This paper considers the claim that perceptual experience is “transparent”, in the sense that nothing other than the apparent public objects of perception are available to introspection by the subject of such experience. I revive and strengthen the objection that blurred vision constitutes an insuperable objection to the claim, and counter recent responses to the general objection. Finally the bearing of this issue on representationalist accounts of the mind is considered.

A phenomenal concept is the concept of a particular type of sensory or perceptual experience, where the notion of experience is understood phenomenologically. A recent and increasingly influential idea in philosophy of mind suggests that reflection on these concepts will play a major role in the debate about conscious experience, and in particular in the defense of physicalism, the thesis that psychological truths supervene on physical truths. According to this idea—I call it the phenomenal concept strategy —phenomenal concepts are importantly (...) different from other concepts, and arguments against physicalism fatally neglect to take this difference into account. This paper divides the phenomenal concept strategy into a number of different versions, and argues that no version of the strategy is successful. The paper ends by contrasting the phenomenal concept strategy with a rival strategy—I call it the missing concept strategy . I suggest that the missing concept strategy presents a more plausible response to the issues about physicalism and experience. (shrink)

Experiences vary widely. For example, I run my fingers over sandpaper, smell a skunk, feel a sharp pain in my finger, seem to see bright purple, become extremely angry. In each of these cases, I am the subject of a mental state with a very distinctive subjective character. There is something it is _like_ for me to undergo each state, some phenomenology that it has. Philoso- phers often use the term 'qualia' to refer to the introspectively accessible properties of experiences (...) that characterize what it is like to have them. In this standard, broad sense of the term, it is very difficult to deny that there are qualia. There is another, more restricted use of the term. (shrink)

A transcript of three lectures, given at Princeton University in 1970, which deals with (inter alia) debates concerning proper names in the philosophy of language.

This paper was chosen by The Philosopher’s Annual as one of the ten best articles appearing in print in 2000. Reprinted in Volume XXIII of The Philosopher’s Annual. In his very influential book David Chalmers argues that if physicalism is true then every positive truth is a priori entailed by the full physical description – this is called “the a priori entailment thesis – but ascriptions of phenomenal consciousness are not so entailed and he concludes that Physicalism is false. As (...) he puts it, “zombies” are metaphysically possible. I attempt to show that this argument is refuted by considering an analogous argument in the mouth of a zombie. The conclusion of this argument is false so one of the premises is false. I argue at length that this shows that the original conceivability argument also has a false premise and so is invalid. (shrink)

A defense of antecedent physicalism, which argues against the idea that if everything that goes on in the universe is physical, our consciousness and feelings ..

_Naming and Necessity_ has had a great and increasing influence. It redirected philosophical attention to neglected questions of natural and metaphysical necessity and to the connections between these and theories of naming, and of identity. This seminal work, to which today's thriving essentialist metaphysics largely owes its impetus, is here reissued in a newly corrected form with a new preface by the author. If there is such a thing as essential reading in metaphysics, or in philosophy of language, this is (...) it. (shrink)

Much of recent philosophy of perception is oriented towards accounting for the phenomenal character of perception—what it is like to perceive—in a non-mentalistic way—that is, without appealing to mental objects or mental qualities. In opposition to such views, I claim that the phenomenal character of perception of a red round object cannot be explained by or reduced to direct awareness of the object, its redness and roundness—or representation of such objects and qualities. Qualities of perception that are not captured by (...) what one is directly aware of or by representational content are instances of what Gilbert Harman has called “mental paint” (Block, 1990; Harman, 1990). The claim of this paper is that empirical facts about attention point in the direction of mental paint. The argument starts with the claim (later modified) that when one moves one's attention around a scene while keeping one's eyes fixed, the phenomenology of perception can change in ways that do not reflect which qualities of objects one is directly aware of or the way the world is represented to be. These changes in the phenomenology of perception cannot be accounted for in terms of awareness of or representation of the focus of attention because they manifest themselves in experience as differences in apparent contrast, apparent color saturation, apparent size, apparent speed, apparent time of occurrence and other appearances. There is a way of coping with these phenomena in terms of vague contents, but vague contents cannot save direct realism or representationism because the kind of vagueness required clashes wth the phenomenology itself. (shrink)

1. Introduction In ‘The Refutation of Idealism’, G.E.Moore observed that, "when we try to introspect the sensation of blue, all we can see is the blue: the other element is as if it were diaphanous" (1922; p.25). Many philosophers, but Gilbert Harman (1990, 1996) in particular, have suggested that this observation forms the basis of an argument against qualia, usually called the argument from diaphanousness or transparency.1 But even its friends concede that it is none too clear what the argument (...) from diaphanousness—as I will call it—is (Tye 2000; p.45).2 The purpose of this paper is to formulate the argument, and to assess its merits. My conclusion will be that qualia realists have little to fear from the argument—provided both qualia and diaphanousness are properly understood. (shrink)

Representationalism is a thesis about the phenomenal character of experiences, about their immediate subjective ‘feel’.1 At a minimum, the thesis is one of supervenience: necessarily, experiences that are alike in their representational contents are alike in their phenomenal character. So understood, the thesis is silent on the nature of phenomenal character. Strong or pure representationalism goes further. It aims to tell us what phenomenal character is. According to the theory developed in Tye 1995, phenomenal character is one and the same (...) as representational content that meets certain further conditions. One very important motivation for this theory is the so-called ? transparency of experience.? The purpose of this paper is to elucidate the appeal to transparency more carefully than has been done hithertofore, to make some remarks about the introspective awareness of experience in light of this appeal, and to consider one problem case for transparency at some length, that of blurry vision. Along the way, I shall also address some of the remarks Stephen Leeds makes in his essay on transparency. (shrink)