David Hume is famous as a sceptical philosopher but the nature of his scepticism is difficult to pin down. Hume's True Scepticism provides the first sustained interpretation of Part 4 of Book 1 of Hume's Treatise: his deepest engagement with sceptical arguments, in which he notes that, while reason shows that we ought not to believe the verdicts of reason or the senses, we do so nonetheless. Donald C. Ainslie addresses Hume's theory of representation; his criticisms of Locke, Descartes, and (...) other predecessors; his account of the imagination; his understanding of perceptions and sensory belief; and his bundle theory of the mind and his later rejection of it. (shrink)

On its face, Hume's account of mental representation involves at least two elements. On the one hand, Hume often seems to write as though the representational properties of an idea are fixed solely by what it is a copy or image of. But, on the other, Hume's treatment of abstract ideas makes it clear that the representational properties of a Humean idea sometimes depend, not just on what it is copied from, but also on the manner in which the mind (...) associates it with other ideas. Past interpretations of Hume have tended to focus on one of these elements of his account to the neglect of the other. But no interpretation of this sort is likely to capture the role that both copying and association play within Hume's discussion. In what follows, I argue that the most plausible way of understanding Hume's discussion involves attributing to him a unified account of mental representation in which both of these elements play a central role. I close by discussing the manner in which reading Hume in this way would alter our understanding of the relationship between Hume's thought and contemporary philosophy of mind. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume XX, Number 2, November 1994, pp. 179-194 Symposium A version of this paper was presented at the symposium on A Progress of Sentiments by Annette C. Baier, held at the Pacific Division Meetings of the American Philosophical Association, Los Angeles, March 1994. On an Unorthodox Account of Hume's Moral Psychology RACHEL COHON One can learn a great deal about Hume's Treatise from Annette Baier's fascinating book, (...) A Progress of Sentiments.1 It is in places dazzling, in others revelatory, occasionally puzzling, and everywhere interesting. Having said that, I proceed to criticize one aspect of it. Belief and the Passions My topic is Baier's interpretation of Hume's moral psychology. First I sketch out the striking differences between Baier's View of Hume's moral psychology and what I call the Standard View. Then I consider some of Baier's reasons for her unorthodox reading. I argue that Baier's View of Hume's moral psychology is motivated in part by a particular, unstated understanding of Hume's theory of the passions. As a consequence of this, I argue, Baier denies Hume the use of an especially strong argument against the moral rationalists' theory of motivation and morality, for that strong anti-rationalist argument (sometimes called the influence argument) depends upon a support that is incompatible with Hume's theory of the passions as Baier implicitly understands it. But without the influence argument, Hume's case against the moral rationalists would be much weaker. The relevant portion of the Standard View, on the other hand, makes better sense of Hume's campaign against Samuel Clarke and others, because it embraces the support Hume offers for the influence argument. So, in this one respect, I shall argue that a portion of the Rachel Cohon is at the Department of Philosophy, Stanford University, Stanford CA 94305 USA. 180 Rachel Cohon Standard View of Hume's moral psychology is superior to Baier's View. But whether we should reject Baier's View in favor of the relevant portion of the Standard View depends, of course, upon whether we can consistently reject the unstated interpretation of Hume's theory of the passions on which Baier's View seems to be based. Baier explicitly sees her version of Hume's moral psychology as shaped by the account of the passions in Book II. And Baier's discussion of the role of belief in the causation and individuation of the passions is illuminating. It helps guard against a common oversimplification of Hume's claim about the motivating power of reason. Baier reminds us that passions are impressions of reflection, and hence must be introduced in the mind by an impression or an idea; i.e., each passion is caused by certain ideas or impressions. Passions are "thought-caused" and "idea-mediated" (160). Anger, for example, "is always directed at someone for some perceived insult, injury or harm" (161). It has a "subject" or cause, the injury the person is thought to have done one. In one place Baier refers to the causes of passions as their "appropriate reasons" (164). The causes are "thoughts about what is or is likely to become the case" (161). For something to be a passion at all rather than a mere pleasure or pain, some idea must be present to cause it. Passions do, indeed, have their hedonic components, such as the two pleasures included in pride. But for pride to be the passion it is, rather than some other, "one must believe the fine thing to be one's own" (161). A particular belief is what identifies the passion. Even desire is influenced by a belief or idea, and subsequently is often called "preference " (164). Thus, since reason produces beliefs, and beliefs are the crucial, identifying causes of passions, reason has a thorough-going influence on passion. And since passions are what move us to act, reason provides indispensable causal input into volition and action. It is easy but inaccurate to describe Hume as saying that belief, or reason, does not cause action. Furthermore, besides having a characteristic cause, many passions have an intentional object distinct from their cause. For anger, this "object... (shrink)

Religion and the external world -- Projection, religion, and the external world -- The senses, reason and the imagination -- Realism, meaning and justification : the external world and religious belief -- Modality, projection and realism -- 'Our profound ignorance' : causal realism, and the failure to detect necessity -- Spreading the mind : projection, necessity and realism -- Into the labyrinth : persons, modality, and Hume's undoing -- Value, projection, and realism -- Gilding : projection, value and secondary qualities (...) -- The gold : good, evil, belief and desire -- The golden : relational values, realism and a moral sense. (shrink)

Intentionality is the power of minds to be about, to represent, or to stand for, things, properties and states of affairs. The puzzles of intentionality lie at the interface between the philosophy of mind and the philosophy of language. The word itself, which is of medieval Scholastic origin, was rehabilitated by the philosopher Franz Brentano towards the end of the nineteenth century. ‘Intentionality’ is a philosopher's word. It derives from the Latin word intentio, which in turn derives from the verb (...) intendere, which means being directed towards some goal or thing. The entry falls into eleven sections. (shrink)

Hume is a naturalist in many different respects and about many different topics; this paper argues that he is also a naturalist about intentionality and representation. It does so in the course of answering four questions about his theory of mental representation: (1) Which perceptions represent? (2) What can perceptions represent? (3) Why do perceptions represent at all? (4) Howdo perceptions represent what they do? It appears that, for Hume, all perceptions except passions can represent; and they can represent bodies, (...) minds, and persons, with their various qualities. In addition, ideas can represent impressions and other ideas. However, he explicitly rejects the view that ideas are inherently representational, and he implicitly adopts a view according to which things (whether mental or non-mental) represent in virtue of playing, through the production of mental effects and dispositions, a significant part of the causal and/or functional role of what they represent. It is in virtue of their particular functional roles that qualitatively identical ideas are capable of representing particulars or general kinds; substances or modes; relations; past, present, or future; and individuals or compounds. (shrink)

Annette Baier's aim is to make sense of David Hume's Treatise as a whole. Hume's family motto, which appears on his bookplate, was True to the End. Baier argues that it is not until the end of the Treatise that we get his full story about truth and falsehood, reason and folly. By the end, we can see the cause to which Hume has been true throughout the work. Baier finds Hume's Treatise of Human Nature to be a carefully crafted (...) literary and philosophical work which itself displays a philosophical progress of sentiments. His starting place is an overly abstract intellectualism that deliberately thrusts passions and social concerns into the background. In the three interrelated books of the Treatise, his self-understander proceeds through partial successes and dramatic failures to emerge with new-found optimism, expecting that the exact knowledge the morally self-conscious anatomist of human nature can acquire will itself improve and correct our vision of morality. Baier describes how, by turning philosophy toward human nature instead of toward God and the universe, Hume initiated a new philosophy, a broader discipline of reflection that can embrace Charles Darwin and Michel Foucault as well as William James and Sigmund Freud. Hume belongs both to our present and to our past. (shrink)

Although Hume appeals to the representational features of perceptions in many arguments in the Treatise, his theory of representation has traditionally been regarded as a weak link in his epistemology. In particular, it has proven difficult to reconcile Hume's use of representation as causal derivation and resemblance (the Copy Principle) with his use of representation in the context of impressions and abstract ideas. This paper offers a unified interpretation of representation in Hume that draws on the resources of Berkeley's doctrine (...) of signs. On this account, while the Copy Principle still occupies the core of Hume's "content empiricism," the manner in which any perception represents is understood as involving a relation of sign to thing signified. A sign/signified interpretation has the virtue of allowing Hume to remain within the strictures of his empiricism, while underwriting the various senses in which an impression or idea could possess content. Such an interpretation is not only adequate to account for the role that mental representations play in everyday behavior, but also for the purposes of elaborating the foundations of civil society that are Hume's concern in Book 3 of the Treatise. (shrink)

Hume views the passions as having both intentionality and qualitative character, which, in light of his Separability Principle, seemingly contradicts their simplicity. I reject the dominant solution to this puzzle of claiming that intentionality is an extrinsic property of the passions, arguing that a number of Hume’s claims regarding the intentionality of the passions (pride and humility in particular) provide reasons for thinking an intrinsic account of the intentionality of the passions to be required. Instead, I propose to resolve this (...) tension by appealing to Hume’s treatment of the ‘distinctions of reason’, as explained by Garrett (1997). (shrink)

Rachel Cohon offers an original interpretation of the moral philosophy of David Hume, focusing on two areas.

One of the most significant disputes in early modern philosophy was between the moral rationalists and the moral sentimentalists. The moral rationalists — such as Ralph Cudworth, Samuel Clarke and John Balguy — held that morality originated in reason alone. The moral sentimentalists — such as Anthony Ashley Cooper, the third Earl of Shaftesbury, Francis Hutcheson and David Hume — held that morality originated at least partly in sentiment. In addition to arguments, the rationalists and sentimentalists developed rich analogies. The (...) most significant analogy the rationalists developed was between morality and mathematics. The most significant analogy the sentimentalists developed was between morality and beauty. These two analogies illustrate well the main ideas, underlying insights, and accounts of moral phenomenology the two positions have to offer. An examination of the two analogies will thus serve as a useful introduction to the debate between moral rationalism and moral sentimentalism as a whole. (shrink)

In a recent paper, Karl Schafer argues that Hume's theory of mental representation has two distinct components, unified by their shared feature of having accuracy conditions. As Schafer sees it, simple and complex ideas represent the intrinsic imagistic features of their objects whereas abstract ideas represent the relations or structures in which multiple objects stand. This distinction, however, is untenable for at least two related reasons. Firstly, complex ideas represent the relations or structures in which the impressions that are the (...) objects of their simple components stand. Secondly, abstract ideas are themselves instances of complex ideas. I draw two important conclusions from these facts. Firstly, contra Schafer and Garrett, the Copy Principle, properly emended, constitutes the entirety of Hume's theory of mental representation. Secondly, whereas paradigm examples of complex ideas, e.g. ideas of spatial and temporal complexes, are structured by relations of contiguity, abstract ideas are those complex ideas instead structured by relations of resemblance. As such, they represent their objects not as spatially or temporally contiguous but rather as resembling. (shrink)

Hume's arguments in the Treatise require him to employ not only the copy principle, which explains the intrinsic properties of perceptions, but also a thesis that explains the representational content of a perception. I propose that Hume holds the semantic copy principle, which states that a perception represents that of which it is a copy. Hume employs this thesis in a number of his most important arguments, and his doing so enables him to answer an important objection concerning the status (...) of the copy principle. I further argue that the semantic copy principle is necessary, a priori, and discovered through an analysis of our general idea of representational content. (shrink)

Book II of the Treatise minutely anatomizes the passions Hume dubbed “indirect.” As the account of pride, humility, love, and hatred unfolds, principles are uncovered, causes are exhaustively examined, experiments carried out, difficulties presented and solved. The barrage of detailed description and theorizing threatens to overwhelm even the most devoted of readers. By contrast, Hume’s explicit treatment of the direct passions appears perfunctory. Indeed, Hume states: “None of the direct affections seem to merit our particular attention except hope and fear.” (...) Desire and aversion, though usually mentioned first as examples of the direct passions, receive no separate analysis. (shrink)

This chapter contains section titled: Introductory Remarks The Cartesian Background Impressions and Ideas Passions as Reflective Impressions Direct and Indirect Passions Association and the Individuation of Passions Perception and Perceiving Passions and Moral Sentiments Notes References Further reading.

Hume’s Dissertation on the Passions stands to Book 2 of his Treatise as the first and second Enquiries stand to Books 1 and 3 respectively. However, while the two Enquiries are evidently substantial reworkings of their Treatise ancestors, containing much that is different and new, the Dissertation appears to consist merely of superficially adapted excerpts from Treatise Book 2. I argue that this first impression is mistaken, by showing how Hume’s view of the indirect passions is modified in the later (...) work. In the Treatise, he views them as simple impressions; in the Dissertation, they are complex perceptions, part impression and part idea. I argue, furthermore, that Hume’s account of the origin of the indirect passions only works on this later view, and suggest that this is why he changed his mind. The Dissertation, I conclude, is an improvement on its Treatise forerunner, and not merely a précis of it. (shrink)

David Hume's A Treatise of Human Nature presents the most important account of skepticism in the history of modern philosophy. In this lucid and thorough introduction to the work, John P. Wright examines the development of Hume's ideas in the Treatise, their relation to eighteenth-century theories of the imagination and passions, and the reception they received when Hume published the Treatise. He explains Hume's arguments concerning the inability of reason to establish the basic beliefs which underlie science and morals, as (...) well as his arguments showing why we are nevertheless psychologically compelled to accept such beliefs. The book will be a valuable guide for those seeking to understand the nature of modern skepticism and its connection with the founding of the human sciences during the Enlightenment. (shrink)

Kant’s Inferentialism draws on a wide range of sources to present a reading of Kant’s theory of mental representation as a direct response to the challenges issued by Hume in A Treatise of Human Nature. Kant rejects the conclusions that Hume draws on the grounds that these are predicated on Hume’s theory of mental representation, which Kant refutes by presenting objections to Hume’s treatment of representations of complex states of affairs and the nature of judgment. In its place, Kant combines (...) an account of concepts as rules of inference with a detailed account of perception and of the self as the locus of conceptual norms to form a complete theory of human experience as an essentially rule-governed enterprise aimed at producing a representation of the world as a system of objects necessarily connected to one another via causal laws. This interpretation of the historical dialectic enriches our understanding of both Hume and Kant and brings to bear Kant’s insights into mental representation on contemporary debates in philosophy of mind. Kant’s version of inferentialism is both resistant to objections to contemporary accounts that cast these as forms of linguistic idealism, and serves as a remedy to misplaced Humean scientism about representation. (shrink)

This chapter contains section titled: Impressions and Ideas Original and Secondary Impressions Ideas of Memory and Imagination The Copy Principle Simple and Complex Perceptions General Terms References Further reading.

This chapter contains section titled: Introduction The Basic Features of the Indirect Passions Why These Four Emotions? The Foundations of the Distinction, between Direct and Indirect Passions The Moral Sentiments References Further Reading.

Hume's Copy Principle, which accords precedence to impressions over ideas, is restricted to simple perceptions. Yet in all the conceptual analyses Hume conducts by attempting to fit an impression to a (putative) idea, he never checks for simplicity. And this seems to vitiate the analyses: we cannot conclude from the lack of a preceding impression that a putative idea is bogus, unless it is simple. In this paper I criticise several attempts to account for Hume's seemingly cavalier attitude, and offer (...) one of my own. (shrink)