Results for 'Authorship'

108 found
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  1. Minimal authorship (of sorts).Christy Mag Uidhir - 2011 - Philosophical Studies 154 (3):373 - 387.
    I propose a minimal account of authorship that specifies the fundamental nature of the author-relation and its minimal domain composition in terms of a three-place causal-intentional relation holding between agents and sort-relative works. I contrast my account with the minimal account tacitly held by most authorship theories, which is a two-place relation holding between agents and works simpliciter. I claim that only my view can ground productive and informative principled distincitons between collective production and collective authorship.
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  2. Authorship and Responsibility in Health Sciences Research: A Review of Procedures for Fairly Allocating Authorship in Multi-Author Studies.Elise Smith & Bryn Williams-Jones - 2012 - Science and Engineering Ethics 18 (2):199-212.
    While there has been significant discussion in the health sciences and ethics literatures about problems associated with publication practices (e.g., ghost- and gift-authorship, conflicts of interest), there has been relatively little practical guidance developed to help researchers determine how they should fairly allocate credit for multi-authored publications. Fair allocation of credit requires that participating authors be acknowledged for their contribution and responsibilities, but it is not obvious what contributions should warrant authorship, nor who should be responsible for the (...)
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  3. Agency, authorship, and illusion.Eddy Nahmias - 2005 - Consciousness and Cognition 14 (4):771-785.
    Daniel Wegner argues that conscious will is an illusion. I examine the adequacy of his theory of apparent mental causation and whether, if accurate, it suggests that our experience of agency and authorship should be considered illusory. I examine various interpretations of this claim and raise problems for each interpretation. I also distinguish between the experiences of agency and authorship.
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  4. Comics & Collective Authorship.Christy Mag Uidhir - 2012 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics: A Philosophical Approach. Wiley-Blackwell. pp. 47-67.
    Most mass-art comics (e.g., “superhero” comics) are collectively produced, that is, different people are responsible for different production elements. As such, the more disparate comic production roles we begin to regard as significantly or uniquely contributory, the more difficult questions of comic authorship become, and the more we view various distinct production roles as potentially constitutive is the more we must view comic authorship as potentially collective authorship. Given the general unreliability of intuitions with respect to collective (...)
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  5. Authorship and Date of the Book of Proverbs.Lascelles G. B. James - manuscript
    It is evident from studies of Proverbs that the book has a number of authors and was compiled over an extended period of time. Bible scholars differ in their opinions concerning the authorship and date of compilation of the book. There are a number of critics who believe that references to the names of some authors of Proverbs are symbolic. There are others who believe that the final compilation date of the book was around the 2nd century B.C. On (...)
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  6. Understanding of Authorship by the Post Graduate Medical Students at a Center in Bangladesh.S. P. Lasker - 2021 - Bangladesh Journal of Bioethics 12 (1):25-34.
    Education on authorship was delivered and evaluated by pre test and post test questionnairen on 30 post graduate medical students at the Department of Anestheology, Dhaka Medical College, Bangladesh between January and June 2019 to understand the knowledge, skill and attitude of post graduate medical students on authorship. Result: Before intervention, majority (60%) of the students felt that who perform the research work should be the author of the article. But 40% students were divided and felt that who (...)
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  7. The Norms of Authorship Credit: Challenging the Definition of Authorship in the European Code of Conduct for Research Integrity.Mohammad Hosseini & Jonathan Lewis - 2020 - Accountability in Research 27 (2):80-98.
    The practice of assigning authorship for a scientific publication tends to raise two normative questions: 1) ‘who should be credited as an author?’; 2) ‘who should not be credited as an author but should still be acknowledged?’. With the publication of the revised version of The European Code of Conduct for Research Integrity (ECCRI), standard answers to these questions have been called into question. This article examines the ways in which the ECCRI approaches these two questions and compares these (...)
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  8. Interpreting AI-Generated Art: Arthur Danto’s Perspective on Intention, Authorship, and Creative Traditions in the Age of Artificial Intelligence.Raquel Cascales - 2023 - Polish Journal of Aesthetics 71 (4):17-29.
    Arthur C. Danto did not live to witness the proliferation of AI in artistic creation. However, his philosophy of art offers key ideas about art that can provide an interesting perspective on artwork generated by artificial intelligence (AI). In this article, I analyze how his ideas about contemporary art, intention, interpretation, and authorship could be applied to the ongoing debate about AI and artistic creation. At the same time, it is also interesting to consider whether the incorporation of AI (...)
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  9. A self-determination theory account of self-authorship: Implications for law and public policy.Alexios Arvanitis & Konstantinos Kalliris - 2017 - Philosophical Psychology 30 (6):763-783.
    Self-authorship has been established as the basis of an influential liberal principle of legislation and public policy. Being the author of one’s own life is a significant component of one’s own well-being, and therefore is better understood from the viewpoint of the person whose life it is. However, most philosophical accounts, including Raz’s conception of self-authorship, rely on general and abstract principles rather than specific, individual psychological properties of the person whose life it is. We elaborate on the (...)
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  10. Suggestions to Improve the Comprehensibility of Current Definitions of Scientific Authorship for International Authors.Mohammad Hosseini, Luca Consoli, H. A. E. Zwart & Mariette A. Van den Hoven - 2020 - Science and Engineering Ethics 26 (2):597-617.
    Much has been said about the need for improving the current definitions of scientific authorship, but an aspect that is often overlooked is how to formulate and communicate these definitions to ensure that they are comprehensible and useful for researchers, notably researchers active in international research consortia. In light of a rapid increase in international collaborations within natural sciences, this article uses authorship of this branch of sciences as an example and provides suggestions to improve the comprehensibility of (...)
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  11. Information Privacy and Social Self-Authorship.Daniel Susser - 2016 - Techné: Research in Philosophy and Technology 20 (3):216-239.
    The dominant approach in privacy theory defines information privacy as some form of control over personal information. In this essay, I argue that the control approach is mistaken, but for different reasons than those offered by its other critics. I claim that information privacy involves the drawing of epistemic boundaries—boundaries between what others should and shouldn’t know about us. While controlling what information others have about us is one strategy we use to draw such boundaries, it is not the only (...)
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  12. Appropriation and Authorship in Contemporary Art.Sherri Irvin - 2005 - British Journal of Aesthetics 45 (2):123-137.
    Appropriation art has often been thought to support the view that authorship in art is an outmoded or misguided notion. Through a thought experiment comparing appropriation art to a unique case of artistic forgery, I examine and reject a number of candidates for the distinction that makes artists the authors of their work while forgers are not. The crucial difference is seen to lie in the fact that artists bear ultimate responsibility for whatever objectives they choose to pursue through (...)
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  13. When Should Co-Authorship Be Given to AI?G. P. Transformer Jr, End X. Note, M. S. Spellchecker & Roman Yampolskiy - manuscript
    If an AI makes a significant contribution to a research paper, should it be listed as a co-author? The current guidelines in the field have been created to reduce duplication of credit between two different authors in scientific articles. A new computer program could be identified and credited for its impact in an AI research paper that discusses an early artificial intelligence system which is currently under development at Lawrence Berkeley National. One way to imagine the future of artificial intelligence (...)
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  14.  36
    Exploration of the creative processes in animals, robots, and AI: who holds the authorship?Jessica Lombard, Cédric Sueur, Marie Pelé, Olivier Capra & Benjamin Beltzung - 2024 - Humanities and Social Sciences Communications 11 (1).
    Picture a simple scenario: a worm, in its modest way, traces a trail of paint as it moves across a sheet of paper. Now shift your imagination to a more complex scene, where a chimpanzee paints on another sheet of paper. A simple question arises: Do you perceive an identical creative process in these two animals? Can both of these animals be designated as authors of their creation? If only one, which one? This paper delves into the complexities of (...), consciousness, and agency, unpacking the nuanced distinctions between such scenarios and exploring the underlying principles that define creative authorship across different forms of life. It becomes evident that attributing authorship to an animal hinges on its intention to create, an aspect intertwined with its agency and awareness of the creative act. These concepts are far from straightforward, as they traverse the complex landscapes of animal ethics and law. But our exploration does not stop there. Now imagine a robot, endowed with artificial intelligence, producing music. This prompts us to question how we should evaluate and perceive such creations. Is the creative process of a machine fundamentally different from that of an animal or a human? As we venture further into this realm of human-made intelligence, we confront an array of ethical, philosophical, and legal quandaries. This paper provides a platform for a reflective discussion: ethologists, neuroscientists, philosophers, and bioinformaticians converge in a multidisciplinary dialogue. Their insights provide valuable perspectives for establishing a foundation upon which to discuss the intricate concepts of authorship and appropriation concerning artistic works generated by non-human entities. (shrink)
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  15. Ghost-Written Lives: Autonomy, Deference, and Self-Authorship.Michael Garnett - 2022 - Ethics 133 (2):189–215.
    Certain forms of practical deference seem to be incompatible with personal autonomy. I argue that such deference undermines autonomy not by compromising the governance of an authentic self, nor by constituting a failure to track objective reasons, but by constituting a particular social relation: one of interpersonal rule. I analyse this social relation and distinguish it from others, including ordinary relations of love and care. Finally, I argue that the particular form of interpersonal rule constituted by dispositions of practical deference (...)
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  16. We Asked ChatGPT About the Co-Authorship of Artificial Intelligence in Scientific Papers.Ayşe Balat & İlhan Bahşi - 2023 - European Journal of Therapeutics 29 (3):e16-e19.
    Dear Colleagues, -/- A few weeks ago, we published an editorial discussion on whether artificial intelligence applications should be authors of academic articles [1]. We were delighted to receive more than one interesting reply letter to this editorial in a short time [2, 3]. We hope that opinions on this subject will continue to be submitted to our journal. -/- In this editorial, we wanted to publish the answers we received when we asked ChatGPT, one of the artificial intelligence applications, (...)
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  17. The Bibliothèque raisonnée Review of Volume 3 of the Treatise : Authorship, Text, and Translation.David Fate Norton & Dario Perinetti - 2006 - Hume Studies 32 (1):3-52.
    The review of volume 3 of Hume's Treatise, a review that appeared in the Bibliothèque raisonnée in the spring of 1741, was the first published response to Hume's ethical theory. This review is also of interest because of questions that have arisen about its authorship and that of the earlier review of volume 1 of the Treatise in the same journal. In Part 1 of this paper we attribute to Pierre Des Maizeaux the notice of vols. 1 and 2 (...)
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  18. Taking Relational Authenticity Seriously: Neurotechnologies, Narrative Identity, and Co-Authorship of the Self.Emilian Mihailov, Alexandra Zorila & Cristian Iftode - 2021 - American Journal of Bioethics Neuroscience 12 (1):35-37.
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  19. XIII—Self‐Knowledge, Transparency, and Self‐Authorship.Sacha Golob - 2015 - Proceedings of the Aristotelian Society 115 (3pt3):235-253.
    Proceedings of the Aristotelian Society, Volume 115, Issue 3pt3, Page 235-253, December 2015.
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  20. The Real Significance of Bayle’s Authorship of the Avis.Michael W. Hickson & Thomas M. Lennon - 2009 - British Journal for the History of Philosophy 1 (17):191-205.
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  21. Scientific elite revisited: Patterns of productivity, collaboration, authorship and impact.Jichao Li, Yian Yin, Santo Fortunato & Dashun Wang - 2020 - arXiv 2020 (3):1-54.
    Throughout history, a relatively small number of individuals have made a profound and lasting impact on science and society. Despite long-standing, multi-disciplinary interests in understanding careers of elite scientists, there have been limited attempts for a quantitative, career-level analysis. Here, we leverage a comprehensive dataset we assembled, allowing us to trace the entire career histories of nearly all Nobel laureates in physics, chemistry, and physiology or medicine over the past century. We find that, although Nobel laureates were energetic producers from (...)
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  22. The Author and other Avatars on digital Media Platforms: Mediatization reconfigured.Niels Finnemann - 2012 - Niels Ole Finnemann.
    The notion of authorship has been widely discussed since the proclamation of the Death of the Author in mid 20th century. Authors are still writing, but a variety of new forms of authorship and new kinds of relations between authors, texts and readers have emerged. Many new forms of authorship are enabled by the use of digital media, which provide a new layer of hypertextual and interactive software in between the ‘author’ as a representation of the human (...)
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  23. What's the Point of Authors?Joshua Habgood-Coote - forthcoming - British Journal for the Philosophy of Science.
    Who should be the author(s) of an academic paper? This question is becoming increasingly pressing, due to the increasing prevalence and scale of scientific collaboration, and the corresponding diversity of authorship practices in different disciplines and subdisciplines. This paper addresses the conceptual issues underlying authorship, with an eye to ameliorating authorship practices. The first part of the paper distinguishes five roles played by authorship attributions: allocating credit, constructing a speaker, enabling credibility judgements, supporting accountability, and creating (...)
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  24. The Writ against Religious Drama: Frater Taciturnus v. Søren Kierkegaard.Gene Fendt - 1997 - In Niels J. Cappelørn (ed.), Kierkegaard Revisited: Proceedings From the Conference. Berlin, Germany: de Gruyter. pp. 48-74.
    In a very literarily complicated setting, Frater Taciturnus sets a remark about Hamlet not being a Christian tragedy. After unpeeling that literary setting and noting that Taciturnus' remark aims more at Jacob Börne than at Shakespeare, the paper shows how Frater Taciturnus' remark calls into question the religious project of a certain danish author. For, Taciturnus' primary concern is to show that religious drama is not possible, or at least "ought not be." This general law applies to Hamlet as well, (...)
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  25. Abstraction in Archaeological Stratigraphy: a Pyrenean Lineage of Innovation (late 19th-early 21th century).Sébastien Plutniak - 2021 - In Sophie A. de Beaune, Alessandro Guidi, Oscar Moro Abadia & Massimo Tarantini (eds.), New Advances in the History of Archaeology. Archaeopress. pp. 78-92.
    Methodological innovations have a special status in disciplinary histories, because they can be widely adopted and anonymised. In the 1950s, this occurred to Georges Laplace’s innovative use of 3-dimensional metric Cartesian coordinate system to record the positions of archaeological objects. This paper proposes a conceptual and social history of this process, with a focus on its spatial context, the Pyrenean region (Spain, Basque Country, and France). Main results of this research based on archives, publications, and bibliometric data, include: 1) a (...)
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  26. AI-aesthetics and the artificial author.Emanuele Arielli - forthcoming - Proceedings of the European Society for Aesthetics.
    ABSTRACT. Consider this scenario: you discover that an artwork you greatly admire, or a captivating novel that deeply moved you, is in fact the product of artificial intelligence, not a human’s work. Would your aesthetic judgment shift? Would you perceive the work differently? If so, why? The advent of artificial intelligence (AI) in the realm of art has sparked numerous philosophical questions related to the authorship and artistic intent behind AI-generated works. This paper explores the debate between viewing AI (...)
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  27. Discursos sobre o eu na composição autoral dos vlogs.Guilherme Adorno - 2015 - Dissertation, Unicamp
    Upon the relation between significant, subject and history, Materialistic Discourse Analysis –theoretical and methodological framework of the present research –confronts itself perennially with the analytical material in order to understand language in the movement of the social. The theory only takes place when it is in front of the analytical procedures of a specific object, which, in this investigation, it may be identified as: the discourses about the self in the authorial composition of vlogs, YouTube videos characterized as a language (...)
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  28. Holding Large Language Models to Account.Ryan Miller - 2023 - In Berndt Müller (ed.), Proceedings of the AISB Convention. Society for the Study of Artificial Intelligence and the Simulation of Behaviour. pp. 7-14.
    If Large Language Models can make real scientific contributions, then they can genuinely use language, be systematically wrong, and be held responsible for their errors. AI models which can make scientific contributions thereby meet the criteria for scientific authorship.
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  29. Aberration of the Citation.Khaled Moustafa - 2016 - Accountability in Research 23 (4):230.
    Multiple inherent biases related to different citation practices (for e.g., self-citations, negative citations, wrong citations, multi-authorship-biased citations, honorary citations, circumstantial citations, discriminatory citations, selective and arbitrary citations, etc.) make citation-based bibliometrics strongly flawed and defective measures. A paper can be highly cited for a while (for e.g., under circumstantial or transitional knowledge), but years later it may appear that its findings, paradigms, or theories were untrue or invalid anymore. By contrast, a paper may remain shelved or overlooked for years (...)
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  30. 'Archytas: Author and Authenticator of Pythagoreanism'.Phillip Sidney Horky - 2021 - In Constantinos Macris, Luc Brisson & Tiziano Dorandi (eds.), Pythagoras Redivivus: Studies on the Texts Attributed to Pythagoras and the Pythagoreans. Academia – ein Verlag in der Nomos Verlagsgesellschaft. pp. 141-76.
    This paper critically examines the use of the name 'Pseudo-Archytas' to refer to two aspects of the reception of Archytas of Tarentum in antiquity: the 'author-inflection' and the 'authority-inflection'. In order to make progress on our understanding of authority and authorship within the Pythagorean tradition, it attempts to reconstruct Porphyry's views on the importance of Archytas as guarantor of Pythagorean authenticity in the former's lost work On the History of the Philosophers by considering a fragment preserved in Arabic by (...)
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  31.  97
    El paradigma de la Inteligencia Artificial: una aproximación filosófica, política y estética.Constanza Rivano Delzo - manuscript
    This article aims to generate an approach to the debate on the regulation of artificial intelligence. For this, an ontological analysis is made on the human need to legislate establishing a theoretical cross between Martin Heidegger and John Locke to then criticize the political and commercial insistence of understanding Artificial Intelligence only as a tool. Then, the text will try to reflect how through Art made by Artificial Intelligence it is possible to establish aesthetic value and authorship of the (...)
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  32. Dignity and Credibility in the Age of Information.Joshua Duclos - 2020 - The Principal Post.
    Self-authorship is fundamental to respecting the dignity of persons, and epistemic credibility depends upon impartial review. While these claims may seem obviously true, they arguments for them are rarely given. In a supposedly "post-truth" world in which respect for individual rights is under attack, the obvious must be argued for and reiterated. To that end, I mine sources from the European Enlightenment (Bacon, Hume, Kant, and Mill) to make the case for self-authorship and impartial review.
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  33. Wedge: A Cross-Disciplinary Collaboration by Janine Antoni and Jill Sigman.Sherri Irvin - 2016 - In Sondra Bacharach, Siv B. Fjærestad & Jeremy Neil Booth (eds.), Collaborative Art in the Twenty-First Century. Routledge. pp. 166-178.
    In 2012, choreographer and dancer Jill Sigman of jill sigman/thinkdance and visual artist Janine Antoni collaborated to produce Wedge, a live performance at the Albright-Knox Gallery. In this essay, I describe the collaboration and the resulting work and examine the benefits and challenges of the collaboration. The discussion touches on broader issues pertaining to collaboration, co-authorship, artists' intentions, and interpretation.
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  34. Complete Artworks without Authors.Kelly Trogdon - forthcoming - Canadian Journal of Philosophy.
    Investigation of a puzzle concerning complete yet authorless artworks.
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  35. The Epistemic Benefits of Reason Giving.Lisa Bortolotti - 2009 - Theory and Psychology 19 (5):1-22.
    There is an apparent tension in current accounts of the relationship between reason giving and self knowledge. On the one hand, philosophers like Richard Moran (2001) claim that deliberation and justification can give rise to first-person authority over the attitudes that subjects form or defend on the basis of what they take to be their best reasons. On the other hand, the psychological evidence on the introspection effects and the literature on elusive reasons suggest that engaging in explicit deliberation or (...)
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  36. Giving Credit When Credit Is Due.Edward Song - 2011 - International Journal of Applied Philosophy 25 (1):1-13.
    Issues of academic authorship pose few problems for philosophers or those in the humanities, yet raise a host of issues for medical researchers, engineers and scientists, where multiple authors is the norm and journal articles sometimes list hundreds of authors. At issue here are abstract questions about desert, as well as practical problems regarding the distribution of goods attached to authorship—tenure, prestige, research grants, etc. This paper defends a version of the author/contributor model, where the specific contributions of (...)
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  37. Comparative views on research productivity differences between major social science fields in Vietnam: Structured data and Bayesian analysis, 2008-2018.Quan-Hoang Vuong, La Viet Phuong, Vuong Thu Trang, Ho Manh Tung, Nguyen Minh Hoang & Manh-Toan Ho - manuscript
    Since Circular 34 from the Ministry of Science and Technology of Vietnam required the head of the national project to have project results published in ISI/Scopus journals in 2014, the field of economics has been dominating the number of nationally-funded projects in social sciences and humanities. However, there has been no scientometric study that focuses on the difference in productivity among fields in Vietnam. Thus, harnessing the power of the SSHPA database, a comprehensive dataset of 1,564 Vietnamese authors (854 males, (...)
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  38. Anonymous Arguments.Andrew Aberdein - forthcoming - Ethical Theory and Moral Practice:1-13.
    Anonymous argumentation has recently been the focus of public controversy: flash points include the outing of pseudonymous bloggers by newspapers and the launch of an academic journal that expressly permits pseudonymous authorship. However, the controversy is not just a recent one—similar debates took place in the nineteenth century over the then common practice of anonymous journalism. Amongst the arguments advanced by advocates of anonymous argumentation in either era is the contention that it is essential if the widest range of (...)
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  39. The Possibility of Democratic Autonomy.Adam Lovett & Jake Zuehl - 2022 - Philosophy and Public Affairs 50 (4):467-498.
    What makes democracy valuable? One traditional answer holds that participating in democratic self-government amounts to a kind of autonomy: it enables citizens to be the authors of their political affairs. Many contemporary philosophers, however, are skeptical. We are autonomous, they argue, when important features of our lives are up to us, but in a democracy we merely have a say in a process of collective choice. In this paper, we defend the possibility of democratic autonomy, by advancing a conception of (...)
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  40. The Most Overrated Article of All Time?Joshua Landy - 2017 - Philosophy and Literature 41 (2):465-470.
    Roland Barthes' famous essay "The Death of the Author" packs an astonishing number of logical howlers into its blessedly few pages. How did it become so firmly entrenched in the canon of literary theory?
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  41. Authority and Anonymity in Descartes' Discourse on Method.Christina Hendricks - manuscript
    Presented at the 2010 Annual Meeting of the Association for Core Texts and Courses, New Brunswick, New Jersey, USA, April 2010. -/- René Descartes’ Discourse on Method is paradoxical in several respects: it was published anonymously, yet is rich in autobiographical detail; further, Descartes insists that “the power of judging well and of distinguishing the true from the false…is naturally equal in all men,” and also that “the world consists almost exclusively of … minds for whom [his method of reasoning] (...)
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  42. Critical reviews of Kyiv Theological Academy`s professors on the foreign bibliological literature: topics and content (the second half of the 19th – early 20th centuries).Serhii Holovashchenko - 2018 - Наукові Записки Наукма. Філософія Та Релігієзнавство 2:65-78.
    In this article, the author carries on his research into critical bibliographic reviews of foreign biblical studies made by professors of Kyiv Theological Academy in the second half of the nineteenth and early twentieth century. In his analysis of the structure and topics of those reviews, the author spotlights how the European experience of biblical studies played a role in shaping of the Orthodox Biblical discourse in Kyiv Theological Academy. The European biblical studies of that period increasingly promoted the biblical (...)
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  43. Ambivalation of the Author’s role in a photographic image.Yuliia Petruk - 2018 - Наукові Записки Наукма. Філософія Та Релігієзнавство 2:17-25.
    This article questions the role of the author in the photographical image. Undoubtedly, the invention of photography has changed our attitude towards ourselves, towards the world. The impact of photography on one’s life is growing with the development of technology, mainly the photo-technology. One cannot but trust technological tools more than oneself, because any technological device nowadays is considered to be smarter, faster, and more precise than any human being. The technology plays a special role in photography, and that is (...)
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  44. Democratic Constitutional Change: Assessing Institutional Possibilities.Christopher Zurn - 2016 - In Thomas Bustamante and Bernardo Gonçalves Fernandes (ed.), Democratizing Constitutional Law: Perspectives on Legal Theory and the Legitimacy of Constitutionalism. pp. 185-212.
    This paper develops a normative framework for both conceptualizing and assessing various institutional possibilities for democratic modes of constitutional change, with special attention to the recent ferment of constitutional experimentation. The paper’s basic methodological orientation is interdisciplinary, combining research in comparative constitutionalism, political science and normative political philosophy. In particular, it employs a form of normative reconstruction: attempting to glean out of recent institutional innovations the deep political ideals such institutions embody or attempt to realize. Starting from the assumption that (...)
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  45.  1
    Impossibility of Emergent Works’ Protection in U.S. and EU Copyright Law.Matt Blaszczyk - 2023 - North Carolina Journal of Law and Technology 25 (1):1-55.
    Protection of emergent works is impossible. Without an author, there is no expression of ideas which can be original, and thus no copyrightable work. Indeed, the whole system of copyright law, its conceptual building blocks of idea-expression dichotomy, originality, authorship, and the concept of a protectable work operate in the notation of human creativity. Emergent works fall outside of copyright’s positive ontology, being akin to ideas, facts, or subject-matter predicated by technical considerations, rather than authorial creativity. In other words, (...)
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  46. Author spotlight: inspiration and perspiration, between science and literature.Victor Adelino Ausina Mota - manuscript
    What guides, in fact, the spirit of the writer, a consciousness in the training of his sense of humanity and inhumanity of others, or just entertains readers who see life as uninteresting, as a "thing" that does not deserve to be lived only by the playful side of things and people? Yes, what commands the author’s conscience? The Id, the Ego? God? Does he accept a Voice, which though bothering him, gives him advice for free, dismissing the psychiatrist and then (...)
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  47. Kantian Personal Autonomy.Robert S. Taylor - 2005 - Political Theory 33 (5):602-628.
    Jeremy Waldron has recently raised the question of whether there is anything approximating the creative self-authorship of personal autonomy in the writings of Immanuel Kant. After considering the possibility that Kantian prudential reasoning might serve as a conception of personal autonomy, I argue that the elements of a more suitable conception can be found in Kant’s Tugendlehre, or “Doctrine of Virtue”—specifically, in the imperfect duties of self-perfection and the practical love of others. This discovery is important for at least (...)
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  48. Societies Within: Selfhood through Dividualism & Relational Epistemology.Jonathan Morgan - manuscript
    Most see having their individuality stifled as equivalent to the terrible forced conformity found within speculative fiction like George Orwell's 1984. However, the oppression of others by those in power has often been justified through ideologies of individualism. If we look to animistic traditions, could we bridge the gap between these extremes? What effect would such a reevaluation of identity have on the modern understanding of selfhood? The term ' in-dividual' suggests an irreducible unit of identity carried underneath all of (...)
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  49. Philosophy of games.C. Thi Nguyen - 2017 - Philosophy Compass 12 (8):e12426.
    What is a game? What are we doing when we play a game? What is the value of playing games? Several different philosophical subdisciplines have attempted to answer these questions using very distinctive frameworks. Some have approached games as something like a text, deploying theoretical frameworks from the study of narrative, fiction, and rhetoric to interrogate games for their representational content. Others have approached games as artworks and asked questions about the authorship of games, about the ontology of the (...)
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  50. Technological progress and responsibility.Nikil Mukerji - 2014 - In Fiorella Battaglia, Nikil Mukerji & Julian Nida-Rümelin (eds.), Rethinking Responsibility in Science and Technology. Pisa University Press. pp. 25-36.
    In this essay, I will examine how technological progress affects the responsibilities of human agents. To this end, I will distinguish between two interpretations of the concept of responsibility, viz. responsibility as attributability and substantive responsibility. On the former interpretation, responsibility has to do with the idea of authorship. When we say that a person is responsible for her actions we mean that she is to be seen as the author of these actions. They can be attributed to her, (...)
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