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The expression ‘Like’ has a wide variety of uses among English and American speakers. It may describe preference, as in (1) She likes mint chip ice cream. It may be used as a vehicle of comparison, as in (2) Trieste is like Minsk on steroids. |
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Herbert Clark argues that language use is more than the sum of a speaker speaking and a listener listening. It is the joint action that emerges when speakers and listeners, writers and readers perform their individual actions in coordination, as ensembles. In contrast to work within the cognitive sciences, which has seen language use as an individual process, and to work within the social sciences, which has seen it as a social process, the author argues strongly that language use embodies (...) |
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This paper questions the widespread view that verbal communication is governed by a maxim, norm or convention of truthfulness which applies at the level of what is literally meant, or what is said. Pragmatic frameworks based on this view must explain the frequent occurrence and acceptability of loose and figurative uses of language. We argue against existing explanations of these phenomena and provide an alternative account, based on the assumption that verbal communication is governed not by expectations of truthfulness but (...) |
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Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art. |
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This paper examines the pretence theories of irony of Jancke (1929) and Currie (2007) and argues for a pretence theory according to which the evaluations of the ironist are more important than his emotions, negative and positive, and bear principally on cognitive values. The formal object of irony is foolishness and not any ethical, political or aesthetic disvalue. I suggest that the view of irony outlined resembles in many respects the conception of irony to be found in the writings of (...) |
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In earlier work (“Why irony is pretence”, in S. Nichols (ed) The Architecture of Imagination, Oxford University Press, 2006) I have argued for a version of the pretence theory of irony — a version according to which the ironist is pretending to adopt a perspective which is defective in some way. I also contrasted this version of the pretence theory with the echoic theory of Sperber and Wilson, concluding that the pretence theory is superior. Deirdre Wilson has now responded to (...) |
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Traditional theories of sarcasm treat it as a case of a speaker's meaning the opposite of what she says. Recently, 'expressivists' have argued that sarcasm is not a type of speaker meaning at all, but merely the expression of a dissociative attitude toward an evoked thought or perspective. I argue that we should analyze sarcasm in terms of meaning inversion, as the traditional theory does; but that we need to construe 'meaning' more broadly, to include illocutionary force and evaluative attitudes (...) |
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This book argues against the traditional understanding of the semantics/pragmatics divide and puts forward a radical alternative. Through half a dozen case studies, it shows that what an utterance says cannot be neatly separated from what the speaker means. In particular, the speaker's meaning endows words with senses that are tailored to the situation of utterance and depart from the conventional meanings carried by the words in isolation. This phenomenon of ‘pragmatic modulation’ must be taken into account in theorizing about (...) |
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Putting aside questions of truth and falsehood, the old "talk is cheap" maxim carries as much weight as ever. Indeed, perhaps more. For one need not be an expert in irony or sarcasm to realize that people don't necessarily mean what they say. Phrases such as "Yeah, right" and "I couldn't care less" are so much a part of the way we speak--and the way we live--that we are more likely to notice when they are absent (for example, Forrest Gump). (...) |
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This revised edition includes a new Preface outlining developments in Relevance Theory since 1986, discussing the more serious criticisms of the theory, and ... |
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The utterance of any expression x ostends or makes manifest the customary referent of x, x itself, and related matter. If x appears in quotation marks then the presumed intention behind the utterance is to pick out something other than the customary referent (either instead of it or in addition to it). The consequences of these ideas, taken from my 1998 work, are here drawn out in application to a variety of quotations: metalinguistic citation, reported speech, scare-quoting, echo-quoting, loan words, (...) |
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