[1] The rise of modern paganism.--v. 2. The science of freedom.

This seminal work by political philosopher C.B. Macpherson was first published by the Clarendon Press in 1962, and remains of key importance to the study of liberal-democratic theory half-a-century later. In it, Macpherson argues that the chief difficulty of the notion of individualism that underpins classical liberalism lies in what he calls its "possessive quality" - "its conception of the individual as essentially the proprietor of his own person or capacities, owing nothing to society for them." Under such a conception, (...) the essence of humanity becomes freedom from dependence on the wills of others; society is little more than a system of economic relations; and political society becomes a means of safeguarding private property and the system of economic relations rooted in property. As the New Statesman declared: "It is rare for a book to change the intellectual landscape. It is even more unusual for this to happen when the subject is one that has been thoroughly investigated by generations of historians.... Until the appearance of Professor Macpherson's book, it seemed unlikely that anything radically new could be said about so well-worn a topic. The unexpected has happened, and the shock waves are still being absorbed." A new introduction by Frank Cunningham puts the work in a twenty-first-century context. (shrink)

"Tzvetan Todorov, an internationally admired scholar, aims in this book to salvage the good name of the Enlightenment so that its ideas can once more inspire humane thought and action. The question he poses is of urgent relevance to the conflicts of our age: How can we avoid the dangers of a perverted universalism and scientism, as well as the pitfalls of relativism? Since the French were the ideologues of universalism and played a preeminent role in the diffusion of Enlightenment (...) ideas in Europe, Todorov focuses on the French intellectual tradition, analyzing writers ranging from Montaigne through Tocqueville, Michelet, and Renan, to Levi-Strauss. He shows how theories of human diversity were developed in the eighteenth century, and later systematically distorted. (shrink)

This study analyzes the manner in which the perception of human difference has changed from the time of the Renaissance to the 20th century. Building on the insights of Foucault and Garfinkel, it charts how humanity has become contained within the anthropological concept of the "Other.".

A une époque où l'on parle à la fois de "mondialisation de la culture" et de " respect des différences ", l'anthropologie est plus que jamais nécessaire et possible. Elle est nécessaire pour analyser la crise du sens social généralisée à l'ensemble de la planète. Elle est possible dans la mesure où sa tradition, sa démarche et son objet (le rapport à autrui chez les autres) lui permettent de s'adapter aux changements d'échelle qui accompagnent l'accélération de l'histoire, le rétrécissement de (...) la planète et l'individualisation des destins. Partant d'un réexamen des rapports de l'anthropologie avec l'histoire et d'une critique des théories qui privilégient les unes l'unité, les autres la pluralité des sociétés humaines, l'auteur examine quelques phénomènes caractéristiques de notre temps: les médias, la communication, le rituel politique, les cultes nouveaux ou renouvelés qui fleurissent sur tous les continents, l'espace chaque jour plus étendu des concentrations urbaines. (shrink)

A provocative critique of Western attitudes about the Orient, this history examines the ways in which the West has discovered, invented, and sought to control the East from the 1700s to the present.

Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and (...) enriches our understanding of modernism. Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison. In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic. (shrink)

Drawing on anthropological, literary and philosophical studies, this volume attempts to show how European representations of America constitute a cultural monologue which tells us more about the Old World than the New.

Johannes Fabian takes an historical look at anthropology to demonstrate the emergence, transformation, and differentiation of uses of Time. Anthropological theory, from its beginnings in philosophy and linguistics, has provided Western thought and politics with deep-rooted images and convictions amounting to a kind of political cosmology. The anthropologists are 'here and now, ' the objects of their discourse are 'there and then, ' and the existence of the 'other'-- the 'savage', 'the 'primitive, ' the 'underdeveloped' world -- in the same (...) time as ours is regularly denied. While written for the anthropologist, Time and the Other applies equally well to the fields of literary criticism, philosophy, and history. (shrink)

Explores some steps toward non-assimilative encounters in the "global village.".

In the seventeenth century, a vision arose which was to captivate the Western imagination for the next three hundred years: the vision of Cosmopolis, a society as rationally ordered as the Newtonian view of nature. While fueling extraordinary advances in all fields of human endeavor, this vision perpetuated a hidden yet persistent agenda: the delusion that human nature and society could be fitted into precise and manageable rational categories. Stephen Toulmin confronts that agenda—its illusions and its consequences for our present (...) and future world. "By showing how different the last three centuries would have been if Montaigne, rather than Descartes, had been taken as a starting point, Toulmin helps destroy the illusion that the Cartesian quest for certainty is intrinsic to the nature of science or philosophy."—Richard M. Rorty, University of Virginia "[Toulmin] has now tackled perhaps his most ambitious theme of all.... His aim is nothing less than to lay before us an account of both the origins and the prospects of our distinctively modern world. By charting the evolution of modernity, he hopes to show us what intellectual posture we ought to adopt as we confront the coming millennium."—Quentin Skinner, New York Review of Books. (shrink)

This fascinating book explores the interface between global processes, identity formation and the production of culture. Examining ideas ranging from world systems theory to postmodernism, Jonathan Friedman investigates the relations between the global and the local, to show how cultural fragmentation and modernist homogenization are equally constitutive trends of global reality. With examples taken from a rich variety of theoretical sources, ethnographic accounts of historical eras, the analysis ranges across the cultural formations of ancient Greece, contemporary processes of Hawaiian cultural (...) identification and Congolese beauty cults. Throughout, the author examines the interdependency of world market and local cultural. (shrink)

At this point I should say something about one of the frequent criticisms addressed to me, and to which I have always wanted to respond, that in the process of characterizing the production of Europe’s inferior Others, my work is only negative polemic which does not advance a new epistemological approach or method, and expresses only desperation at the possibility of ever dealing seriously with other cultures. These criticisms are related to the matters I’ve been discussing so far, and while (...) I have no desire to unleash a point-by-point refutation of my critics, I do want to respond in a way that is intellectually pertinent to the topic at hand.What I took myself to be undertaking in Orientalism was an adversarial critique not only of the field’s perspective and political economy, but also of the sociocultural situation that makes its discourse both so possible and so sustainable. Epistemologies, discourses, and methods like Orientalism are scarcely worth the name if they are reductively characterized as objects like shoes, patched when worn out, discarded and replaced with new objects when old and unfixable. The archival dignity, institutional authority, and patriarchal longevity of Orientalism should be taken seriously because in the aggregate these traits function as a worldview with considerable political force not easily brushed away as so much epistemology. Thus Orientalism in my view is a structure erected in the thick of an imperial contest whose dominant wing it represented and elaborated not only as scholarship but as a partisan ideology. Yet Orientalism hid the contest beneath its scholarly and aesthetic idioms. These things are what I was trying to show, in addition to arguing that there is no discipline, no structure of knowledge, no institution or epistemology that can or has ever stood free of the various sociocultural, historical, and political formations that give epochs their peculiar individuality. Edward W. Said is Parr Professor of English and Comparative Literature at Columbia University. His most recent contribution to Critical Inquiry is “An Ideology of Difference”. (shrink)

Introduction. The roots of liberal-democratic theory -- Problems of interpretation -- Hobbe : the political obligation of the market. Philosophy and political theory -- Human nature and the state of nature -- Models of society -- Political obligation -- Penetration and limits of Hobbe's political theory -- The Levellers : franchise and freedom. The problem of franchise -- Types of franchise -- The record -- Theoretical implications -- Harrington : the opportunity state. Unexamined ambiguities -- The balance and the gentry (...) -- The bourgeois society -- The equal commonwealth and the equal agrarian -- The self-cancelling balance principle -- Harrington's stature --Locke : the political theory of appropriation. Interpretations -- The theory of property right -- Class differentials in natural rights and rationality -- The ambiguous state of nature -- The ambiguous civil society -- Unsettled problems reconsidered -- Possessive individualism and liberal democracy. The seventeenth-century foundations -- The twentieth-century dilemma -- Appendix : Social classes and franchise classes in England, circa 1648. (shrink)

In this pathbreaking study, Micaela di Leonardo reveals the face of power within the mask of cultural difference. From the 1893 World's Fair to Body Shop advertisements, di Leonardo focuses on the intimate and shifting relations between popular portrayals of exotic Others and the practice of anthropology. In so doing, she casts new light on gender, race, and the public sphere in America's past and present. "An impressive work of scholarship that is mordantly witty, passionately argued, and takes no prisoners."--Lesley (...) Gill, News Politics "[Micaela] di Leonardo eloquently argues for the importance of empirical, interdisciplinary social science in addressing the tragedy that is urban America at the end of the century."--Jonathan Spencer, Times Literary Supplement "In her quirky new contribution to the American culture brawl, feminist anthropologist Micaela di Leonardo explains how anthropologists, 'technicians of the sacred,' have distorted American popular debate and social life."--Rachel Mattson, Voice Literary Supplement "At the end of di Leonardo's analyses one is struck by her rare combination of rigor and passion. Simply, [she] is a marvelous iconoclast."--Matthew T. McGuire, Boston Book Review. (shrink)

This penetrating book re-examines `the project of modernity'. It seeks to oppose the abstract, idealized vision of modernity with an alternative `ethnographic' understanding. The book defends an approach to modernity that situates it as embedded in particular and historical contexts. It examines cases of `popular modernism' in the United States, Britain and colonial Malaysia, drawing out the specific cultural and religious assumptions underlying popular modernism and concludes that modernism is implicated in a diversity of forms of cultural and racial exclusion.

"This is an immensely rich, sometimes dazzling contribution to the history of anthropology. Ellingson strikes a good balance between archival and presentist approaches, and his account has the plot of a turning-and-twisting mystery story."--Johannes Fabian, author of Out of Our Minds.

One of the foremost contributions to the study of the history of ideas. Examines ancient sources pertaining to the original condition of mankind.

Examining the emergence of modernism from the fin-de-siecle primitivist project this volume shows how ethnographic materials shaped a variety of high and low discourses (ethnology, social theory, gender construction, classical scholarship, as well as travel photography) at the turn of the century. Illustrated with 98 photographs and drawings.".

In the 1990s, we are witnessing the influence of cultural signs and symbols that serve to divide humanity into discrete, often conflicting "cultural groups." What brought about this focus on culture? And what should we make of the current importance of cultural politics? In this assured and accessible text, author Joel S. Kahn argues that the idea of difference is of fundamental importance in debates on culture, multiculture, and postculture. He argues for a view of culture and its affiliated forms (...) that is thoroughly based on history. Richly illustrated with resources from fiction and real-life, this volume fully represents the many-sided and ubiquitous place of culture in social life. It shows how cultural distinctions shape our relations to reality and imagination. Culture, Multiculture, and Postculture also addresses globalization, but it avoids the conceits of postmodernism by insisting that differences have not "withered" away, declaring that globalization has, in fact, multiplied cultural differences and diversities. (shrink)