Results for 'Heraclitean'

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  1. Heraclitean Flux Metaphysics.Andrew Dennis Bassford - 2023 - Metaphysica: International Journal for Ontology and Metaphysics 24 (2):299-322.
    This essay offers an original interpretation and defense of the doctrine of flux, as it is presented in Plato’s Theaetetus. The methodology of the paper’s analysis is in the style of rational reconstruction, and it is highly analytic in scope, in the sense that I will focus on the text itself, and only on certain parts of it too, while ignoring the rest of Plato’s extensive corpus, and without worrying about whether, how, and to what extent the interpretation of the (...)
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  2. Heraclitean Critique of Kantian and Enlightenment Ethics Through the Fijian ethos.Erman Kaplama - 2016 - Cosmos and History 12 (1):143-165.
    Kant makes a much-unexpected confession in a much-unexpected place. In the Criticism of the third paralogism of transcendental psychology of the first Critique Kant accepts the irrefutability of the Heraclitean notion of universal becoming or the transitory nature of all things, admitting the impossibility of positing a totally persistent and self-conscious subject. The major Heraclitean doctrine of panta rhei makes it impossible to conduct philosophical inquiry by assuming a self-conscious subject or “I,” which would potentially be in constant (...)
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  3. Heraclitean Ideas in Stevens’ “This Solitude of Cataracts”,.James Lesher - 2014 - Wallace Stevens Journal 38 (spring):21-34.
    ‘Cataracts’ in Stevens’ poems are falling waters—here a river flowing near a mountain. The ‘apostrophe that was not spoken’ may be an address that was not made, perhaps an unspoken affirmation of nature’s beauty. And the river that ‘is never the same twice’ can only be the flowing river Plato claimed Heraclitus used as a simile for all existing things: ‘Heraclitus says somewhere that everything gives way and nothing remains, and likening existing things to the flow of a river, he (...)
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  4. ‘Hopkins’ Creative Use of Heraclitean Materials,.James Lesher - 2011 - International Journal for the Classical Tradition 18:262-269.
    Gerard Manley Hopkins is best remembered for his celebratory 'nature sonnets'— 'Pied Beauty', 'God's Grandeur', and 'The Windhover'. Less than a year before his death, however, Hopkins drew on ideas associated with the ancient Greek thinker Heraclitus of Ephesus to express a darker view of nature. In 'That Nature is a Heraclitean Fire and of the Comfort of the Resurrection’ Hopkins offers a vision of nature and human existence marked by dissolution and destruction. But the poet rejects that apocalyptic (...)
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  5. Three Variations on a Heraclitean Theme.James Lesher - manuscript
    In ‘Hoi Rheontes’ (‘The Flowing Ones’), Alfred Lord Tennyson adopted the Heraclitean simile of the flowing river in support of philosophical relativism: (1) all things are changing all the time; therefore (2) nothing is, but is only in the process of appearing to be in some way; therefore (3) all beliefs are true. But the relativist doctrine refutes itself: it can only be true relatively to those who assert it. In his ‘In May’ the American poet Michael Collier rejected (...)
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  6. The fires of change: Kirk, Popper, and the Heraclitean debate.Holly Cooper - 2019 - Stance 12 (1):57-63.
    In this paper, I explore a prominent question of Hericlitean scholarship: how is change possible? Karl Popper and G. S. Kirk tackle this same question. Kirk asserts that Heraclitus believed that change is present on a macrocosmic level and that all change is regulated by the cosmic principle logos. Popper, on the other hand, claims Heraclitus believed that change is microcosmic and rejected that all change is regulated by logos. I argue for a combination of aspects from each of their (...)
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    MacNeice the Heraclitean.James Lesher - 2021 - Philosophy and Literature 45 (2):315-328.
    Many of the poems of Louis MacNeice display a knowledge of the philosophical theories he studied during his undergraduate years in Oxford. In his ‘Variation on Heraclitus’ and in several other poems, MacNeice alludes to the ‘doctrine of flux’ Plato attributed to the Greek thinker Heraclitus of Ephesus. In ‘Plurality’, his most extended exploration of the conflict between the life-affirming doctrine of flux and a life-suppressing monism, MacNeice embraces the reality of change and rejects the monism he credits to the (...)
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  8. ‘The Self in Conflict with Itself: A Heraclitean Theme in Eliot’s Cocktail Party’.James Lesher - 2013 - In Seduction and Power: Antiquity in the Visual and Performing arts. London and New York: Bloomsbury Publishing. pp. 121-132.
    In ‘Burnt Norton’, the first of his ‘four quartets’, Eliot selected two Heraclitus’ fragments as epigraphs. In quoting fragment B 60 (‘the way up and the way down are one and the same’) he was reminding his readers that entrance into a spiritual life calls for both engagement and withdrawal, for both descending and ascending. And in quoting B 2 he reaffirmed Heraclitus’ conviction that most people fail to recognize the truth even when it is directly presented to them. In (...)
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  9. BEING ONTO DEATH: FROM NOTHINGNESS TO AUTHENTIC SELFHOOD.Alloy Ihuah - 2010 - In Philosophy and Human Existence, Saarbrucken, German, LAP Lambert Academic Publishing AG & Co. KG. pp 86-111. LAP Lambert Academic Publishing Saarbrucken, German, AG & Co. KG.. pp. 86-111..
    Man, in the Heraclitean principle of change, is an embodiment of continuity and discontinuity. To what end man’s being transcends to, is an interrogative of important discourse in this paper. Does Man flux from life to death; in nothingness, and from death, in nothingness, to life in somethingness? What does it mean to be human, to die and to experience change and human transcendence? The frequent nature of death, the death of loved ones, colleagues and friends elicit lamentations and (...)
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  10. Reconceptualizing the Organism: From Complex Machine to Flowing Stream.Daniel J. Nicholson - 2018 - In Daniel J. Nicholson & John Dupré (eds.), Everything Flows: Towards a Processual Philosophy of Biology. Oxford, United Kingdom: Oxford University Press.
    This chapter draws on insights from non-equilibrium thermodynamics to demonstrate the ontological inadequacy of the machine conception of the organism. The thermodynamic character of living systems underlies the importance of metabolism and calls for the adoption of a processual view, exemplified by the Heraclitean metaphor of the stream of life. This alternative conception is explored in its various historical formulations and the extent to which it captures the nature of living systems is examined. Following this, the chapter considers the (...)
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  11. Hermeneutics of Heraclitus.Gabriel Bickerstaff - forthcoming - Dianoia The Undergraduate Philosophy Journal of Boston College.
    The article considers the philosophical potential of Heraclitean ambiguity and implications for how one might engage philosophically with Heraclitus. While works on Heraclitus most commonly offer new interpretations or dispute or add nuance to established interpretations, this work somewhat sidesteps interpretive disputes to consider the philosophical value and relevance of Heraclitus’s fragments themselves. Specifically, a hermeneutical tool proposed by William Desmond called a “companioning approach,” is supported. Desmond’s companioning approach is considered in the context of Pierre Hadot’s account of (...)
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  12. Cosmological Aesthetics Through the Kantian Sublime and Nietzschean Dionysian.Erman Kaplama - 2013 - Lanham: UPA, Rowman & Littlefield.
    This book is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...)
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  13. Towards a Genealogy of the Metaphysics of Sight: Seeing, Hearing, and Thinking in Heraclitus and Parmenides.Jussi Backman - 2015 - In Antonio Cimino & Pavlos Kontos (eds.), Phenomenology and the Metaphysics of Sight. Boston: Brill. pp. 11-34.
    The paper outlines a tentative genealogy of the Platonic metaphysics of sight by thematizing pre-Platonic thought, particularly Heraclitus and Parmenides. By “metaphysics of sight” it understands the features of Platonic-Aristotelian metaphysics expressed with the help of visual metaphors. It is argued that the Platonic metaphysics of sight can be regarded as the result of a synthesis of the Heraclitean and Parmenidean approaches. In pre-Platonic thought, the visual paradigm is still marginal. For Heraclitus, the basic structure of being is its (...)
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  14. Aἰών. Wieczność w teologii Heraklita z Efezu.Wojciech Wrotkowski - 2007 - Przeglad Filozoficzny - Nowa Seria (1/61):21-31.
    Aἰών. Eternity in the Theology of Heraclitus of Ephesus -/- This article presents an attempt to establish the Heraclitean meaning of the word αἰών in the fragment B52 (Diels-Kranz). In the author’s view the very starting-point and only sound basis for that kind of endeavor should be meticulous, unbiased analysis of relevant aphorisms of the Ephesian sage and corresponding testimonies. Synoptic scrutiny of them substantiates the understandable conclusion that proud Heraclitus had an unambiguous and independent opinion about eternity. His (...)
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  15. πολλαχῶς ἔστι; Plato’s Neglected Ontology.Mohammad Bagher Ghomi - manuscript
    This paper aims to suggest a new approach to Plato’s theory of being in Republic V and Sophist based on the notion of difference and the being of a copy. To understand Plato’s ontology in these two dialogues we are going to suggest a theory we call Pollachos Esti; a name we took from Aristotle’s pollachos legetai both to remind the similarities of the two structures and to reach a consistent view of Plato’s ontology. Based on this theory, when Plato (...)
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  16. Tiempo y escansión. Contribución sobre el significado rítmico de la duración entre Husserl y Bachelard.Carlo Serra - 2018 - Boletín de Estética 14 (45):42-76. Translated by Facundo Bey.
    English Title: Time and scansion: rythmical meaning of Duration between Husserl and Bachelard. -/- Abstract: Inside phenomenological search, present time and instant live inside a troubled dialectic: for Husserl present runs, widening out past and future, in the same moment, like the Heraclitean bowstring which stretches between two dimensions. Gaston Bachelard, on the contrary, is the thinker of Discreteness, where temporal continuum is linked to the reciprocal differentiating of instants in the duration. So, the conceptions of time inside these (...)
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  17. An Introduction to Pre-Socratic Ethics: Heraclitus and Democritus on Human Nature and Conduct (Part I: On Motion and Change).Erman Kaplama - 2021 - Cosmos and History: The Journal of Natural and Social Philosophy 17 (1):212-242.
    Both Heraclitus and Democritus, as the philosophers of historia peri phuseôs, consider nature and human character, habit, law and soul as interrelated emphasizing the links between phusis, kinesis, ethos, logos, kresis, nomos and daimon. On the one hand, Heraclitus’s principle of change (panta rhei) and his emphasis on the element of fire and cosmic motion ultimately dominate his ethics reinforcing his ideas of change, moderation, balance and justice, on the other, Democritus’s atomist description of phusis and motion underlies his principle (...)
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  18. The Cosmological Aesthetic Worldview in Van Gogh’s Late Landscape Paintings.Erman Kaplama - 2016 - Cosmos and History 12 (1):218-237.
    Some artworks are called sublime because of their capacity to move human imagination in a different way than the experience of beauty. The following discussion explores how Van Gogh’s The Starry Night along with some of his other late landscape paintings accomplish this peculiar movement of imagination thus qualifying as sublime artworks. These artworks constitute examples of the higher aesthetic principles and must be judged according to the cosmological-aesthetic criteria for they manage to generate a transition between ethos and phusis (...)
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  19. Introduction to Cosmological Aesthetics: the Kantian Sublime and Nietzschean Dionysian.Erman Kaplama - 2010 - International Journal of the Humanities 8 (2):69-84.
    This paper is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...)
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  20. Robinson Jeffers, 'The Double Axe'.James Lesher - manuscript
    Robinson Jeffers’ dark view of humankind is thought to owe much to Friedrich Nietzsche while his admiration for the beauty of nature has been compared to sentiments expressed by Lucretius in de rerum natura. In many respects, however, the philosopher who stands closest to Jeffers in both thought and personality is the ancient Greek thinker Heraclitus of Ephesus. Jeffers’ extended poem ‘The Double Axe’ makes no fewer than five clear references to Heraclitean ideas: (1) ‘Heraclitus’ Sibyl whose voice reached (...)
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  21. Heraclitus' Poetic Ideas.James Lesher - manuscript
    This study forms a part of a larger investigation of the influence of the philosophy of Heraclitus of Ephesus on modern poetry. T. S. Eliot, to mention the best known of the many poets inspired by Heraclitus, selected two Heraclitus fragments (B 2 and B 60) as epigraphs for his “Burnt Norton”, the first of his Four Quartets. Eliot explained that he was drawn to the fragments because of their ‘ambiguity’ and ‘extraordinary poetic suggestiveness’. Similarly, in ‘This Solitude of Cataracts’, (...)
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  22. Armonia, concordia e politica in Eraclito e nei pitagorici.Diego Garcia Rincon - 2021 - Eirene. Studia Graeca Et Latina 1 (57):93-118.
    This paper examines the relation between Pythagorean and Heraclitean political views. I argue that for Pythagoras, Heraclitus, and Archytas the cosmological and musical notions of harmony (ἁρμονία) and the related notion of concord (ὁμόνοια) have an intrinsic political significance. These thinkers variously reflect upon political harmony and concord, and agree that a crucial condition for it is law (νόμος), which according to Pythagoras and Heraclitus has a divine origin. I begin with the Heraclitean fragments 22 B51, 54, 72, (...)
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  23. Nature as Limit.James Fontini - 2022 - Brill.
    A comprehensive reading of Heidegger's work from the mid-1930s to the 1960s that seeks to develop an ecological thinking rooted in reflections on the Heraclitean 'hen', relationality, and the impossibility of totality. An elaboration of the structural homology between Heidegger's use of the terms 'Technik' and 'metaphysics' sets the stage for his later work or topology. The Spätwerk is presented as an irresolvable polarity between 'Technik' and 'Ereignis', between a totalizing movement and a movement of disruption. This serves as (...)
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  24. Ethics as the Pursuit of Optimal Compatibility of Interests.John Dilworth - 1994 - Proceedings of the Heraclitean Society 18.
    I propose a new kind of meta-ethical theory, grounded in a theory of interests and of the modifications required in order to render interests compatible with each other. The theory hence is called "Interest Compatibilism" (IC). A basic account of the nature of interests, and of possible relations between them, is also included. Ethical values turn out to be those involved in optimally desirable forms of harmonization and control of interests and their associated values. The theory is presented and developed (...)
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  25. Epistemic Problems of Utilitarian Practical Reasoning.John Dilworth - 1998-9 - Proceedings of the Heraclitean Society 19.
    Utilitarian (U.) theories must be capable of being applied in practical reasoning, or they would have no value as a guide to rational conduct. However, I show that epistemic extensions to U. theories produce logical confusion. Basic questions about what one needs to know in order to apply a U. analysis embroil one in an infinite regress. And attempts to incrementally apply U. either are no help at all (leaving one entirely 'in the dark'), or in general constitute arbitrary gambles (...)
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