Results for 'storytelling'

86 found
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  1. A Storytelling Approach: Insights from the Shambaa.Camillo Lamanna - 2018 - Journal of Medical Humanities 39 (3):377-389.
    Narrative medicine explores the stories that patients tell; this paper, conversely, looks at some of the stories that patients are told. The paper starts by examining the ‘story’ told by the Shambaa people of Tanzania to explain the bubonic plague and contrasts this with the stories told by Ghanaian communities to explain lymphatic filariasis. By harnessing insights from memory studies, these stories’ memorability is claimed to be due to their use mnemonic devices woven into stories. The paper suggests that stories (...)
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  2. Storytelling as a tool for forming and supporting organisational culture in medical institutions.Oleksandr P. Krupskyi & Yuliya Stasiuk - 2023 - Communications and Communicative Technologies 23:123-144.
    The article discusses the role and importance of storytelling in the context of creating and maintaining organisational culture in the healthcare sector. Medical institutions are constantly solving complex tasks related to the provision of high-quality medical care and interaction with patients and staff. In this regard, storytelling is an important tool, aimed at strengthening cultural values and adjusting goals. The study examines the nature of organisational culture, its main components and culture, its main components and the peculiarities of (...)
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  3. A brand storytelling approach to Covid-19’s terrorealization: Cartographing the narrative space of a global pandemic.George Rossolatos - 2020 - Journal of Destination Marketing and Management 18 (Dec):1-10.
    This paper offers a brand storytelling, that is a narratological account of Covid-19 pandemic’s emergence phase. By adopting a fictional ontological standpoint, the virus’ deploying media story-world is identified with a process of narrative spacing. Subsequently, the brand’s personality is analyzed as a narrative place brand. The narrative model that is put forward aims at outlining the main episodes that make up the virus’ brand personality as process and structural components (actors, settings, actions, relationships). A series of deep or (...)
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  4. Argumentatively Evil Storytelling.Gilbert Plumer - 2016 - In D. Mohammend & M. Lewinski (eds.), Argumentation and Reasoned Action: Proceedings of the 1st European Conference on Argumentation, Lisbon 2015, Vol. 1. College Publications. pp. 615-630.
    What can make storytelling “evil” in the sense that the storytelling leads to accepting a view for no good reason, thus allowing ill-reasoned action? I mean the storytelling can be argumentatively evil, not trivially that (e.g.) the overt speeches of characters can include bad arguments. The storytelling can be argumentatively evil in that it purveys false premises, or purveys reasoning that is formally or informally fallacious. My main thesis is that as a rule, the shorter the (...)
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  5. Storytelling beyond the academy: Exploring roles, responsibilities and regulations in the Open Access dissemination of research outputs and visual data.Dawn Mannay - 2014 - Journal of Corporate Citizenship 54:109-116.
    In the last decade there has been a movement towards facilitating Open Access to academic outputs via the World Wide Web. This movement has been characterised as one that embodies corporate citizenship because such sharing has the potential to benefit all stakeholders: academics, policy makers, charitable sectors and the wider public. In the UK, the Economic and Social Research Council are implementing Open Access compliance guidelines for research that they fund, which is interpreted by individual institutions in their school regulations. (...)
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  6. Doing Justice to Stories: On Ethics and Politics of Digital Storytelling.Nassim Parvin - 2018 - Engaging Science, Technology, and Society 4.
    Researchers and activists are increasingly drawing on the practice of collecting, archiving, and sharing stories to advance social justice, especially given the low cost and accessibility of digital technologies. These practices differ in their aims and scope yet they share a common conviction: that digital storytelling is empowering especially when curating and disseminating life stories of marginalized groups. In this paper, I question this conviction and ask: is it possible that such practices take away from what is found to (...)
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  7. Review of Chris Danta's Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot. [REVIEW]Martijn Boven - 2012 - Radical Philosophy 174 (july/august):51-53.
    In 'Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot' Chris Danta takes Genesis 22 as the starting point for an investigation of the role of literary imagination. His aim is to read the Genesis story from a literary-theoretical perspective in order to show how it can 'illuminate the secular situation of the literary writer.' To do this, Danta stages a fruitful confrontation between Søren Kierkegaard as defender of religion and inwardness and Franz Kafka and Maurice Blanchot (...)
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  8. Gaming with History: How History of Science can be used as a scientific storytelling tool.Dora Dias & José Ferraz-Caetano - 2021 - Hypothesis Historia Periodical 1 (1):33-44.
    Gamification can be a useful tool when engaging young students with science. When designing a new game, it is pivotal that a featured storytelling element can draw students' attention while providing an enjoyable experience. However, building such an insightful science dissemination narrative from scratch is often challenging. As real-life situations are frequently more appealing to students, adding alternative history elements can be helpful when designing such a game. In this paper, we present a novel educational framework to design an (...)
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  9.  26
    The blend of quirky storytelling and deep reflection. [REVIEW]Ryan Leaver - 2025 - Amazon Book Review Series of “Wild Wise Weird”.
    Amazon Book Review Series of “Wild Wise Weird”.
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  10. LEVERAGING LANDSCAPE ARCHITECTURE AND ENVIRONMENTAL STORYTELLING FOR NEXT-GENERATION GAMING EXPERIENCES: A Holistic Approach to Virtual World Design.Sepehr Vaez Afshar, Sarvin Eshaghi, Sana Vaez Afshar & Ikhwan Kim - 2023 - In Sepehr Vaez Afshar, Sarvin Eshaghi, Sana Vaez Afshar & Ikhwan Kim (eds.), The 11th International Conference of the Arab Society for Computation in Architecture, Art and Design. USA: Arab Society for Computation in Architecture, Art and Design. 5000 THAYER CTR STE C, OAKLAND MD 21550-1139, USA. pp. 639-651.
    Designing a virtual environment within a digital game occupies a large part of the design procedure, requiring holistic attention and a broad arrangement of the game constituents. Considering other design disciplines, they occupy a unified design methodology; however, a comprehensive literature review reveals the lack of the intended design methodology in the digital game domain's virtual environment development, despite a currently proposed theoretical methodology trying to dissolve the issue. Hence, this research aims to determine the industry's requirements and provide a (...)
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  11.  45
    Wild Wise Weird: Profound storytelling and entertaining. [REVIEW]Ani Gia - 2024 - Amazon Book Review Series of “Wild Wise Weird”.
    Amazon Book Review Series of “Wild Wise Weird”.
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  12. Narrative in Crisis: Reflections from the Limits of Storytelling. Oxford University Press.Martin Dege (ed.) - 2024 - Oxford University Press.
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  13. Art History for Filmmakers. The Art of Visual Storytelling[REVIEW]Maria Irene Aparicio - 2018 - Cinema Journal of Philosophy and the Moving Image (10):193-197.
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  14. The Limits of Anthropocene Narratives.Zoltán Boldizsár Simon - 2020 - European Journal of Social Theory 23 (2):184-199.
    The rapidly growing transdisciplinary enthusiasm about developing new kinds of Anthropocene stories is based on the shared assumption that the Anthropocene predicament is best made sense of by narrative means. Against this assumption, this article argues that the challenge we are facing today does not merely lie in telling either scientific, socio-political, or entangled Anthropocene narratives to come to terms with our current condition. Instead, the challenge lies in coming to grips with how the stories we can tell in the (...)
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  15. A Stieglerianesque Critique Of Transhumanisms: On Narratives And Neganthropocene.Adrian Mróz - 2019 - Hybris 46:138-160.
    While drawing from the philosophy of Bernard Stiegler throughout the paper, I commence by highlighting Zoltan Istvan’s representation of transhumanism in the light of its role in politics. I continue by elaborating on the notion of the promise of eternal life. After that I differentiate between subjects that are proper for philosophy (such as the mind or whether life is worth living) and science (measurable and replicable). The arguments mostly concern mind-uploading and at the same time I elaborate on a (...)
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  16. Euthanasia in Video Games – Exemplifying the Importance of Moral Experience in Digital Gameworlds.Luka Perušić - 2022 - Pannoniana 6 (1):53-98.
    The paper classifies euthanasia and discusses its typological presence in storytelling video games. It aims to illustrate the importance of experiencing simulated moral challenges in the context of gameworlds as a significantly influential, exponentially growing form of interactive media. In contrast to older works of art and media, such as film and literature, the difference should be emphasized in light of the player’s ability to make choices in video games. Although the influence of gameworld content depends on the player, (...)
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  17. ‘Rideaux rouges’: The Scene of Ideology and the Closure of Representation.Thomas Clément Mercier - 2022 - Derrida Today 15 (1):5-30.
    As they make their way through Louis Althusser’s and Jacques Derrida’s texts, readers will cross innumerable curtains – ‘the words and things’, as Derrida says, as many fabrics of traces. These curtains open onto a multiplicity of scenes and mises en scène, performances, roles, rituals, actors, plays – thus unfolding the space of a certain theatricality. This essay traces Althusser’s and Derrida’s respective deployments of the theatrical motif. In his theoretical writings, Althusser’s theatrical dispositive aims to designate the practical and (...)
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  18. Stories and Memories, Memories and Histories: A Cross-disciplinary Volume on Time, Narrativity, and Identity.James Griffith (ed.) - 2025 - Leiden: Brill.
    This edited volume brings together authors from a wide variety of disciplines in the social sciences and humanities. A historian first investigates understudied samizdat literature, a film critic then analyzes Balkan cinema via psychoanalysis, a psychologist examines contemporary European border policies, and a political scientist analyzes the Confederate-memorial debate. Philosophers consider the space of those memorials, ethno-national narratives in India, the Anthropocene and the mind’s historical imaginary, and the notion of home. Literary critics examine recent developments in modes of (...) and images of Orientalism. What emerges is a new understanding of history, memory, and time. (shrink)
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  19.  72
    Beyond Trust: How Usefulness and Immersiveness Drive Space Tourism Intentions in High-Risk Contexts.Minh-Hoang Nguyen, Minh-Phuong Thi Duong, Thanh Tu Tran, Ni Putu Wulan Purnama Sari, Hendra Tedjasuksmana, Viet-Phuong La & Quan-Hoang Vuong - manuscript
    The rapidly evolving space tourism industry faces significant challenges in building consumer trust and balancing emotional appeal with factual accuracy—both essential for reducing uncertainty and fostering long-term public engagement in this high-risk sector. This study examines the key factors shaping individuals’ intentions to participate in space tourism, with a focus on their perceived trustworthiness, usefulness, and immersiveness of information on social media. Applying Mindsponge Theory, we explore the interplay between trust evaluation and subjective cost-benefit judegement of individuals in high-risk tourism (...)
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  20. Narrative Pedagogy for Introduction to Philosophy.Kevin J. Harrelson - 2012 - Teaching Philosophy 35 (2):113-141.
    This essay offers a rationale for the employment of narrative pedagogies in introductory philosophy courses, as well as examples of narrative techniques, assignments, and course design that have been successfully employed in the investigation of philosophical topics. My hope is to undercut the sense that “telling stories in class” is just a playful diversion from the real material, and to encourage instructors to treat storytelling as a genuine philosophical activity that should be rigorously developed. I argue that introductory courses (...)
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  21. Cognitive and Computer Systems for Understanding Narrative Text.William J. Rapaport, Erwin M. Segal, Stuart C. Shapiro, David A. Zubin, Gail A. Bruder, Judith Felson Duchan & David M. Mark - manuscript
    This project continues our interdisciplinary research into computational and cognitive aspects of narrative comprehension. Our ultimate goal is the development of a computational theory of how humans understand narrative texts. The theory will be informed by joint research from the viewpoints of linguistics, cognitive psychology, the study of language acquisition, literary theory, geography, philosophy, and artificial intelligence. The linguists, literary theorists, and geographers in our group are developing theories of narrative language and spatial understanding that are being tested by the (...)
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  22. Narrative Identity and Diachronic Self-Knowledge.Kevin J. Harrelson - 2016 - Journal of the American Philosophical Association 2 (1):164-179.
    Our ability to tell stories about ourselves has captivated many theorists, and some have taken these developments for an opportunity to answer long-standing questions about the nature of personhood. In this essay I employ two skeptical arguments to show that this move was a mistake. The first argument rests on the observation that storytelling is revisionary. The second implies that our stories about ourselves are biased in regard to our existing self-image. These arguments undercut narrative theories of identity, but (...)
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  23. Porto: Distant horizons, beside the Douro.Asma Mehan - 2020 - Spread Stories, Not the Virus.
    Her heart shared between Iran and Italy, while Asma Mehan makes peace with lockdown in her current home in Porto, Portugal, her thoughts stray to those familiar places. In those distant horizons there is heartache, but also the unexpected promise of different futures.
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  24. Realism in Film: Less is More.Jiri Benovsky - 2017 - Dialogue 56 (1):131-141.
    What is realism in film? Focusing on a test case of HFR high-definition movies, I discuss in this article various types of realism as well as their interrelations. Precision, recessiveness of the medium, transparency, and 'Collapse' are discussed and compared. At the end of the day, I defend the claim that 'less is more' in the sense that more image precision can actually have a negative impact on storytelling.
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  25. What makes readers love a fiction book: A statistical analysis on Wild Wise Weird using real-world data from Amazon readers' reviews.Minh-Hoang Nguyen, Ni Putu Wulan Purnama Sari, Minh-Phuong Thi Duong, Manh-Tung Ho, Thi Mai Anh Tran, Dan Li, Phuong-Tri Nguyen, Hong-Hoa Thi Nguyen & Viet-Phuong La - manuscript
    For centuries, fiction—particularly fables—has seamlessly combined storytelling, moral lessons, and societal reflections to engage readers on both emotional and intellectual levels. Despite extensive research on the benefits of reading and the emotional responses it evokes, a critical gap remains in understanding what drives readers to form deep emotional connections with specific works. This study seeks to identify the characteristics of a book that foster such connections. Using Bayesian Mindsponge Framework analytics, we analyzed a dataset of 129 Amazon reviews of (...)
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  26. The Muses Speak as One.James Griffith - 2025 - In Stories and Memories, Memories and Histories: A Cross-disciplinary Volume on Time, Narrativity, and Identity. Leiden: Brill. pp. 1-26.
    This chapter first gives a rough outline of the reasoning behind the division of this collection of essays, one part focused on particular issues and the second on more universal ones. It then works out that reasoning in more detail through an examination of the historical development of the relationship between storytelling, as represented by myth and poetry, and history in the Western tradition from Hesiod through Hegel. The thesis is that Aristotle’s philosophical preference for poetry over history is (...)
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  27. Wild Wise Weird: A Timeless Satire on Humanity and Nature.Dan Li 李丹 - unknown
    Wild Wise Weird emerges as a distinctive work that merges humor, satire, and social critique into a collection of 42 fables featuring birds, especially the character Mr. Kingfisher, as guides to explore themes of wisdom, human behavior, and environmental awareness. Set in a whimsical bird village, the book offers readers a satirical reflection on society, encouraging contemplation on contemporary issues such as environmental sustainability and human-nature relationships. With wit and depth, Vuong’s storytelling demonstrates remarkable versatility, making Wild Wise Weird (...)
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  28. Against Compassion: Post-traumatic Stories in Arendt, Benjamin, Melville, and Coleridge.Andrea Timár - 2023 - Arendt Studies 6:223-246.
    The paper suggests that Samuel Taylor Coleridge’s arguments against sympathy after the French Revolution, Walter Benjamin’s claims against empathy following the traumatic shock of Modernity and the First World War, and Hannah Arendt’s critical take on compassion. after the Holocaust are similar responses to singular historical crises. Reconsidering Arendt’s On Revolution (1963) and its evocation of Hermann Melville’s novella Billy Budd (1891), I show first that the novella bears the traces of an essay by Samuel Taylor Coleridge, “The Appeal to (...)
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  29. Handbook of Brand Semiotics.George Rossolatos (ed.) - 2015 - Kassel: Kassel University Press.
    Semiotics has been making progressively inroads into marketing research over the past thirty years. Despite the amply demonstrated conceptual appeal and empirical pertinence of semiotic perspectives in various marketing research streams, spanning consumer research, brand communications, branding and consumer cultural studies, there has been a marked deficit in terms of consolidating semiotic brand-related research under a coherent disciplinary umbrella with identifiable boundaries and research agenda. -/- The Handbook of Brand Semiotics furnishes a compass for the perplexed, a set of anchors (...)
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  30. Pienten kertomusten etiikkaa: ideologia ja narratiivinen hermeneutiikka.Jussi Backman - 2018 - Ajatus 75 (1):361-381.
    Kirjasymposioartikkeli esittelee Hanna Meretojan teoksen The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible (Oxford University Press, 2018) keskeisimmät ajatukset ja kytkee ne laajempaan hermeneuttiseen ja jälkistrukturalistiseen ajatteluperinteeseen, etenkin Jean-François Lyotardin luonnehdintaan jälkimodernista aikakaudesta suurten modernien historiallisten metakertomusten horjumisen ja pienten paikallisten kertomusten moneuden aikakautena. Tässä valossa Meretojan hermeneuttista kertomusetiikkaa voidaan lukea ennen muuta pienten, ei-totalisoivien kertomusten etiikkana. Artikkeli esittää, että tällaiselle etiikalle löytyy hedelmällinen vertailukohta Hannah Arendtin totalitarismiteoriasta, joka sijoittaa ideologiset metakertomukset totalitaarisen hallinnan ja sen tuottaman ”banaalin (...)
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  31. A minimal dose of self-reflective humor in Wild Wise Weird: The Kingfisher story collection.Manh-Tung Ho - manuscript
    In this essay, I review one of my beloved fictional titles, Wild Wise Weird: The Kingfisher Story collection. The minimal sense of humor and satire in storytelling of Wild Wise Weird are sure to bring readers smiles, better yet, moments of quiet reflection, a much under-appreciated remedy in the world driven almost insane with the abundance of information co-created with AI technologies. I hope to deliver justice to the book.
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  32. Narrative ethics and narrative pedagogy in Engineering ethics education: a road not (yet) taken.Lavinia Marin - 2024 - Proceedings of the 52Nd Annual Conference of Sefi.
    The paper explores the potential of using narrative centered pedagogies in Engineering Ethics Education (EEE), drawing insights from their successful application in nursing and business ethics education. While traditional methods in EEE focus on fostering moral reasoning through case study analysis and teaching ethical theories, increasingly, there is a need for fostering soft ethical skills, such as moral sensitivity and creativity, which, in turn, demand new teaching approaches. Initially developed for nursing ethics, narrative pedagogy emphasises understanding experiences through storytelling (...)
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  33. Pretty, Dead: Sociosexuality, Rationality and the Transition into Zom-Being.Steve Jones - 2014 - In Steve Jones & Shaka McGlotten (eds.), Zombies and Sexuality: Essays on Desire and the Living Dead. McFarland. pp. 180-198.
    The undead have been evoked in philosophical hypotheses regarding consciousness, but such discussions often come across as abstract academic exercises, inapplicable to personal experience. Movie zombies illuminate these somewhat opaque philosophical debates via storytelling devices – narrative, characterization, dialogue and so forth – which approach experience and consciousness in an instinctively accessible manner. This chapter focuses on a particular strand of the subgenre: transition narratives, in which human protagonists gradually turn into zombies. Transition stories typically centralize social relationships; affiliations (...)
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  34. Narrativism and Performativity in Absurda and Darkened Room.Kristina Sekrst - 2024 - In Andrew M. Winters (ed.), A Critical Companion to David Lynch. Lexington Books.
    This chapter explores narrativism and performativity in David Lynch's short films Darkened Room and Absurda, focusing on how personal identity is constructed through storytelling. Lynch's films often blur the boundaries of identity, with narrativist theories suggesting that identity is shaped by the stories characters and others tell about themselves. The chapter examines Lynch's use of performative utterances, where speech acts alter reality, and how narrative power is central to identity formation. By analyzing these works, the chapter highlights the unique (...)
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  35. Arendt on Narrative Theory and Practice.Allen Speight - 2011 - College Literature 38 (1):115-130.
    Hannah Arendt is often--but somehow not unfailingly--credited, together with Alasdair MacIntyre, Paul Ricoeur and Charles Taylor, as being one of the central voices in the philosophical turn to the concept of narrative of a generation or more ago. Some have even cited her 1958 The Human Condition as providing a particular impetus for later accounts of narrative. This essay examines what contemporary philosophical accounts of narrative might still owe Arendt, exploring her approach to narrative in theory as well as practice. (...)
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  36. What is narrativity?Nazim Keven - 2024 - Ratio 37 (2-3):204-214.
    In recent years, narrative accounts of the self have gained increasing attention. It is widely accepted that humans are storytelling creatures, that stories shape our self-conception, and that we fail to be agents without a narrative framework. While there is less agreement on what constitutes a narrative, it is generally understood to be more than a chronological listing of life events; it is also an account of the explanatory relationships among these events—a story of how events lead to other (...)
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  37. Relationalities of Refusal: Neuroqueer Disidentification and Post-Normative Approaches to Narrative Recognition.Christopher Griffin - 2022 - South Atlantic Review 18 (3):89-110.
    The proliferation of work by autistic writers continues apace, defying a long and multidisciplinary tradition of constructing autistic people as lacking the capacity for narration. To study neurodivergent literature, then, is to witness the refusal of these exclusionary narrative conventions, and to register the ideological presuppositions that underpin pathologization. In this article, I engage with recent insights from Neurodiversity Studies to explore the connections between narrative neuronormativity and other discourses of oppression, especially those that have generated racialized, gendered, and colonial (...)
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  38. Metaphors for Puzzles, Time, and Dreams: Ambiguous Narratives in Kaili Blues.Yu Yang - 2023 - International Journal of Literary Humanities 21 (2):1-20.
    In the film “Kaili Blues” by Bi Gan, intricate clues create complex connections between the plots steered by various characters. This relationship manifests in splitting time and alternating between dream and reality. This article analyzes Bi Gan’s approach to temporality and dreams by focusing on how he employs various film metaphors to deal with poetic narratives in his films. The article consists of three sections: First, it introduces the (puzzle) storytelling form of “Kaili Blues” as a promising area in (...)
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  39. The Narrative Aesthetics of Protest Images.Hannah Fasnacht - 2021 - Jolma the Journal for the Philosophy of Language, Mind and the Arts 2 (1):212-238.
    In this paper I argue that protest images have a certain aesthetics and a degree of transformative power. Crucial to this aesthetics is the images’ narrative struc- ture, like the representation of goal-directed actions. On this basis, I show that there are more aspects that contribute to the storytelling capacity, like narrative characteristics and an aesthetics of dramatization. Using the example of climate change protests as a case study, I establish that these aspects can contribute to the transformative ability (...)
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  40. Principles of Liberty: A Design-based Research on Liberty as A Priori Constitutive Principle of the Social in the Swiss Nation Story.Tabea Hirzel - 2015 - Dissertation, Scm University, Zug, Switzerland
    One of the still unsolved problems in liberal anarchism is a definition of social constituency in positive terms. Partially, this had been solved by the advancements of liberal discourse ethics. These approaches, built on praxeology as a universal framework for social formation, are detached from the need of any previous or external authority or rule for the discursive partners. However, the relationship between action, personal identity, and liberty within the process of a community becoming solely generated from the praxeological a (...)
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  41. Science and comics: from popularization to the discipline of Comics Studies.O. Hudoshnyk & Oleksandr P. Krupskyi - 2022 - History of Science and Technology 12 (2):210-230.
    Modern scientific communication traditionally uses visual narratives, such as comics, for education, presentation of scientific achievements to a mass audience, and as an object of research. The article offers a three-level characterization of the interaction of comic culture and science in a diachronic aspect. Attention is focused not only on the chronological stages of these intersections, the expression of the specifics of the interaction is offered against the background of scientific and public discussions that accompany the comics–science dialogue to this (...)
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  42. Starting from the Muses: Engaging Moral Imagination through Memory’s Many Gifts.Guy Axtell - 2021 - In Brian Robinson (ed.), The Moral Psychology of Amusement. Lanham, Maryland: Moral Psychology of the Emotio.
    In Greek mythology the Muses –patron goddesses of fine arts, history, humanities, and sciences– are tellingly portrayed as the daughters of Zeus and Mnemosyne, the goddess Memory, who is of the race of Titans, older still than Zeus and other Olympian deities. The relationship between memory and such fields as epic poetry, history, music and dance is easily recognizable to moderns. But bards/poets like Homer and Hesiod, who began oral storytelling by “invoking the Muses” with their audience, knew well (...)
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  43. The Atheists from Moscow: An Encounter with Colombian Former Combatants.Angelo Miramonti - 2023 - Studies in Social Justice 17 (3):538-548.
    This dispatch tells the story of Julian, a librarian who left his stationary library job for a much more dynamic pursuit: to bring libraries to people instead of the other way around. Julian’s “mobile library” vision was to get new books – and new ideas – to people living in the most remote areas of Colombia. Books on his back, Julian criss-crosses the veredas (rural villages) and the corregimientos (indigenous areas) by motorbike or on foot. He visits small villages of (...)
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  44. Making a University. Introductory Notes on an Ecology of Study Practices.Hans Schildermans - 2019 - Dissertation, Ku Leuven
    The question of how the university can relate to the world is centuries old. The poles of the debate can be characterized by the plea for an increasing instrumentalization of the university as a producer and provider of useful knowledge on the one hand (cf. the knowledge factory), and the defense of the university as an autonomous space for free inquiry and the pursuit of knowledge for knowledge’s sake on the other hand (cf. the ivory tower). Our current global predicament, (...)
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  45. Film about Cape Town is being used to raise awareness, and to ask wider questions.Asma Mehan - 2019 - The Conversation (Africa).
    Academics have increasingly used video and other electronic methods to collect data and capture reflections from participants. But, until recently, it’s been less common to use film as way of disseminating the results of research. That’s beginning to change. Film can be a powerful way to share research findings with a broad audience. This is particularly true when academics are combining) the traditions of ethnography, documentary filmmaking, and storytelling. -/- Film and cinema are increasingly being used in environmental humanities (...)
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  46. The evolution of human birth and transhumanist proposals of enhancement.Eduardo R. Cruz - 2015 - Zygon 50 (4):830-853.
    Some transhumanists argue that we must engage with theories and facts about our evolutionary past in order to promote future enhancements of the human body. At the same time, they call our attention to the flawed character of evolution and argue that there is a mismatch between adaptation to ancestral environments and contemporary life. One important trait of our evolutionary past which should not be ignored, and yet may hinder the continued perfection of humankind, is the peculiarly human way of (...)
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  47. Dave Chappelle's Positive Propaganda.Chris A. Kramer - 2021 - In Mark Ralkowski (ed.), Dave Chappelle and Philosophy. Chicago: Popular Culture and Philosophy. pp. 75-88.
    Some of Dave Chappelle’s uses of storytelling about seemingly mundane events, like his experiences with his “white friend Chip” and the police, are examples of what W.E.B. Du Bois calls “Positive Propaganda.” This is in contrast to “Demagoguery,” the sort of propaganda described by Jason Stanley that obstructs empathic recognition of others, and undermines reasonable debate among citizens regarding policies that matter: the justice system, welfare, inequality, and race, for example. Some of Chappelle’s humor, especially in his most recent (...)
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  48. Re-envisioning the Philosophy Classroom through Metaphors.Alejandro Arango & Maria Howard - 2021 - Teaching Philosophy 44 (2):121-144.
    What is a philosophy class like? What roles do teachers and students play? Questions like these have been answered time and again by philosophers using images and metaphors. As philosophers continue to develop pedagogical approaches in a more conscious way, it is worth evaluating traditional metaphors used to understand and structure philosophy classes. In this article, we examine two common metaphors—the sage on the stage, and philosophy as combat—and show why they fail pedagogically. Then we propose five metaphors—teaching philosophy as (...)
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  49. Southern Black Women's Canebrake Gardens: Responding to Taylor's Call for Aesthetic Reconstruction.Joshua M. Hall - 2020 - Debates in Aesthetics 15 (2).
    In this response, I suggest that Black southern women in the U.S. have always been central to the “reconstruction” that Taylor identifies as a central theme of Black aesthetics. Building on his allusions to Alice Walker and Jean Toomer, I explore Walker’s tearful response (in In Search of Our Mothers’ Gardens: Womanist Prose (1983) to Toomer’s Cane (2011). Walker identifies their mothers’ and grandmothers’ informal arts of storytelling and gardening as the hidden roots of both her and Toomer’s work. (...)
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    WILD WISE WEIRD: A REFLECTION OF HUMANITIES. [REVIEW]Chamunorwa Huni - manuscript
    Wild Wise Weird presents a compelling collection of narratives that use anthropomorphised birds to explore significant themes relevant to contemporary global societies. Through allegorical storytelling, the chapters address critical issues such as community dynamics, resource management, health awareness, leadership challenges, and environmental stewardship. Each narrative, particularly those featuring Kingfisher, reflects the socio-economic complexities many communities face, highlighting the urgent need for effective governance and informed decision-making.
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