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  1. More Than Cool Reason: A Field Guide to Poetic Metaphor.George Lakoff & Mark Turner - 1990 - Journal of Aesthetics and Art Criticism 48 (3):260-261.
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  • (1 other version)Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1968 - Indianapolis,: Bobbs-Merrill.
    . . . Unlike Dewey, he has provided detailed incisive argumentation, and has shown just where the dogmas and dualisms break down." -- Richard Rorty, The Yale Review.
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  • The Senses Considered as Perceptual Systems.James Jerome Gibson - 1966 - Boston, USA: Houghton Mifflin.
    Describes the various senses as sensory systems that are attuned to the environment. Develops the notion of rich sensory information that specifies the distal environment. Includes a discussion of affordances.
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  • (2 other versions)Peirce’s Concept of Sign.Douglas Greenlee - 1973 - Transactions of the Charles S. Peirce Society 10 (3):185-189.
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  • Features of similarity.Amos Tversky - 1977 - Psychological Review 84 (4):327-352.
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  • The Sign of Three: Dupin, Holmes, Peirce vol. 1.Umberto Eco & Thomas Albert Sebeok - 1982 - Indiana University Press.
    "... fascinating throughout.... the book is recreative in the highest sense." —Arthur C. Danto, The New Republic "A gem for Holmes fans and armchair detectives with a penchant for logical reflection, and Peirce scholars." —Library Journal.
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  • That there are no iconic signs.Arthur K. Bierman - 1962 - Philosophy and Phenomenological Research 23 (2):243-249.
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  • Visual thinking.Rudolf Arnheim - 1969 - London,: Faber.
    "Groundbreaking when first published in 1969, this book is now of even greater relevance to make the reader aware of the need to educate the visual sense, a ...
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  • Material Culture and Text: The Art of Ambiguity.Christopher Tilley - 1991 - Routledge.
    Originally published in 1991, this is the first book-length exploration of post-structuralist discourse theory in archaeology. It tackles the most basic problem of historical and archaeological analysis - the relationship between text and artefact – in an analysis of prehistoric art fusing theory and the practice of interpretation to create a fresh framework for understanding the relationship between past and present. Focusing on a collection of rock carvings from northern Sweden, the author shows how alternative conceptualizations of the material from (...)
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  • Art and Imagination.Roger Scruton - 1975 - Philosophy 50 (193):367-368.
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  • Peirce's concept of sign.Douglas Greenlee - 1973 - The Hague,: Mouton.
    No detailed description available for "Peirce's Concept of Sign".
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  • Erfahrung und Urteil: Untersuchungen zur Genealogie der Logik.Edmund Husserl - 1999 - Meiner, F.
    Husserl (1859-1938) hatte sich in seinem Werk "Formale und transzendentale Logik" das Ziel gesetzt, den inneren Sinn, die Gliederung und Zusammengehörigkeit all dessen nachzuweisen, was bislang an logischen Problemen behandelt worden war, und die Notwendigkeit einer phänomenologischen Durchleuchtung der gesamten logischen Problematik darzutun. Ein Hauptstück der analytisch-deskriptiven Untersuchungen, die einer solchen phänomenologischen Begründung der Logik dienen, ist "Erfahrung und Urteil". Das Buch entstand in Zusammenarbeit mit Schülern und Mitarbeitern.
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  • The Senses Considered as Perceptual Systems.D. W. Hamlyn & James J. Gibson - 1968 - Philosophical Review 77 (3):361.
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  • Art and Illusion: A Study in the Psychology of Pictorial Representation.Ernst Hans Gombrich - 1960 - Phaidon.
    The A.W. Mellon lectures in the fine arts 1956, National Gallery of Art, Washington.
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  • The Arts and Human Development.Howard Gardner - 1974 - Journal of Aesthetics and Art Criticism 33 (2):228-231.
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  • (1 other version)Théorie du champ de la Conscience.Aron Gurwitsch - 1957 - Revue de Métaphysique et de Morale 63 (4):497-499.
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  • (1 other version)Théorie du champ de la conscience.Aron Gurwitsch - 1957 - Les Etudes Philosophiques 12 (4):407-408.
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  • (2 other versions)Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.
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  • L' acte photographique.Philippe Dubois - 1988
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  • Paul Klee: analyse sémiotique de trois peintures.Felix Thürlemann - 1982 - L'age D'Homme.
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  • On the internal structure of perceptual and semantic categories.E. H. Rosch - 1973 - In T. E. Moore (ed.), Cognitive Development and the Acquisition of Language. Academic. pp. 111-144.
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  • James J. Gibson And The Psychology Of Perception.Edward S. Reed - 1988 - New Haven: Yale University Press.
    Gathering information from both published and unpublished material and interviews with Gibson's family, colleagues, and friends, Reed (philosophy, Drexel U.) chronicles Gibson's life and intellectual development and his attempts to synthesize several contrasting intellectual traditions into what he ultimately called an "ecological approach" to psychology. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com).
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  • Théorie du champ de la conscience.Aron Gurwitsch - 1957 - [De Brouwer,].
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  • La struttura assente. La ricerca semiotica e il metodo strutturale.Umberto Eco - 2004 - T. Bompiani.
    La crisi dello strutturalismo e i confini della semiotica in un volume importante della produzione di Eco. Un libro che trova la sua continuazione ideale in 'Lector in fabula'.
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