View topic on PhilPapers for more information
Related categories

5 found
Order:
More results on PhilPapers
  1. added 2017-06-22
    Defining Comics.Aaron Meskin - 2016 - In Aaron Meskin, Frank Bramlett & Roy Cook (eds.), Routledge Companion to Comics. Routledge. pp. 221-229.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  2. added 2017-01-26
    In Defense of Comic Pluralism.Nathaniel Sharadin - 2017 - Ethical Theory and Moral Practice 20 (2):375-392.
    Jokes are sometimes morally objectionable, and sometimes they are not. What’s the relationship between a joke’s being morally objectionable and its being funny? Philosophers’ answers to this question run the gamut. In this paper I present a new argument for the view that the negative moral value of a joke can affect its comedic value both positively and negatively.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  3. added 2015-07-30
    Comics and Ethics.Jon Robson - forthcoming - In F. Bramlett, R. Cook & A. Meskin (eds.), Routledge Companion to Comics and Graphic Novels. Routledge.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  4. added 2013-01-14
    Comics and Genre.Catharine Abell - 2012 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics: A Philosophical Approach. Blackwell. pp. 68--84.
    An adequate account of the nature of genre and of the criteria for genre membership is essential to understanding the nature of the various categories into which comics can be classified. Because they fail adequately to distinguish genre categories from other ways of categorizing works, including categorizations according to medium or according to style, previous accounts of genre fail to illuminate the nature of comics categories. I argue that genres are sets of conventions that have developed as means of addressing (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark   3 citations  
  5. added 2012-02-08
    Comics & Collective Authorship.Christy Mag Uidhir - 2012 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics: A Philosophical Approach. Wiley-Blackwell. pp. 47-67.
    Most mass-art comics (e.g., “superhero” comics) are collectively produced, that is, different people are responsible for different production elements. As such, the more disparate comic production roles we begin to regard as significantly or uniquely contributory, the more difficult questions of comic authorship become, and the more we view various distinct production roles as potentially constitutive is the more we must view comic authorship as potentially collective authorship. Given the general unreliability of intuitions with respect to collective authorship (coupled with (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark