The challenge of handling fictional discourse is to find the best way to resolve the apparent inconsistencies in our ways of speaking about fiction. A promising approach is to take at least some such discourse to involve pretense, but does all fictional discourse involve pretense? I will argue that a better, less revisionary, solution is to take internal and fictionalizing discourse to involve pretense, while allowing that in external critical discourse, fictional names are used seriously to refer to fictional characters. (...) I then address two objections to such realist theories of fiction: One, that they can’t adequately account for the truth of singular nonexistence claims involving fictional names, and two, that accepting that there are fictional characters to which we refer is implausible or ontologically profligate. (shrink)

It is advisable to treat some sorts of discourse about fiction with the aid of an intensional operator "in such-And-Such fiction...." the operator may appear either explicitly or tacitly. It may be analyzed in terms of similarity of worlds, As follows: "in the fiction f, A" means that a is true in those of the worlds where f is told as known fact rather than fiction that differ least from our world, Or from the belief worlds of the community in (...) which the fiction originated. (shrink)

I present a novel explanation of the apparent truth of certain remarks about fiction, such as an utterance of ''Salieri commissioned the Requiem'' during a discussion of the movie Amadeus. I criticize the traditional view, which alleges that the uttered sentence abbreviates the longer sentence ''it is true in the movie Amadeus that Salieri commissioned the Requiem''. I propose a solution which appeals to some independently motivated results concerning the contexts relevant for the semantic evaluation of indexical expressions.

Graham Priest presents a ground-breaking account of the semantics of intentional language--verbs such as "believes," "fears," "seeks," or "imagines." Towards Non-Being proceeds in terms of objects that may be either existent or non-existent, at worlds that may be either possible or impossible. The book will be of central interest to anyone who is concerned with intentionality in the philosophy of mind or philosophy of language, the metaphysics of existence and identity, the philosophy of fiction, the philosophy of mathematics, or cognitive (...) representation in AI. (shrink)

Sherlock Holmes is a fictional individual. So is his favorite pipe. Our pre-theoretical intuition says that neither of them is real. It says that neither of them really, or actually, exists. It also says that there is a sense in which they do exist, namely, a sense in which they exist “in the world of” the Sherlock Holmes stories. Our pre-theoretical intuition says in general of any fictional individual that it does not actually exist but exists “in the world of” (...) the relevant fiction. I wish to defend this pretheoretical intuition. To do so, I need to defend two claims: that fictional individuals do not actually exist, and that they exist “in the world of” the relevant fiction. The aim of this paper is to defend the first claim. (shrink)

Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art.

In his (2001a) and in some related papers, Tim Crane has maintained that intentional objects are schematic entities, in the sense that, insofar as being an intentional object is not a genuine metaphysical category, qua objects of thought intentional objects have no particular nature. This approach to intentionalia is the metaphysical counterpart of the later Husserl's ontological approach to the same entities, according to which qua objects of thought intentionalia are indifferent to existence. But to buy a metaphysically deflationary approach (...) does not mean to buy an ontologically deflationary approach, according to which we have to accept all the intentional objects there apparently are. Being metaphysically deflationary on intentionalia rather means that from the ontological point of view one must really allow only for those intentionalia for which one is entitled to say that there are such things; typically, for which an ontological proof is available. From metaphysical schematism plus conditional, or partial, ontological committment to intentionalia, further interesting consequences follow. First, this theoretical combination allows one to deal with the ‘too-many entities’ problem (may one fail to accept an ontological proof for an entity of a given kind if she thinks that the entity we would have to be committed to is an entity of another kind?). Second, it allows one to deal with the ‘genuinely true report’ problem (how is it that if we exercise mindreading with respect to a somehow deluded person, we want our reports to come out as really, not merely fictionally, true?). (shrink)

I argue that the ontological status of fictional characters is determined by the beliefs and practices of those who competently deal with works of literature, and draw out three important consequences of this. First, heavily revisionary theories cannot be considered as ‘discoveries’ about the ‘true nature’ of fictional characters; any acceptable realist theory of fiction must preserve all or most of the common conception of fictional characters. Second, once we note that the existence conditions for fictional characters are extremely minimal, (...) it makes little sense to deny the existence of fictional characters, leaving anti-realist views of fiction unmotivated. Finally, the role of ordinary beliefs and practices in determining facts about the ontology of fictional characters explains why non-revisionary theories of fiction are bound to yield no determinate or precise answer to certain questions about fictional characters, demonstrating the limits of a theory of fiction. (shrink)

Stephen Schiffer presents a groundbreaking account of meaning and belief, and shows how it can illuminate a range of crucial problems regarding language, mind, knowledge, and ontology. He introduces the new doctrine of 'pleonastic propositions' to explain what the things we mean and believe are. He discusses the relation between semantic and psychological facts, on the one hand, and physical facts, on the other; vagueness and indeterminacy; moral truth; conditionals; and the role of propositional content in information acquisition and explanation. (...) This radical new treatment of meaning will command the attention of everyone who works on fundamental questions about language, and will attract much interest from other areas of philosophy. (shrink)

Among the entities that can be mentally or linguistically represented are mental and linguistic representations themselves. That is, we can think and talk about speech and thought. This phenomenon is known as metarepresentation. An example is "Authors believe that people read books." -/- In this book François Recanati discusses the structure of metarepresentation from a variety of perspectives. According to him, metarepresentations have a dual structure: their content includes the content of the object-representation (people reading books) as well as the (...) "meta" part (the authors' belief). Rejecting the view that the object representation is mentioned rather than used, Recanati claims that since metarepresentations carry the content of the object representation, they must be about whatever the object representation is about. Metarepresentations are fundamentally transparent because they work by simulating the representation they are about. -/- Topics covered in this wide-ranging work include the analysis of belief reports and talk about fiction, world shifting, opacity and substitutivity, quotation, the relation between direct and indirect discourse, context shifting, semantic pretense, and deference in language and thought. (shrink)

In this paper, I defend a view of names from fiction compatible with the Millian theory of proper names. Unlike other attempts at providing a Millian analysis of names from fiction, my approach gives semantic recognition to our pre‐theoretic intuitions without postulating metaphysically dubious entities. The intuitively correct treatment of typical examples, including true negative existential statements, is obtained by appealing only to independently motivated results in the semantics for natural languages.

In this paper, I defend a view of names from fiction compatible with the Millian theory of proper names. Unlike other attempts at providing a Millian analysis of names from fiction, my approach gives semantic recognition to our pre‐theoretic intuitions without postulating metaphysically dubious entities. The intuitively correct treatment of typical examples, including true negative existential statements, is obtained by appealing only to independently motivated results in the semantics for natural languages.

According to many realist philosophers of fiction, one needs to posit an ontology of existing fictional characters in order to give a correct account of discourse about fiction. The realists' claim is opposed by pretense theorists for whom discourse about fiction involves, as discourse in fiction, pretense. On that basis, pretense theorists claim that one does not need to embrace an ontology of fictional characters to give an account of discourse about fiction. The ontolog-ical dispute between realists and pretense theorists (...) is mainly a dispute in the realm of the phi-losophy of language concerning the status relative to pretense of discourse about fiction. Realists are persuaded that there is a sharp line between discourse in fiction and discourse about fiction while pretense theorists deny there exists such a line. I suggest that realists may have a wrong picture of discourse in fiction since, in many cases, discourse in fiction already contains many occurrences of discourse about fiction. Consequently, discourse about fiction, instead of ending fiction, should be regarded, following pretense theorists, as adding extra lay-ers of fiction. (shrink)

In this paper I argue against the usual interpretation of\nMeinong's argument for nonexistent objects, an\ninterpretation according to which Meinong imported\nnonexistent objects like "the golden mountain" to account\ndirectly for the truth of statements like the golden\nmountain is golden'. I claim instead (using evidence from\nMeinong's "On Assumptions") that his argument really\ninvolves an ineliminable appeal to the notion of pretense.\nThis appeal nearly convinced Meinong at one stage that he\ncould do without nonexistent objects. The reason, I argue,\nwhy he nonetheless embraced an ontology of nonexistents (...) has\nto do with the phenomenology of representation, and not\nwith semantics. (shrink)

This is a survey of contemporary work on ‘fictionalism in metaphysics’, a term that is taken to signify both the place of fictionalism as a distinctive anti‐realist metaphysics in which usefulness rather than truth is the norm of acceptance, and the fact that philosophers have given fictionalist treatments of a range of specifically metaphysical notions.

Contrary to frequent declarations that descriptivism as a theory of how names refer is dead and gone, such a descriptivism is, to all appearances, alive and well. Or rather, a descendent of that doctrine is alive and well. This new version—neo-descriptivism, for short—is supposedly immune from the usual arguments against descriptivism, in large part because it avoids classical descriptivism’s emphasis on salient, first-come-to-mind properties and holds instead that a name’s reference-fixing content is typically given by egocentric properties specified in terms (...) of broadly causal relationships between a speaker and his environment: properties like being the actual individual called ‘Aristotle’ referred to by my informants’ use of the name, being the actual individual called ‘George Bush’ whom I have seen/heard described as the U.S. President who started the second Gulf War, and so on. names is not in contention.) What these neo-descriptivists claim is that the usual modal, semantical, and epistemological arguments against classical descriptivism don’t get much of a foothold against this new version, especially if we don’t insist that speakers be able to state these properties on demand. It is enough that these are properties implicit in the semantic judgments of speakers. Recent attacks notwithstanding, such a neo-descriptivism has struck many philosophers as a credible and worthy successor to classical descriptivism. (shrink)

François Recanati describes a metarepresentation as a representation of linguistic and mental representations. Two levels of content are involved, that of a metarepresentation dS, and that of the object representation S. According to Recanati’s “iconicity thesis,” dS contains S semantically as well as syntactically, so that one cannot entertain dS without also entertaining S. Iconicity “suggests” the doctrine of semantic innocence, whereby an embedded object-representation has the same content it would have when uttered in isolation—its “normal” semantic value—and one of (...) Recanati’s principal aims is to show how the opacity of oratio obliqua and oratio recta constructions can be explained without sacrificing innocence. His treatment is set firmly within the framework of Kaplan 1989 and is inspired by the account of quotation in Davidson 1968. Though devoid of technical and metaphysical encumbrance, his book is not a lean display of a single vision, since Recanati spends considerable time on proposals that he ends up rejecting or modifying. Some readers might become impatient with the detailed comparisons, but the dedicated student will welcome the learned discussion of alternatives. In all, Recanati has given us an excellent study of metarepresentation, enlivened by state-of-the-art pragmatics and at the forefront of the latest discourse on attitudinal ascriptions. (shrink)

There has recently been considerable interest in accounts of fiction which treat fictional characters as abstract objects. In this paper I argue against this view. More precisely I argue that such accounts are unable to accommodate our intuitions that fictional negative existentials such as “Raskolnikov doesn’t exist” are true. I offer a general argument to this effect and then consider, but reject, some of the accounts of fictional negative existentials offered by abstract object theorists. I then note that some of (...) the sort of data invoked by the abstract object theorist in fact cuts against her position. I concludle that we should not regard fictional characters as abstract objects but rather should adopt a make-believe theoretic account of fictional characters along the lines of those developed by Ken Walton and others. (shrink)

This book presents a novel theory of fictional entities which is syncretistic insofar as it integrates the work of previous authors. It puts forward a new metaphysical conception of the nature of these This This book presents a novel theory of fictional entities which is syncretistic insofar as it integrates the work of previous authors. It puts forward a new metaphysical conception of the nature of these entities, according to which a fictional entity is a compound entity built up from (...) both a make-believe theoretical element and a set-theoretical element. The fictional entity is constructed by imagining the existence of an individual with certain properties and adding a set-theoretical element consisting of the set of properties corresponding to the properties of the imagined entity. Moreover, the book advances a new combined semantic and ontological defence of the existence of fictional entities. (shrink)

This challenging study places fiction squarely at the centre of the discussion of metaphysics. Philosophers have traditionally treated fiction as involving a set of narrow problems in logic or the philosophy of language. By contrast Amie Thomasson argues that fiction has far-reaching implications for central problems of metaphysics. The book develops an 'artifactual' theory of fiction, whereby fictional characters are abstract artifacts as ordinary as laws or symphonies or works of literature. By understanding fictional characters we come to understand how (...) other cultural and social objects are established on the basis of the independent physical world and the mental states of human beings. (shrink)

Stefano Predelli comes to the defense of the traditional "formal" approach to natural-language semantics, arguing that it has been misrepresented not only by its critics, but also by its foremost defenders. In Contexts he offers a fundamental reappraisal, with particular attention to the treatment of indexicality and other forms of contextual dependence which have been the focus of much recent controversy. In the process, he presents original approaches to a number of important semantic issues, including the relationship between validity and (...) indexicality, the limits of token-reflexive systems, the significance of contextualist arguments, and the interpretation of attitude reports. Contexts will make invigorating reading for all philosophers of language and many linguists. (shrink)

Elements of Mind provides a unique introduction to the main problems and debates in contemporary philosophy of mind. Author Tim Crane opposes those currently popular conceptions of the mind that divide mental phenomena into two very different kinds (the intentional and the qualitative) and proposes instead a challenging and unified theory of all the phenomena of mind. In light of this theory, Crane engages students with the central problems of the philosophy of mind--the mind-body problem, the problem of intentionality (or (...) mental representation), the problem of consciousness, and the problem of perception--and attempts to find solutions to these problems. A fresh and engaging exploration of the main issues in the philosophy of mind, Elements of Mind is easily accessible to students with no background in the subject. (shrink)

Defends a view of intentional directedness according to which those seemingly object-directed acts – involved for example in reading works of fiction – which lack existing objects as targets, are not intentional (thus: not directed towards any object). Rather, each such act seems to its subject as if it were so directed because it is associated with a belief of a certain special sort, whose intentional directedness is not towards any putative external object but rather towards the very act itself (...) with which the belief is associated. (shrink)

In the nineteenth century, astronomers thought that a planet between Mercury and the Sun was causing perturbations in the orbit of Mercury, and they introduced ‘Vulcan’ as a name for such a planet. But they were wrong: there was, and is, no intra-Mercurial planet. Still, these astronomers went around saying things like (2) Vulcan is a planet between Mercury and the Sun. Some philosophers think that, when nineteenth-century astronomers were theorizing about an intra-Mercurial planet, they created a hypothetical planet.