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Fabrice Teroni
Université de Fribourg
  1. In What Sense Are Emotions Evaluations?Fabrice Teroni & Julien A. Deonna - 2014 - In Cain Todd & Sabine Roeser (eds.), Emotion and Value. Oxford University Press. pp. 15-31.
    In this chapter, we first introduce the idea that emotions are evaluations. Next, we explore two approaches attempting to account for this idea in terms of attitudes that are alleged to become emotional when taking evaluative contents. According to the first approach, emotions are evaluative judgments. According to the second, emotions are perceptual experiences of evaluative properties. We explain why this theory remains unsatisfactory insofar as it shares with the evaluative judgement theory the idea that emotions are evaluations in virtue (...)
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  2. Emotions: Philosophical Issues About.Julien Deonna, Christine Tappolet & Fabrice Teroni - 2015 - WIREs Cognitive Science 1:193-207.
    We start this overview by discussing the place of emotions within the broader affective domain – how different are emotions from moods, sensations and affective dispositions? Next, we examine the way emotions relate to their objects, emphasizing in the process their intimate relations to values. We move from this inquiry into the nature of emotion to an inquiry into their epistemology. Do they provide reasons for evaluative judgements and, more generally, do they contribute to our knowledge of values? We then (...)
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  3.  24
    On Seeming to Remember.Fabrice Teroni - 2018 - In Kourken Michaelian, Dorothea Debus & Denis Perrin (eds.), New Directions in the Philosophy of Memory. Routledge. pp. 329-345.
    Philosophers and psychologists often distinguish episodic or personal memory from propositional or semantic memory. A vexed issue concerns the role, if any, of memory “impressions” or “seemings” within the latter. According to an important family of approaches, seemings play a fundamental epistemological role vis-à-vis propositional memory judgments: it is one’s memory seeming that Caesar was murdered, say, that justifies one’s judgment that he was murdered. Yet, it has been convincingly argued that these approaches lead to insurmountable problems and that memory (...)
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  4. Le paradoxe de la fiction: le retour.Florian Cova & Fabrice Teroni - 2015 - L'expression des Émotions: Mélanges En l'Honneur de Patrizia Lombardo.
    Tullmann et Buckwalter (2014) ont récemment soutenu que le paradoxe de la fiction tenait plus de l’illusion que de la réalité. D’après eux, les théories contemporaines des émotions ne fourniraient aucune raison d’adopter une interprétation du terme « existence » qui rende les prémisses du paradoxe incompatibles entre elles. Notre discussion a pour but de contester cette manière de dissoudre le paradoxe de la fiction en montrant qu’il ne prend pas sa source dans les théories contemporaines des émotions. Bien plutôt, (...)
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  5. Is the Paradox of Fiction Soluble in Psychology?Florian Cova & Fabrice Teroni - 2016 - Philosophical Psychology 29 (6):930-942.
    If feeling a genuine emotion requires believing that its object actually exists, and if this is a belief we are unlikely to have about fictional entities, then how could we feel genuine emotions towards these entities? This question lies at the core of the paradox of fiction. Since its original formulation, this paradox has generated a substantial literature. Until recently, the dominant strategy had consisted in trying to solve it. Yet, it is more and more frequent for scholars to try (...)
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  6.  95
    The Phenomenology of Memory.Fabrice Teroni - 2017 - In Sven Bernecker & Kourken Michaelian (eds.), Oxford Handbook of Philosophy of Memory. New York, USA: Oxford University Press. pp. 21-33.
    The most salient aspect of memory is its role in preserving previously acquired information so as to make it available for further activities. Anna realizes that something is amiss in a book on Roman history because she learned and remembers that Caesar was murdered. Max turned up at the party and distinctively remembers where he was seated, so he easily gets his hands on his lost cell phone. The fact that information is not gained anew distinguishes memory from perception. The (...)
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  7. Plus Ou Moins: Emotions Et Valence.Fabrice Teroni - 2011 - In Christine Tappolet, Fabrice Teroni & Anita Konzelmann Ziv (eds.), Les ombres de l'âme: Penser les émotions négatives. Markus Haller. pp. 21-36.
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  8. Fictions, émotions et araignées au plafond.Fabrice Teroni - 2014 - Liber Amicorum Pascal Engel.
    Le fameux paradoxe de la fiction (Radford 1975) a suscité maintes interprétations. L’une des distinctions importantes qui affleure bien souvent au sein de cette littérature, pour se voir presque aussitôt négligée, est celle entre les deux questions suivantes : « comment les émotions peuvent-elles être suscitées par des œuvres de fiction ? » et « les émotions suscitées par de telles œuvres peuvent-elles être rationnelles ? » Dans ce qui suit, je me concentrerai exclusivement sur la seconde de ces questions (...)
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  9.  49
    La spécificité des objets du souvenir: une étude de la position de Gareth Evans.Fabrice Teroni - 2003 - Cahiers de Philosophie de L’Université de Caen 40:85.
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