Functionalist Approach to Fictional Characters and Mental Files.Enrico Terrone - 2021 - Erkenntnis 86 (1):129-147.
    This paper considers two issues raised by the claim that fictional characters are abstract artifacts. First, given that artifacts normally have functions, what is the function of a fictional character? Second, given that, in experiencing works of fictions, we usually treat fictional characters as concrete individuals, how can such a phenomenology fit with an ontology according to which fictional characters are abstract artifacts? I will indirectly address the second issue by directly addressing the first one. For this purpose, I will (...)
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  • Towards Non-Being: The Logic and Metaphysics of Intentionality.Graham Priest - 2005 - Bulletin of Symbolic Logic 14 (1):116-118.
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  • Mental Files.François Recanati - 2012 - Oxford, GB: Oxford University Press.
    Over the past fifty years the philosophy of language and mind has been dominated by a nondescriptivist approach to content and reference. This book attempts to recast and systematize that approach by offering an indexical model in terms of mental files. According to Recanati, we refer through mental files, the function of which is to store information derived through certain types of contextual relation the subject bears to objects in his or her environment. The reference of a file is determined (...)
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  • Quantification with Intentional and with Intensional Verbs.Friederike Moltmann - 2015 - In Alessandro Torza (ed.), Quantifiers, Quantifiers, and Quantifiers. Themes in Logic, Metaphysics, and Language. (Synthese Library vol. 373). Springer.
    The question whether natural language permits quantification over intentional objects as the ‘nonexistent’ objects of thought is the topic of a major philosophical controversy, as is the status of intentional objects as such. This paper will argue that natural language does reflect a particular notion of intentional object and in particular that certain types of natural language constructions (generally disregarded in the philosophical literature) cannot be analysed without positing intentional objects. At the same time, those intentional objects do not come (...)
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  • Creatures of Fiction.Peter van Inwagen - 1977 - American Philosophical Quarterly 14 (4):299 - 308.
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  • The Bundle Theory is compatible with distinct but indiscernible particulars.Gonzalo Rodriguez-Pereyra - 2004 - Analysis 64 (1):72-81.
    1. The Bundle Theory I shall discuss is a theory about the nature of substances or concrete particulars, like apples, chairs, atoms, stars and people. The point of the Bundle Theory is to avoid undesirable entities like substrata that allegedly constitute particulars. The version of the Bundle Theory I shall discuss takes particulars to be entirely constituted by the universals they instantiate.' Thus particulars are said to be just bundles of universals. Together with the claim that it is necessary that (...)
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  • How the Dead Live.Niall Connolly - 2011 - Philosophia 39 (1):83-103.
    This paper maintains (following Yougrau 1987; 2000 and Hinchliff 1996) that the dead and other former existents count as examples of non-existent objects. If the dead number among the things there are, a further question arises: what is it to be dead—how should the state of being dead be characterised? It is argued that this state should be characterised negatively: the dead are not persons, philosophers etc. They lack any of the (intrinsic) qualities they had while they lived. The only (...)
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  • The great beetle debate: A study in imagining with names.Stacie Friend - 2011 - Philosophical Studies 153 (2):183-211.
    Statements about fictional characters, such as “Gregor Samsa has been changed into a beetle,” pose the problem of how we can say something true (or false) using empty names. I propose an original solution to this problem that construes such utterances as reports of the “prescriptions to imagine” generated by works of fiction. In particular, I argue that we should construe these utterances as specifying, not what we are supposed to imagine—the propositional object of the imagining—but how we are supposed (...)
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  • (5 other versions)On what there is.Willard Van Orman Quine - 1948 - Review of Metaphysics 2 (5):21-38.
    Suppose now that two philosophers, McX and I, differ over ontology. Suppose McX maintains there is something which I maintain there is not. McX can, quite consistently with his own point of view, describe our difference of opinion by saying that I refuse to recognize certain entities. I should protest of course that he is wrong in his formulation of our disagreement, for I maintain that there are no entities, of the kind which he alleges, for me to recognize; but (...)
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  • Fictional characters and literary practices.Amie L. Thomasson - 2003 - British Journal of Aesthetics 43 (2):138-157.
    I argue that the ontological status of fictional characters is determined by the beliefs and practices of those who competently deal with works of literature, and draw out three important consequences of this. First, heavily revisionary theories cannot be considered as ‘discoveries’ about the ‘true nature’ of fictional characters; any acceptable realist theory of fiction must preserve all or most of the common conception of fictional characters. Second, once we note that the existence conditions for fictional characters are extremely minimal, (...)
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  • (1 other version)Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Philosophy 66 (258):527-529.
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  • Propositions as Cognitive Acts.Scott Soames - 2019 - Synthese 196 (4):1369-1383.
    The paper reviews the central components of the cognitive theory of propositions and explains both its empirical advantages for theories of language and mind and its foundational metaphysical and epistemological advantages over other theories. It then answers a leading objection to the theory, before closing by raising the issue of how questions, which are the contents of interrogative sentences, and directives, which are the contents of imperative sentences, are related to propositions.
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  • Fictional characters.Stacie Friend - 2007 - Philosophy Compass 2 (2):141–156.
    If there are no fictional characters, how do we explain thought and discourse apparently about them? If there are, what are they like? A growing number of philosophers claim that fictional characters are abstract objects akin to novels or plots. They argue that postulating characters provides the most straightforward explanation of our literary practices as well as a uniform account of discourse and thought about fiction. Anti-realists counter that postulation is neither necessary nor straightforward, and that the invocation of pretense (...)
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  • Précis of how ficta follow fiction.Alberto Voltolini - 2009 - Dialectica 63 (1):51-55.
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  • Vergil and dido.Jérôme Pelletier - 2003 - Dialectica 57 (2):191–203.
    According to many realist philosophers of fiction, one needs to posit an ontology of existing fictional characters in order to give a correct account of discourse about fiction. The realists' claim is opposed by pretense theorists for whom discourse about fiction involves, as discourse in fiction, pretense. On that basis, pretense theorists claim that one does not need to embrace an ontology of fictional characters to give an account of discourse about fiction. The ontolog-ical dispute between realists and pretense theorists (...)
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  • Nonexistence.Nathan Salmon - 1998 - Noûs 32 (3):277-319.
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  • Against Creationism in Fiction.Takashi Yagisawa - 2001 - Noûs 35 (s15):153-172.
    Sherlock Holmes is a fictional individual. So is his favorite pipe. Our pre-theoretical intuition says that neither of them is real. It says that neither of them really, or actually, exists. It also says that there is a sense in which they do exist, namely, a sense in which they exist “in the world of” the Sherlock Holmes stories. Our pre-theoretical intuition says in general of any fictional individual that it does not actually exist but exists “in the world of” (...)
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  • Representation and make-believe.Alan H. Goldman - 1990 - Inquiry: Critical Thinking Across the Disciplines 36 (3):335 – 350.
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  • (1 other version)Fiction and Metaphysics.Amie Thomasson - 1999 - Journal of Aesthetics and Art Criticism 60 (2):190-192.
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