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  1. added 2019-11-27
    Споруда як річ (на прикладі київських будівель 1920–1930 рр.).Mykhailo Sobutsky - 2019 - «Наукові Записки НаУКМА. Історія І Теорія Культури» 2 (11):82-87.
    Статтю присвячено долі споруд 1920–1930 рр., котрих чимало є в Києві. Розглянуто різні можливі дискурси щодо них, зокрема стилістичний, ідеологічний, семіотичний. Особливу увагу приділено можливим критеріям пам’яткозбереження, оскільки споруди цього часу ще менш захищені від руйнування, ніж, скажімо, зведені на самому початку ХХ ст. Запропоновано підхід до споруди як до матеріальної речі, яка, незалежно від належності до однієї з численних тогочасних архітектурних стилістик (конструктивізм, ар-деко та ін.), заслуговує на збереження через свою дотичність до практичної діяльності попередніх поколінь.
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  2. added 2019-06-28
    Hegel's Architecture.David Kolb - 2007 - In Stephen Houlgate (ed.), Hegel and the Arts. Northwestern University Press.
    "The first of the particular arts . . . is architecture." (A 13.116/1.83)1 For Hegel, architecture stands at several beginnings. It is the art closest to raw nature. It is the beginning art in a progressive spiritualization that will culminate in poetry and music. The drive for art is spirit's drive to become fully itself by encountering itself; art makes spirit's essential reality present as an outer sensible work of its own powers.2 (A 13.453/1.351) If Hegel's narrative of the arts (...)
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  3. added 2019-06-26
    Before Beyond Function.David Kolb - manuscript
    A study of how for Hegel the relation of architecture to building function has varied throughout history. Architecture strives to liberate itself, never completely, from domination by function.
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  4. added 2019-06-25
    Escaping the Museum.David Kolb - unknown - AG3. The Third International Arakawa and Gins: Architecture and Philosophy Conference Sponsored at Griffith University in Brisbane.
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  5. added 2019-06-06
    To the Center of the Sky: Heidegger, Polar Symbolism, and Christian Sacred Architecture.William Behun - 2009 - Environment, Space, Place 1 (1):7-25.
    Heidegger’s sense of the holy is an important aspect of his thought, especially in the form that it takes in his later work. By juxtaposingHeidegger’s thinking on the sacred with traditional metaphysician René Guénon’s examination of the symbolism of the sacred pole, we can bring both elements into clearer focus. This paper undertakes to draw together these two radically disparate thinkers not to undermine either’s project, but rather to demonstrate one way in which the sacred can be more thoroughly understood, (...)
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  6. added 2019-06-05
    The Bodily Other and Everyday Experience of the Lived Urban World.Oren Bader & Aya Peri Bader - 2016 - Journal of Aesthetics and Phenomenology 3 (2):93-109.
    This article explores the relationship between the bodily presence of other humans in the lived urban world and the experience of everyday architecture. We suggest, from the perspectives of phenomenology and architecture, that being in the company of others changes the way the built environment appears to subjects, and that this enables us to perform simple daily tasks while still attending to the built environment. Our analysis shows that in mundane urban settings attending to the environment involves a unique attentional (...)
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  7. added 2019-03-12
    Políticas de la subjetividad urbana. Baudelaire Y Benjamin.Juan José Gómez Gutiérrez - 2018 - Alpha (Osorno) 46:277-286.
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  8. added 2019-03-04
    Anti-mémoires. Noms, reflets et écritures.Filippo Fimiani - 2016 - IMAGES RE-VUES 5:1-32.
    Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington really embodies the beauty of his meaning. For him, the Memorial’s “internal beauty” is felt and read because she is built as a text by the rhetoric of enthymeme, as a syllogism based on some tacit knowledges and highly probables communplaces. However, the relationship to the Kant’s pulchritudo adhaerens and philosophy of architecture is not an easy one : Danto rejects as unreadable the self-referent formalism of Greenberg’s Modernism and (...)
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  9. added 2018-10-18
    An Autonomist View on the Ethical Criticism of Architecture.Ricardo Miguel - 2016 - Philosophy@Lisbon (5):131-141.
    It is a fact that there is ethical criticism about art. Art critics, the general public and even artists point out moral flaws in artworks while evaluating them. Philosophers, however, have maintained a hot debate on the meaning of such criticism. This debate can be understood as a disagreement about the kind of relation between the artistic value of artworks and their alleged moral value. While some claim that moral value can contribute to artistic value (moralism), others claim that there (...)
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  10. added 2018-04-15
    Rethinking Dwelling and Building.Jonas Holst - 2014 - ZARCH 2:52-61.
    The German philosopher Martin Heidegger’s seminal essay “Building, Dwelling, Thinking”, published in 1954, is one of the texts which has had most influence on architectural thinking in the second half of 20th and early 21st century. What much of modern and postmodern architectural thinking extracts from Heidegger’s text and revolves around is the understanding of building and dwelling as more or less abstract forms of being without taking into account the people inhabiting space. In these traditions little has been said (...)
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  11. added 2018-03-08
    Architecture and the Global Ecological Crisis: From Heidegger to Christopher Alexander.Arran Gare - 2003/2004 - The Structurist 43:30-37.
    This paper argues that while Heidegger showed the importance of architecture in altering people's modes of being to avoid global ecological destruction, the work of Christopher Alexander offered a far more practical orientation to deal with this problem.
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  12. added 2018-01-03
    Public Exposure: Architecture and Interpretation.David Kolb - 2008 - Wolkenkuckucksheim - Cloud-Cuckoo-Land - Vozdushnyizamok.
    How the interpretation of architecture differs from that of other artworks.
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  13. added 2018-01-03
    Haughty and Humble Ironies.David Kolb - 1990 - In Postmodern Sphistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago press. pp. 130 - 145.
    A critical examination of the different kinds of irony relevant to architecture, especially romantic and postmodern irony, and a suggestion for a less self-sure haughty kind of irony.
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  14. added 2018-01-03
    Modern Versus Postmodern Architecture.David Kolb - 1990 - In Postmodern Sphistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago press. pp. 87 – 105.
    A discussion of "postmodern" architecture in the sense in which the term was used in the late 1980s, namely, the introduction of historical substantive content and reference into architecture, disrupting the supposedly ahistorical purity of modernist architecture. Argues that postmodern use of history is really another version of the modern distance from history.
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  15. added 2018-01-03
    Building Together / Buildings Together.David Kolb - 1990 - In Postmodern Sphistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago press. pp. 171 – 184.
    A discussion of the problem of creating unified places in a pluralistic multicultural society.
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  16. added 2018-01-03
    Self-Identity and Place.David Kolb - 1990 - In Postmodern Sphistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago press. pp. 146 – 158.
    First part of a discussion about what kind of guidelines we can find in our group or cultural identity for our place making and architectural planning.
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  17. added 2018-01-03
    Extending Architectural Vocabulary.David Kolb - 1990 - In Postmodern Sphistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago press. pp. 116-129.
    A discussion of the role of metaphor and reinterpretation in extending architectural vocabularies.
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  18. added 2018-01-03
    Making Places for Ourselves.David Kolb - 1990 - In Postmodern Sphistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago press. pp. 159 – 170.
    The second part on the discussion of communal self discernment in seeking goals and values for making places and architectural planning.
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  19. added 2018-01-03
    Where Do the Architects Live?David Kolb - 1990 - In Postmodern Sphistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago press. pp. 106 – 115.
    discussion of the extent to which architects can float about history and the inevitable finitude of architectural possibilities from any historical standpoint.
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  20. added 2018-01-02
    Many Centers: Suburban Habitus.David Kolb - 2011 - City 15 (2):155-166.
    Discussions of place and whom need to take more account of the multiplicity of centers in the modern city/suburban environment.
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  21. added 2018-01-02
    Postmodern Sophistications: Philosophy, Architecture, and Tradition.David KOLB - 1990 - University of Chicago Press.
    Kolb discusses postmodern architectural styles and theories within the context of philosophical ideas about modernism and postmodernism. He focuses on what it means to dwell in a world and within a history and to act from or against a tradition.
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  22. added 2017-08-09
    Pastiche.Peg Zeglin Brand Weiser - 2014 - In Michael Kelly (ed.), Encyclopedia of Aesthetics, 2nd ed. Oxford University Press. pp. 76-78.
    The term "pastiche" originally means a "pasty" or "pie" dish containing several different ingredients. It has come to be used synonymously with a variety of terms whose meanings are rarely fixed with clarity: parody, montage, quotation, allusion, irony, burlesque, travesty, and plagiarism. Al;though some definitions of pastiche strive to remain neutral, others have taken on a pejorative sense. Still others are more positive, especially within the realms of twentieth-century postmodern art and architecture.
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  23. added 2016-03-03
    Dal mondo dell'arte al regno delle ombre (e ritorno). Arthur Danto, Maya Lin e la bellezza interna.Filippo Fimiani - 2010 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
    Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington embodies the rhetoric paradigm of internal beauty’s meaning. However, the relationship to the Kant’s pulchritudo adhaerens is not an easy one: Danto’s recalls against the self-referent formalism of Greenberg’s Modernism and his tacit issues about the environmental non-monumentality of Richard Serra’s Minimalism, are, most importantly, haunted by the unquestioned spectral logic of the image embodiment. The beholders’ reflecting shape on the funeral Wall is, finally, both a pathetic index and (...)
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  24. added 2014-10-03
    The Sympathy of Things: Ruskin and the Ecology of Design.Lars Spuybroek - 2011/2016 - V2_NAI Publishers/Bloomsbury.
    The revised and expanded edition of The Sympathy of Things with Bloomsbury Academic, which appeared in 2016. The pdf sample contains the new preface to the second edition and the foreword by Brian Massumi.
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  25. added 2014-10-03
    The Digital Nature of Gothic.Lars Spuybroek - 2011 - In L. Spuybroek (ed.), Research & Design: Textile Tectonics. pp. 8-41.
    The first chapter of The Sympathy of Things published in Research & Design: Textile Tectonics (2011). It develops the notion of a “gothic ontology” which inverts Deleuze’s baroque ontology of the fold. Where in the universe of the fold continuity precedes singularity, in the gothic singularity precedes continuity. The reversal is based on the Ruskinian notion of the rib, which is the source of “changefulness”, expressed through “millions of variations” of figures. Figures move and change only to interact with or (...)
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  26. added 2014-10-03
    The Matter of Ornament.Lars Spuybroek - 2010 - In J. Brouwer A. Mulder (ed.), The Politics of the Impure. pp. 232-267.
    A shortened version of the second chapter of The Sympathy of Things as it was published in The Politics of the Impure (V2_NAI Publishers, 2010). It relates John Ruskin’s “Wall-Veil” to the better-known “Wall-Dress” (Gewand) of Gottfried Semper by understanding both as occurring at the intersection of matter and force. Matter tends to generate patterns in two ways, either downward or upward in dimensions. The first relates to tessellated ornament (cf. Owen Jones); the second to the ribboned ornamentation as we (...)
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  27. added 2014-10-03
    The Architecture of Continuity.Lars Spuybroek - 2009 - V2_NAI Publishers.
    A number of essays and interviews published between 1997 and 2008, revised for this publication with V2_.
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  28. added 2014-03-28
    "Else-Where": Essays in Art, Architecture, and Cultural Production 2002-2011.Gavin Keeney - 2011 - Cambridge Scholars Press.
    “Else-where” is a synoptic survey of the representational values given to art, architecture, and cultural production from 2002 through 2011. Written primarily as a critique of what is suppressed in architecture and what is disclosed in art, the essays are informed by the passage out of post-structuralism and its disciplinary analogues toward the real Real . While architecture nominally addresses an environmental ethos, it also famously negotiates its own representational values by way of its putative autonomy ; its main repression (...)
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  29. added 2012-12-24
    L'architettura Morale Della Città.Leonardo Caffo - 2012 - BLOOM - Trimestrale di Architettura 15 2012 (15):5-8.
    Basandomi su (Harvey 2012) argomenterò che la struttura architettonica della città deve seguire un determinato modello morale: gli edifici devono adattarsi alla persone e alle loro esigenze, e non il contrario. Definita la città come un particolare tipo di oggetto sociale, difenderò la tesi della possibilità di cambiamento “qui e ora” delle strutture architettoniche delle città sulla base del modello che, come mostra (Sudjic 2011), è attualmente ribaltato in una situazione in cui gli agglomerati urbani seguono sostanzialmente una struttura che (...)
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  30. added 2012-11-22
    Giving New Functions to Old Forms: The Aesthetics of Reassigned Architecture.Kenneth Boyd - 2006 - Postgraduate Journal of Aesthetics 3 (2):66-75.
    In modern cities, many old or abandoned buildings occupy valuable land without providing a comparably valuable service. In the past they have often met with the fate of being demolished and replaced, but modern day sentiment, be it foolhardy nostalgia or legitimate concern for architectural heritage, often leads to a building’s refurbishment. As a result, buildings save themselves from the wrecking ball by providing a service that satiates modern day demand.
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  31. added 2012-06-19
    The Paradox of Spontaneity and Design: Designing Spontaneous Interactions.Erik Rietveld & Ronald Rietveld - 2011 - Oase 2011 (85):33-41.
    This paper illustrates how affordance-based design can contribute to solutions for the grand challenges that society faces. The design methodology of ‘strategic interventions’ is explained.
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