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To Professor E. R. Dodds, through his edition of Euripides'Bacchaeand again inThe Greeks and the Irrational, we owe an awareness of new possibilities in our understanding of Greek literature and of the world that produced it. No small part of that awareness was due to Professor Dodds' masterly and tactful use of comparative ethnographic material to throw light on the relation between literature and social institutions in ancient Greece. It is in the hope that something of my own debt to (...) |
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Lycurgus' "Against Leocrates" has long been seen as an anomaly in the oratorical corpus by scholars of ancient rhetoric. Its extensive use of quotations from the poets and of personification are two features regularly picked out as especially odd and inexplicable by critics. This paper argues that these and other features of the speech are central to Lycurgus' attempt to persuade his jury to accept his radically un-Athenian political views. In fact, Lycurgus has rejected Athenian approaches to punishment, prosecution, and (...) |
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Most studies of memory as a cultural faculty focus on written practices and how they are transmitted. This study concentrates on incorporated practices and provides an account of how these things are transmitted in and as traditions. The author argues that images and recollected knowledge of the past are conveyed and sustained by ritual performances, and that performative memory is bodily. This is an essential aspect of social memory that until now has been badly neglected. |
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This is the first comprehensive commentary on the Athenaion Politeia since that of J.E. Sandys in 1912. The Introduction discusses the history of the text; the contents, purpose and sources of the work; its language and style; its date, and the evidence for revision after the completion of the original version; and the place of the work in the Aristotelian school. The Commentary concentrates on the historical and institutional facts which the work sets out to give, their sources and their (...) |
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In barely the space of one generation, Athens was transformed from a conventional city-state into something completely new--a region-state on a scale previously unthinkable. This book sets out to answer a seemingly simple question: How and when did the Athenian state attain the anomalous size that gave it such influence in Greek politics and culture in the classical period? Many scholars argue that Athens's incorporation of Attica was a gradual development, largely completed some two hundred years before the classical era. (...) |
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Speakers address audiences in the earliest Greek literature, but oratory became a distinct genre in the late fifth century and reached its maturity in the fourth. This book traces the development of its techniques by examining the contribution made by each orator. Dr Usher makes the speeches come alive for the reader through an in-depth analysis of the problems of composition and the likely responses of contemporary audiences. His study differs from previous books in its recognition of the richness of (...) |
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To defend the fatherland, to obey the laws and authorities, and to honour the State's cults are the principal points the Athenian citizen promised to fulfil in his oath of allegiance—called ephebic, because he took it as a recruit —at least since the second half of the fourth century B.C.. These duties are fundamental for the citizen's attachment to hispolis, so one will hardly assume that the content of the oath depends upon the existence of the Athenian institution of cadet-training (...) |
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This book has two main and connected themes - the conception and articulation of time in the Greek world and the creation of history, especially in the context of the Greek city. Both how time is expressed and how the past is presented have often been seen as reflections of society. By looking at the construction of the past through the medium of local historiography, where we can view these issues in the relatively restricted world of individual city-states, we can (...) |
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Speakers address audiences in the earliest Greek literature, but oratory became a distinct genre in the late fifth century and reached its maturity in the fourth. This book traces the development of its techniques by examining the contribution made by each orator. Dr Usher makes the speeches come alive for the reader through an in-depth analysis of the problems of composition and the likely responses of contemporary audiences. His study differs from previous books in its recognition of the richness of (...) |
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