Results for 'Dostoevsky'

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  1. Camus, Kierkegaard & Dostoevsky | Existentialism -Alexis karpouzos.Alexis Karpouzos - 2024 - Philosophy East and West 9 (21):6.
    Albert Camus’ views contributed to the rise of the philosophy known as Absurdism, he defines the Absurd “as the conflict between the human tendency to seek inherent value and meaning in life, and the human inability to find any meaning in a purposeless, meaningless, and irrational universe, with the ‘unreasonable silence’ of the universe in response.” However, this world in itself is not absurd, what is absurd is our relationship with the universe, which is irrational. Camus is considered to be (...)
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  2. The Paranoid Feeling of Being: A Jungian Reading of Dostoevsky’s Double.Stefan Bolea - 2016 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy 8 (1):167-178.
    Starting from a new definition of existential paranoia, conceived philosophically as an altered form of solipsism or theologically as the revelation of an immanent inferno, we go on to explore the dissociative constitution of Dostoevsky’s novella, The Double. Influenced by the Shakespearean “I am not what I am”, Yakov Petrovich Goliadkin, the main character, builds an intriguing attack on the Jungian category of the persona, which we read as a symptom of indifferentiation. We will also analyze hero’s nightmare, where (...)
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  3. Discernment of Good and Evil in Dostoevsky’s Novels: The Madman and the Saint.Christoph Schneider - 2020 - European Journal for Philosophy of Religion 12 (4):117-137.
    This article discusses madness and saintliness in Dostoevsky’s novels and investigates how the madman and the saint discern between good and evil. I first explore the metaphysical, spiritual, and moral universe of Dostoevsky’s characters by drawing on William Desmond’s philosophy of the between. Second, I argue that the madman’s misconstrual of reality can be grasped as an idolatrous, divisive, and parodic imitation of the good. Third, I reflect on disembodied discernment. In some cases, due to the weakness of (...)
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  4. Beyond the Imagery: The Encounters of Kierkegaard and Dostoevsky with an Image of the Dead Christ.Wojciech Kaftanski - 2014 - Dostoevsky Journal. An Independent Review 14 (1): 110–129.
    Through an analysis of Kierkegaard’s and Dostoevsky’s approaches to the theme of the death of Christ – one of the major leitmotifs in the debate of their contemporaries conveyed through theological and philosophical considerations, but also expressed in novels and in art – I show how the thinkers comprehended and articulated in their works the religious challenges awaiting the modern man.
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  5. The human-divine relationship and the role of irony in Kierkegaard, Dostoevsky, and Camus: A comparative reflection.Matheus de Oliveira Marquioli - manuscript
    This article aims to understand the views of three prominent figures in existential literature and philosophy: Albert Camus, Søren Kierkegaard, and Fyodor Dostoevsky. The analysis focuses on exploring and explaining fundamental concepts of their philosophies, such as morality, the meaning of life, and the relationship with the divine, in order to establish a dialogue among these three authors. The underlying thread connecting these thinkers is the Socratic figure of speech, irony. Through the examination of contradictions and ironic elements present (...)
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  6. Политический смысл фигуры идиота (случай князя Мышкина).Tikhon Sheynov - 2022 - Metamorphosis 6 (2):21-33.
    The article analyzes Hannah Arendt's views on the apolitical nature of the Christian worldview and uses them as a conceptual framework for interpreting Dostoevsky's novel The Idiot. In the first part of the article, the author reveals the main points concerning the opposition between the private and the public in Arendt's theory and points out the contradictory status of Christianity in its relation to the field of the political realm. On the one hand, the philosopher uses the reference to (...)
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    ¿Acaso si Dios no existe todo está permitido? Dostoyevski, la moral sartreana, la esperanza frankleana y el recuerdo de las víctimas.Antonia Tejeda Barros - 2024 - Contrastes: Revista Internacional de Filosofía 29 (2):82-97.
    RESUMEN (ES): ¿Es posible una moral sin Dios (Jean-Paul Sartre) o con un dios que existe en una dimensión suprahumana (Viktor Frankl)? La famosa "cita" de Dostoyevski ("Si Dios no existe, todo está permitido") no fue escrita así por Dostoyevski. El Holocausto, como punto de inflexión e interrupción en la historia, la filosofía y la teología, abre nuevos interrogantes "después" de Auschwitz. En el presente artículo discuto la moral sartreana y la frankleana, analizando la famosa "cita" de Dostoyevski y preguntándome (...)
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  8. The Equating of the Unequal.Bernhard Waldenfels & John Krummel - 2015 - Social Imaginaries 1 (2):92-102.
    This is an English translation of Waldenfels' German essay: Equality and inequality are basic elements of law, justice and politics. Equality integrates each of us into a common sphere by distributing rights, duties and chances among us. Equality turns into mere indifference as far as we get overintegrated into social orders. When differences are fading away experience loses its relief and individuals lose their face. Our critical reflections start from the inevitable paradox of making equal what is not equal. In (...)
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  9. Coming to Terms with Evil.Viatcheslav Vetrov - 2020 - In Nikolay Samoylov Gotelind Müller (ed.), Chinese Perceptions of Russia and the West. pp. 181-223.
    Since ancient times, the problem of evil has attracted intellectual minds in China probably as strongly as any other philosophical issue. One might reasonably take the view that particular ways of argumentation on this topic shaped the spiritual portrait of any major period of thought in Chinese history. The present essay investigates some crucial shifts in China’s coming to terms with evil in the course of the last one hundred years. The focus is put on Chinese readings of Nikolai Gogol, (...)
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  10. Ludwig Wittgenstein’s Cambridge Period.Natalia Tomashpolskaia - 2023 - Prolegomena: Journal of Philosophy 22 (2):257-294.
    This article analyses in detail Wittgenstein’s ‘Cambridge period’ from his return to Cambridge in 1929 until his decease in 1951. Within the ‘Cambridge period’, scholars usually distinguish the ‘middle’ (1929–1936) and the ‘late’ (1936–1951) periods. The trigger point of Wittgenstein’s return to Cambridge and philosophy was his visit to Brouwer’s lecture on ‘Mathematics, Science, and Language’ in Vienna in March 1928. Dutch mathematician Brouwer influenced not only Wittgenstein’s ability to do philosophy again but also the development of some of his (...)
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  11. Is Science Neurotic?Nicholas Maxwell - 2004 - London: World Scientific.
    In this book I show that science suffers from a damaging but rarely noticed methodological disease, which I call rationalistic neurosis. It is not just the natural sciences which suffer from this condition. The contagion has spread to the social sciences, to philosophy, to the humanities more generally, and to education. The whole academic enterprise, indeed, suffers from versions of the disease. It has extraordinarily damaging long-term consequences. For it has the effect of preventing us from developing traditions and institutions (...)
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  12. FENOMENA HAMPIR BUNUH DIRI: SEBUAH DILEMA KOLEKTIVIS ANTARA KEHIDUPAN DAN MORALITAS.Ni Putu Wulan Purnama Sari, Minh-Hoang Nguyen & Ruining Jin - manuscript
    Dalam novel klasik Crime and Punishment, Fyodor Mikhailovich Dostoevsky secara artistik dan dengan sengaja menggambarkan penderitaan mental dan dilema moral Rodion Romanovich Raskolnikov, seorang mantan mahasiswa hukum muda yang intelek dan simpatik yang tinggal di daerah kumuh Saint Petersburg [1]. Konflik batin Raskolnikov muncul demi kepentingan kemanusiaannya ketika melihat kehidupan yang menyedihkan di sekelilingnya, mengarah pada sikap utilitarian-altruistik terkait pembenaran atas kejahatannya [2]: “Mengapa tidak membunuh rentenir tua yang malang, rakus, dan “tidak berguna” lalu menggunakan dananya untuk meringankan penderitaan (...)
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  13. The Grand Trumpeter.Philip Villamor - 2017 - Political Animal Magazine.
    "The Grand Trumpeter" brings a new slant to a well-known story, "The Grand Inquisitor." This new story, much like Dostoevsky's version, is definitely idea-led writing that touches on politics, culture (religion), and philosophy. This effort is best characterized as fiction. It is satirical because it does seek to expose, but it is not satire along the lines of The Onion or magazines like that.
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  14. Are All Things Permissible?: A Look at Woody Allen's "Crimes and Misdemeanors".Richard Oxenberg - manuscript
    In this essay I examine the moral message presented in Woody Allen's film, "Crimes and Misdemeanors.".
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  15. A relação humano-divina e o papel da ironia em Kierkegaard, Dostoievski e Camus-Uma reflexão comparativa.Matheus de Oliveira Marquioli - manuscript
    This article aims to understand the views of three prominent figures in existential literature and philosophy: Albert Camus, Søren Kierkegaard, and Fyodor Dostoevsky. The analysis focuses on exploring and explaining fundamental concepts of their philosophies, such as morality, the meaning of life, and the relationship with the divine, in order to establish a dialogue among these three authors. The underlying thread connecting these thinkers is the Socratic figure of speech, irony. Through the examination of contradictions and ironic elements present (...)
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  16. Bakhtin on Shakespeare (Excerpt from “Additions and Changes to Rabelais”).Mikhail Bakhtin - 2014 - PMLA 129 (3):522-537.
    This is the English translation (with a brief introduction and relatively detailed commentary) of a long excerpt from Mikhail Bakhtin's notes titled "Additions and changes to Rabelais", written in the mid-1940s with reworking his then unpublished manuscript on François Rabelais in mind. This excerpt is most notable for being the only extant text in which Bakhtin discusses and analyses Shakespear's tragedies at relative length—a discussion interesting not only as a reading of Shakespeare, but also as an unusual and revealing example (...)
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  17. Foi et raison chez Léon Chestov et Blaise Pascal.Ramona Fotiade - 2017 - Lev Shestov Journal = Cahiers Léon Chestov 17:15-29.
    Conference paper delivered at the Maison de la recherche in October 2016, at an international colloquium scheduled to mark Lev Shestov's 150th anniversary. The article provides a comparative analysis of Shestov's and Pascal's conceptions of the relationship between faith and reason.
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