Results for 'modernism, postmodernism, modernist painting, Kant, Greenberg'

975 found
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  1. On the Permanent Immaturity of Art: Aesthetic Modernism with Apologies to Kant.Eric Dayton - 2008 - Æ: Canadian Aesthetics Journal / Revue Canadienne D'Esthétique 14 (Fall/Automne 2008):1-9.
    I offer an interpretation of the puzzle posed by Greenberg’s failure to come to terms with the explosion of postmodernist experimentation in the 1960’s. Greenberg, one of the most influential critics of the immediately preceding period and a strong supporter of New York abstract expressionism and color field painting, is indelibly associated with modernist schools of painting. His short essay, “Modernist Painting”, valorized precisely these movements and was a tour de force catapulting Greenberg into critic (...)
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  2. Greenberg, Kant, and Aesthetic Judgments of Modernist Art.Robert R. Clewis - 2008 - AE: Canadian Aesthetics Journal 18.
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  3. Post-modernism: The New Classicism in Art and Architecture.Charles Jencks - 1987 - Rizzoli International Publications.
    Describes the return to a new classical style within art and architecture. Includes 350 illustrations of paintings, sculpture, and architecture.
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  4. Modernism, Postmodernism and Politics.Iddo Landau - 1995 - International Journal of Applied Philosophy 10 (1):39-45.
    Many modernists and postmodernists have adduced moral and political considerations in attacking the views of the other side and defending their own. In the face of the multiplicity of these claims and the ardor with which they are expressed, it is surprising that no attempts have been made to systematically examine the nature and validity of the arguments, nor to ask whether it is useful to engage in them at all. This paper provides such an analysis and demonstrates that in (...)
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  5. Modernism, Postmodernism, and Ultra-modernism: The Difference and the Continuity.Muhammad Jalil Arif - 2021 - Academic Letter 1 (Article 3112).
    This paper briefly presents the historical and philosophical link between Enlightenment philosophy and the emergence of Postmodern philosophy, i.e., the transition from modernity to postmodernity. While identifying and recognizing the “difference” and the sharp contrast, I will concentrate on showing the “continuity” between the two philosophies. This paper shows that postmodernism can be understood as ultra-modernism in at least two dimensions 1) in opting for a particular critical methodology and 2) in the intensification of subjectivity. This enactment of deconstructive criticism, (...)
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  6. The Grand Narrative of the Age of Re-Embodiments: Beyond Modernism and Postmodernism.Arran Gare - 2013 - Cosmos and History : The Journal of Natural and Social Philosophy 9 (1):327-357.
    The delusory quest for disembodiment, against which the quest for re-embodiment is reacting, is characteristic of macroparasites who live off the work, products and lives of others. The quest for disembodiment that characterizes modernism and postmodernism, it is argued, echoes in a more extreme form the delusions on which medieval civilization was based where the military aristocracy and the clergy, defining themselves through the ideal forms of Neo-Platonic Christianity, despised nature, the peasantry and in the case of the clergy, women. (...)
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  7. Hegel and the French Revolution.Richard Bourke - 2023 - History of European Ideas 49 (4):757-768.
    G. W. F. Hegel (1770–1831) has commonly been seen as Europe’s leading philosopher since Kant. His influence extended across the globe down to the Second World War – not least through his dissident disciple, Karl Marx. Since then, despite intermittent revivals, his importance has tended to be eclipsed by a rising tide of anti-modernist polemic, extending from Heidegger to postmodernism. Central to Hegel’s political thought was his view of the French Revolution. But notwithstanding its pivotal role in the development (...)
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  8. Dal mondo dell'arte al regno delle ombre (e ritorno). Arthur Danto, Maya Lin e la bellezza interna.Filippo Fimiani - 2010 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
    Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington embodies the rhetoric paradigm of internal beauty’s meaning. However, the relationship to the Kant’s pulchritudo adhaerens is not an easy one: Danto’s recalls against the self-referent formalism of Greenberg’s Modernism and his tacit issues about the environmental non-monumentality of Richard Serra’s Minimalism, are, most importantly, haunted by the unquestioned spectral logic of the image embodiment. The beholders’ reflecting shape on the funeral Wall is, finally, both a pathetic index (...)
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  9. Hilna Af Klint at The Guggenheim: Metaphysics as it Patrols Mortality’s Borders.Ekin Erkan - 2019 - AEQAI 2019 (7/8):1-11.
    The Guggenheim’s spring retrospective of the seminal Swedish painter, Hilma Af Klint, has, naturally, evoked a multitude of art critics and visual culture scholars who laud her radical abstraction which, at the beginning of the 20th century, preceded Kandinsky, Malevich, Mondrian. Yet, where much attention has been given to the symbology and motifs riddling Klint’s work – bold, private, untethered and nonrepresentational as they are – there has been a modicum of nuanced thought on how, exactly, esotericism and theology fomented (...)
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  10. Foucault and the critical tradition.Kory P. Schaff - 2002 - Human Studies 25 (3):323-332.
    The present paper motivates one possible answer to Kant’s question, “What remains of the Enlightenment?” by reinterpreting the relation between Foucault and critical tradition from Kant to the Frankfurt School. The Enlightenment has left us with “normative superstition,” or a healthy form of skepticism about the justification of modern institutions and ideals. Along these lines, I adopt an interpretation of Foucault that diverges from the standard view. I argue that he shares with his detractors a common heritage of this “critical (...)
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  11. Is the semiosphere post-modernist?George Rossolatos - 2015 - Kodikas- Ars Semeiotica 2 (38):95-113.
    This paper provides arguments for and against M.Lotman’s (2002) contention that Y.Lotman’s seminal concept of semiosphere is of post-modernist (post-structuralist; Posner 2011) orientation. A comparative reading of the definitional components of the semiosphere, their hierarchical relationship and their interactions is undertaken against the two principal axes of space and subjectivity in the light of Kantian transcendental idealism, as inaugural and authoritative figure of modernity, the Foucauldian discursive turn and the Deleuzian (post) radical empiricism (sic), as representative authors of the (...)
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  12. Anti-mémoires. Noms, reflets et écritures.Filippo Fimiani - 2016 - IMAGES RE-VUES 5:1-32.
    Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington really embodies the beauty of his meaning. For him, the Memorial’s “internal beauty” is felt and read because she is built as a text by the rhetoric of enthymeme, as a syllogism based on some tacit knowledges and highly probables communplaces. However, the relationship to the Kant’s pulchritudo adhaerens and philosophy of architecture is not an easy one : Danto rejects as unreadable the self-referent formalism of Greenberg’s Modernism (...)
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  13. Heidegger's Revolutionary (Anti-/Counter-/Post-)Modernism.Jussi M. Backman - 2021 - Gatherings: The Heidegger Circle Annual 11:93-101.
    A rejoinder to Harri Mäcklin, "A Heideggerian Critique of Immersive Art".
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  14. Český Greenberg? Mukařovský a estetický formalismus.Tomas Hribek - 2015 - Sešit Pro Umění, Teorii a Příbuzné Zóny 19:6-26.
    [A Czech Greenberg? Mukařovský and Aesthetic Formalism] This article revisits Tomáš Pospiszyl’s discussion of the split between the North American and the Czechoslovak postwar modernism as a difference between the views of two critics who dominated the American and the Czechoslovak art scene, respectively--Clement Greenberg and Jindřich Chalupecký. Pospiszyl convincingly traces the evolution of American art to what has been called Greenberg’s “formalism,” and the developments on the Czechoslovak scene to Chalupecký’s ideas about art as part of (...)
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  15. Art and Form: From Roger Fry to Global Modernism.Sam Rose - 2019 - University Park, PA: Pennsylvania State University Press.
    From the publisher: -/- This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement’s significance to art history today. -/- In the context of modernism, formalist critics are often thought to be interested in art rather than life, a stance exemplified in their support for abstract works that exclude (...)
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  16. Kant's Fantasy.Francey Russell - 2024 - Mind 133 (531):714-741.
    Throughout his lectures and published writings on anthropology, Kant describes a form of unintentional, unstructured, obscure, and pleasurable imaginative mental activity, which he calls fantasy (Phantasie), where we ‘take pleasure in letting our mind wander about in obscurity.’ In the context of his pragmatic anthropology, Kant was concerned not only to describe this form of mental activity as a fact of human psychology, but more importantly, to criticize and discourage it. But must we share Kant’s negative evaluation? Could fantasy play (...)
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  17. Postmodernism as the Decadence of the Social Democratic State.Arran Gare - 2001 - Democracy and Nature 7 (1):77-99.
    In this paper it is argued that the corresponding rise of postmodernism and the triumph of neo-liberalism are not only not accidental, the triumph of neo-liberalism has been facilitated by postmodernism. Postmodernism has been primarily directed not against mainstream modernism, the modernism of Hobbes, Smith, Darwin and social Darwinism, but against the radical modernist quest for justice and emancipation with its roots in German thought. The Social Democratic State, the principles of which were articulated by Hegel, is construed as (...)
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  18. Is the Post- in Postmodernism the Post- in Postcolonial?Kwame Anthony Appiah - 1991 - Critical Inquiry 17 (2):336-357.
    Sara Suleri has written recently, in Meatless Days, of being treated as an "otherness machine"-and of being heartily sick of it.20 Perhaps the predicament of the postcolonial intellectual is simply that as intellectuals-a category instituted in black Africa by colonialism-we are, indeed, always at the risk of becoming otherness machines, with the manufacture of alterity as our principal role. Our only distinction in the world of texts to which we are latecomers is that we can mediate it to our fellows. (...)
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  19. Postmodernism and the dilemma of an appropriate Christian paradigm for ethical descision making.Edvard Kristian Foshaugen - 2000 - Dissertation, Stellenbosch
    The Church is facing a dilemma in how to apply and live out its message in a postmodern world. For many in the Church an understanding and application of morals and ethics has become bewildering. This assignment attempts to develop a Christian vocabulary and conceptual framework for morality. This is done by firstly elucidating the milieu out of which postmodernism arose. Modernism, through universal claims of reason and instrumental rationality, believed in the ultimate mastery of the world. The failure of (...)
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  20. Colonialism in Kant's Political Philosophy.Howard Williams - 2014 - Diametros 39:154-181.
    This article examines the controversy that has arisen concerning the interpretation of Immanuel Kant's account of European colonialism. One the one hand there are those interpreters such as Robert Bernasconi who see Kant's account as all of a piece with his earlier views on race which demonstrate a certain narrow mindedness in relation to black and coloured people and, on the other hand, there are those such as Pauline Kleingeld and Allen Wood who argue that the earlier writings on race (...)
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  21. Two Faces of Irony: Kant and Rorty.Karel Mom - 2006 - In Nebil Reyhani (ed.), Essays Presented at the Muğla University International Kant Symposium (Muğla, Turkey, Oct. 6-8, 2004). Vadi. pp. 560-570.
    It might, at first sight, seem objectionable to compare Kant and Rorty in terms of their respective irony, for two reasons. First, usually, irony is not considered to be a striking stylistic feature in Kant, whereas it is a key concept in Rorty´s political philosophy. Second, Rorty's liberal ironist is the prototype of the edified individual in post-modern civil society who has overcome metaphysics of both realms: nature and morals. It just is proposed as a remedy against all forms of (...)
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  22. “Did This Really Happen?”: Amit Chaudhuri’s Acknowledgement of the Autobiographical.Paul Deb - 2022 - Journal of Comparative Literature and Aesthetics, 44 (4):194-203.
    In a recent online lecture, the acclaimed novelist Amit Chaudhuri responded to an accusation that has greeted his fiction since the start of his literary career: that since, as he openly admits, his novels contain people and events that are drawn from his own life, they are better thought of as thinly disguised memoirs—as not really novels at all. In this paper, I discuss this charge by drawing on an account by the philosopher Stephen Mulhall of the work of another (...)
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  23. Structuralism, Modular Construction, and “Grid” As Universal Instruments for Building Designs.Klodjan Xhexhi - 2023 - International Journal of Advanced Natural Sciences and Engineering Researches 7:198-197.
    Structuralism can be defined as an important concept of using “units” as elements of form and space-giving, where the whole form is made not only up of a “texture”, a certain flexible grid, or an algorithm of shape-giving, but it depends also on the relationships created and how people use it. The hypothesis of this study is that “Modular Construction” can also have an aesthetically pleasing outlook and that modular housing can definitely have increasing importance in the future. Modular housing (...)
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  24. An Unlikely Meeting of the Vienna School and the New York School.Eugene Halton - 1989 - New Observations 1 (71):5-9.
    When painter Fritz Janschka arrived from Vienna to teach at Byrn Mawr College in October, 1949, he entered a culture seemingly as alien to his art as one can imagine. Janschka is one of the co­founders of the Vienna School of Fantastic Realism, a group of painters who studied at the Academy of Fine Arts in Vienna shortly after World War Two. The fantastic realists cultivated a precisely controlled craft informed by traditional methods and modernist sensibilities, incorporating collectively the (...)
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  25. Modern versus postmodern architecture.David Kolb - 1990 - In Postmodern Sophistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago Press. pp. 87 – 105.
    A discussion of "postmodern" architecture in the sense in which the term was used in the late 1980s, namely, the introduction of historical substantive content and reference into architecture, disrupting the supposedly ahistorical purity of modernist architecture. Argues that postmodern use of history is really another version of the modern distance from history.
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  26. Modernity, Post-Modernity and Proto-Historicism: Reorienting Humanity Through a New Sense of Narrative Emplotment.Andrew Kirkpatrick - 2014 - Cosmos and History 10 (2):22-77.
    As a grand narrative of progress, the utopian project of modernity is primarily concerned with notions of rationalism, universalism, and the development of a metalanguage. The triumph of the Moderate Enlightenment has seen logics of domination, accumulation and individualism incorporated into the project of modernity, with these logics giving rise to globalised capitalism as the metalanguage of modernity and neoliberal economics as the grand narrative of rational progress. The project of modernity is all but complete, requiring only the formality of (...)
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  27. Postmodern sophistication: Habermas versus Lyotard.David Kolb - 1990 - In Postmodern Sophistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago Press. pp. 36 – 50.
    A discussion of whether Habermas as a representative modernist and Lyotard as a representative postmodern echo the ancient dispute between Plato and the Sophists. My conclusion is that they do not quite do so. Each is more complex and ancient dichotomy should be revised.
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  28. Imagining Hedda Gabler: Munch and Ibsen on Art and Modern Life.Kristin Gjesdal - 2017 - Text Matters - a Journal of Literature, Theory and Culture 7 (7):71-86.
    Among Edvard Munch’s many portraits of Henrik Ibsen, the famous Norwegian dramatist and Munch’s senior by a generation, one stands out. Large in scope and with a characteristic pallet of roughly hewed gray blue, green and yellow, the sketch is given the title Geniuses. Munch’s sketch shows Ibsen, who had died a few years earlier, in the company of Socrates and Nietzsche. The picture was a working sketch for a painting commissioned by the University. While Munch, in the end, chose (...)
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  29. "Charles Peirce as Postmodern Philosopher".Peter Ochs - 1992 - In David Ray Griffin, John B. Cobb Jr, Marcus P. Ford, Pete A. Y. Gunter & Peter Ochs (eds.), Founders of Constructive Postmodern Philosophy: Peirce, James, Bergson, Whitehead, and Hartshorne. State University of New York Press. pp. 43-87.
    By definition, “logic of postmodernism" would appear to be a contradiction in terms: philosophic post¬modernism emerged as a critique of attempts to found philosophy on some principle of reasoning and to found reasoning on some formal guidelines for how we ought to think. Nonetheless, there are two reasons why Charles Sanders Peirce (1839-1914) ought to be labeled the logician of postmodernism — the philosopher who, more than any other, etched out the normative guidelines for postmodern thinking. The first reason is (...)
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  30. Art as "Night": An Art-Theological Treatise.Gavin Keeney - 2010 - Newcastle upon Tyne: Cambridge Scholars Press.
    Written over the course of two months in early 2008, Art as "Night" is a series of essays in part inspired by a January 2007 visit to the Velázquez exhibition at the National Gallery of Art, London, with subsequent forays into related themes and art-historical judgments for and against theories of meta-painting. Art as "Night" proposes a type of a-historical dark knowledge crossing painting since Velázquez, but reaching back to the Renaissance, especially Titian and Caravaggio. As a form of formalism, (...)
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  31. Truth Is Stranger Than It Used to Be: Biblical Faith in a Postmodern Age.J. Richard Middleton & Brian J. Walsh - 1995 - Downers Grove, IL: IVP Academic.
    Voted one of Christianity Today's 1996 Books of the Year! The carnivalesque, pluralistic culture in which we live can be seen as a consequence of the breakdown of modernity (which touted itself as the "greatest show on earth"), combined with a recognition of the socially constructed character of reality. Since the old construction has been discredited and is in a process of decomposition, the season is open on the construction of new realities which are produced with the speed and ease (...)
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  32. Self-criticism in a broken mirror.David Kolb - 1990 - In Postmodern Sophistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago Press. pp. 51 - 60.
    If we have no transparent access to our self, what kind of self-criticism is possible? Neither modernists nor postmodernists yet this pragmatic issue correct.
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  33. Rape of Aphrodite.Kevin Nicholas - manuscript
    -/- ABSTRACT: The concept of beauty has been central to the understanding of Aesthetics, but most modern scholars examine and celebrate Aesthetics presupposing that beauty exists in this Universe, and that by merely being patrons and proponents of art, they can exercise their metaphysical-value judgment however they feel is fulfilling. Contemporary artists fail to realize the etiology and phenomenological value of beauty. The perfect exemplification of this can be seen in the veritable themes and allegories of Postmodernism. The fetishistic penchant (...)
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  34.  79
    ON SOLID GROUND: EZRA POUND's METAPHOR OF KNOWLEDGE: THE CONFUCIAN CONTEXT.Enrique Martinez Esteve - 2023 - Independently published (October 17, 2023).
    Ezra Pound got many things wrong. He was a poor judge of character and a supporter of causes and individuals that have done and continue to do much harm to people around the world. This book addresses the matters (literary and philosophical) that Pound got right, while still pointing out the flaws; it highlights the impact such evidence may yield for the student of art. -/- The result of my research in the pages that follow may be described as a (...)
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  35. The Morality of Freedom. Joseph Raz.Gerald Dworkin - 1988 - Ethics 98 (4):850-852.
    This thesis examines the relationship between nihilism and postmodernism in relation to the sublime, and is divided into two parts: theory and literature. Beginning with histories of nihilism and the sublime, the Enlightenment is constructed as a conflict between the two. Rather than promote a simple binarism, however, nihilism is constructed as a temporally-displaced form of sublimity that is merely labelled as nihilism because of the dominant ideologies at the time. Postmodernism, as a product of the Enlightenment, is therefore implicitly (...)
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  36. The Epistemology of Alvin Plantinga.Valentin Teodorescu - 2014 - Annals of Academy of Romanian Scientists 6 (1-2):115-136.
    In this article we intend to present Alvin Plantinga’s epistemology by showing the way in which its central concepts: the Reidian foundationalism, the partial critique of evidentialism, warrant, proper function, reliability and externalism - are logically interrelated. A section of this article is reserved to the critiques of his account of warrant brought by Peter Klein and Richard Feldman and to the way in which Plantinga answered them, by developing the concepts of cognitive maxi- and mini-environment. In the end we (...)
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  37.  99
    Le modernisme récalcitrant de Roberto Schwarz.Raphael F. Alvarenga - 2023 - Letterature D'America 43 (195):99-114.
    In contrast to the thesis of a thorough homology between the demystifying vocation of modernism and the profanatory tendencies of capitalist dynamics, the work of Roberto Schwarz seems to provide elements for a more nuanced conception of the modernist experience. While denouncing the setback caused by the routinisation of artistic strategies of defamiliarization, the Brazilian critic remains reluctant to accept the postmodernist assumption that any attempt to give consequence to the modernist universe in changed circumstances is necessarily doomed (...)
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  38. Race and the Feminized Popular in Nietzsche and Beyond.Robin James - 2013 - Hypatia 28 (4):749-766.
    I distinguish between the nineteenth- to twentieth-century (modernist) tendency to rehabilitate (white) femininity from the abject popular, and the twentieth- to twenty-first-century (postmodernist) tendency to rehabilitate the popular from abject white femininity. Careful attention to the role of nineteenth-century racial politics in Nietzsche's Gay Science shows that his work uses racial nonwhiteness to counter the supposedly deleterious effects of (white) femininity (passivity, conformity, and so on). This move—using racial nonwhiteness to rescue pop culture from white femininity—is a common twentieth- (...)
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  39.  82
    The Necessary Existence of Objective Truth and Objective Reality.Nathan Huey - manuscript
    This paper presents a deductive proof for the necessary existence of objective truth and reality, addressing core philosophical challenges across multiple frameworks, including modernism, postmodernism, relativism, and radical skepticism. By starting with the undeniable fact of subjective experience, the argument demonstrates that rationality presupposes subjectivity, which in turn relies on the classical laws of logic. These laws cannot be grounded within subjectivity or rationality without falling into circular reasoning. Therefore, the proof establishes that objective reality must serve as the ground (...)
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  40. Elective Modernism and the Politics of (Bio) Ethical Expertise.Nathan Emmerich - 2018 - In Hauke Riesch, Nathan Emmerich & Steven Wainwright (eds.), Philosophies and Sociologies of Bioethics: Crossing the Divides. Dordrecht, Netherlands: Springer. pp. 23-40.
    In this essay I consider whether the political perspective of third wave science studies – ‘elective modernism’ – offers a suitable framework for understanding the policy-making contributions that (bio)ethical experts might make. The question arises as a consequence of the fact that I have taken inspiration from the third wave in order to develop an account of (bio)ethical expertise. I offer a précis of this work and a brief summary of elective modernism before considering their relation. The view I set (...)
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  41. ‘A Lady on the Street but a Freak in the Bed’: On the Distinction Between Erotic Art and Pornography.A. W. Eaton - 2018 - British Journal of Aesthetics 58 (4):469-488.
    How, if at all, are we to distinguish between the works that we call ‘art’ and those that we call ‘pornography’? This question gets a grip because from classical Greek vases and the frescoes of Pompeii to Renaissance mythological painting and sculpture to Modernist prints, the European artistic tradition is chock-full of art that looks a lot like pornography. In this paper I propose a way of thinking about the distinction that is grounded in art historical considerations regarding the (...)
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  42. Bereft of Reason: On the Decline of Social Thought and Prospects for its Renewal.Eugene Halton - 1995 - University of Chicago Press.
    In this radical critique of contemporary social theory, Eugene Halton argues that both modernism and postmodernism are damaged philosophies whose acceptance of the myths of the mind/body dichotomy make them incapable of solving our social dilemmas. Claiming that human beings should be understood as far more than simply a form of knowledge, social construction, or contingent difference, Halton argues that contemporary thought has lost touch with the spontaneous passions—or enchantment—of life. Exploring neglected works in twentieth century social thought and philosophy—particularly (...)
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  43. Postmodern Sophistications: Philosophy, Architecture, and Tradition.David Kolb - 1990 - Chicago: University of Chicago Press.
    Kolb discusses postmodern architectural styles and theories within the context of philosophical ideas about modernism and postmodernism. He focuses on what it means to dwell in a world and within a history and to act from or against a tradition.
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  44. Heidegger's Ethics.Sacha Golob - 2017 - In Sacha Golob & Jens Timmermann (eds.), The Cambridge History of Moral Philosophy. New York: Cambridge University Press. pp. 623-635.
    There are three obstacles to any discussion of the relationship between Heidegger’s philosophy and ethics. First, Heidegger’s views and preoccupations alter considerably over the course of his work. There is no consensus over the exact degree of change or continuity, but it is clear that a number of these shifts, for example over the status of human agency, have considerable ethical implications. Second, Heidegger rarely engages directly with the familiar ethical or moral debates of the philosophical canon. For example, both (...)
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  45. From Trust to Body. Artspace, Prestige, Sensitivity.Filippo Fimiani - 2017 - In Felice Masi & Maria Catena (eds.), The Changing Faces of Space. Cham: Springer Verlag. pp. 277-288.
    What happens to artist and to viewer when painting or sculpture emancipates itself from all physical mediums? What happens to art-world experts and to museum goers and amateurs when the piece of art turns immaterial, becoming indiscernible within its surrounding empty space and within the parergonal apparatus of the exposition site? What type of verbal depiction, of critical understanding and specific knowledge is attempted under these programmed and fabricated conditions? What kind of aesthetic experience–namely embodied and sensitive–is expected when a (...)
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  46. Modernist Architecture and Ruins.Mateja Kurir - 2019 - In Modell und Ruine. pp. 12-16.
    Modernist Architecture and Ruins: On Ruins as a Minus, Neoclassicism and the Uncanny.
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  47. Charitable Interpretations and the Political Domestication of Spinoza, or, Benedict in the Land of the Secular Imagination.Yitzhak Y. Melamed - 2013 - In Justin Smith, Eric Schliesser & Mogens Laerke (eds.), The Methodology of the History of Philosophy. Oxford University Press.
    In a beautiful recent essay, the philosopher Walter Sinnott-Armstrong explains the reasons for his departure from evangelical Christianity, the religious culture in which he was brought up. Sinnot-Armstrong contrasts the interpretive methods used by good philosophers and fundamentalist believers: Good philosophers face objections and uncertainties. They follow where arguments lead, even when their conclusions are surprising and disturbing. Intellectual honesty is also required of scholars who interpret philosophical texts. If I had distorted Kant’s view to make him reach a conclusion (...)
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  48.  8
    Elective Modernism and the Politics of Ethical Expertise.Nathan Emmerich - 2018 - In Hauke Riesch, Nathan Emmerich & Steven Wainwright (eds.), Philosophies and Sociologies of Bioethics: Crossing the Divides. Dordrecht, Netherlands: Springer. pp. 23-40.
    In this essay I consider whether the political perspective of third wave science studies – ‘elective modernism’ – offers a suitable framework for understanding the policy-making contributions that ethical experts might make. The question arises as a consequence of the fact that I have taken inspiration from the third wave in order to develop an account of ethical expertise. I offer a précis of this work and a brief summary of elective modernism before considering their relation. The view I set (...)
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  49. After capitalism, cyborgism.Fernando Flores Morador (ed.) - 2015 - Lund: Lund University.
    This book is a personal answer to the crisis of the left. The author of this text belongs to a generation habituated to live with global explanations. During our youth, the future of the world was the future of democracy and socialism. We belong to a generation of “leftist” that found in Marx and Freud, phenomenology and structuralism the most important answers that made sense of the everyday world. However, the developments of events during the last sixty years showed that (...)
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  50. When Time Stumbled: Judges as Postmodern.Don Michael Hudson - 1999 - Dissertation, Westminster Theological Seminary
    What do we do with Judges? This two-edged word? This ambidextrous book? These ambivalent heroes? The Judges were drawing their last fleeting breaths shipwrecked and scattered upon the shores of historical-critical-grammatical-linear-modernist-masculine interpretation. "The narrative is primitive," they said. "The editors have made a mess," they exclaimed. "The conclusion is really an appendix," another said. Then the bible-acrobats jumped in pretending there was no literary carnage while at the same time drawing our eyes away from the literary carnage. "No, no, (...)
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