This paper aims to show that Frege’s and Hilbert’s mutual disagreement results from different notions of Anschauung and their relation to axioms. In the first section of the paper, evidence is provided to support that Frege and Hilbert were influenced by the same developments of 19th-century geometry, in particular the work of Gauss, Plücker, and von Staudt. The second section of the paper shows that Frege and Hilbert take different approaches to deal with the problems that the developments in 19th-century (...) geometry posed for the traditional Kantian philosophy of mathematics. Frege maintains that Anschauung is a source of knowledge by which we acknowledge geometrical axioms as true. For Hilbert, in contrast, axioms provide one of several correct “pictures” of reality. Hilbert’s position is thereby deeply influenced by epistemological ideas from Hertz and Helmholtz, and, in turn, influenced the neo-Kantian Cassirer. (shrink)

In what follows, the difference between Frege’s and Schröder’s understanding of logical connectives will be investigated. It will be argued that Frege thought of logical connectives as concepts, whereas Schröder thought of them as operations. For Frege, logical connectives can themselves be connected. There is no substantial difference between the connectives and the concepts they connect. Frege’s distinction between concepts and objects is central to this conception, because it allows a method of concept formation which enables us to form concepts (...) from the logical connectives alone. Schröder in contrast unifies the distinction between concepts and objects, but keeps the distinction between logical connectives and what they connect. It will be argued that Frege’s particular way of perceiving logical connectives is crucial for his foundational project. (shrink)

Este artigo pretende analisar três teorias a respeito do que é o objeto intencional da memória. As teorias abordadas são o realismo direto, o realismo representativo e o pragmatismo em filosofia da memória. A primeira delas defende que quando lembramos, acessamos um evento passado sem intermédios; a segunda argumenta que acessamos diretamente uma representação do evento passado; a última, elaborada recentemente, afirma que nossas lembranças são determinadas por nossas ações. Apresentamos a ideia central de cada teoria, com quais outras teorias (...) sobre a memória elas relacionam e as principais objeções que enfrentam. Após isso, demonstramos a nossa posição, qual seja, o realismo representativo nos parece a alternativa mais viável entre as opções atuais. (shrink)

This paper discusses two novels by contemporary writer Inga Iwasiów (b. 1963), Bambino (2008) and Ku słońcu [Towards the Sun] (2010), in the context of geopolitical, ideological, social and psycho-cultural transformations as they specifically affect different generations of inhabitants of the Polish city of Szczecin (pre-1945 German Stettin) from 1945 until the first decade of the 21st century. Bambino covers the years 1945–1981, but also contains flashbacks to pre-war memory of Stettin and to the suppressed experiences of the new post-war (...) inhabitants, as well as ‘flash-forwards’ to post-1989, post-communist reality; Ku słońcu covers 1981 to the first decade of 2000s. It shows how the novels portray these transformations through the experience primarily of women (but not only) — in Bambino, through the main protagonists: Ula (formerly Ulrike), Anna and Marysia, and through that of the hidden narrator Magda (Marysia’s daughter born in the same year as the author, Iwasiów, 1963); and in Ku słońcu, primarily through the experience of Magda herself, as well as through that of two generations of ‘feminist’ academics: Małgorzata and Sylwia (in which it is hard not to perceive the personal experience of the author, though she is at pains to emphasize elsewhere that her work is a collective biography of the city, not so much of herself). The analysis follows Katarzyna Chmielewska’s supposition that contemporary Polish fiction dealing with the past ‘constantly oscillates between memory and genealogy’, and that it raises raw issues not yet addressed by historians; it also derives inspiration from the new ‘postdependency’ studies proposed by Hanna Gosk and Ryszard Nycz. It also attempts to capture the specific nature of Iwasiów’s use of language, her style of feminism, her method of portraying place, and the connections in her prose between place and memory. (shrink)

A proposta deste trabalho é investigar a contribuição da filosofia de Henri Bergson para as discussões atuais sobre a memória. Atualmente, o debate concentra-se entre as teorias causalistas e as teorias simulacionistas acerca da memória. O primeiro grupo defende que entre a representação atual de uma experiência passada e esta experiência, há uma conexão causal. Por outro lado, o segundo grupo entende que a principal contribuição para as representações atuais a respeito de eventos passados surge das condições do momento presente, (...) dispensando a necessidade de uma relação entre a experiência e a representação atual. Henri Bergson, no final do século XIX, apresentou a memória como uma faculdade prática, cuja função é auxiliar na tomada de decisões a partir das informações adquiridas anteriormente. De modo que são as condições do sujeito no momento presente que indicarão quais lembranças serão evocadas. Os conteúdos destas lembranças não são idênticos aos conteúdos do momento em que foram apreendidos, pois as lembranças, na sua concepção, alteram-se ao longo do tempo conforme novas informações são obtidas. Até este ponto, parece haver uma grande aproximação entre a filosofia bergsoniana acerca da memória e a compreensão simulacionista. Contudo, Bergson também entende que a lembrança retida depende da percepção, ocasionando uma representação, que o sujeito teve no momento da experiência, afirmando a existência de uma relação causal entre a representação no momento passado e a representação no momento em que a lembrança é evocada. Portanto, podemos reconhecer aspectos da memória na concepção bergsoniana tanto no modelo causalista, quanto no modelo simulacionista apresentados no debate contemporâneo. A nossa pretensão é, a partir da verificação sobre quais aspectos a filosofia de Bergson se aproxima e se afasta das teorias atuais, reconhecer a quais objeções ela está exposta, bem como que vantagens tem na pesquisa contemporânea em filosofia da memória. Assim como todo estudo relacionado à mente, o trabalho em torno da memória trouxe diversas descobertas e hipóteses no último século, ou seja, o conhecimento a respeito do tema avançou significativamente desde as considerações realizadas por Bergson. Acreditamos que o resgate histórico é importante para evitar a possibilidade de que elementos inclusos em constatações filosóficas mais antigas, e que podem ser de interesse para a pesquisa atual, não sejam vistos. Dividiremos a apresentação deste trabalho em três seções: na primeira, abordaremos as teorias causalista e simulacionista da memória; na segunda, exporemos a filosofia da memória de Bergson; por fim, relacionaremos a compreensão bergsoniana acerca da memória com o debate atual para detectarmos quais aspectos foram derrotados e quais têm se mantido ao longo de todos estes anos após a publicação de Bergson. (shrink)

It is hardly a novel claim that the work of Ursula K. Le Guin (1929–2018) contains influences from philosophical Daoism, but I argue that this influence has yet to be fully understood. Several scholars criticize Le Guin for misrepresenting Daoist ideas as they appear in ancient Chinese philosophical texts, particularly the Dao De Jing and the Zhuangzi. While I have sympathy for this charge, especially as it relates to Le Guin’s translation of the Dao De Jing, I argue that (...) it fails to understand the extent to which her fiction contains her own philosophical development of Daoist ideas. Looking at some of her most influential works (e.g., The Left Hand of Darkness, The Dispossessed, The Lathe of Heaven, A Wizard of Earthsea, etc.), I suggest that Le Guin’s fiction is better seen as a refocusing of Daoist concepts such as complementary contrasts and non-action (wu wei) in the contexts of modern feminism, modern anarchism, science fiction, and fantasy. Le Guin was not trying to represent ancient Daoism as a scholar. Rather, she was trying to reimagine Daoism as a creative artist and philosopher in her own right. This way of viewing Le Guin’s work does not fully exorcise the specter of the possibility of Orientalist cultural appropriation, but it does make the issue more complex in a way that can deepen further conversations. To what extent can an artist be guilty of misrepresentation if representation was not, strictly speaking, her goal? I end with a brief reflection on what is perhaps the deepest philosophical lesson of Le Guin’s work: everything is more complicated than it first appears. On that note, the present article is an attempt not just to do philosophy about Le Guin, but to do philosophy in a Le Guinian fashion, which requires rethinking the metaphor of combat that guides much academic philosophy today. (shrink)

O uso dos nomes próprios sem nenhum outro indexador externo aos seus portadores expressa uma escolha narrativa em Úrsula (1859), romance de Maria Firmina dos Reis (1822-1917). Esse uso permite introduzir uma concepção de maternidade como condição para historicidade em contexto patriarcal e escravocrata. A autora não assina a novela, senão sob a descrição indefinida de “uma maranhense”, e, como pretendo demonstrar, essa indefinição é consistente com a vindicação da universalidade na narrativa, em que a autoria de uma história não (...) deve influenciar o sentido da denúncia da escravidão e do patriarcado. O uso dos nomes como descrições, em contraste, desempenha a função normativa de condenar a escravidão e o patriarcado e de condicionar uma historicidade. Primeiro, farei uma breve consideração histórica e biográfica, buscando contextualizar Úrsula, tanto na história do Brasil como na história da literatura do Brasil, com o intuito de situar a natureza abolicionista do texto. Em seguida, tratarei da relação de coextensão entre natureza e liberdade na determinação desse abolicionismo. Depois, chamarei a atenção para o sentido da escolha narrativa pelo uso dos nomes como descrições definidas. Por fim, apresentarei como esse uso permite à autora introduzir uma noção de historicidade, a partir do atrelamento do abolicionismo à função materna. Este último passo é o que constitui o ineditismo e a potência feminista do texto de Firmina, sob o manto da prosa romântica de folhetim. (shrink)

This essay offers a revisionist defense of classical utilitarianism from an infamous objection to it, which is derived from American science fiction writer, Ursula Le Guin’s, short story, “The Ones Who Walk Away from Omelas.” To that effect, the reply takes inspiration from Le Guin and John Stuart Mill in appealing to the natural law theoretical concept of conscience. I argue that a conscientious utilitarian ethic can escape Le Guin’s objection more satisfactorily than other popular utilitarian ethics. Along the (...) way, this essay discusses at length conscience and its place in moral epistemology, both as it occurs in the natural law tradition and in Mill. The natural law account of conscience is defended and Mill’s account is critiqued. Consequently, this paper also provides an interesting synthesis of utilitarianism with natural law ethics. (shrink)

This paper challenges the notion that the only way to progress to a post-capitalist society is through the wholesale destruction of the capitalist economic system. Instead, I argue that Craft —an existential state and praxis informed by the creation and maintenance of objects of utility—is uniquely situated to effectively reclaim these systems due to its its focus on materiality over abstraction and its unique position as a socially aware form of praxis. This argument focuses not on competition, but on hyper-abstraction (...) as the key driver of capitalist exploitation and its most glaring ethical flaw. Karl Marx's work on commodity fetishism is key to understanding this misguided form of abstraction which displaces commodities so far from their functional form that they feed into what Martin Heidegger termed gestell , or enframing. Postmodern attempts to destabilize capitalist influence in the fine arts, like the de-objectification of the 1960s described by Ursula Meyer, often fell victim to the same fetishistic mindset and simply increased the hold of capitalism within the arts. The enframing worldview that Heidegger warns us about is fed by hyper-abstraction, and while he directly offers up art as the remedy to this situation via poiēsis , key moments in his writings on the related notion of geschick support this new notion of Craft , rather than the fine arts, as a more capable system for the rehabilitation of modern society. (shrink)

Using Ursula K. Le Guin’s The Left Hand of Darkness as an inspirational backdrop, a novel whose story unfolds on a genderless planet that nevertheless relies on reproductive sex for the sake of generativity, this paper tackles the sex/gender debate, its entanglements with procreation, and its consequences for transgender pregnancies. More specifically, I analyze three issues that pose barriers to thinking about a more inclusive reproductive ethics: state-sanctioned sterilization, non-reproductive futurism, and access to assisted reproductive technology.

What is it to be a better ape? This is the question Victor Kumar and Richmond Campbell ask in their book on the evolution of the moral mind, an ambitious story that starts with the common ancestor of the modern apes—humans, chimpanzees, bonobos, gorillas, and orangutans. Of all of us, it’s the humans who remain in the running for being a better ape, because we’re the ones who have all the necessary ingredients: the binding emotions of sympathy and loyalty which (...) we share with our nonhuman cousins, but also the collaborative emotions of trust and respect and the reactive emotions of guilt and resentment. Importantly, only humans are thought to have norms, and to be biologically prepared to learn norms. For Kumar and Campbell, the co-evolution of emotions and norms is what set humans on this path so we can become a better ape. -/- The story they tell is artfully woven from major theories in psychology and anthropology, and those of us who have pre-existing opinions about these theories have points where we can quibble regarding the nature of the emotions–whether only humans imitate, what norms of fairness amount to, or whether any other species are generalists who can survive in a wide range of habitats. Rather than focusing on these, I want to turn to an exciting hypothesis Kumar and Campbell propose about the evolution and function of norms. While it is most common to think that norms helped our ancestors solve the collective action problems that emerged when larger groups of individuals started living together, Kumar and Campbell suggest a different, though complementary, function for norms. They propose that norms provide a more precise and flexible means for coordinating behavior in quickly changing societies. On their view, it isn’t the size of community that is the most significant variable, but rather the speed at which culture evolves. -/- That norms are a human universal is indubitable. Our contemporary human societies are rife with rules constraining our behaviors, governing aspects of our lives from birth to death, prescribing practices about what to wear, how to work, what to eat, when and how to sleep as well as rules about rare practices that are proscribed. However, Kumar and Campbell also presume that norms are human unique. Here I have more than a quibble, given the burgeoning empirical and theoretical literature on the question of animal normativity (Andrews 2020; Danón 2019; Fitzpatrick 2020; de Waal 2014; von Rohr et al. 2011; Rohr et al. 2015; Whiten et al. 2005; Westra et al., in prep)... (shrink)

This paper defends Aristotle’s project of deriving the order of time from the order of change in Physics 4.11, against the objection that it contains a vicious circularity arising from the assumption that we cannot specify the direction of a change without invoking the temporal relations of its stages. It considers and rejects a solution to this objection proposed by Ursula Coope, and proposes an alternative solution. It also considers the related problem of how the temporal orders and directions (...) derived from individual changes can together constitute a single, globally consistent order and direction of time. (shrink)

The state of our current world has brought about a very active discussion concerning possible alternatives to our current society. In this article, I wish to consider Marx’s idea of communism as a possible alternative, by understanding it as an undetermined concept that only proposes a society without classes and private property. The thesis I will defend here is that we can meaningfully think about such an alternative through the means of Science Fiction literature. In particular, I will take (...) class='Hi'>Ursula Le Guin’s The Dispossessed (2006) as a case study. To clarify this relation between science fiction (SF) literature and communism as a particular case of an alternative society, I will introduce some concepts of Edmund Husserl’s phenomenological theory. Thus, I shall argue that in SF we can presentify in bounded phantasy an alternative lifeworld, so furnishing with content the undetermined idea, and in doing so, strengthen the belief in the possibility of such an alternative society. (shrink)

Providing the most thorough coverage available in one volume, this comprehensive, broadly based collection offers a wide variety of selections in four major genres, and also includes a section on film. Each of the five sections contains a detailed critical introduction to each form, brief biographies of the authors, and a clear, concise editorial apparatus. Updated and revised throughout, the new Fourth Edition adds essays by Margaret Mead, Russell Baker, Joan Didion, Annie Dillard, and Alice Walker; fiction by Nathaniel Hawthorne, (...) Ursula K. LeGuin, Anton Chekov, James Joyce, Katherine Mansfield, F. Scott Fitzgerald, William Faulkner, Alice Walker, Louise Erdrich, Donald Barthelme, and James McPherson; poems by John Donne, Robert Browning, Walt Whitman, Edwin Arlington Robinson, e.e. cummings, Langston Hughes, W.H. Auden, Philip Levine, and Louise Gluck; and plays by August Wilson, Marsha Norman, Wendy Wasserstein, and Vaclav Havel. The chapter devoted to film examines the relation of film to literature and gives the complete screenplay for Citizen Kane plus close analysis of a scene from the film. With its innovative structure, comprehensive coverage, and insightful and stimulating presentation of all kinds of literature, this is an anthology readers will turn to again and again. (shrink)

This review shows how all journeys are not futile; how human frailty makes us holy, in a certain sense. This review shows the great depth of the sovereignty of the Good. And how Professor Lane shows us that while all feet are clay; some realise so and go beyond their own frailties to tap into that which can only be experienced. Professor Lane should not be called Lane because academic styles demand us to do so. He actually professes what he (...) writes. If only one read the book then one will know what literature is. Literature is a journey. And not gobbledygook and blah. Wake up. COVID 19 and EBOLA are here. In my practise as a mental healthcare person, I am yet to hear a person call on Freud or Lacan or Marx, for that matter before going into wonderland. So take it or leave it; this is a great book. I have tried doing justice to Professor Lane's scholarship. (shrink)

Rawls’ realistic utopia has been subject to much criticism. The Realist claims Rawls’ realistic utopia to be too utopian. The Cosmopolitan, on the other hand, claims Rawls’ realistic utopia to be insufficiently utopian. In this essay, I argue that the criticism can be circumvented by means of clarifying an ambiguity in the concept of utopia. I argue that the Realist is not criticizing Rawls for being utopian, but unrealistic, impractical and idealistic (quixotic). The Cosmopolitan might be right in criticizing Rawls (...) for not being utopian enough. The orthodox understanding of utopia, adopted by the Cosmopolitan is, however, in itself quixotic. Drawing on Le Guin’s The Dispossessed, I propose a novel understanding of how utopia ought to be understood. Once the Rawlsian adopts this conception of utopia, it alleviates the objections raised by the Realist and the Cosmopolitan. (shrink)

The Dispossessed has been described by political thinker Andre Gorz as 'The most striking description I know of the seductions—and snares—of self-managed communist or, in other words, anarchist society.' To date, however, the radical social, cultural, and political ramifications of Le Guin's multiple award-winning novel remain woefully under explored. Editors Laurence Davis and Peter Stillman right this state of affairs in the first ever collection of original essays devoted to Le Guin's novel. Among the topics covered in this wide-ranging, international (...) and interdisciplinary collection are the anarchist, ecological, post-consumerist, temporal, revolutionary, and open-ended utopian politics of The Dispossessed. The book concludes with an essay by Le Guin written specially for this volume, in which she reassesses the novel in light of the development of her own thinking over the past 30 years. (shrink)