Discusses the nature of thought and volition, examines past philosophical theories, and clarifies the relation between will and freedom.

This paper offers a restatement of the basic project of Hannah Arendt's Lectures on Kant's Political Philosophy, tries to trace its theoretical motivation, and presents some criticisms of Arendt's interpretation of Kant's Critique of Judgment. Arendt's political philosophy as a whole is an attempt to ground the idea of human dignity on the publicly displayed 'words and deeds' that con stitute the realm of human affairs. This project involves a philo sophical response both to Plato's impugning of the dignity of (...) the polis and to Hegel's founding of modern historicism. The Kant Lectures bring this philosophical project to its completion because the enact ment of public deeds presupposes a company of judging spectators who draw meaning from the spectacle by judging and appreciating what is enacted. But this conception, precisely because it relates so deeply to Arendt's own theoretical impulse, leads to a sometimes onesided and misleading reading of Kant. Key Words: aesthetic judgment • dialogue/communication • Hannah Arendt • Immanuel Kant • political judgment. (shrink)

In this book she describes the perplexing crises which modern society faces as a result of the loss of meaning of the traditional key words of politics: justice ...

Although Arendt is usually read as a theorist of participatory democracy, her writings on judgment also offer a way of thinking about the role of citizens who do not actively participate, citizens who are more spectators than actors. The difficulties and ambiguities in her account of judgment especially, the elusiveness of standards of judgment arise from her effort to insure that individuals take full responsibility for their judgments.

Although Arendt is usually read as a theorist of participatory democracy, her writings on judgment also offer a way of thinking about the role of citizens who do not actively participate, citizens who are more spectators than actors. The difficulties and ambiguities in her account of judgment especially, the elusiveness of standards of judgment arise from her effort to insure that individuals take full responsibility for their judgments.

This highly acclaimed, prize-winning biography of one of the foremost political philosophers of the twentieth century is here reissued in a trade paperback edition for a new generation of readers. In a new preface the author offers an account of writings by and about Arendt that have appeared since the book's 1982 publication, providing a reassessment of her subject's life and achievement. Praise for the earlier edition: “Both a personal and an intellectual biography... It represents biography at its best.”—Peter Berger, (...) front page, The New York Times Book Review “A story of surprising drama.... At last, we can see Arendt whole.”—Jim Miller, Newsweek “Indispensable to anyone interested in the life, the thought, or... the example of Hannah Arendt.”—Mark Feeney, Boston Globe “An adventure story that moves from pre-Nazi Germany to fame in the United States, and... a study of the influences that shaped a sharp political awareness.”—Richmond (Va.) Times-Dispatch Cover drawing by David Schorr. (shrink)

The question of judgment has become one of the central problems in recent social, political and ethical thought. This paper explores Hannah Arendt's decisive contribution to this debate by attempting to reconstruct analytically two distinctive perspectives on judgment from the corpus of her writings. By exploring her relation to Aristotelian and Kantian sources, and by uncovering debts and parallels to key thinkers such as Benjamin and Heidegger, it is argued that Arendt's work pinpoints the key antinomy within political judgment itself, (...) that between the viewpoints of the political actor and the political spectator. The paper concludes by highlighting some lacunae and difficulties in the development of Arendt's account, difficulties that set challenges for those theorists (such as Seyla Benhabib and Alessandro Ferrara) who wish to appropriate and extend Arendt's contribution into the field of contemporary critical theory. Key Words: action • aesthetics • community • freedom • history • judgment • reflection. (shrink)