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  1. added 2018-06-17
    The Proof Structure of Kant's A-Edition Objective Deduction.Corey W. Dyck - forthcoming - In Giuseppe Motta & Dennis Schulting (eds.), Kants transzendentale Deduktion der Kategorien: Neue Interpretationen / Kant's Transcendental Deduction of the Categories: New Interpretations. Berlin: DeGruyter.
    Kant's A-Edition objective deduction is naturally (and has traditionally been) divided into two arguments: an " argument from above" and one that proceeds " von unten auf." This would suggest a picture of Kant's procedure in the objective deduction as first descending and ascending the same ladder, the better, perhaps, to test its durability or to thoroughly convince the reader of its soundness. There are obvious obstacles to such a reading, however; and in this chapter I will argue that the (...)
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  2. added 2017-08-18
    Kant's Theory of the Imagination.Samantha Matherne - 2016 - In Amy Kind (ed.), The Routledge Handbook of the Philosophy of Imagination. London: Routledge. pp. 55-68.
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  3. added 2016-08-26
    Kantian Themes in Merleau-Ponty’s Theory of Perception.Samantha Matherne - 2016 - Archiv für Geschichte der Philosophie 98 (2):193-230.
    It has become typical to read Kant and Merleau-Ponty as offering competing approaches to perceptual experience. Kant is interpreted as an ‘intellectualist’ who regards perception as conceptual ‘all the way out’, while Merleau-Ponty is seen as Kant’s challenger, who argues that perception involves non-conceptual, embodied ‘coping’. In this paper, however, I argue that a closer examination of their views of perception, especially with respect to the notion of ‘schematism’, reveals a great deal of historical and philosophical continuity between them. By (...)
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  4. added 2016-08-02
    Kant's Radical Subjectivism. Perspectives on the Transcendental Deduction.Dennis Schulting - 2017 - London, UK: Palgrave-Macmillan.
    Kant's Radical Subjectivism. Perspectives on the Transcendental Deduction.
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  5. added 2016-07-04
    Intuition and Presence.Colin McLear - 2017 - In Andrew Stephenson & Anil Gomes (eds.), Kant and the Mind. Oxford: Oxford University Press. pp. 86-103.
    In this paper I explicate the notion of “presence” [Gegenwart] as it pertains to intuition. Specifically, I examine two central problems for the position that an empirical intuition is an immediate relation to an existing particular in one’s environment. The first stems from Kant’s description of the faculty of imagination, while the second stems from Kant’s discussion of hallucination. I shall suggest that Kant’s writings indicate at least one possible means of reconciling our two problems with a conception of “presence” (...)
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  6. added 2016-05-26
    Imagination and Inner Intuition.Andrew Stephenson - 2017 - In Andrew Stephenson & Anil Gomes (eds.), Kant and the philosophy of Mind: Perception, Reason, and the Self. Oxford: Oxford University Press. pp. 104-123.
    In this paper I return to the question of whether intuition is object-dependent. Kant’s account of the imagination appears to suggest that intuition is not object-dependent. On a recent proposal, however, the imagination is a faculty of merely inner intuition, the inner objects of which exist and are present in the way demanded by object-dependence views, such as Lucy Allais’s relational account. I argue against this proposal on both textual and philosophical grounds. It is inconsistent with what Kant says about (...)
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  7. added 2015-06-16
    Kant's Subjective Deduction.Nathan Bauer - 2010 - British Journal for the History of Philosophy 18 (3):433-460.
    In the transcendental deduction, the central argument of the Critique of Pure Reason, Kant seeks to secure the objective validity of our basic categories of thought. He distinguishes objective and subjective sides of this argument. The latter side, the subjective deduction, is normally understood as an investigation of our cognitive faculties. It is identified with Kant’s account of a threefold synthesis involved in our cognition of objects of experience, and it is said to precede and ground Kant’s proof of the (...)
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  8. added 2015-05-04
    Imagination and Creativity.Dustin Stokes - 2016 - In Amy Kind (ed.), The Routledge Handbook of the Philosophy of Imagination. Routledge.
    This paper surveys historical and recent philosophical discussions of the relations between imagination and creativity. In the first two sections, it covers two insufficiently studied analyses of the creative imagination, that of Kant and Sartre, respectively. The next section discusses imagination and its role in scientific discovery, with particular emphasis on the writings of Michael Polanyi, and on thought experiments and experimental design. The final section offers a brief discussion of some very recent work done on conceptual relations between imagination (...)
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  9. added 2014-07-07
    The Kantian Roots of Merleau-Ponty's Account of Pathology.Samantha Matherne - 2014 - British Journal for the History of Philosophy 22 (1):124-149.
    One of the more striking aspects of Maurice Merleau-Ponty's Phenomenology of Perception (1945) is his use of psychological case studies in pathology. For Merleau-Ponty, a philosophical interpretation of phenomena like aphasia and psychic blindness promises to shed light not just on the nature of pathology, but on the nature of human existence more generally. In this paper, I show that although Merleau-Ponty is surely a pioneer in this use of pathology, his work is deeply indebted to an earlier philosophical study (...)
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  10. added 2014-06-30
    Kant and the Art of Schematism.Samantha Matherne - 2014 - Kantian Review 19 (2):181-205.
    In the Critique of Pure Reason, Kant describes schematism as a (A141/B180–1). While most commentators treat this as Kant's metaphorical way of saying schematism is something too obscure to explain, I argue that we should follow up Kant's clue and treat schematism literally as Kunst. By letting our interpretation of schematism be guided by Kant's theoretically exact ways of using the term Kunst in the Critique of Judgment we gain valuable insight into the nature of schematism, as well as its (...)
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  11. added 2014-03-13
    The Inclusive Interpretation of Kant's Aesthetic Ideas.Samantha Matherne - 2013 - British Journal of Aesthetics 53 (1):21-39.
    In the Critique of the Power of Judgment, Kant offers a theory of artistic expression in which he claims that a work of art is a medium through which an artist expresses an ‘aesthetic idea’. While Kant’s theory of aesthetic ideas often receives rather restrictive interpretations, according to which aesthetic ideas can either present only moral concepts, or only moral concepts and purely rational concepts, in this article I offer an ‘inclusive interpretation’ of aesthetic ideas, according to which they can (...)
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  12. added 2013-10-21
    Art as Cognitio Imaginativa: Gadamer on Intuition and Imagination in Kant's Aesthetic Theory.Daniel L. Tate - 2009 - Journal of the British Society for Phenomenology 40 (3):279-299.
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