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Speaking of fictional characters

Dialectica 57 (2):205–223 (2003)

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  1. Fictional Creationism and Negative Existentials.Jeonggyu Lee - 2023 - Canadian Journal of Philosophy 53:193-208.
    In this paper, I defend fictional creationism, the view that fictional objects are abstract artifacts, from the objection that the apparent truth of fictional negative existentials, such as “Sherlock Holmes does not exist,” poses a serious problem for creationism. I develop a sophisticated version of the pragmatic approach by focusing on the inconsistent referential intentions of ordinary speakers: the upshot would be that creationism is no worse —perhaps even in a better position— than anti-realism, even if we restrict our linguistic (...)
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  • Fiktionale Namen.Tatjana von Solodkoff - 2015 - In Nikola Kompa (ed.), Handbuch Sprachphilosophie. Stuttgart: Metzler.
    Zeitgenössische Positionen in der Debatte über fiktionale Namen lassen sich in zwei Lager aufteilen: deskriptivistische und Millsche Ansätze. Deskriptivisten nehmen an, dass der semantische Inhalt eines Namens synonym mit einer Kennzeichnung sei, während Millianerinnen, behaupten, dass der semantische Inhalt eines Namens sein Bezugsobjekt sei. Da es sich bei diesen Ansätzen um Theorien handelt, die sich nicht auf fiktionale Namen beschränken, sondern Eigennamen generell behandeln, müssen sie sich auch Einwänden stellen, die nicht nur auf fiktionale Namen zutreffen. Dieses Kapitel konzentriert sich (...)
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  • ‘Truth in Fiction’ Reprised.Manuel García-Carpintero - 2022 - British Journal of Aesthetics 62 (2):307-324.
    The paper surveys recent appraisals of David Lewis’s seminal paper on truth in fiction. It examines variations on standard criticisms of Lewis’s account, aiming to show that, if developed as Lewis suggests in his 1983 Postscript A, his proposals on the topic are—as Hanley puts it—‘as good as it gets’. Thus elaborated, Lewis’s account can resist the objections, and it offers a better picture of fictional discourse than recent resurrections of other classic works of the 1970s by Kripke, van Inwagen (...)
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  • Creating abstract objects.David Friedell - 2021 - Philosophy Compass 16 (10):e12783.
    Beach's Gaelic Symphony is plausibly an abstract object that Beach created. The view that people create some abstract objects is called abstract creationism. There are abstract creationists about many kinds of objects, including musical works, fictional characters, arguments, words, internet memes, installation artworks, bitcoins, and restaurants. Alternative theories include materialism and Platonism. This paper discusses some of the most serious objections against abstract creationism. Arguably, these objections have ramifications for questions in metaphysics pertaining to the abstract/concrete distinction, time, causation, vague (...)
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  • Fictional Characters and Their Discontents: Prolegomena to Any Future Metaphysics of Fictional Entities.Shamik Chakravarty - 2021 - Dissertation, Lingnan University
    In recent metaphysics, the questions of whether fictional entities exist, what their nature is, and how to explain truths of statements such as “Sherlock Holmes lives at 221B Baker Street” and “Holmes was created by Arthur Conan Doyle” have been subject to much debate. The main aim of my thesis is to wrestle with key proponents of the abstractionist view that fictional entities are abstract objects that exist (van Inwagen 1977, 2018, Thomasson 1999 and Salmon 1998) as well as Walton’s (...)
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  • A New Class of Fictional Truths.Hannah H. Kim - 2021 - The Philosophical Quarterly 72 (1):90-107.
    It is widely agreed that more is true in a work of fiction than explicitly said. In addition to directly stipulated fictional content (explicit truth), inference and background assumptions give us implicit truths. However, this taxonomy of fictional truths overlooks an important class of fictional truth: those generated by literary formal features. Fictional works generate fictional content by both semantic and formal means, and content arising from formal features such as italics or font size are neither explicit nor implicit: not (...)
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  • Singular Reference in Fictional Discourse?Manuel García-Carpintero - 2019 - Disputatio 11 (54):143-177.
    Singular terms used in fictions for fictional characters raise well-known philosophical issues, explored in depth in the literature. But philosophers typically assume that names already in use to refer to “moderatesized specimens of dry goods” cause no special problem when occurring in fictions, behaving there as they ordinarily do in straightforward assertions. In this paper I continue a debate with Stacie Friend, arguing against this for the exceptionalist view that names of real entities in fictional discourse don’t work there as (...)
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  • Twofileness. A Functionalist Approach to Fictional Characters and Mental Files.Enrico Terrone - 2021 - Erkenntnis 86 (1):129-147.
    This paper considers two issues raised by the claim that fictional characters are abstract artifacts. First, given that artifacts normally have functions, what is the function of a fictional character? Second, given that, in experiencing works of fictions, we usually treat fictional characters as concrete individuals, how can such a phenomenology fit with an ontology according to which fictional characters are abstract artifacts? I will indirectly address the second issue by directly addressing the first one. For this purpose, I will (...)
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  • Ficta as Contingently Nonconcrete.Lightfield Ceth - 2014 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 21 (4):431-457.
    Fictional realism allows direct reference theorists to provide a straightfor- ward analysis of the semantics of fictional discourse by admitting into their ontology a set of objects (ficta) that serve as the referents of fictional names. Ficta may be modeled using an axiomatic object theory, but actualist interpretations of the formalism have been the subject of recent objections. In this paper, I provide an interpretation of object theory’s formalism that is consistent with actualism and avoids these objections. Drawing on insights (...)
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  • Abstract Creationism and Authorial Intention.David Friedell - 2016 - Journal of Aesthetics and Art Criticism 74 (2):129-137.
    Abstract creationism about fictional characters is the view that fictional characters are abstract objects that authors create. I defend this view against criticisms from Stuart Brock that hitherto have not been adequately countered. The discussion sheds light on how the number of fictional characters depends on authorial intention. I conclude also that we should change how we think intentions are connected to artifacts more generally, both abstract and concrete.
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  • Attitudes Towards Objects.Alex Grzankowski - 2016 - Noûs 50 (2):314-328.
    This paper offers a positive account of an important but under-explored class of mental states, non-propositional attitudes such as loving one’s department, liking lattice structures, fearing Freddy Krueger, and hating Sherlock Holmes. In broadest terms, the view reached is a representationalist account guided by two puzzles. The proposal allows one to say in an elegant way what differentiates a propositional attitude from an attitude merely about a proposition. The proposal also allows one to offer a unified account of the non-propositional (...)
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  • An Argument for Authorial Creation.Zsófia Zvolenszky - 2015 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 22 (4):461–487.
    Artifactualism about fictional characters, positing Harry Potter as an abstract artifact created by J. K. Rowling, has been criticized on the grounds that the idea of creating such objects is mysterious and problematic. In the light of such qualms, it is worth homing in on an argument in favor of artifactualism, showing that it is the best way to include the likes of Harry Potter in our ontology precisely because it incorporates authorial creation. To that end, I will be exploring (...)
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  • Securing singular thought about merely hypothetical entities.Greg Ackerman - 2016 - Philosophical Studies 173 (8):2193-2213.
    Although we are still in the dark when it comes to giving necessary and jointly sufficient criteria for what it takes to be thinking a singular thought, the paradigm cases are just ones where an agent is thinking about some particular object. When we erroneously think that Vulcan is a planet, our thought appears to be singular since it is, after all, about Vulcan. A promising way to explain this is to claim that there is something, a merely hypothetical entity, (...)
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  • Heidegger's Logico-Semantic Strikeback.Alberto Voltolini - 2015 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 22:19-38.
    In (1959), Carnap famously attacked Heidegger for having constructed an insane metaphysics based on a misconception of both the logical form and the semantics of ordinary language. In what follows, it will be argued that, once one appropriately (i.e., in a Russellian fashion) reads Heidegger’s famous sentence that should paradigmatically exemplify such a misconception, i.e., “the nothing nothings”, there is nothing either logically or semantically wrong with it. The real controversy as to how that sentence has to be evaluated—not as (...)
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  • Of Course there are Fictional Characters.R. M. Sainsbury - 2012 - Revue Internationale de Philosophie 262 (4):615-630.
    I argue that there is no straightforward inference from there being fictional characters to any interesting form of realism. One reason is that “fictional” may be an intensional operator with wide scope, depriving the quantifier of its usual force. Another is that not all uses of “there are” are ontologically committing. A realist needs to show that neither of these phenomena are present in “There are fictional characters”. Other roads to realism run into difficulties when negotiating the role that presupposition (...)
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  • Non‐Propositional Attitudes.Alex Grzankowski - 2013 - Philosophy Compass 8 (12):1123-1137.
    Intentionality, or the power of minds to be about, to represent, or to stand for things, remains central in the philosophy of mind. But the study of intentionality in the analytic tradition has been dominated by discussions of propositional attitudes such as belief, desire, and visual perception. There are, however, intentional states that aren't obviously propositional attitudes. For example, Indiana Jones fears snakes, Antony loves Cleopatra, and Jane hates the monster under her bed. The present paper explores such mental states (...)
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  • Fictional Entities.Fiora Salis - 2013 - Online Companion to Problems in Analytic Philosophy.
    In this entry I present one of the most hotly debated issues in contemporary analytic philosophy regarding the nature of fictional entities and the motivations that might be adduced for and against positing them into our ontology. The entry is divided in two parts. In the first part I offer an overview of the main accounts of the metaphysics of fictional entities according to three standard realist views, fictional Meinongianism, fictional possibilism and fictional creationism. In the second part I describe (...)
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  • Crossworks ‘Identity’ and Intrawork* Identity of a Fictional Character.Alberto Voltolini - 2012 - Revue Internationale de Philosophie 262 (4):561-576.
    In this paper I want to show that the idea supporters of traditional creationism (TC) defend, that success of a fictional character across different works has to be accounted for in terms of the persistence of (numerically) one and the same fictional entity, is incorrect. For the supposedly commonsensical data on which those supporters claim their ideas rely are rather controversial. Once they are properly interpreted, they can rather be accommodated by moderate creationism (MC), according to which fictional characters arise (...)
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  • A Defense of Causal Creationism in Fiction.David Sackris - 2013 - Philosophical Writings 41 (1):32-46.
    In this paper I seek defend the view that fictional characters are author-created abstract entities against objections offered by Stuart Brock in his paper “The Creationist Fiction: The Case against Creationism about Fictional Characters.” I argue that his objections fall far short of his goal of showing that if philosophers want to believe in fictional characters as abstract objects, they should not view them as author-created. My defense of creationism in fiction in part rests on tying the act of creating (...)
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  • Towards a semantics for the artifactual theory of fiction and beyond.Matthieu Fontaine & Shahid Rahman - 2014 - Synthese 191 (3):499-516.
    In her book Fiction and Metaphysics (1999) Amie Thomasson, influenced by the work of Roman Ingarden, develops a phenomenological approach to fictional entities in order to explain how non-fictional entities can be referred to intrafictionally and transfictionally, for example in the context of literary interpretation. As our starting point we take Thomasson’s realist theory of literary fictional objects, according to which such objects actually exist, albeit as abstract and artifactual entities. Thomasson’s approach relies heavily on the notion of ontological dependence, (...)
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  • Not All Attitudes are Propositional.Alex Grzankowski - 2012 - European Journal of Philosophy (3):374-391.
    Most contemporary philosophical discussions of intentionality start and end with a treatment of the propositional attitudes. In fact, many theorists hold that all attitudes are propositional attitudes. Our folk-psychological ascriptions suggest, however, that there are non-propositional attitudes: I like Sally, my brother fears snakes, everyone loves my grandmother, and Rush Limbaugh hates Obama. I argue that things are as they appear: there are non-propositional attitudes. More specifically, I argue that there are attitudes that relate individuals to non-propositional objects and do (...)
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  • Existence as a Real Property: The Ontology of Meinongianism.Francesco Berto - 2012 - Dordrecht: Synthèse Library, Springer.
    This book is both an introduction to and a research work on Meinongianism. “Meinongianism” is taken here, in accordance with the common philosophical jargon, as a general label for a set of theories of existence – probably the most basic notion of ontology. As an introduction, the book provides the first comprehensive survey and guide to Meinongianism and non-standard theories of existence in all their main forms. As a research work, the book exposes and develops the most up-to-date Meinongian theory (...)
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  • Rationalism and the Content of Intuitive Judgements.Anna-Sara Malmgren - 2011 - Mind 120 (478):263-327.
    It is commonly held that our intuitive judgements about imaginary problem cases are justified a priori, if and when they are justified at all. In this paper I defend this view — ‘rationalism’ — against a recent objection by Timothy Williamson. I argue that his objection fails on multiple grounds, but the reasons why it fails are instructive. Williamson argues from a claim about the semantics of intuitive judgements, to a claim about their psychological underpinnings, to the denial of rationalism. (...)
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  • Modal meinongianism and fiction: The best of three worlds.Francesco Berto - 2011 - Philosophical Studies 152 (3):313-35.
    We outline a neo-Meinongian framework labeled as Modal Meinongian Metaphysics (MMM) to account for the ontology and semantics of fictional discourse. Several competing accounts of fictional objects are originated by the fact that our talking of them mirrors incoherent intuitions: mainstream theories of fiction privilege some such intuitions, but are forced to account for others via complicated paraphrases of the relevant sentences. An ideal theory should resort to as few paraphrases as possible. In Sect. 1, we make this explicit via (...)
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  • Existence questions.Amie L. Thomasson - 2008 - Philosophical Studies 141 (1):63 - 78.
    I argue that thinking of existence questions as deep questions to be resolved by a distinctively philosophical discipline of ontology is misguided. I begin by examining how to understand the truth-conditions of existence claims, by way of understanding the rules of use for ‘exists’ and for general noun terms. This yields a straightforward method for resolving existence questions by a combination of conceptual analysis and empirical enquiry. It also provides a blueprint for arguing against most common proposals for uniform substantive (...)
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  • Pretense, existence, and fictional objects.Anthony Everett - 2007 - Philosophy and Phenomenological Research 74 (1):56–80.
    There has recently been considerable interest in accounts of fiction which treat fictional characters as abstract objects. In this paper I argue against this view. More precisely I argue that such accounts are unable to accommodate our intuitions that fictional negative existentials such as “Raskolnikov doesn’t exist” are true. I offer a general argument to this effect and then consider, but reject, some of the accounts of fictional negative existentials offered by abstract object theorists. I then note that some of (...)
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  • Fictional characters.Stacie Friend - 2007 - Philosophy Compass 2 (2):141–156.
    If there are no fictional characters, how do we explain thought and discourse apparently about them? If there are, what are they like? A growing number of philosophers claim that fictional characters are abstract objects akin to novels or plots. They argue that postulating characters provides the most straightforward explanation of our literary practices as well as a uniform account of discourse and thought about fiction. Anti-realists counter that postulation is neither necessary nor straightforward, and that the invocation of pretense (...)
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  • A Leibnizian Antirealist Account of Fictional Characters.Byeong D. Lee - forthcoming - Dialogue.
    Résumé Alberto Voltolini préconise une analyse syncrétique des entités fictives, affirmant qu'elle satisfait tous les desiderata d'une analyse appropriée des entités fictives. Cet article présente une analyse des personnages fictifs qui réponde à ces critères, tout en évitant les problèmes que rencontre l'analyse de Voltolini. Selon mon analyse antiréaliste et leibnizienne, un personnage fictif peut être identifié par la collection de prédicats attribués à son nom. Cette analyse offre le bénéfice de la théorie des faisceaux, puisqu'elle écarte la question des (...)
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  • Rethinking Role Realism.Daniela Glavaničová - 2021 - British Journal of Aesthetics 61 (1):59-74.
    Role realism is a promising realist theory of fictional names. Different versions of this theory have been suggested by Gregory Currie, Peter Lamarque, Stein Haugom Olsen, and Nicholas Wolterstorff. The general idea behind the approach is that fictional characters are to be analysed in terms of roles, which in turn can be understood as sets of properties. I will discuss several advantages and disadvantages of this approach. I will then propose a novel hyperintensional version of role realism, according to which (...)
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  • Inheriting the World.Michel-Antoine Xhignesse - 2020 - Journal of Applied Logics 7 (2):163-70.
    A critical reflection on John Woods's new monograph, Truth in Fiction – Rethinking its Logic. I focus in particular on Woods’s world-inheritance thesis (what others have variously called ‘background,’ ‘the principle of minimal departure,’ and ‘the reality assumption,’ and which replaces Woods’s earlier ‘fill-conditions’) and its interplay with auctorial say-so, arguing that world-inheritance actually constrains auctorial say-so in ways Woods has not anticipated.
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  • Social Construction, Mathematics, and the Collective Imposition of Function onto Reality.Julian C. Cole - 2015 - Erkenntnis 80 (6):1101-1124.
    Stereotypes of social construction suggest that the existence of social constructs is accidental and that such constructs have arbitrary and subjective features. In this paper, I explore a conception of social construction according to which it consists in the collective imposition of function onto reality and show that, according to this conception, these stereotypes are incorrect. In particular, I argue that the collective imposition of function onto reality is typically non-accidental and that the products of such imposition frequently have non-arbitrary (...)
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  • Non‐Standard Neutral Free Logic, Empty Names and Negative Existentials.Dolf Rami - manuscript
    In this paper I am concerned with an analysis of negative existential sentences that contain proper names only by using negative or neutral free logic. I will compare different versions of neutral free logic with the standard system of negative free logic (Burge, Sainsbury) and aim to defend my version of neutral free logic that I have labeled non-standard neutral free logic.
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  • The Seven Consequences of Creationism.Alberto Voltolini - 2009 - Metaphysica 10 (1):27-48.
    Creationism with respect to fictional entities, i.e., the position according to which ficta are creations of human practices, has recently become the most popular realist account of fictional entities. For it allows one to hold that there are fictional entities while simultaneously giving such entities a respectable metaphysical status, that of abstract artifacts. In this paper, I will draw what are the ontological and semantical consequences of this position, or at least of all its forms that are genuinely creationist. For (...)
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  • How fictional works are related to fictional entities.Alberto Voltolini - 2003 - Dialectica 57 (2):225–238.
    The paper attempts at yielding a language-independent argument in favour of fictional entities, that is, an argument providing genuinely ontological reasons in favour of such entities. According to this argument, ficta are indispensable insofar as they are involved in the identity conditions of semantically-based entities we ordinarily accept, i.e. fictional works. It will also be evaluated to what extent this argument is close to other arguments recently provided to the same purpose.
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  • The semantics of fiction.Manuel García-Carpintero - 2023 - Mind and Language 38 (2):604-618.
    The paper reviews proposals by Abell, Predelli, and others on the semantics of fiction, focusing on the discourse through which fictions are created. Predelli develops the radical fictionalism of former writers like Kripke and van Inwagen, on which that discourse is contentless and does not express propositions. This paper offers reasons to doubt these claims. It then explores realist proposals like Abell’s in which singular terms in fictions refer to fictional characters, understood as socially created representational artifacts, and irrealist alternatives (...)
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  • Negative existentials as corrections: a partial solution to the problem of negative existentials in segmented discourse representation theory.Lenny Clapp - 2021 - Linguistics and Philosophy 44 (6):1281-1315.
    Paradigmatic uses of negative existentials such as ‘Vulcan does not exist’ are problematic because they present the interpreter with a pragmatic paradox: a speaker who uses such a sentence seems to be asserting something that is incompatible with what she presupposes. An adequate solution must therefore explain why we interpret paradigmatic uses of negative existentials as saying something true, even though such uses present us with a pragmatic paradox. I provide such an explanation by analyzing paradigmatic uses of negative existentials (...)
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  • Metaphysical perspectives on YHWH as a fictional entity in the Hebrew Bible.Jacobus W. Gericke - 2017 - HTS Theological Studies 73 (3):1-6.
    Within a literary ontology, YHWH in the Hebrew Bible is technically also a fictional entity or object. In Hebrew Bible scholarship, a variety of philosophical issues surrounding fiction have received sustained and in-depth attention. However, the mainstream research on these matters tends to focus on the philosophical foundations of or backgrounds to a particular literary theory, rather than on metaphysical puzzles as encountered in the philosophy of fiction proper. To fill this gap, the present article seeks to provide a meta-theoretical (...)
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  • Fictional Characters, Mythical Objects, and the Phenomenon of Inadvertent Creation.Zsófia Zvolenszky - 2016 - Res Philosophica 93 (2):1-23.
    My goal is to reflect on the phenomenon of inadvertent creation and argue that—various objections to the contrary—it doesn’t undermine the view that fictional characters are abstract artifacts. My starting point is a recent challenge by Jeffrey Goodman that is originally posed for those who hold that fictional characters and mythical objects alike are abstract artifacts. The challenge: if we think that astronomers like Le Verrier, in mistakenly hypothesizing the planet Vulcan, inadvertently created an abstract artifact, then the “inadvertent creation” (...)
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  • Inadvertent Creation and Fictional Characters.Zsófia Zvolenszky - 2015 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 22 (Supp. 1):169-184.
    In several papers, Petr Koťátko defends an “ontologically modest account of fictional characters”. Consider a position (which I have been defending) that is anything but ontologically restrained: positing fictional characters like Andrei Bolkonsky in War and Peace as abstract artifacts. I will argue, first, that such a position turns out to offer a nice fit with Petr Koťátko’s proposal about narrative fiction, one that fares better than an alternative pretense-based theory that doesn’t posit Bolkonsky as existing in any sense. Second, (...)
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  • Vague fictional objects.Elisa Paganini - 2020 - Inquiry: An Interdisciplinary Journal of Philosophy 63 (2):158-184.
    ABSTRACTI propose a different account of fictional objects from the ones already present in the literature. According to my account, fictional objects are culturally created abstract objects dependent for their existence on the pretence attitude adopted by a group of people towards a single fictional content. My work is divided into three parts: in the first one, I present how fictional objects come into existence according to my proposal; in the second part, I illustrate how the existence of fictional objects (...)
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  • The metaphysics of interpretation.Allison Jill Hepola - unknown
    In The Metaphysics of Interpretation, I explore the ontological issues surrounding fictional characters, literary works, and literary interpretation. My central claim is that if one accepts a certain position on the ontology of fictional characters and literary works – artifactualism – then, under certain circumstances, the misinterpretation of a literary work will result in the full-fledged destruction of that work. Some related matters that are studied include: realism about fictional characters, artifactualism’s implications for the debate between textualism and constructivism, the (...)
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  • What is Existence? A Matter of Co(n)text.Carola Barbero, Filippo Domaneschi, Ivan Enrici & Alberto Voltolini - 2024 - Acta Analytica 39 (1):1-18.
    In this paper, we present some experimental findings whose best explanation, first of all, provides a positive answer to a philosophical question in ontology as to whether, in the overall domain of beings, there are fictional characters (_ficta_) over and above concrete individuals. Moreover, since such findings arise out of different comparisons between fictional characters and concrete individuals on the one hand and fictional characters again and non-items that do not belong at all to such an overall domain on the (...)
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  • The Creator-Determining Problem and Conjunctive Creationism about Fictional Characters.Min Xu - 2015 - Dialogue 54 (3):455-468.
    According to standard Creationism about fictional characters, each fictional character is created by its single author independently, or created by its co-authors cooperatively, or created by its independent authors independently. I argue that standard Creationism faces the Creator-Determining Problem. I propose a non-standard form of Creationism, i.e., Conjunctive Creationism, according to which each fictional character is conjunctively created. I argue that Conjunctive Creationism does not face the Creator-Determining Problem. By responding to four potential worries, I provide a further defense. My (...)
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  • 2.1. Meinonghianismo modale e fiction: il meglio di tre mondi.Francesco Berto - 2012 - Rivista di Estetica 49:73-97.
    I propose a neo-Meinongian theory labelled as “Modal Meinongian Metaphysics” (MMM) to account for the ontology and semantics of fictional discourse. Several competing accounts of fictional objects are originated by the fact that our talking of them mirrors incoherent intuitions: mainstream theories of fiction privilege some such intuitions, but are forced to account for others via complicated paraphrases of the relevant sentences. An ideal theory should resort to as few paraphrases as possible. In section 1, I make the idea explicit (...)
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  • Fiction, existence et référence.Amie L. Thomasson - 2010 - Methodos 10.
    L’article publié ici se propose d’emprunter une voie qui n’avait pas été empruntée dans les explorations précédentes de l’auteur. En effet, on verra qu’il s’agit ici de surmonter les difficultés auxquelles sont confrontées les théories réalistes de la fiction et en particulier la théorie artefactuelle dont Amie Thomasson est l’auteur. La question principale s’édicte en ces termes : s’il y a des personnages de fiction, comment se fait-il qu’il nous soit naturel de dire que tel ou tel personnage n’existe pas (...)
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  • Fictionalism.E. C. Bourne - 2013 - Analysis 73 (1):147-162.
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  • A Plea for Concrete Universals.Eduardo García-Ramírez & Ivan Mayerhofer - 2015 - Critica 47 (139):3-46.
    Este artículo trata el problema de los objetos creados que pueden ser repetidos, como las obras musicales y las literarias. En la sección 2 presentamos una serie de desiderata intuitivos que toda teoría debe satisfacer. En las secciones 3 y 4 presentamos un silogismo disyuntivo extendido. Los objetos en cuestión pueden ser o bien universales concretos, particulares concretos, universales abstractos o particulares abstractos. Mostramos cómo es que las teorías que consideran que son cualquiera de las tres últimas opciones fracasan. Por (...)
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  • Centaurs, Pegasus, Sherlock Holmes: Against the Prejudice in Favour of the Real.Cristina Travanini - 2016 - Kairos 17 (1):56-72.
    Meinong’s thought has been rediscovered in recent times by analytic philosophy: his object theory has significant consequences in formal ontology, and especially his account of impossible objects has proved itself to be decisive in a wide range of fields, from logic up to ontology of fiction. Rejecting the traditional ‘prejudice in favour of the real’, Meinong investigates what there is not: a peculiar non-existing object is precisely the fictional object, which exemplifies a number of properties without existing in the same (...)
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  • (1 other version)Individuality in Fiction and the Creative Role of the Reader.Matthieu Fontaine & Shahid Rahman - 2012 - Revue Internationale de Philosophie 262 (4):539-560.
    The main aim of the paper is to offer a solution compatible with Graham Priest’s Noneism and Amie Thomasson’s Artifactual theory which stresses the epistemic features of the notion of individuality in fiction in a framework where individuals are conceived of as functions (the framework is known as the world-lines-semantics of Hintikka). According to our view, it is the endorsement of a reader’s perspective that extends the range of the values of the functions (individuals) and that offers an alternative solution (...)
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  • Fictional Content.Elisa Paganini - 2019 - Disputatio 11 (54):255-269.
    It is usually taken for granted that a necessary condition for knowing that P is the truth of P. It may therefore be claimed that if we assume that we gain some kind of knowledge through fiction (let us call it fictional knowledge) of P*, then P* should be true—in at least a certain sense. My hypothesis is that this assumption grounds the different ways adopted by philosophers for attributing truth-conditions to fictional sentences. My claim in this work is that (...)
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