Results for 'Władysław Krajewski'

12 found
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  1. Logic and the Concept of God.Stanisław Krajewski & Ricardo Sousa Silvestre - 2019 - Journal of Applied Logics 6 (6):999-1005.
    This paper introduces the special issue on the Concept of God of the Journal of Applied Logics (College Publications). The issue contains the following articles: Logic and the Concept of God, by Stanisław Krajewski and Ricardo Silvestre; Mathematical Models in Theology. A Buber-inspired Model of God and its Application to “Shema Israel”, by Stanisław Krajewski; Gödel’s God-like Essence, by Talia Leven; A Logical Solution to the Paradox of the Stone, by Héctor Hernández Ortiz and Victor Cantero; No New (...)
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  2. Deflationary Truth and Pathologies.Cezary Cieśliński - 2010 - Journal of Philosophical Logic 39 (3):325-337.
    By a classical result of Kotlarski, Krajewski and Lachlan, pathological satisfaction classes can be constructed for countable, recursively saturated models of Peano arithmetic. In this paper we consider the question of whether the pathology can be eliminated; we ask in effect what generalities involving the notion of truth can be obtained in a deflationary truth theory (a theory of truth which is conservative over its base). It is shown that the answer depends on the notion of pathology we adopt. (...)
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  3. Ku wymiarowi sacrum i Tajemnicy. Estetyka Władysława Stróżewskiego i numinotyczny język sztuki.Andrzej Krawiec - 2021 - Ethos. Quarterly of the John Paul Ii Institute at the Catholic University of Lublin and the John Paul Ii Foundation, Rome 34 (2):301-324.
    The objective of the paper is a presentation and an interpretation of Władysław Stróżewski’s views on aesthetics. Built upon the foundation provided by classical metaphysics, Stróżewski’s aesthetics is simultaneously a continuation of the tradition of phenomenological interpretation of art. Stróżewski extends Roman Ingarden’s aesthetic theory by including the idea of numinous concretion, largely inspired by the works of Rudolf Otto. As a result, this new phenomenological perspective transcends the narrowly understood ‘aesthetics’ of the work of art towards the inherent (...)
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  4. Hortus (In)Conclusus. Polska i Ukraina: rozmowy o filozofii i literaturze (En - Hortus (In)Conclusus. Poland and Ukraine: Talks on Philosophy Literature).Anton Marczyński (ed.) - 2017 - Warsaw, Poland: Barbara Skarga Foundation for Thinking.
    EN: Selection of Marczyński's interviews on philosophy and literature which were recorded in early 2007 for the purpose of his radio broadcast "Hortus (In)Conclusus." Includes interviews with: Marek Bieńczyk, Józef Bremer, Ihor Byczko, Andrij Dachnij, Anna Dziedzic, Mateusz Falkowski, Tadeusz Gadacz, Michał Głowiński, Dorota Hall, Serhij Jospenko, Wachtang Kebuładze, Zbigniew Kloch, Andrzej Kołakowski, Wasyl Lisowyj, Ołeksandr Majewskyj, Anton Marczynski, Julia Marczyńska, Wadym Menżulin, Zbigniew Mikołejko, Monika Milewska, Andrij Okara, Ihor Paśko, Adam Pomorski, Myrosła Popowycz, Jerzy Prokopiuk, Iryna Puchta, Barbara Skarga, (...)
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  5. Introduction: Polish Philosophical Revisionists in Marxism.Barbara Tuchanska - 2017 - Hybris. Internetowy Magazyn Filozoficzny 37:I-XV.
    Who and how revised Marxism in Poland? The simple answer is that it was done by young intellectuals seeing themselves as obligated to social and political activity, eager to participate in the process of the constitution of a new postwar Communist society. Marxism was for them a philosophical world-view and a political program rising hopes for a better socio-economic reality. Revisionists were committed Communists and their attitude toward Marxism was almost religious. Marxism, Promethean and scientific at the same time, was (...)
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  6. Transnational Standards of Social Protection: Contrasting European and International Governance.Poul F. Kjaer & Christian Joerges (eds.) - 2008 - Oslo: ARENA.
    The Report presents insights which illuminates the intertwinements of European regulatory policies and global governance arrangements. By pinning down the exact nature of the interaction between these two levels, the EU’s dilemma becomes obvious: On the one hand, stronger global governance can be a chance, through which the EU can clarify its own raison d’être of increased integration to the wider world. On the other hand, the design of the European project is being challenged by more assertive global structures. This (...)
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  7. U źródeł krakowskiej filozofii przyrody.Paweł Polak - 2011 - Studia Z Filozofii Polskiej 6:135-153.
    The paper analyses not well known beginning of Cracow philosophy of nature originating from the 19th century. A selected number of issues formed by two founders of Cracow philosophical centre – W. Heinrich and M. Straszewski are presented. Finally, the author tries to refl ect on modern nature philosophy in the context of its relations with tradition lasting over the centuries.
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  8. Sztuka jako świętowanie.Leszek Sosnowski - forthcoming - Estetyka I Krytyka 5 (5):90-105.
    Art as Festival Art has been a privileged sphere in the sense that it appeales to art-receivers because of its power of taking them outside the sphere of everyday life (commonplaceness) and practicality. For the first time the philosophers of ancient Greece propagated this view. In this paper the Pythagorean and Aristotle’s views are considered; however they have different metaphysical bases, there is some aspect common to theirs aesthetics. In 20th century it is Helmut Kuhn, Hans-Georg Gadamer and Władysław (...)
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  9. Uwagi na temat wartości, wartościowania i doświadczenia estetycznego (Remarks on Values, Evaluation and Aesthetic Experience in Contemporary Aesthetics).Małgorzata Szyszkowska - 2019 - Sztuka I Filozofia (Art and Philosophy) 55 (2):101-122.
    Author begins with setting up a problematics of relations between values and evaluation in art and aesthetics experience. Following Bohdan Dziemidok work on American Axiology and Aesthetics (2014) author offers her remarks on the subject and joins the discussion on values and qualities and the possibility of assessing and evaluating the work of art with or without grounding it in aesthetic experience. Following Ingarden’s aesthetic phenomenology and turning to Władysław Stróżewski, author suggests that the values are a necessary part (...)
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  10. De ce (nu) suntem fericiți?Nicolae Sfetcu - 2019 - Drobeta Turnu Severin: MultiMedia Publishing.
    Fericirea este un concept fuzzy. Ea poate fi definită în termeni de a trăi o viață bună sau de a înflori, mai degrabă decât de a experimenta o emoție. Fericirea în acest sens a fost folosită pentru a traduce eudaimonia greacă și este încă folosită în etica virtuții. A existat o tranziție în timp, de la accent pe fericirea virtuții la virtutea fericirii. În psihologie, fericirea este o stare mentală sau emoțională a bunăstării, care poate fi definită, printre altele, de (...)
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  11. The Image: Historical, Conceptual, Aesthetic, Moral.Alison Ross - 2013 - Critical Horizons 14 (3):265-270.
    The concept of ‘the image’ can be given historical, conceptual, aesthetic and moral specifications. This essay sets out some of the scholarly issues in the dense semantic field of ‘the image’. In particular, the essay considers how the meaning of the image is often determined in relation to the opposition between sensible form and intelligible idea. Specific attention is given to Kantian aesthetics, which inaugurates a specific way of understanding the sensible form as a mode of processing moral ideas.
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  12. Czesław GŁOMBIK, Husserl und die Polen. Frühgeschichte einer Rezeption. Aus dem Polnischen übersetzt von Christoph Schatte. [REVIEW]Wojciech Hanuszkiewicz - 2011 - Argument: Biannual Philosophical Journal 1 (2):390-392.
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