- Sweet Anticipation: Music and the Psychology of Expectation.William Benjamin - 2007 - Journal of Aesthetics and Art Criticism 65 (3):333-335.details
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(1 other version)Putting Plural Self-Awareness into Practice: The Phenomenology of Expert Musicianship.Alessandro Salice, Simon Høffding & Shaun Gallagher - 2018 - Topoi:1-13.details
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Extended emotions.Joel Krueger & Thomas Szanto - 2016 - Philosophy Compass 11 (12):863-878.details
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Enacting musical emotions. sense-making, dynamic systems, and the embodied mind.Andrea Schiavio, Dylan van der Schyff, Julian Cespedes-Guevara & Mark Reybrouck - 2017 - Phenomenology and the Cognitive Sciences 16 (5):785-809.details
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Core affect and the psychological construction of emotion.James A. Russell - 2003 - Psychological Review 110 (1):145-172.details
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Affordances and the musically extended mind.Joel Krueger - 2013 - Frontiers in Psychology 4:1-12.details
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The Meaning of the Body: Aesthetics of Human Understanding.Mark Johnson - 2007 - Chicago: University of Chicago Press.details
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Improvisation and the self-organization of multiple musical bodies.Ashley E. Walton, Michael J. Richardson, Peter Langland-Hassan & Anthony Chemero - 2015 - Frontiers in Psychology 6:1-9.details
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Embodied Emotions.Jesse Prinz - 2004 - In Robert C. Solomon (ed.), Thinking About Feeling: Contemporary Philosophers on Emotions. New York: Oxford University Press USA. pp. 44-58.details
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How music creates emotion: a multifactorial process approach.Klaus R. Scherer, Eduardo Coutinho, T. Cochrane, B. Fantini & K. R. Scherer - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press.details
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Basic emotions.Paul Ekman - 1999 - In Tim Dalgleish & Mick Power (eds.), Handbook of Cognition and Emotion. Wiley. pp. 4--5.details
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What is Meant by Calling Emotions Basic.Paul Ekman & Daniel Cordaro - 2011 - Emotion Review 3 (4):364-370.details
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Empathy, enaction, and shared musical experience.Joel Krueger - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 177-196.details
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(1 other version)Introduction to the special issue on 4E cognition.Richard Menary - 2010 - Phenomenology and the Cognitive Sciences 9 (4):459-463.details
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Relations of homology between higher cognitive emotions and basic emotions.Jason A. Clark - 2010 - Biology and Philosophy 25 (1):75-94.details
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Bridging emotion theory and neurobiology through dynamic systems modeling.Marc D. Lewis - 2005 - Behavioral and Brain Sciences 28 (2):169-194.details
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(1 other version)Emotional responses to music: The need to consider underlying mechanisms.Patrik N. Juslin & Daniel Västfjäll - 2008 - Behavioral and Brain Sciences 31 (5):559-575.details
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(1 other version)Consciousness, Intentionality, and Causality.Walter J. Freeman - 1999 - Journal of Consciousness Studies 6 (11-12):11-12.details
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Gut Reactions: A Perceptual Theory of the Emotions.Jesse J. Prinz - 2004 - Oxford University Press.details
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Descartes' Error: Emotion, Reason, and the Human Brain.Antonio R. Damasio - 1994 - Putnam.details
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The dynamics of attending: How people track time-varying events.Edward W. Large & Mari Riess Jones - 1999 - Psychological Review 106 (1):119-159.details
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What's basic about basic emotions?Andrew Ortony & Terence J. Turner - 1990 - Psychological Review 97 (3):315-331.details
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Spontaneous preferences and core tastes: embodied musical personality and dynamics of interaction in a pedagogical method of improvisation.Julien Laroche & Ilan Kaddouch - 2015 - Frontiers in Psychology 6:102704.details
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(1 other version)Emotional responses to music.Patrik N. Juslin - 2008 - In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oxford University Press.details
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The Feeling Body: Affective Science Meets the Enactive Mind.Giovanna Colombetti - 2013 - Cambridge, Massachusetts: MIT Press.details
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(1 other version)Putting Plural Self-Awareness into Practice: The Phenomenology of Expert Musicianship.Alessandro Salice, Simon Høffding & Shaun Gallagher - 2019 - Topoi 38 (1):197-209.details
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How Two Brains Make One Synchronized Mind in the Inferior Frontal Cortex: fNIRS-Based Hyperscanning During Cooperative Singing.Naoyuki Osaka, Takehiro Minamoto, Ken Yaoi, Miyuki Azuma, Yohko Minamoto Shimada & Mariko Osaka - 2015 - Frontiers in Psychology 6.details
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