Results for 'image of “I”'

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  1. The Image of the Noble Sophist.Yancy Hughes Dominick - 2018 - Epoché: A Journal for the History of Philosophy 22 (2):203-220.
    In this paper, I begin with an account of the initial distinction between likenesses and appearances, a distinction which may resemble the difference between sophists and philosophers. That distinction first arises immediately after the puzzling appearance of the noble sophist, who seems to occupy an odd space in between sophist and philosopher. In the second section, I look more closely at the noble sophist, and on what that figure might tell us about images and the use of images. I also (...)
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  2. 12. Feuerbach and the Image of Thought.Henry Somers-Hall - 2015 - In Craig Lundy & Daniela Voss (eds.), At the Edges of Thought: Deleuze and Post-Kantian Philosophy. Edinburgh: Edinburgh University Press. pp. 253-271.
    ‘The Image of Thought’ could be considered to be the most important piece of writing in the entire Deleuzian corpus. This is the chapter of Difference and Repetition that several decades later, Deleuze claims is the ‘most necessary and the most concrete’ (Deleuze 1994: xvii) section of the book, and the one that provides a basis for his later work with Guattari. Here, Deleuze engages with two basic issues. First, he separates out his conception of thinking, and with it, (...)
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  3. The image of the body-face: The case of Franz X. Messerschmidt and Bill Viola.Maria Popczyk - 2015 - Argument: Biannual Philosophical Journal 5 (1):99-110.
    In this paper, I am predominantly interested in interpretations of emotional states portrayed in images of the face. In particular, the interpretations which have grown around the series of busts by Franz Xaver Messerschmidt, as well as those which attempt to expound Bill Viola’s video works. I will refer to aspects of physiognomy, artistic practices and aesthetics, in order to show what each of these tells us about our attitude to the body and emotions and what happens to the body (...)
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  4. Images of Reality: Iris Murdoch's Five Ways From Art to Religion.Elizabeth Burns - 2015 - Religions 6 (3):875-890.
    Art plays a significant role in Iris Murdoch’s moral philosophy, a major part of which may be interpreted as a proposal for the revision of religious belief. In this paper, I identify within Murdoch’s philosophical writings five distinct but related ways in which great art can assist moral/religious belief and practice: art can reveal to us “the world as we were never able so clearly to see it before”; this revelatory capacity provides us with evidence for the existence of the (...)
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  5. Dogmas and the Changing Images of Foundations.José Ferreirós - 2005 - Philosophia Scientiae:27-42.
    I offer a critical review of several different conceptions of the activity of foundational research, from the time of Gauss to the present. These are (1) the traditional image, guiding Gauss, Dedekind, Frege and others, that sees in the search for more adequate basic systems a logical excavation of a priori structures, (2) the program to find sound formal systems for so-called classical mathematics that can be proved consistent, usually associated with the name of Hilbert, and (3) the historicist (...)
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  6. Sources of Shame, Images of Home.Ryan Preston-Roedder - 2023 - In Melissa Schwartzberg & Eric Beerbohm (eds.), Reconciliation and Repair: NOMOS LXV. NYU Press.
    In “Reconciliation as Non-Alienation: The Politics of Being at Home in the World,” Catherine Lu develops a novel account of reconciliation. Put briefly, she claims that reconciliation aims to address agents’ alienation from the unjust social institutions and practices that structure their lives; it aims, in other words, to enable these agents to be at home in their social worlds. In these comments, I present two kinds of challenges that Lu’s account faces. Both challenges have their source in forms of (...)
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  7. Machiavelli’s realist image of humanity and his justification of the state.Manuel Knoll - 2018 - Filozofija I Društvo 29 (2):182-201.
    This article examines Machiavelli’s image of humanity. It argues against the prevailing views that characterize it either as pessimistic or optimistic and defends the thesis that the Florentine has a realist image of humanity. Machiavelli is a psychological egoist who conceives of man as a being whose actions are motivated by his drives, appetites, and passions, which lead him often to immoral behavior. Man’s main drives are “ambition” (ambizione) and “avarice” (avarizia). This article also investigates Machiavelli’s concept of (...)
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  8. Images of Science. [REVIEW]Howard Duncan & Andrew Lugg - 1988 - Canadian Journal of Philosophy 18 (4):795-804.
    Critical notice of a collection of responses to Bas van Fraassen's The Scientific Image followed by Van Fraasen's replies. Thanks to van Fraassen, empiricism in the philosophy of science has again become a force to reckon with, his brand of 'constructive empiricism' posing a serious challenge to the realist option. In Part I of the book, ten scientific realists of various persuasions defend the view that science provides us with information about the realities behind the appearances as well as (...)
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  9.  69
    Classification of Apple Diseases Using Deep Learning.Ola I. A. Lafi & Samy S. Abu-Naser - 2024 - International Journal of Academic Information Systems Research (IJAISR) 8 (4):1-9.
    Abstract: In this study, we explore the challenge of identifying and preventing diseases in apple trees, which is a popular activity but can be difficult due to the susceptibility of these trees to various diseases. To address this challenge, we propose the use of Convolutional Neural Networks, which have proven effective in automatically detecting plant diseases. To validate our approach, we use images of apple leaves, including Apple Rot Leaves, Leaf Blotch, Healthy Leaves, and Scab Leaves collected from Kaggle which (...)
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  10. Can Kuhn’s Taxonomic Incommensurability Be an Image of Science?Seungbae Park - 2018 - In Moti Mizrahi (ed.), The Kuhnian Image of Science: Time for a Decisive Transformation? London: Rowman & Littlefield. pp. 61–74.
    I criticize Kuhn’s (1962/1970) taxonomic incommensurability thesis as follows. (i) His argument for it is neither deductively sound nor inductively correct. (ii) It clashes with his account of scientific development that employs evolutionary theory. (iii) Even if two successive paradigms are taxonomically incommensurable, they have some overlapping theoretical claims, as selectivists point out. (iv) Since scientific revolutions were rare in the recent past, as historical optimists observe, they will also be rare in the future. Where scientific revolution is rare, taxonomic (...)
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  11. The Nihilistic Image of the World.Michael Bourke - 2017 - Modern Horizons 1:1-18.
    In The Gay Science (1882), Nietzsche heralded the problem of nihilism with his famous declaration “God is dead,” which signalled the collapse of a transcendent basis for the underpinning morality of European civilization. He associated this collapse with the rise of the natural sciences whose methods and pervasive outlook he was concerned would progressively shape “an essentially mechanistic [and hence meaningless] world.” The Russian novelist Turgenev had also associated a scientific outlook with nihilism through the scientism of Yevgeny Bazarov, a (...)
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  12. The (Lack of) Evidence for the Kuhnian Image of Science.Moti Mizrahi - 2018 - Social Epistemology Review and Reply Collective 7 (7):19-24.
    In their reviews of The Kuhnian Image of Science: Time for a Decisive Transformation? (2018), both Markus Arnold (2018) and Amanda Bryant (2018) complain that the contributors who criticize Kuhn’s theory of scientific change have misconstrued his philosophy of science and they praise those who seek to defend the Kuhnian image of science. In what follows, then, I would like to address their claims about misconstruing Kuhn’s theory of scientific change. But my focus here, as in the book, (...)
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  13. Death of the Image/The Image of Death: Temporality , Torture and Transience in Yuuri Sunohara and Masami Akita's Harakiri Cycle.Steve Jones - 2011 - Journal of Japanese and Korean Cinema 3 (1):163-177.
    Sunohara Yuuri and Akita Masami’s series of six seppuku films (1990) are solely constituted by images of fictionalized death, revolving around the prolonged self-torture of a lone figure committing harakiri. I contend that the protagonist’s auto-immolation mirrors a formal death, each frame ‘killing’ the moment it represents. My analysis aims to explore how the solipsistic nature of selfhood is appositely symbolized by the isolation of the on-screen figures and the insistence with which the six films repeat the same scenario of (...)
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  14. Rethinking the role of the rTPJ in attention and social cognition in light of the opposing domains hypothesis: findings from an ALE-based meta-analysis and resting-state functional connectivity.Benjamin Kubit & Anthony I. Jack - 2013 - Frontiers in Human Neuroscience 7.
    The right temporo-parietal junction (rTPJ) has been associated with two apparently disparate functional roles: in attention and in social cognition. According to one account, the rTPJ initiates a “circuit-breaking” signal that interrupts ongoing attentional processes, effectively reorienting attention. It is argued this primary function of the rTPJ has been extended beyond attention, through a process of evolutionarily cooption, to play a role in social cognition. We propose an alternative account, according to which the capacity for social cognition depends on a (...)
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  15. Beyond the Imagery: The Encounters of Kierkegaard and Dostoevsky with an Image of the Dead Christ.Wojciech Kaftanski - 2014 - Dostoevsky Journal. An Independent Review 14 (1): 110–129.
    Through an analysis of Kierkegaard’s and Dostoevsky’s approaches to the theme of the death of Christ – one of the major leitmotifs in the debate of their contemporaries conveyed through theological and philosophical considerations, but also expressed in novels and in art – I show how the thinkers comprehended and articulated in their works the religious challenges awaiting the modern man.
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  16. Holoimmunity Revisited.Bartlomiej Swiatczak & Alfred I. Tauber - 2018 - Bioessays 40 (11):1800117.
    Commensal and pathogenic organisms employ camouflage and mimicry to mediate mutualistic interactions and predator escape. However, the immune mechanisms accounting for the establishment and maintenance of symbiotic bacterial populations are poorly understood. A promising hypothesis suggests that molecular mimicry, a condition in which different organisms share common antigens, is a mechanism of establishing tolerance between commensals and their hosts. On this view, certain bacteria may mimic the structural features of some of their host’s T-cell receptors (TCRs), namely those that survive (...)
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  17. Intentional image and transcendental image in the work of art.Bogdan Nita - 2012 - Image 2 (2321):231.
    The purpose of this paper is to show that images have an ontological support by which they obtain an independent existence from the mind. In accordance with the new theories of aesthetics, we will see that the object of art is taken as an object of thought. Image has an important role in the existence of the work of art; therefore the image becomes an object of thought. To show how the image is independent from the mind (...)
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  18. Image and Metaphor in the Philosophy of Wittgenstein.Kristóf Nyíri - 2011 - In David Wagner, Wolfram Pichler, Elisabeth Nemeth & Richard Heinrich (eds.), Publications of the Austrian Ludwig Wittgenstein Society - N.S. 17. De Gruyter. pp. 109-130.
    There is the tension between, on the one hand, Wittgenstein’s not giving theoretical weight to metaphor, and on the other, his exuberant use of it. On a more fundamental level, there is a straightforward contradiction between Wittgenstein’s claim of the primordial literalness of everyday language, and his stress on the multiplicity and flexibility of language-games. Wittgenstein’s problem was that he did not succeed in making his ideas on metaphor, and indeed his ideas on metaphor and images, converge with the main (...)
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  19. Kant's Theory of Images.R. Brian Tracz - 2021 - Dissertation, University of California, San Diego
    Kant’s distinction between intuitions and concepts attracts perennial interpretive interest. To the extent that they discuss the imagination at all, most Kant scholars maintain that the imagination’s primary role is to generate intuitions. This dissertation argues that “image” (Bild, Einbildung) is an overlooked technical term in Kant’s work and that images—and not intuitions—are products of the imagination. The project explains how, for Kant, the imagination (as image-maker) and the senses (as intuition-maker) make distinct but essential contributions to cognition (...)
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  20. Scientific Images as Circulating Ideas: An Application of Ludwik Fleck’s Theory of Thought Styles.Nicola Mößner - 2016 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 47 (2):307-329.
    Without doubt, there is a great diversity of scientific images both with regard to their appearances and their functions. Diagrams, photographs, drawings, etc. serve as evidence in publications, as eye-catchers in presentations, as surrogates for the research object in scientific reasoning. This fact has been highlighted by Stephen M. Downes who takes this diversity as a reason to argue against a unifying representation-based account of how visualisations play their epistemic role in science. In the following paper, I will suggest an (...)
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  21. The Hidden Love of God and the Imaging Defense.Sameer Yadav - 2019 - In James M. Arcadi, Oliver D. Crisp & Jordan Wessling (eds.), Love, Divine and Human: Contemporary Essays in Systematic and Philosophical Theology. T&T Clark.
    J. L. Schellenberg has recently argued that there is a logical incompatibility between God’s being perfectly loving and there being non-resistant nonbelievers in the proposition that God exists. In this paper I highlight the parallel between this claim and the claim made by the logical problem of evil. Following Plantinga’s strategy in undermining the logical problem of evil, I argue that all that is needed to undermine the alleged incompatibility of divine love with non-resistant non-belief is a counterexample showing how (...)
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  22.  41
    Legal Definitions of Intimate Images in the Age of Sexual Deepfakes and Generative AI.Suzie Dunn - 2024 - McGill Law Journal 69:1-15.
    In January 2024, non-consensual deepfakes came to public attention with the spread of AI generated sexually abusive images of Taylor Swift. Although this brought new found energy to the debate on what some call non-consensual synthetic intimate images (i.e. images that use technology such as AI or photoshop to make sexual images of a person without their consent), female celebrities like Swift have had deepfakes like these made of them for years. In 2017, a Reddit user named “deepfakes” posted several (...)
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  23. The Ontology of Images in Plato’s Timaeus.Samuel Meister - 2022 - British Journal for the History of Philosophy 30 (6):909-30.
    In the Timaeus, Plato’s Timaeus offers an account of the sensible world in terms of “images” of forms. Often, images are taken to be particulars: either objects or particular property instances (tropes). Contrary to this trend, I argue that images are general characteristics which are immanent in the receptacle, or bundles of such characteristics. Thus, the entire sensible world can be analysed in terms of immanent general characteristics, the receptacle, and forms. Hence, for Timaeus, fundamentally, there are no sensible particulars. (...)
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  24. Glued to the Image: A Critical Phenomenology of Racialization through Works of Art.Alia Al-Saji - 2019 - Journal of Aesthetics and Art Criticism 77 (4):475-488.
    I develop a phenomenological account of racialized encounters with works of art and film, wherein the racialized viewer feels cast as perpetually past, coming “too late” to intervene in the meaning of her own representation. This points to the distinctive role that the colonial past plays in mediating and constructing our self-images. I draw on my experience of three exhibitions that take Muslims and/or Arabs as their subject matter and that ostensibly try to interrupt or subvert racialization while reproducing some (...)
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  25.  79
    Why Do I Say ‘Image’ When Discussing Vision? Or - Can We Ever See a Chair in its Totality?Ayad Gharbawi - manuscript
    1. Our 'vision' of our surroundings is minimal as to the richness of what is out there. That is because our eyes and optical faculties are severely limited in seeing a semblance of that reality. -/- 2. When speaking of 'reality', there are numberless levels of that subject matter. There is the reality of what each organism sees. There is the reality of the different conditions a perceiving person is in, for example, what is the speed the observing agent watching (...)
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  26. ‘God said “Let us make man in our image after our likeness”’ – Mary Shepherd, the imago-dei-thesis, and the human mind.Manuel Fasko - 2022 - British Journal for the History of Philosophy 31 (3):469-490.
    This paper explores the role that Mary Shepherd's (1777–1847) acceptance of the so-called imago-dei thesis plays for her account of the human mind. That is, it analyses Shepherd's commitment to the doctrine that humans are created in the image of God, (see Gen. 1, 26–7) parts of which Shepherd quotes in Essays on the Perception of an External Universe (EPEU), 157, and the ways it informs her understanding of the human mind. In particular, it demonstrates how this thesis informs (...)
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  27. The aesthetics of the city–image.Maria Popczyk - 2015 - Argument: Biannual Philosophical Journal 5 (2):373-386.
    In this paper, I will examine the aesthetic implications of the theories which regard the city as an image. Essentially, I will focus on the positions of the two practitioners, Kevin Lynch and Juhani Pallasmaa, who are an urban planner and an architect respectively, in order to confront two very different approaches to the ‘image’; namely, an empirical approach and a phenomenological one. I am interested in what the city becomes when it is looked upon as an (...) and I will reflect on the experiences of the city‑image in its various aspects. The aim of this discussion is an attempt to outline certain research areas for exploring the aesthetics of the city centred on the image, with the practitioners’ theories enabling us to widen the scope of this exploration. (shrink)
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  28. The Encyclopedia of Neutrosophic Researchers. Volume I.Florentin Smarandache - 2016 - Gallup, NM, USA: Neutrosophic Science International Association.
    This is the first volume of the Encyclopedia of Neutrosophic Researchers, edited from materials offered by the authors who responded to the editor’s invitation. The authors are listed alphabetically. The introduction contains a short history of neutrosophics, together with links to the main papers and books. Neutrosophic set, neutrosophic logic, neutrosophic probability, neutrosophic statistics, neutrosophic measure, neutrosophic precalculus, neutrosophic calculus and so on are gaining significant attention in solving many real life problems that involve uncertainty, impreciseness, vagueness, incompleteness, inconsistent, and (...)
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  29. Age and Gender Classification Using Deep Learning - VGG16.Aysha I. Mansour & Samy S. Abu-Naser - 2022 - International Journal of Academic Information Systems Research (IJAISR) 6 (7):50-59.
    Abstract: Age and gender classification has been around for a long time, and efforts are still being made to improve the findings. This has been the case since the inception of social media platforms. Visible understanding has become more important in the computer vision society with the emergence of AI increase in performance and help train a model to achieve age and gender classification. Although these networks built for the mobile platform are not always as accurate as the larger, more (...)
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  30.  96
    Why Do I Say ‘Image’ When Discussing Vision? Or - Can We Ever See a Chair in its Totality?Ayad Gharbawi - manuscript
    Can We Ever See a Chair in its Totality? Synopsis of Chapter Submitted -/- Ayad Gharbawi 2023 Submission - Philosophy – Can we ever see a chair in its totality? Key Words: Metaphysics; Vision; Mind; Unity of Vision; Limitations of Man’s Perception. Word Count: 3,036 Words. Dear Sir/Madam; I hope this email finds you well. -/- My book represents a fundamental break from the conventional methodologies of psychology as it aims to be far more precise in describing the attributes of (...)
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  31. Machines for Living: Philosophy of Technology and the Photographic Image.Ryan Wittingslow - 2014 - Dissertation, University of Sydney
    This dissertation examines the relationship that exists between two distinct and seemingly incompatible bodies of scholarship within the field of contemporary philosophy of technology. The first, as argued by postmodern pragmatist Barry Allen, posits that our tools and what we make with them are epistemically important; disputing the idea that knowledge is strictly sentential or propositional, he claims instead that knowledge is the product of a performance that is both superlative and artefactual, rendering technology importantly world-constituting. The second, as argued (...)
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  32. Kant on the role of the imagination (and images) in the transition from intuition to experience.Clinton Tolley - 2019 - In Konstantin Pollok & Gerad Gentry (eds.), The Imagination in German Idealism and Romanticism. New York: Cambridge University Press. pp. 27-47.
    In this chapter I will argue against both of these interpretations and will begin to develop an alternate account of imagination in experience. Against those who minimize imagination’s role, I will highlight the distinctive contribution of the imagination to experience. In particular, I will foreground the specific role that the imagination plays in making possible the distinct mental act, intermediate between intuition and experience, that Kant calls “perception [Wahrnehmung]” as the “empirical consciousness [Bewußtsein]” of appearances (cf. B207). Because perception involves (...)
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  33. Images and Constructs: Can the Neural Correlates of Self be revealed through Radiological Analysis?Stan Klein - 2013 - International Journal of Psychological Research 6:117-132.
    In this paper I argue that radiological attempts to elucidate the properties of self -- an endeavor currently popular in the social neurosciences -- are fraught with conceptual difficulties. I first discuss several philosophical criteria that increase the chances we are posing the “right” questions to nature. I then discuss whether these criteria are met when empirical efforts are directed at one of the central constructs in the social sciences – the human self. In particular, I consider whether recent attempts (...)
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  34. The Poles of Idea and Reality (and the De-futurising of Art and Humanity).Nat Trimarchi - 2023 - Cosmos and History: The Journal of Natural and Social Philosophy 19 (1):426-457.
    Fred Polak’s futurology takes up where F. W. Schelling’s claims about the ‘modern mythology’ leaves off. Linking these, I argue Art and humanity’s joint meaning crisis originates in ‘symbolic idealism’, de-futurising both and crippling humanity’s attempts to develop a proper internal ‘narrative order of goods’ needed for our survival. Polak’s tracing of how various forms of Expressionism emerged from Impressionism in later modernism, transforming our images of reality and the future, vindicates Schelling’s earlier claims that our symbolic mode of ‘worlding’ (...)
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  35. Retinal Images and Object Files: Towards Empirically Evaluating Philosophical Accounts of Visual Perspective.Assaf Weksler - 2016 - Review of Philosophy and Psychology 7 (1):91-103.
    According to an influential philosophical view I call “the relational properties view”, “perspectival” properties, such as the elliptical appearance of a tilted coin, are relational properties of external objects. Philosophers have assessed this view on the basis of phenomenological, epistemological or other purely philosophical considerations. My aim in this paper is to examine whether it is possible to evaluate RPV empirically. In the first, negative part of the paper I consider and reject a certain tempting way of doing so. In (...)
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  36. The Politics of ImagesGeorges Didi-Huberman:Quand les images prennent position. L’Œil de l'histoire, I, 271 pp.Judith Butler:Frames of War. When Is Life Grievable?, 194 pp. [REVIEW]Nikolaj Lübecker - 2013 - Paragraph 36 (3):392-407.
    The last ten to fifteen years have seen the publication of numerous books and articles considering the relation between images and politics. The reasons for this development are obvious: footage of the World Trade Center attacks and photos from Abu Ghraib and Guantanamo (to give just a few examples) have clearly demonstrated that images not only respond to political events, but also play an important part in shaping them. Images have therefore been blamed for their complicity in these events (in (...)
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  37. Review of Pearson, Aristotle on Desire. [REVIEW]Thornton Lockwood - 2013 - Bryn Mawr Classical Review 9:24.
    The image of a copy of Praxiteles’ Aphrodite—nude but demurely shielding her pubic region—which adorns the dust cover of Pearson’s superb monograph, Aristotle on Desire</i>), suggests to the casual book buyer that the volume encased therein will explain Aristotle’s thoughts about sexual desire—perhaps as a central part or the paradigm case of his general theory of desire. But the goddess likes being tricky: Aristotle has very little to say about sexual desire (at best it is a subcategory of <i>epithumia</i>, (...)
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  38. Subverting the racist lens: Frederick Douglass, humanity and the power of the photographic Image.Bill Lawson & Maria Brincker - 2017 - In Lawson Bill & Bernier Celeste-Marie (eds.), Pictures and Power: Imaging and Imagining Frederick Douglass. by Liverpool University Press.
    Frederick Douglass, the abolitionist, the civil rights advocate and the great rhetorician, has been the focus of much academic research. Only more recently is Douglass work on aesthetics beginning to receive its due, and even then its philosophical scope is rarely appreciated. Douglass’ aesthetic interest was notably not so much in art itself, but in understanding aesthetic presentation as an epistemological and psychological aspect of the human condition and thereby as a social and political tool. He was fascinated by the (...)
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  39. When and Why Understanding Needs Phantasmata: A Moderate Interpretation of Aristotle’s De Memoria and De Anima on the Role of Images in Intellectual Activities.Caleb Cohoe - 2016 - Phronesis: A Journal for Ancient Philosophy 61 (3):337-372.
    I examine the passages where Aristotle maintains that intellectual activity employs φαντάσματα (images) and argue that he requires awareness of the relevant images. This, together with Aristotle’s claims about the universality of understanding, gives us reason to reject the interpretation of Michael Wedin and Victor Caston, on which φαντάσματα serve as the material basis for thinking. I develop a new interpretation by unpacking the comparison Aristotle makes to the role of diagrams in doing geometry. In theoretical understanding of mathematical and (...)
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  40. The Sculpted Image?Robert Hopkins - 2020 - In Fred Rush, Ingvild Torsen & Kristin Gjesdal (eds.), Philosophy of Sculpture: Historical Problems, Contemporary Approaches. Routledge. pp. 187-205.
    Representational pictures and sculptures both present their objects visually: to grasp what they represent is in some sense to see, not only the representation before one, but the object represented. But is the form of visual presentation the same? Or does a deep difference lie at the heart of our experience of these representations, a difference in how each presents us with its object? Almost all philosophical discussion of pictures and 3D representations has assumed or implied a negative answer to (...)
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  41.  69
    Making Images Visible.Hoyeon Lim - manuscript
    When we try to understand what a picture represents, how we experience the picture, I argue, plays a key role in determining the content the picture represents. More specifically, I argue that understanding pictorially represented content requires two tasks—visually grasping the picture’s design (an image) and interpreting what the design represents (what it is an image of). Neither task is done without the other, meaning that the viewer’s success in the former—visually identifying the image—depends on their success (...)
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  42. “I could have been you”: Existential Envy and the Self.Íngrid Vendrell-Ferran - 2022 - In Sara Protasi (ed.), The Moral Psychology of Envy. Rowman & Littlefield Publishers. pp. 77-92.
    This paper explores “existential envy” as a kind of envy in which the subject targets the rival’s entire being rather than one of her possessions, achievements or talents. It argues that existential envy is characterized by a weakening of the distinction between good and rival and by a strong focus on the envious self. In existential envy, the subject becomes aware that another person is closer to her ideal self than she is, such that the rival painfully reminds her of (...)
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  43. Affects, Images and Childlike Perception: Self-Other Difference in Merleau-Ponty’s Sorbonne Lectures.Shiloh Whitney - 2012 - PhaenEx 7 (2):185-211.
    I begin by reviewing recent research by Merleau-Ponty scholars opposing aspects of the critique of Merleau-Ponty made by Meltzoff and colleagues based on their studies of neonate imitation. I conclude the need for reopening the case for infant self-other indistinction, starting with a re-examination of Merleau-Ponty’s notion of indistinction in the Sorbonne lectures, and attending especially to the role of affect and to the non-exclusivity of self-other distinction and indistinction. In undertaking that study, I discover the importance of understanding self-other (...)
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  44. The Narrative Aesthetics of Protest Images.Hannah Fasnacht - 2021 - Jolma the Journal for the Philosophy of Language, Mind and the Arts 2 (1):212-238.
    In this paper I argue that protest images have a certain aesthetics and a degree of transformative power. Crucial to this aesthetics is the images’ narrative struc- ture, like the representation of goal-directed actions. On this basis, I show that there are more aspects that contribute to the storytelling capacity, like narrative characteristics and an aesthetics of dramatization. Using the example of climate change protests as a case study, I establish that these aspects can contribute to the transformative ability of (...)
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  45. Husserl’s struggle with mental images: imaging and imagining reconsidered.Andreea Smaranda Aldea - 2013 - Continental Philosophy Review 46 (3):371-394.
    Husserl’s extensive analyses of image consciousness (Bildbewusstsein) and of the imagination (Phantasie) offer insightful and detailed structural explications. However, despite this careful work, Husserl’s discussions fail to overcome the need to rely on a most problematic concept: mental images. The epistemological conundrums triggered by the conceptual framework of mental images are well known—we have only to remember the questions regarding knowledge acquisition that plagued British empiricism. Beyond these problems, however, a plethora of important questions arise from claiming that mental (...)
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  46. The multidimensional spectrum of imagination: Images, Dreams, Hallucinations, and Active, Imaginative Perception.Nigel J. T. Thomas - 2014 - Humanities 3 (2):132-184.
    A theory of the structure and cognitive function of the human imagination that attempts to do justice to traditional intuitions about its psychological centrality is developed, largely through a detailed critique of the theory propounded by Colin McGinn. Like McGinn, I eschew the highly deflationary views of imagination, common amongst analytical philosophers, that treat it either as a conceptually incoherent notion, or as psychologically trivial. However, McGinn fails to develop his alternative account satisfactorily because (following Reid, Wittgenstein and Sartre) he (...)
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  47. Objectification and vision: how images shape our early visual processes.Alice Roberts - 2021 - Synthese 32 (1-2).
    Objectification involves treating someone as a thing. The role of images in perpetuating objectification has been discussed by feminist philosophers. However, the precise effect that images have on an individual's visual system is seldom explored. Kathleen Stock’s work is an exception—she describes certain images of women as causing viewers to develop an objectifying ‘gestalt’ which is then projected onto real-life women. However, she doesn’t specify the level of visual processing at which objectification occurs. In this paper, I propose that images (...)
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  48. In Defense of Weak Dualism.Mohamed Hussien - manuscript
    In this article I build on Gertler's recent version of the disembodiment argument to defend a modern and "weak" dualism. The hardest part in disembodiment arguments is to imagine oneself disembodied if that was even possible. In my article I avoid this weakness by introducing body swapping argument. In my novel argument we don't need the problematic image of disembodied self, it's sufficient to imagine one's consciousness in another body, an image too easy to imagine that it became (...)
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  49. Photographic Registers Are Latent Images.Mark Windsor - 2023 - Journal of Aesthetics and Art Criticism 81 (3):404-407.
    In a recent article, Dawn Wilson (2021) has argued against single-stage accounts of photography by arguing against the latent photographic images upon which those accounts depend. Concomitantly, she argues that the only viable account of photography is multi-stage. Unlike single-stage accounts, multi-stage accounts do not postulate the existence of photographic images of any kind prior to development. Rather, according to multi-stage accounts, photographs are produced from “photographic registers.” In this Discussion Piece, I defend single-stage accounts by arguing that Wilson’s rejection (...)
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  50. Can brain scanning and imaging techniques contribute to a theory of thinking?Robert Henman - 2013 - Dialogues in Philosophy, Mental and Neuro Sciences 6 (2):49-56.
    In this article I analyse current efforts in cognitive neuroscience to explore the organic and cognitive processes involved in problem-solving. This analysis highlights a problem with assuming that cognitive processes can be wholly explained once one has explained organic processes. Reflection on scientific performance suggests how this problem can be evaded. This reflection on performance can also provide a paradigm for future neuroscientific research leading to a more detailed account of how brain locales and activities can be correlated with conscious (...)
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