Memory is a privileged context for inquiry into subjective life; no wonder that the way philosophers theorize memory is indicative of their conception of subjectivity as a whole. In this essay, I turn to Sartre and Husserl with the aim of unveiling how their accounts of recollection resolve the question of identity and difference within the temporality of one's life. Tracing Sartre's arguments against Husserl's, as well as Husserl's and Sartre's own presentations of recollection, I inquire into the reasons that (...) incited them to bring either the aspect of sameness or otherness at the heart of subjective life into view. (shrink)

In the prospectus for his later work pronounced in 1952, Merleau-Ponty announced that his move beyond the phenomenological to the ontological level of analysis is motivated by issues of sociality, notably communication with others.' I propose to interrogate this priority attributed by the author to this interpersonal bond in his reflections on corporeality in general, marking a departure from The Structure of Behavior and The Phenomenology of Perception, which privileged the starting point of consciousness and the body proper. My interest (...) lies particularly in exposing the psychological sources of Merleau-Ponty's thinking about the primacy of sociality. Referring to his lectures on Child Psychology and Pedagogy, which he delivered as Professor at the Sorbonne in Paris in 1949-52,2 I will develop the contention that the developmental psychology of child sociality significantly informed his understanding of relations between self and other laid out in the later texts, and henceforth informed also his conception of the flesh. Specifically, the psychological hypotheses about the anonymous and fusional form initially taken by human sociality appears to play a determining role in his conception of interpersonal life formulated on the ontological plane. I will then point to the internal tensions involved in the theory of sociality based on the thesis of anonymity and disclose an alternative theoretical account, which has the merit of preserving the advantages of the anonymity thesis while avoiding its drawbacks; it also facilitates continued dialogue between Merleau-Ponty's philosophy and recent developmental psychology. (shrink)

I examine the ordinary-language use of deictic terms, notably the personal, spatial and temporal markers 'I' and 'you', 'here' and 'now', in order to make manifest that their meaning is inextricably embedded within a pragmatic, perceptual and interpersonal situation. This inextricable embeddedness of deixis within the shared natural and social world suggests, I contend, an I-you connectedness at the heart of meaning and experience. The thesis of I-you connectedness extends to the larger claim about the situatedness of embodied perceivers within (...) a shared perspectivally configured milieu. This claim can be cast in terms of a polycentric orientation to the natural and social world, which provides a robust alternative to an egocentric conception of experience. I develop this claim via a renewed phenomenological reflection on speech, assisted by ordinary-language philosophy, as well as relevant contributions from empirical sociolinguistic studies and developmental psychology. These reflective and empirical perspectives help make a case for the primacy of socially and spatially situated experience, which departs from the received notion of an asocial and uprooted mind. (shrink)

Stawarska considers the ambiguities surrounding the antagonism between the phenomenological and the structuralist traditions by pointing out that the supposed foundation of structuralism, the Course in General Linguistics, was ghostwritten posthumously by two editors who projected a dogmatic doctrine onto Saussure’s lectures, while the authentic materials related to Saussure’s linguistics are teeming with phenomenological references. She then narrows the focus to Merleau-Ponty’s engagement with Saussure’s linguistics and argues that it offers an unusual, if not an uncanny, reading of the Course, (...) in that it identifies a phenomenological dimension within the text, against the grain of the dominant structuralist claim. This phenomenological dimension is corroborated by the authentic sources of Saussure’s linguistics, even though the latter were beyond the philosopher’s own power to know. Merleau-Ponty’s unorthodox reading of the Course as being broadly compatible with the tradition of Husserlian phenomenology has been dismissed as an error and a contresens , but Stawarska proposes that such deviant appropriations of foundational texts are the ones to cherish the most, since they effectively dismantle the received dogmas and official doctrines stuffing the cabinets of canonical philosophy. She argues specifically that Merleau-Ponty’s contested distinction between “a synchronic linguistics of speech ” and “a diachronic linguistics of language ” , which gives primacy to la parole over la langue, and raises the possibility of a systematic study of la parole, contains a more faithful response to Saussure’s own project than the received structuralist view that la langue alone constitutes the proper object of linguistic study. (shrink)

This article discusses experimental studies of facial imitation in infants in the light of Sartre's and Merleau-Ponty's phenomenological theories of embodiment. I argue that both Sartre's account of the gaze of the other and Merleau-Ponty's account of the reversibility of the flesh provide a fertile ground for interpreting the data demonstrating that very young infants can imitate facial expressions of adults. Sartre's and Merleau-Ponty's accounts of embodiment offer, in my view, a desirable alternative to the dominant mentalistic interpretation of facial (...) imitation in terms of the theory of mind. (shrink)

In this essay, I follow the lead of recent scholarship in Saussure linguistics and critically examine the Saussurean doctrine associated with the Course in General Linguistics, which later became a hallmark of structuralism. Specifically, I reconstruct the history of the concluding sentence in the Course which establishes the priority of la langue over everything deemed external to it. This line assumed the status of an oft-cited ‘famous formula’ and became a structuralist motto. The ‘famous formula’ was, however, freely inserted by (...) the editors of the Course who effectively ghostwrote the book after Saussure’s death, and authored a series of early book-reviews of the same text in dedicated scholarly venues. I argue that the editorial success turning their vision of Saussure’s teaching into official doctrine was enabled in part by the dominant social structures regulating twentieth-century European academia. (shrink)

In this essay I highlight the importance of the phenomenon of living speech and the communicative dimension of experience in phenomenological research. Specifically, I critically consider the charge of phonocentrism raised by Derrida to phenomenology which appears to have discredited any attempt to approach the phenomenon of vocality for fear of falling back into a metaphysics of presence and adopting the stance of atomistic subjectivity. It may be true that classical phenomenology of consciousness privileges the first person point of view (...) and is guilty of a subjectivist bias but one finds rich resources within the dialogical tradition, notably Buber, as well as in the works of Humboldt and Plato's Dialogues, which highlight a fundamental duality of self and the other, which plays out between You and I within living speech, and to thus correct the invidualist position of classical phenomenology. (shrink)

This paper sets out to interpret the phrase ‘the city landscape’. Beginning with landscape aesthetics based on two categories — the picturesque and the sublime — the author attempts todemonstrate that a city can be interpreted in terms of a cultural landscape. This necessitates a re‑interpretation of the category of the sublime, whereby, through references to Edmund Burke, Theodor W. Adorno and Arnold Berleant, the sublime assumes the nature of a category which determines the existential situation of a person in (...) the world. Here, the sublime provides people with an impulse to undertake efforts to fashion their surroundings and forge the essence of the living world. As such, the sublime also becomes a category that promotes social activities aimed at improving the quality of life in a city, such as the activities of ‘urban gardeners’. (shrink)

O systemach czasowych, w tym również języka niemieckiego, napisano już wiele publikacji językoznawczych. Najlepszym przykładem niech będzie chociażby jakiekolwiek wydawnictwo gramatyczne, gdzie bez trudu można znaleźć wyczerpującą charakterystykę danego systemu czasowego. Pomimo jednak licznych starań językoznawców podejmujących się tego tematu, nie wydaje się, aby osiągnęli oni porozumienie, co do struktury systemu czasowego w języku niemieckim, funkcji poszczególnych form i wreszcie terminologii. Jeśli chodzi o tę ostatnią, należałoby podkreślić, iż w językoznawstwie niemieckim zasadniczą rolę odgrywa nazewnictwo łacińskie, w wyniku czego próby (...) wprowadzenia określeń niemieckich kończyły się często niepowodzeniem. Nie może tu być jednak pominięty fakt, iż terminologia łacińska stosowana w odniesieniu do systemu czasowego w języku niemieckim może prowadzić do wielu nieporozumień, gdyż stosunki czasowe języka niemieckiego różnią się dalece od tych charakterystycznych dla języka łacińskiego, a jedynie poprzez tempus - pojmowany tam jako morfem gramatyczny - niemożliwe jest w niektórych przypadkach jednoznaczne wyrażenie treści. Od kiedy więc zaakceptowany został wśród językoznawców niemieckich fakt, iż opierający się na tradycji łacińskiej system czasów niemieckich nie ma bezpośredniego pokrycia z niemiecką rzeczywistością temporalną, rozpoczęto poszukiwania lepszego, bardziej wiarygodnego systemu czasowego. Uzasadnione wydaje się istnienie obok siebie różnyan interpretacji poszczególnych form czasowych i całego systemu, do którego przynależą. Przy czym warto zwrócić uwagę na •całą gamę odniesień i aspektów, które stają się punktem wyjścia do takiej, a nie innej interpretacji. I tak można znależć próbę przyporządkowania form czasownikowyh dwóm grupom, aczkolwiek nie przez pryzmat płaszczyzn czasowych, lecz w odniesieniu do typowych sytuacji dialogowych czy też gatunków literackich. Zwykle mówi się tu o "świecie omówionym i opowiedzianym", przez co zrywa się całkowicie z tradycyjnym rozumieniem form czasowych. W związku z tym pada pytanie, czy nie należałoby doszukiwać się w poszczególnych formach czasowych próby wyrażania jak najbardziej subiektywnego stosunku do wydarzeń. Ponadto nie wszyscy językoznawcy skłaniają się ku temu, by w ogóle umieszczać formy czasowe w jakimkolwiek systemie. Mimo to należy jednak podkreślić, iż siła tradycji w dalszym ciągu ma ogromny wpływ na obraz czasów języka niemieckiego. Nie chodzi tu jednak o tradycyjne przyporządkowanie form czasowych do poszczególnych płaszczyzn czasowych, o czym powinno się pamiętać zarówno ze względów czysto praktycznych (dydaktycznych), jak i teoretycznych. (shrink)

The connection between Kabuki theatre and Japanese woodblock prints of the Edo period (1603–1868), especially in their portraits of actors called yakusha‑e, offers an exceptional opportunity to analyse perceptions of the sex of the actor: as the hero of the drama, as well as the character performed on the stage. Both phenomena flourished in the Edo period and had a crucial impact on the visual art of the time, inspiring pictures of the Floating World (Jap. Ukiyo‑e). The images on Ukiyo‑e (...) woodblock prints serve as a pretext for approaching the matter of whether to portray an actor as a performer (a man) or as the character performed by him (which could also be a woman, as in the case of the onnagata actor). The author focuses on the actors’ identification with their own sex (only men appeared on the Kabuki stage) and on cases of breaking the convention between the real actor and his stage emploi. In the first part, the paper discusses the historical background of Kabuki theatre, which was invented by a woman (Izumo‑no Okuni) and then after a few government edicts, was allowed to be performed on the stage only by adult men. Since the Kabuki tradition has successfully continued until today, apart from surveys of theatrical archives, the author supports her arguments by also referring to contemporary phenomena, especially the Kabuki performances she has watched in Japan (in such theatres as: Kabuki‑za, Minami‑za, the National Theatre in Tokyo, and Zenshin‑za), and through interviews with actors and people of the theatre. In parallel, Ukiyo‑e images of the Edo period are studied, with core research from the National Museum in Kraków, Poland, and its collection of Japanese woodblock prints (including over 4600 original works from the Edo Period), and with special attention paid to the yakusha‑e portrait by Utagawa Kuniyoshi. (shrink)

Pojęcie rytmu znane jest powszechnie w różnych dziedzinach nauki i życia. Pojawia się ono m. in. w naukach przyrodniczych i humanistycznych, w architekturze, sztukach pięknych, w matematyce i muzyce, a nawet ekonomii. Również każdy język wyróżnia się spośród innych charakterystycznym dla niego rytmem, który decyduje o jego brzmieniu. Każda kolejna próba usystematyzowania znaczenia omawianego zjawiska wydaje się zatem - wobec jego uniwersalności - uzasadniona. Niniejszy artykuł ma przede wszystkim na celu oddzielenie pojęcia rytmu od innych pojawiających się w literaturze określeń, (...) takich jak okres czy metrum, a co za tym idzie zdefiniowanie zjawiska rytmu głównie w odniesieniu do języka mówionego, w którym to odgrywa on ogromną rolę, ułatwiając przede wszystkim jego percepcję oraz dekodowanie informacji. W definicji rytmu zostały uwzględnione jednocześnie intencjonalność, alternacja elementów oraz ich regularność względem czasu. Rezultatem rozważań jest zaproponowana w końcowym podrozdziale charakterystyka rytmu, przedstawionego jako możliwie regularne następowanie po sobie sylab, które poprzez akcent kontrastują ze sobą oraz tworzą większe jednostki. W ten sposób rozumiany rytm znaczy nie tylko specyficzne dla danego języka lub dla danego tekstu rozłożenie akcentów i ich odpowiednią fonetyczną realizację, lecz również językowo uwarunkowane - pod względem fonetycznym - odpowiednie traktowanie sylab nieakcentowanych, w zależności od tempa i stylu. (shrink)

Adults aged 65 and above comprise the fastest growing sector of the world’s population. In the context of increasing numbers of older adults, employment policies have become a prominent issue. Governments recognize the importance of increasing participation in working age population and providing them with equal workplace opportunities. Yet, it appears that policies raising employment rates of older adults have become a slogan that governments use for election purposes, but the reality is different. In the groundbreaking report “Working Better with (...) Age: Poland‘ prepared by the Organization for Economic Cooperation and Development, Poland, the Czech Republic, and Slovakia belong to a group of countries where the increase in the employment rate of older adults is well below the OECD average. The objective of our critical review is to evaluate current employment policies for older adults, including but not limited to healthy work conditions, age management strategies, employment services for older workers, and strategies implemented to prevent the age discrimination, in these three countries. This article also discusses the reasons for the reduction in the employment of older adults, the current barriers in employing older adults that require governments’ attention, and suggests solutions for creating an age-friendly labor market that can effectively make use of older adults’ competencies. Employment rates for people of different ages are significantly affected by government policies with regard to higher education, pensions, and retirement age. (shrink)

Już w 1775 r. Joshua Steele sformułował tezę o występowaniu równych pod względem czasowym interwałów – nie tylko w muzyce, ale również w mowie ludzkiej. Tak zwana teoria izochronizmu stała się w późniejszym okresie wyjściowym kryterium dla typologicznego podziału języków świata pod względem zjawisk rytmicznych. Na podstawie badań akustyczno-audytywnych niemożliwe było jednak znalezienie empirycznych dowodów co do równości odstępów pomiędzy sylabami akcentowanymi w językach grupy stress-timed ani co do równego czasu trwania poszczególnych sylab w językach typu syllable-timed. Tak więc pierwotny (...) typologiczny podział języków według dwóch typów rytmicznych okazał się nieuzasadniony. Celem niniejszego artykułu jest ukazanie innych kryteriów typologicznego opisu języków pod względem rytmu, który ma duże znaczenie w dziedzinie językoznawstwa kontrastywnego oraz nauczania języków obcych. (shrink)

Język mówiony, w świadomości poszczególnych użytkowników silnie zdominowany przez słowo pisane, jest dość złożonym pod wieloma względami przedmiotem badań językoznawczych. Pojawiające się przy tym trudności dotyczą nie tylko ustanowienia odpowiednich kategorii opisowych czy wyboru materiału badawczego. Co więcej, związane są z wyborem odpowiedniego instrumentarium badawczego. Celem niniejszego artykułu jest dyskusja o preferowanej tu metodzie audytywnej w badaniach nad językiem mówionym: jej wyższości nad pomiarem akustycznym przy jednoczesnym ukazaniu szeregu czynników mogących mieć wpływ na uzyskane rezultaty.

A narrative reading of Augustine's Cassiciacum dialogues (De Beata Vita, Contra Academicos, and De Ordine) with particular focus on the role of Licentius, who learns philosophy through Socratic conversation with Augustine.

The Cassiciacum dialogues mark an important point in St. Augustine’s spiritual journey from teacher of rhetoric to bishop of Hippo, and present Augustine as a Christian who had very recently found God, but was still unwilling to break off with the Greco-Roman philosophical tradition. Thus, Augustine designed his early philosophical writings in the old, classical manner. Although there is a vast body of scholarship on the Cassiciacum dialogues, only limited attention has been paid to the question of how significant a (...) role Augustine’s mother Monica plays in them. In this paper I argue that the term philosophical-contemplative companionship, borrowed from a new form of philosophical practice, can be applied to the participation of St. Monica in the De beata vita, and most likely to the Cassiciacum dialogues as a whole. (shrink)

About death, grief, mourning, life after death and immortality. Why should we die like humans to survive as a species. -/- "No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears (...) out the old to make way for the new." (Steve Jobs) -/- CONTENTS: -/- Death - Philosophy of death - Religions - - Animism - - Atheism - - Buddhism - - Christianity - - Hinduism - - Islam - - Jainism - - Jehovah's Witnesses - - Judaism - - Latter-day Saints - - Spiritism - Symbolism - Personification of Death - - Notable personifications - - In mythologies - - - Hindu mythology - - - In Japan - - - Slavic paganism - - - Lithuanian paganism - - In the three monotheistic religions - - - Judaism - - - Christianity - - - In Mexico - - - Islam - Axiochos - - The characters of dialogue - - Dialogue - - Prologue - - Arguments - - Citations - Paradise - - Greco-Roman mythology - - Mesopotamian mythology and influences - - According to Judaism - - According to Christianity - - - According to Catholicism - - - According to Protestantism - - - According to the Church of Jesus Christ of Latter-day Saints - - According to Islam - - According to Hinduism - - According to modern spiritualities - - - According to the esoteric - Hell - - Mesopotamian origins - - According to Christianity - - - Names appearing in the biblical texts - - - Medieval artistic representations - - - Concepts according to Christian movements - - According to Judaism - - According to Islam - - According to Buddhism - - According to Hinduism - - According to modern esotericism - - - According to Aïvanhov - - - According to Allan Kardec - - Philosophy - - - Jewish Kabbalah - - - Sartre - - - Popular wisdom Funerals - The funeral ritual: a rite of passage - Prehistory - Ancient death customs - - The family bereavement - - Mummification - - Sarcophagi - - Funerals - - Ancient Greece - - Ancient Rome - - Celts, Germans and Scandinavians - Religious funeral rites - - Buddhism - - Judaism - Christianity - - Protestantism - - Islam - Funeral rites by continent - - In Africa - - In Europe - The contemporary era - Mourning (Grief) - - Steps - - - Death of a close - - Loss events without mourning value (white factors) - - Duration and manifestations - - Risks - - Colors - Graveyards (Cemeteries) - - First cemeteries - - Cemeteries today - Funerary art - Dolmens - - Types of dolmens - - Function - - Location - Passage graves - Cenotaphs - - Famous cenotaphs - Lanterns of the Dead Afterlife - History - Questions about death and immortality - Testimonials - - Spiritualistic experiences - - Popular literature on the afterlife - - "Memories" and reminiscences - - Early studies of the science of the 19th century and early 20th century - Types of scenarios - Some religious and philosophical concepts - - Afterlife in Buddhism - - Afterlife in Christianity - - According to Hinduism - - According to Islam - - According to Judaism - - According to Mormonism - - According to the ancient philosophies - - According to Spiritism - - According to Native American traditions - - According to Vedism - - According to Esotericism - In science - Near-death experiences - - Clinical death - - NDE frequency - - Effects of depth of NDE on survival - - Near-death experiences and shared-death experience - - - The first contemporary testimonials - - - Experience according to Moody - - - The concept of "shared death" - - - The NDE scales - - The study of Pim van Lommel - - Spiritual and patient point of view - - - Survivalists studies - - - The religious understanding of the phenomenon - - Scientific views - - - Physiological explanation - - - Psychological explanation - Reincarnation - - Religions - - - In Hinduism - - - In Jainism - - - In Buddhism - - - In Judaism - - - In Christianity - - - In Islam - - In contemporary times - - - Esotericism - - - Works of the psychiatrist Ian Stevenson - - - Radical increase in life expectancy and artificial reincarnation - - Criticism - - - Arthur Schopenhauer - - - Ramana Maharshi - - - Rene Guenon - - - Ananda Kentish Coomaraswamy - Metempsychosis - - Theories - - Ideas - Maschalismos Immortality - Immortality of the soul and religious traditions - - Buddhism - - Christianity - - Islam - - Mormonism - Contemporary perception of the immortality of the body - - Observation in the animal kingdom - - Perspectives for mankind - Immortality in science - - Alexis Carrel - - Jean Rostand - - Hayflick limit - - Étienne-Émile Baulieu and DHEA - - Aubrey de Grey - - Professor Skulachev - - Regenerative medicine - - Professor Christopher Jaeger - Eternal Return - - According to the Mesopotamians - - According to Heraclitus and the Stoics - Fountain of Youth - - History of myth and relatives myths - - - In Roman mythology, Germanic, Celtic and Irish - - - In the Middle-East - - - In Spain - - - In the Bible - - The fountain in art and literature - - Painting - - - Literature and cinema - - Persistent of the myth until today - Senescence - - Why do we age? - - Gene regulation - - Cellular senescence Undead - Ghoul - Lich - Mummy - Skeleton - Vampire - Zombie - Other legendary creatures - Creatures specific to a particular universe - Spiritism - - Point out - - Origins of spiritism - - - The traditions through the ages - - - Advent of Christianity in Europe - - - The survival of necromancy - - - The precursors - - - Relations of spiritualism to science - Mediumship - - History - - Skeptical point of view - - Favorable doctor's viewpoint - Ghosts - - Appearance - - Belief in ghosts - - Origin - - - Duality and return dead - - - Ancient roots - - Typology - - - Poltergeists - - - Revenants - - - Ghosts - - - Banshees - - - Apparitions of crisis - - - Phantasms of the living - - - Vision of his own double - - - Ghost armies - - - Ghosts of animals - - - Means of transport - - Science perspective - - - Hallucinations - - - Sleep paralysis - - - Induced ghosts - - - Aches and infrasounds - - - Magnetic fields - Vampires - - Characteristics - - - Vampire transformation - - - Identification - - - Faculties - - Protection against the vampires - - - Precautions at death and burial - - - Apotropaic objects and places - - Destruction of vampires - Zombie - - The concept - - Africa and voodoo - - - West Africa - - - South Africa - - - In Haiti (and the Caribbean) - - - Scientific research - - The "revenants" in the Western imaginary Death in art - Memento mori - - History - - - Antiquity - - - Christianity - - - Mexican syncretism - - Performing arts - - - In painting - - - In literature - - - In movies - - - In video games - - - In Japanese animation - - - In music - The iconography of Weighing of souls (Particular judgment) - - Origin - - Written sources - - Weighing in Romanesque art - - Weighing in Gothic art - - Weighing in the late Middle Ages: to a new iconography - - Weighing of souls or actions? - Poems - - Charlotte Brontë, “On the Death of Anne Brontë” - - Edgar Allan Poe, “Annabel Lee” - - Edna St. Vincent Millay, “And you as well must die” - - Emily Dickinson, “Because I could not stop for Death” - - Emily Dickinson, “If I Should Die” - - Lord Byron, “Epitaph to a Dog” - - Pablo Neruda, “Only Death” - - Stephen Crane, “God Lay Dead in Heaven” - - W. B. Yeats, “He Wishes His Beloved Were Dead” - - Rainer Maria Rilke, “Death” - Paintings - - The Three Dead Kings - - The Death of Nelson - - Beata Beatrix - Sculptures - - The Kiss of Death - - Background - - Imagery - - Angel of Grief - - Fallen Astronaut - Quotes References About the author - Nicolae Sfetcu - - By the same author - - Contact Publishing House - MultiMedia Publishing -/- DOI: 10.58679/TW44411. (shrink)