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  1. Oxford Handbook of Philosophy of Imagination and Creativity.Amy Kind & Julia Langkau (eds.) - forthcoming - Oxford University Press.
    Philosophy has long either dismissed or paid only minimal attention to creativity, and even with the rise of research on imagination, the creative imagination has largely been ignored as well. The aim of this volume is to correct this neglect. By bringing together existing research in various sub-disciplines, we also aim to open up new avenues of research. The chapters in Part I provide some framing and history on the philosophical study of imagination and creativity, along with an overview of (...)
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  2. Primera Guerra Mundial y Segunda Guerra Mundial: desintegración familiar en el universo rural de Schabbach en Heimat (1984).Jesús Miguel Delgado Del Aguila - 2022 - Revista Estudios 45 (45):1-21.
    La producción alemana Heimat (1984) del director Edgar Reitz consta de 11 largometrajes que abordan, principalmente, la Primera Guerra Mundial y la Segunda Guerra Mundial; además de las repercusiones psicológicas, sociales y económicas que generan en los pobladores estos eventos históricos. Este conjunto de filmes se enfoca en un espacio rural denominado Schabbach. En ese lugar, se aprecia el desarrollo y la evolución de una genealogía que se supedita a la relación de María y Paul Simon, pero desde una perspectiva (...)
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  3. Imagination and the Distinction between Image and Intuition in Kant.R. Brian Tracz - 2019 - Ergo: An Open Access Journal of Philosophy 6:1087-1120.
    The role of intuition in Kant’s account of experience receives perennial philosophical attention. In this essay, I present the textual case that Kant also makes extensive reference to what he terms “images” that are generated by the imagination. Beyond this, as I argue, images are fundamentally distinct from empirical and pure intuitions. Images and empirical intuitions differ in how they relate to sensation, and all images (even “pure images”) actually depend on pure intuitions. Moreover, all images differ from intuitions in (...)
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  4. Historical progress and involution of ideals / Исторический прогресс и инволюция идеалов.Pavel Simashenkov - 2017
    My book is about the human creativity being a source of progress, and cycling of evolution caused by platitude and triviality of once high-reaching idealism. In essence the book presents an original perception of human history, based on Christian values as vital coordinates system. I hope this book will revive the interest to the Russian school of thoughts and to humanism in general.
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  5. Imagination in mathematics.Andrew Arana - 2016 - In Amy Kind (ed.), The Routledge Handbook of the Philosophy of Imagination. New York: Routledge. pp. 463-477.
    This article will consider imagination in mathematics from a historical point of view, noting the key moments in its conception during the ancient, modern and contemporary eras.
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  6. Sartre.Robert Hopkins - 2016 - In Amy Kind (ed.), The Routledge Handbook of the Philosophy of Imagination. New York: Routledge. pp. 82-93.
    In The Imaginary Sartre offers a systematic, insightful and heterodox account of imagining in many forms. Beginning with four ‘characteristics’ he takes to capture the phenomenology of imagining, he draws on considerations both philosophical and psychological to describe the deeper nature of the state that has those features. The result is a view that remains the most potent challenge to the Humean orthodoxy that to this day dominates both philosophical and psychological thinking on the topic.
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  7. Perception and Imagination.Uriah Kriegel - 2015 - In S. Miguens, G. Preyer & C. Bravo Morando (eds.), Prereflective Consciousness: Sartre and Contemporary Philosophy of Mind. New York: Routledge. pp. 245-276.
    According to a traditional view, there is no categorical difference between the phenomenology of perception and the phenomenology of imagination; the only difference is in degree (of intensity, resolution, etc.) and/or in accompanying beliefs. There is no categorical difference between what it is like to perceive a dog and what it is like to imagine a dog; the former is simply more vivid and/or is accompanied by the belief that a dog is really there. A sustained argument against this traditional (...)
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  8. The didactic, persuasive and scientific uses of illustrations after Descartes.Andrea Strazzoni - 2015 - Noctua 2 (1-2):432-480.
    The aim of this article is to unveil the ways of teaching new philosophical paradigms in Dutch Universities between Seventeenth and Eighteenth Century, by means of an analysis of the uses of illustrations in Cartesian and Newtonian natural-philosophical textbooks. This analysis allows to understand the overall functions of philosophical textbooks, where illustrations act as conceptual means, filling the gap between the premise of a theory and its actual contents; didactic means, aiming to help the reader in understanding scientific models fully (...)
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  9. The Kantian Roots of Merleau-Ponty's Account of Pathology.Samantha Matherne - 2014 - British Journal for the History of Philosophy 22 (1):124-149.
    One of the more striking aspects of Maurice Merleau-Ponty's Phenomenology of Perception (1945) is his use of psychological case studies in pathology. For Merleau-Ponty, a philosophical interpretation of phenomena like aphasia and psychic blindness promises to shed light not just on the nature of pathology, but on the nature of human existence more generally. In this paper, I show that although Merleau-Ponty is surely a pioneer in this use of pathology, his work is deeply indebted to an earlier philosophical study (...)
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  10. Phantasie and Phenomenological Inquiry - Thinking with Edmund Husserl.Andreea Smaranda Aldea - 2012 - Dissertation,
    This dissertation explores and argues for the import of the imagination (Phantasie) in Edmund Husserl's phenomenological method of inquiry. It contends that Husserl's extensive analyses of the imagination influenced how he came to conceive the phenomenological method throughout the main stages of his philosophical career. The work clarifies Husserl's complex method of investigation by considering the role of the imagination in his main methodological apparatuses: the phenomenological, eidetic, and transcendental reductions, and eidetic variation - all of which remained ambiguous despite (...)
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  11. (1 other version)La Chair et L'Imaginaire: The Developing Role of the Imagination in Merleau-Ponty's Philosophy.Glen A. Mazis - 1988 - Philosophy Today (1):30-42.
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