- The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music.Edward Lippman - 1993 - Journal of Aesthetics and Art Criticism 51 (4):630-632.details
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Musical Works and Performances: A Philosophical Exploration.Andrew Kania - 2003 - Mind 112 (447):513-518.details
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Musical Performance: A Philosophical Study.Stan Godlovitch - 1998 - New York: Routledge.details
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(1 other version)Transparent Pictures: On the Nature of Photographic Realism.Kendall L. Walton - 1984 - Critical Inquiry 11 (2):246-277.details
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On pictures and photographs: objections answered.Kendall L. Walton - 1997 - In Richard Allen & Murray Smith (eds.), Film theory and philosophy. New York: Oxford University Press. pp. 60--75.details
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A Philosophy of Mass Art.Noël Carroll - 1997 - Clarendon Press.details
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Individuals: An Essay in Descriptive Metaphysics.Peter F. Strawson - 1959 - London, England: Routledge. Edited by Wenfang Wang.details
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(1 other version)Transparent pictures: On the nature of photographic realism.Kendall L. Walton - 1984 - Noûs 18 (1):67-72.details
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Musical Works and Performances: A Philosophical Exploration.Stephen Davies - 2001 - Oxford, GB: Oxford University Press.details
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The imaginary museum of musical works: an essay in the philosophy of music.Lydia Goehr - 1992 - New York: Oxford University Press.details
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An ontology of art.Gregory Currie - 1989 - New York: St. Martin's Press.details
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(1 other version)The role of theory in aesthetics.Morris Weitz - 1956 - Journal of Aesthetics and Art Criticism 15 (1):27-35.details
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Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.details
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The ontology of musical works and the authenticity of their performances.Stephen Davies - 1991 - Noûs 25 (1):21-41.details
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(1 other version)The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.details
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Musical works, improvisation, and the principle of continuity.Lee B. Brown - 1996 - Journal of Aesthetics and Art Criticism 54 (4):353-369.details
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On musical improvisation.Philip Alperson - 1984 - Journal of Aesthetics and Art Criticism 43 (1):17-29.details
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(1 other version)The artworld.Arthur Danto - 1964 - Problemos 82:184-193.details
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(1 other version)Performing Rites: On the Value of Popular Music.Simon Frith - 1998 - Harvard University Press.details
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Aesthetic empiricism and the challenge of fakes and ready-mades.Gordon Graham - 2005 - In Mathew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Malden, MA: Wiley-Blackwell. pp. 11--21.details
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Jazz: America's Classical Music?Lee B. Brown - 2002 - Philosophy and Literature 26 (1):157-172.details
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The ontology of art and knowledge in aesthetics.Amie L. Thomasson - 2005 - Journal of Aesthetics and Art Criticism 63 (3):221–229.details
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Prolegomena to any aesthetics of rock music.Bruce Baugh - 1993 - Journal of Aesthetics and Art Criticism 51 (1):23-29.details
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Phonography, repetition and spontaneity.Lee Brown - 2000 - Philosophy and Literature 24 (1):111-125.details
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Debates about the Ontology of Art: What are We Doing Here?Amie L. Thomasson - 2006 - Philosophy Compass 1 (3):245-255.details
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Phonography, rock records, and the ontology of recorded music.Lee B. Brown - 2000 - Journal of Aesthetics and Art Criticism 58 (4):361-372.details
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On Representing Jazz: An Art Form in Need of Understanding.Garry Hagberg - 2002 - Philosophy and Literature 26 (1):188-198.details
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New waves in musical ontology.Andrew Kania - 2008 - In Kathleen Stock & Katherine Thomson-Jones (eds.), New waves in aesthetics. New York: Palgrave-Macmillan. pp. 20--40.details
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Making tracks: The ontology of rock music.Andrew Kania - 2006 - Journal of Aesthetics and Art Criticism 64 (4):401–414.details
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(2 other versions)Individuals: An Essay in Descriptive Metaphysics.James Cargile - 1959 - Journal of Symbolic Logic 38 (2):320-323.details
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(1 other version)Art as Performance. [REVIEW]A. Kania - 2005 - Mind 114 (453):137-141.details
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Rhythm and Noise: An Aesthetics of Rock.John Fisher - 1999 - Journal of Aesthetics and Art Criticism 57 (4):467-469.details
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The metaphysics of jazz.James O. Young & Carl Matheson - 2000 - Journal of Aesthetics and Art Criticism 58 (2):125-133.details
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“Feeling My Way”: Jazz Improvisation and Its Vicissitudes—A Plea for Imperfection.Lee B. Brown - 2000 - Journal of Aesthetics and Art Criticism 58 (2):113-123.details
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Art as Performance.David Davies - 2003 - Malden, MA: Wiley-Blackwell.details
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Evaluating Musical Performance.Jerrold Levinson - 1987 - The Journal of Aesthetic Education 21 (1):75.details
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Photography.Nigel Warburton - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press.details
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What the Body Told.Theodore Gracyk - 1996 - I.B. Tauris.details
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Between rock and a Harp place.James O. Young - 1995 - Journal of Aesthetics and Art Criticism 53 (1):78-81.details
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Music for the young at heart.Bruce Baugh - 1995 - Journal of Aesthetics and Art Criticism 53 (1):81-83.details
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